Perrault CharlesABAA
1 310 résultats
19185087London: Cyril Beaumont 1918. First edition. First edition. 7 x 9 1/4 inches. ONE OF ONLY TEN COPIES Printed on Papier Chine and Signed by the Artist this is Copy #2 and another forty unsigned copies were printed on Van Gelder paper. Original color-printed pictorial boards with interpretive circular illustration and design elements and decorative stamped spine in colors. With original red silk stitching at spine interface to cover. Endpapers with delightful repeating blossom pattern in green yellow blue and red. WITH SIXTEEN SUPERB FULL-PAGE LINOCUT ILLUSTRATIONS BY EDGARD TIJTGAT each printed in two states one in color and the other in red-brown. Born Edgard Tytgat 1879-1957 in Brussels the artist was immensely popular on the Continent as a critic cited: "Tytgat pulled out all the visual stops to retell myths legends and fairy tales in his paintings and prints. Like the filmmakers of his time he depicted a world full of imagination absurdity and humour. TytgatÃs ëfairy talesà bring back to life and show a wide range of emotions." Somewhat soiled and scratched spine chipped and toned. Internally generally clean; scattered and uneven foxing minor toning other minor scattered wear. A lovely version of Perrault's popular tale combining avant-garde and folk-art styles. No other copies located in the marketplace. Housed in attractive quarter green morocco box raised bands gilt spine superbly marbled side boards and felt-lined by Sean Eric Rios. Cyril Beaumont unknown books
19891058401989 2 Montage photographique. Tirage C-Print. Feuille : 505x610mm Image 403x596mmSigné sur le montage, sous encadrement original.
1902761A59London: The Eragny Press 1902. Hardback. Very Good. 8.5" by 5.5". T. Sturge Moore. A very scarce edition of this popular tale limited to two hundred and thirty copies and illustrated by T. Sturge Moore. A limited edition copy of two hundred and thirty printings of this work. A very scarce volume. Comprising a popular tale the most famous version by Charles Perrault Histoire de Peau d'Ane Donkey Skin originally published in 1694. According to Ruth B. Bottigheimer this would be the first written French fairy tale classing among folktales of Aarne-Thompson.An Eragny press edition. This publisher active between 1896 and 1914 specialised in small handmade books in limited prints with stunning wood engravings. It produced a total of thirty two titles. Founded by Lucien Pissarro the publications were inspired by the works of the Kelmscott Press. Pissarro was a great printmaker and wood engraver himself he worked in France for about thirty years before he moved to Britain.With three engravings by T. Surge Moore and frontispiece by L. Pissarro. in the original publisher's paper covered boards with title stamped in gilt to front board and spine. Externally sound with slight shelfwear and rubbing to head and tail of spine. Slight handling marks to boards. William S. Argent's bookplate to front pastedown. Internally firmly bound. Pages are bright and clean. Small bookworm mark affecting pastedown to sixteen not affecting contents or text. Illustrated with frontispiece three engravings by T. Sturge Moore. Very Good The Eragny Press hardcover
19573549BB1957. Lausanne André et Pierre Gonin 1957. 4°. 23 Bl. Mit 1 Farbstiftzeichnung u. zahlr. farb. z.T. ganzs. Textillust. von Hans Fischer. Lose in Orig.-Pergament und Schuber. Vgl. Schug 1662. - "Die von dem Schweizer Hans Fischer 1909-1958 ersonnene Paraphrase ist eine der geglücktesten überhaupt. Er motiviert sie mit den Worten: 'Was nicht in der Geschichte steht: nämlich dass es für einen Kater gar nicht einfach ist in Stiefeln zu stehen und auf zwei Beinen zu gehen. Das musste er zuerst lernen" Schug. Mit Farbstiftzeichnung von Hans Fischer. Der Kater empfängt die Kutsche. unknown
19573549BBLausanne, André et Pierre Gonin, (1957). 4°. 23 Bl. Mit 1 Farbstiftzeichnung u. zahlr. farb., z.T. ganzs. Textillust. von Hans Fischer. Lose in Orig.-Pergament und Schuber.
195021024Paris: Jean Porson 1950. Limited Edition. Full Morocco. Gilt and silver blindstamped modernist decoration. Slipcase with morocco trim. Fine/Very Good. Henry Lemarié. Magnificent and striking Art Deco full morocco binding by J. Lambert of a lush edition of the most classic fairy tale. No. 25 of 30 copies with illustrations in two states apart from text as well as several of the 39 illustrations shown in their progressive stages of the coloring process. states but then also presented as a progressive with the each step of the coloring process presented. 4to. 24.5 by 16.5 cm. Although the story is short with pagination running from 1 to 33 with the last page not paginated and there are two pages of verse two pages describing the pagination the book is thick thanks to the thickness of the paper -- the leaves could fairly be described as of a card stock. There are about 140 leaves in all with heavy gilt edges. Original wraps bound in. Notwithstanding the occasional light fox mark we can comfortably grade this copy as Fine. The slipcase remains very solid. Its paper pastedown does have a few scratches and spme schmutz. Jean Porson unknown
19693228DISNEYLAND 1969. 1. LP. Die große Langspielplatte mit buntem Bilderbuch! DISNEYLAND unknown
1920bf5527A Paris aux éditions de la Sirène, rue Pasquier, N° 7 Coups de coeur de Bernard Broché 1920 Un des rares exemplaires (50) de ce magnifique livre illustré par Lucien Laforge sur Papier Whatman, premier et seul papier, véritable édition originale. In-4 carré, 24,8 cm x 24,5 cm, nombreuses illustrations en noir, in-texte, et 8 compositions hors-texte en couleurs rondes, coloriées au patron par l'atelier André Marty. Ici un des 50 exemplaires sur papier Whatman (n° 30), imprimé sur les presses d'Henri Diéval le 5 décembre 1920. Ce recueil contient : La belle au bois dormant, Le petit chaperon rouge, Barbe bleue, Le chat botté, Les fées, Cendrillon, Riquet à la houpe, Le petit poucet ; couverture légèrement salie, intérieur très frais, tranches non massicotées. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
198867469Picard. New. 1988. Paperback. 270840377X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 304 pp. With 219 ills. 26 x 24 cm. -- with a bonus offer--; 0.94 x 10 x 9.37 Inches . Picard paperback
192087354Reliure postérieure demi-box rose. Dos lisse avec titre doré. Couverture et dos conservés. Reliure signée Boichot. Papier bruni par le temps mais les couleurs sont restées vives.Recueil de huit contes de Charles Perrault, dont La Belle au bois dormant, Le Petit Chaperon rouge et Le Chat botté, chacun accompagné d'une planche en couleurs et de nombreuses illustrations en texte de l'artiste français Art déco Lucien Laforge (1889-1952). Les dessins fantaisistes aux couleurs posées en aplats ont été coloriés "au patron" par l'Atelier André Marty.
193637587Paris Editions du Perce-Ne 1936 In-4, en feuilles, couverture imprime.31 gravures in texte de J.-E. Laboureur. Tirage limit 75 exemplaires numrots et signs par l'artiste. Un des 65 exemplaires sur papier vlin de Rives.
193324878George G. Harrap & Co. 1933. Limited ed. Hardcover. Very Good. Limited edition # 55 of four hundred and sixty copies signed by the illustrator Arthur Rackham very good hardcover full vellum ruled in gilt with gilt letter and decorationno jacket or slipcase with top page edges gilt that shows soiling to covers exposure toning to white from off white along top edge of rear cover about an inch deep mild wrinkling and touch of darkening along spine tiny closed tear at spine head foxing along top edges and bit of same at top edges inside covers gift inscription at top of front blank touch of soil at rear pastedown mild spot of occasional soil to pages within and some other very minor trace wear including unattached ribbon marker laid-in. 287 pages have been cut in a fairly clean manner with decorative endpapers eight illustrated color plates and over 50 illustrations to text. Still a solid and pleasing copy of this limited edition featuring new illustrations and signature by Rackham that compliment some of the great fairy tales of all time including Jack and the Beanstalk Beauty and the Beast the Ugly Duckling Cinderella Puss in Boots Rip Van Winkle and many many others. Signed. George G. Harrap & Co. hardcover
1902123847London: Printed at the Eragny Press for Hacon & Ricketts 1902. Hardcover. Very Good. London Printed at the Eragny Press for Hacon & Ricketts 1902 first thus. Octavo 40 pages printed in red and black on Arches handmade paper with a wood-engraved vignette for the Mother Goose stories title vignette borders initials and printer's device plus 2 wood-engraved illustrations. Original quarter contrasting plain and patterned papered boards lettered in gilt; edges uncut and partially unopened; covers lightly sunned and rubbed with brown marks to the rear cover apparently from prolonged contact with another book; endpapers browned; a very good copy internally in fine condition. One of only 230 copies of which 200 were offered for sale printed at the Eragny Press of Lucien and Esther Pissarro. The title vignette and two illustrations were drawn and engraved by T. Sturge Moore; the frontispiece borders and initials were designed by Lucien and engraved by him and Esther. This is the fourteenth book of the press. Printed at the Eragny Press for Hacon & Ricketts hardcover
192822673Paris, Au Sans Pareil, René Hilsum, 1928 ; petit in-4°, maroquin bleu nuit, dos rond, titre doré, chiffres 1,1,1-0 mosaïqués en jaune, rouge, bleu et blanc, disposés verticalement au centre, tête dorée, couverture et dos conservés, contreplats et gardes de daim jaune vif, étui bordé (reliure moderne) ; 199, [3] pp. Outre les gravures placées en frontispice de chaque conte, elle contient deux suites de planches : 11 lithographies dues à Alexeïeff, Yves Alix, Georges Annenkoff, Maurice Berdon, André Dignimont, Raphaël Drouart, Adrien Ekman, Berthold Mahn, Jacqueline Marval, Touchagues et Germaine Willard ; et 11 gravures sur bois en deux tons, signées par Angéline Beloff, René Ben Sussan, Lucien Boucher, Jacques Boullaire, Pierre Falké, D.Galanis, Louis Jou, Alfred Latour, Constant Le Breton, Frans Masereel et Pierre Pinsard.
194886418Paris: Jean Porson 1948. Fine. Jean Porson Paris 1948-1950 16 x 24.50 cm 3 volumes en feuilles sous étuis oblongs First printing of the 109 colored wood miniatures by Henry Lemarié one of the numbered copies on Rives laid paper for each of the volumes. Small tear at foot of spine of the Bluebeard slipcase very light rubbing without significance to the slipcases two small tears at foot of second board of the silent wrapper encasing Cinderella. We include the illustrated catalogue of Jean Porson editions as well as the catalogue printed on Rives announcing the collection of Charles Perrault tales illustrated by Henry Lemarié. This descriptive catalogue is decorated with the frontispiece of Sleeping Beauty in black two vignettes and two in-text illustrations by Henry Lemarié. Each slipcase features an illustration by Henry Lemarié on the first board. Pleasant and rare set complete with its illustrated slipcases which was originally intended to comprise six tales but of which only three were published. Jean Porson unknown
196055447ABLausanne, André et Pierre Gonin 1960. In-4°. 43 p.en feuilles, illustré de lithographies en couleurs + une suite des lithographies décomposée. Broché, couverture rempliée avec chemise et étui.
19109504London; William Heinmann 1913. 1910. Hard Cover. SIGNED FIRST EDITION THUS. No. 282 of the Deluxe Llimited Edition of 1100 copies signed by the artist. Quarto pp. 159 1. With colour frontispiece and 12 colour plates mounted on thick fawn paper with captioned tissue guards captioned in brown additional black and white illustrations throughout the text by Rackham. Bound in the original publishers' ivory-white cloth gilt blocked vignette and titles to upper boards gilt titles and ornaments to spine blind printer's device to lower board top edge gilt others uncut. Cloth lightly soiled endpapers toned light speckled foxing mainly to prelims and fore-edges. A tight square clean copy free of ownership inscriptions or annotations with bright vibrant illustrations and bright gilt decorations. A very good copy. A collection of the best-loved nursery-rhymes by Charles Perrault illustrated in Rackham's characteristic enchanting style. A leading figure of the Golden Age of British book illustration Rackham's dark and ethereal approach to his subjects continues to influence artists illustrators and film directors to this day. London; William Heinmann, 1913. hardcover
1928659P24London: Cassell & Company Limited 1928. Vellum. Very Good. 11.5" by 9". Edmund Dulac. A signed limited edition of Edmund Dulac's beautifully illustrated collection of French short stories illustrated in colour throughout. A signed limited edition being numbered five-hundred and eighty of one-thousand copies. Signed by the illustrator to the edition page. Illustrated with twelve colour plates. Collated complete. A collection of classics children's French fairy tales including 'Puss in Boots' 'Princess Rosette' 'Green Dragon' 'The Fairy Song' and more. These stories show the beginning of the trend for fairy tales which have reminded at the forefront of literature since the seventeenth century. The stories were written by Charles Perrault Madame d'Aulnoy and Count Anthony Hamilton. Perrault is known to have laid the foundation for the literary genre of fairy tales with his publication 'Histoires ou Contes de Temps Passe' of which the best known 'Puss in Boots' is included in this volume. d'Aulnoy is known for coining the phrase 'fairy-tales' and she names her works 'Contes de Fees'. Hamilton was a soldier as well as a writer and was exiled from France for siding with James II against the Prince of Orange. Illustrated by Edmund Dulac a well known book illustrator of natural sciences. His first commision was to illustrated editions of the Bronte novels. He also illustrated many fairy tales such as 'The Sleeping Beauty' and a collection of stories by Hans Christian Andersen. A colourful collection of old French fairy tales illustrated throughout. In the original publisher's quarter vellum binding with cloth to the boards. Externally smart. Light discolouration and marks to the vellum as is usual. A few light marks to the boards. Minor bumping to the extremities. The odd spot to the fore edge. Internally firmly bound. Pages are bright and generally clean with the odd scattered spot. Very Good Cassell & Company, Limited hardcover
19483451Paris Jean Porson 1948 grand in-8 en feuilles Paris, Jean Porson, 1948-1950. 3 volumes grand in-8, 26 x 18 cm, 41 (6) pp. - 25 (6) pp. - 33 (7) pp., en feuilles, sous couvertures crème imprimées et rempliées et sous coffrets cartonnés de l'éditeur ornés d'une large pièce de titre illustrée en couleurs. Au total, 109 miniatures en couleurs, dont 4 à pleine page. En-têtes, bandeaux, lettrines et culs-de-lampe gravés sur bois.
1902179187London: Printed at the Eragny Press for Hacon & Ricketts 1902. First edition thus one of 230 copies beautifully illustrated and printed at the Eragny Press of Lucien and Esther Pissarro. Lucien became acquainted with the Arts and Crafts movement in the 1890s and founded the Eragny Press in 1894. Perrault's telling of the folk tale of Donkey Skin was published in 1695. The Pissarros produced over 30 books at the Eragny Press their productions notable for their woodcuts and the Pissarros' focus on the interplay of illustration and text. Thomas Sturge-Moore the poet playwright and designer was introduced to the Pissarros in 1891 by Charles Ricketts of the Vale Press and became a regular choice for the Eragny Press's illustrations. Octavo. Woodcut title page three further woodcuts by T. Sturge Moore and decorative initials. Printed in red and black. Original blue quarter boards blue patterned paper sides front cover lettered in gilt fore and bottom edges untrimmed. Bookplate of Robert Elwell on front pastedown. Spine browned and rubbed wear to ends and corners offsetting to endpapers else contents clean and crisply printed: a very good copy. Ransom 'Eragny' 13; Marcella D. Genz A History of the Eragny Press 1894-1914 2004 EP14. hardcover
195723590AB1957. Lausanne André et Pierre Gonin 1957. 4°. 23 Bl. Mit zahlr. farb. z.T. ganzs. Textillust. von Hans Fischer. Lose Lagen in Orig.-Umschlag Halbpergament-Chemise u. Schuber. Vgl. Schug 1662. Nr. 109 v. 235 Ex. GA 270. Signiert im Impressum von André Gonin. "Die von dem Schweizer Hans Fischer 1909-1958 ersonnene Paraphrase ist eine der geglücktesten überhaupt. Er motiviert sie mit den Worten: 'Was nicht in der Geschichte steht: nämlich dass es für einen Kater gar nicht einfach ist in Stiefeln zu stehen und auf zwei Beinen zu gehen. Das musste er zuerst lernen" Schug. unknown
195723590ABLausanne, André et Pierre Gonin, (1957). 4°. 23 Bl. Mit zahlr. farb., z.T. ganzs. Textillust. von Hans Fischer. Lose Lagen in Orig.-Umschlag, Halbpergament-Chemise u. Schuber.
1928899Cassell & Company Limited/ Charles Scribner's Sons 1928. De Luxe Edition Signed and Limited to 1000 Copies. Publisher's Blue Cloth Backed with Vellum. Gilt Stamping to Spine. Near Fine. Edmund Dulac. A Near Fine Book without a Dust Jacket in its Original Decorative Box Signed by the Illustrator Edmund Dulac. Book has trace wear to bottom corners and foxing throughout though plates intact. Gilt to top edge. Box is heavily foxed and has been repaired to maintain integrity. Book and box indicate the book is number 929 of 1000 copies released as a De Luxe Edition signed by Dulac on the limitation page. Intact and complete with 12 full color bound-in illustrations by Dulac. Glassine intact. Hardcover. Quarto. 4 5-251 pp. A stunning collection of French fairy tales illustrated by renowned illustrator Edmund Dulac. Scarce in original box. Cassell & Company, Limited/ Charles Scribner's Sons unknown
194886418Jean Porson | Paris 1948-1950 | 16 x 24.50 cm | 3 volumes en feuilles sous étuis oblongs
191945Paris: Librarie Hachette 1919. Signed Limited Edition. Cream Parchment over Boards. Very Good. Arthur Rackham. Number 414 of 500 signed special editions: French Edition de Luxe. Parchment-covered boards feature gilt title and silhouette figure of the titular Cendrillon Cinderella. Spine features gilt title and two gilt mice. Edition contains tipped-in color frontispiece; not featured in trade edition 3 double page illustrations with color one single page illustration with color as well as numerous full and half page illustrations throughout the text. Classic Rackham border designs also ornament the title page and frontispiece. A Very Good copy shows mottling of boards and edgewear. Quarto. 110pp. Librarie Hachette hardcover
