236 résultats
198215643University of Toronto Press. 1982. Hardcover. Near Fine in No Dust Jacket dust jacket. Very Minor Shelfwear. Else fine.; 272 pages; The Myth of Orpheus shaman and teacher musician and lover is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ Eleanor Irwin ; Sparagmos: Orpheus among the Chrisitians Patricia Vicari ; Orpheus and Ficino Warden ; Myth of Orpheus in Italian Renaissance Art 1400-1600 Scavizzi ; Orfeo and Euridice the first two operas Timothy J. McGee ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 Pedro Leon ; Triumph of Art of Death: Orpheus in Spenser and Milton Vicari. . 0802055184 . University of Toronto Press hardcover
198217099University of Toronto Press. 1982. Hardcover. Very Good in No Dust Jacket dust jacket. Minor Shelfwear. Faint foxing to top of textblock. Else fine.; 272 pages; The Myth of Orpheus shaman and teacher musician and lover is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ Eleanor Irwin ; Sparagmos: Orpheus among the Chrisitians Patricia Vicari ; Orpheus and Ficino Warden ; Myth of Orpheus in Italian Renaissance Art 1400-1600 Scavizzi ; Orfeo and Euridice the first two operas Timothy J. McGee ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 Pedro Leon ; Triumph of Art of Death: Orpheus in Spenser and Milton Vicari. . 0802055184 . University of Toronto Press hardcover
1987180527-MYB98Dorset Press 1987. Very Good Hardcover with Very Good dustjacket illustrated folio 491 pages . Hard Cover. Very Good/Very Good. Folio. Dorset Press hardcover
19982961Oxford University Press. 1998. Hardcover. Fine in Very Good dust jacket. Dustjacket has minor shelfwear and rubbing.; A large number of Greek religious poems in hexameter were attributed to Orpheus as they were to similar miracle-man figures like Bakis Musaeus Abaris Aristeas Epimenides and the Sybil. Of this vast literature only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature which may date back as far as the 6th century BC survives only in papyrus scraps or in quotations by later authors.; 296 pages; Sandpiper reprint of 1983 Edition. . 0198148542 . Oxford University Press hardcover
196935130Greenwood Press. 1969. Hardcover. Very Good in No Dust Jacket dust jacket. Very light shelfwear. Glue Stains along inner hinges. Textblock has one small stain.; With an Introduction containing Outlines of the History of the Legend of Merlin. Also Essays on Merlin the Enchanter and Merlin the Bard & Arthurian Localities. O. S. 21 & 36. Pp 189-776; Early English Text Society; 2; 587 pages . Greenwood Press hardcover
1998004866New York: Doubleday 1998. First edition. Hardcover. Fine/fine. Richard Hull . Duodecimo pictorial boards <br/><br/>Richly illustrated by Richard Hull. Introduction by Stephen W. Hines. Laura' s poems from 1915. "Never Before Published Collection!" sticker on top cover of dj. Doubleday hardcover
196716427Carl Winter - Universitätsverlag. 1967. Hardcover. Very Good. Small bump to lower front corners. Minor shelfwear.; 166 pages . Carl Winter - Universitätsverlag hardcover
19678808Carl Winter - Universitätsverlag. 1967. Hardcover. Very Good. Small bump to bottom corners. Spine slightly discolored. Small slightly discolored splotch to front board 3cm.; 166 pages . Carl Winter - Universitätsverlag hardcover
196711291Carl Winter - Universitätsverlag. 1967. Hardcover. Very Good. Mild creasing to bottom corners. Some rubbing to wraps. Minor shelfwear.; 166 pages . Carl Winter - Universitätsverlag hardcover
200233744Cambridge University Press. 2002. Hardcover. Very Good in No Dust Jacket dust jacket. Minor pencil marginalia to some pages by Jenifer Neils.; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it How could they ensure that their scenes would be recognized What problems did they have How did they solve them This generously illustrated book explores the ways classical artists portrayed a variety of myths. It explains how formulas were devised for certain stories; how these inventions could be adapted developed and even transferred to other myths; how one myth could be distinguished from another; what links there were with daily life and historical propaganda; the influence of changing tastes and problems still outstanding. Examples are drawn from a wide range of media--vases murals mosaics sarcophagi sculpture--used by the ancient Greeks and Romans. The myths are mostly those that are also easily recognized in later works of art. No previous knowledge of the subject is assumed all examples are illustrated and all names terms and concepts are fully explained. Susan Woodford teaches Greek and Roman art at the University of London and is engaged in research for the Department of Greek and Roman Antiquities at the British Museum. A former Fullbright Scholar and Woodrow Wilson Fellow she and is author of The Parthenon Cambridge 1981 The Art of Greece Cornell 1993 An Introduction to Greek Art Cornell 1986 and The Trojan War in Ancient Art Cornell 1993.; 10.2 X 7.2 X 0.9 inches; 332 pages . 0521782678 . Cambridge University Press hardcover
1937410Cambridge University Press. 1937. Hardcover. Very Good in No Dust Jacket dust jacket. Corners are lightly bumped.; 98 pages . Cambridge University Press hardcover