15 résultats
16725393Venice: Steffano Curti 1672. soft cover. Very Good/The classicist Fulvio Testi worked diligently to oppose of the baroque excesses of Marino and his followers and to maintain Horatian decorum. After a brilliant diplomatic career he died--or was murdered--in prison. His poems were admired and went through many editions. . 12mo 16 cm; 596 pages. Half title present. Typographic and woodcut ornaments. Bound "alla rustica" in pasteboard worn. Shaken. Title in ink on spine. Pages untrimmed and generally clean. Vinciana 2661. Steffano Curti paperback books
16725393Venice: Steffano Curti 1672. soft cover. Very Good. 12mo 16 cm; 596 pages. Half title present. Typographic and woodcut ornaments. Bound "alla rustica" in pasteboard worn. Shaken. Title in ink on spine. Pages untrimmed and generally clean. Vinciana 2661. <br /><br />The classicist Fulvio Testi worked diligently to oppose of the baroque excesses of Marino and his followers and to maintain Horatian decorum. After a brilliant diplomatic career he died--or was murdered--in prison. His poems were admired and went through many editions. Steffano Curti paperback
1678001927Amsterdam; Paris: D. Elsevier; Thomas Jolly 1678. Full Morocco. Very Good Plus. 24mo. 10 by 6 cm. 168 pp. With seven woodcuts including the half-title. First published in 1607 this play is in the tradition of Tasso's "Aminta" or Guarini's "Il Pastor Fido". Aminta is in fact the name of a character within the play. Brunet I 1088. Leaves are age toned with a light dampstain affecting a few leaves in the corner. Otherwise tight and clean. Modern red full morocco with marbled endpapers. D. Elsevier; Thomas Jolly unknown
1678001927Amsterdam; Paris: D. Elsevier; Thomas Jolly 1678. Full Morocco. Very Good Plus. 24mo. 10 by 6 cm. 168 pp. With seven woodcuts including the half-title. First published in 1607 this play is in the tradition of Tasso's "Aminta" or Guarini's "Il Pastor Fido". Aminta is in fact the name of a character within the play. Brunet I 1088. Leaves are age toned with a light dampstain affecting a few leaves in the corner. Otherwise tight and clean. Modern red full morocco with marbled endpapers. <br /><br /> D. Elsevier; Thomas Jolly books
1628ZB431341In Venetia: Appresso il Ciotti 1628. narrow 32mo 12 cm. tall x 6.5 cm. 24 beginning with title a1 25-163 pp full vellum darkened and with a few water spots short split at bottom of front hinge small hole at tail of spine margins cut down barely shaving letters in the dedication section book label . - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. In Venetia: Appresso il Ciotti, hardcover
164819354Augmentées de deux tables des principales matières, tant du corps du livre, que des commentaires. Enrichies de quantité de figures en taille-douce. Un titre frontispice et 16 figures d'après Crispin de Passe et gravées par Briot.Paris, chez Nicolas et Jean de La Coste - 1648 - 270 pages + 2 tables des principales matières.Reliure plein veau de l'époque. Dos à nerfs orné de fleurons dorés avec titre. Coiffes manquantes, mors fendus. Coins émoussés. Reliure usagée. Tranches dorées. Très rares rousseurs. Assez bon état. Format in-12°(18x12).
169821457Paris, Michel Brunet, 1698 ; in-12, veau fauve, dos à nerfs très décoré et doré, pièce de titre grenat, roulette sur les coupes, tranches rouges (reliure de l’époque) ; VIII, 285, [11] pp. Table et Privilège. Imprimerie de Gilles Paulus-Du-Mesnil ; [8] pp. de Catalogue du libraire.
1651028068Bologna: Presso Gio. Batt. Ferroni 1651. 12mo in 8s. 2271pages diagrams. Giovanni Ricci 1607-1664 was noted for his keen observations in astronomy confirming Galileo's measurements. He dealt not only with astronomy in his research but also with physics arithmetic geometry optics geography and chronology. Bound in full vellum Euclide written in brown ink to spine lacking one front and rear blank previous owner's gift inscription wear to binding joints and hinges fine light dampstaing to last 1/4 of book. A very good copy. Presso Gio. Batt. Ferroni unknown
162416716De nouveau traduites en françois. Contenans XV livres. Enrichies de plusieurs belles figures représentant au vif les principales Fables et transformations au sujet. Revues et mises en meilleur ordre qu'auparavant les précédentes impressions.Dernière édition. A Rouen, chez Manassez de Préaulx, devant le portail des Libraires. M. DC. XXIIII (1624) - 12 ff (sommaire) et 648 pages, Table 4 pages. 192 figures dans le texte, vignette de titre, bandeaux, lettrines et culs-de-lampe.Reliure plein veau de l'époque. Dos à 5 nerfs orné et doré. Tranches rouges. Coiffes frottées. Page de titre restaurée. Pas de rousseur. Bon état. Format in-12°(17x10).
165433704In Venetia: Per Giacomo Bortoli 1654. 1st edition thus i.e. by this publisher with the first Italian translation research suggests appearing in 1630. Early drab paper binding with hand inked title to spine. Spine a bit sun-tanned. Bookplate. Period pos to t.p. Leaves D1 & D2 rounghly opened with top corner lacking just touching but not removing page numbers. Paper defect to M12 no text affected. Withal a pleasing VG copy. 12 348 pp. Untrimmed. Printer's device presumed to t.p. Head- tailpieces. Decorative initial capital letters. 12mo: a6 A - O12 P6. P3 mis-signed a3. 6-1/4" x 3-3/4" <br/><br/>This a translation of Camus' Élise ou L'innocence Coupable which was first published in 1621. "Jean-Pierre Camus was one of the most prolific authors of the period 1620-1648. His prose is succinct without the elaborate rhetoric of authors -- such as Antoine de Nervèze -- from the previous generation. He also shows a vast knowledge of poetry. Camus's first works were strongly influenced by the Essays of Michel de Montaigne albeit with more religious content. His spiritual works were directly inspired by Saint François de Sales; he was critical of mendicant orders and wrote extensively on poverty grace and spiritual reflection. His fictional works encompass both novels and short stories. His dark and violent stories often based on contemporary anecdotes or criminal incidents he wrote over 1000 such works were in the tradition of the horrific tales "histoires tragiques" of Matteo Bandello popular in France in the late Renaissance and early seventeenth century. His longer works show the influence of ancient Greek novels such as the works of Heliodorus of Emesa and Achilles Tatius with their scenes of tempests and kidnappings. Much of his fiction has a moralistic intention showing human folly the unruliness of passions the dangers of illicit love and the saving grace of divine love." Wiki; see also: Sollier Catholic Encyclopedia. All Italian editons are rare. OCLC records just one holding of this edition Harvard. KVK locates 2 copies in Italy. Per Giacomo Bortoli unknown books
1651028068Bologna: Presso Gio. Batt. Ferroni 1651. 12mo in 8s. 2271pages diagrams. Giovanni Ricci 1607-1664 was noted for his keen observations in astronomy confirming Galileo's measurements. He dealt not only with astronomy in his research but also with physics arithmetic geometry optics geography and chronology. Bound in full vellum Euclide written in brown ink to spine lacking one front and rear blank previous owner's gift inscription wear to binding joints and hinges fine light dampstaing to last 1/4 of book. A very good copy. Presso Gio. Batt. Ferroni unknown books
165019178Adjecti sunt etiam Homerici centones qui Graecè Omhpokentpa : item, proverbialium Homeri versuum libellus. Imprimé en latin/grec.Editio postrema diligenter recognita per I.T.P.Amstelaedami, Apud Joannem Ravesteinium, (Henri Laurent) - 1650 (1648) - 4 pp blanches + 803 pp + 1 pp + 67 pp (en grec)+ 41 pp + 4 pp blanches.Reliure vélin rigide à rabat de l'époque. Titre manuscrit au dos. Rares rousseurs sur quelques pages. Défauts mineurs. Bon état. Format in-12°(16x11).Agréable édition bilingue faite sur celle d'Henri Etienne, le grec faisant face au latin, et utilisant une élégante typographie inspirée des grecs. A la suite de l'Odyssée, on trouve les hymnes homériques en grec.Devise gravée de l'imprimeur Henri Laurent sur la page de titre. Jean Ravestein semble avoir acheté le stock à son compatriote pour son propre débit comme le suggère l'étiquette modifiant l'adresse collée sur la page de titre.
169717851697 Ed. Jacques Desbordes, Amsterdam, 1697. Petit in-12, plein maroquin vert ancien, postérieur, pièce de titre maroquin rouge, dos orné. ( viii), 232 pages. Frontispice gravé, avec rehauts de couleur rouge;
169915954A Paris, chez Jacques Collombat, 1699. In-12 de (8)-304-(4) pp. (errata et privilège), veau fauve, pièce de titre en maroquin rouge, dos orné à nerfs (reliure de l'époque).
169712540A Amsterdam, chez George Gallet, 1697. 2 volumes in-12 de [24]-366 et 427-[14] pages, plein maroquin bordeaux, dos à 5 nerfs ornés de fleurons, encadrements, roulettes, titre, date et tomaison dorés, triple filet doré encadrant les plats, double sur les coupes, roulette intérieure dorée, tranches dorées. Reliure signée Thibaron Echaubard.