33 résultats
200726601New York: Marshall Cavendish 2007. 1st ed. Hardcover. Fine. Spirin Gennady. 1st ptg. 4to picture book pictorial boards an Arthurian tale illustrated with Gennady Spirin's richly colored paintings and signed by the artist in gold ink on the title page. Fine in fine unclipped dj no previous owner's marks. Signed by Spirin. Marshall Cavendish hardcover
20131220Unknown 2013. Paperback. Acceptable. No dustjacket as issued. Cover has wear in the lower right front corner and a long slight crease lengthwise along the left side. Eight consecutive pages have a crease in lower right corner. Gift inscription on inside front cover. It appears that the front endpaper and title page are missing because the first page is number three Table of Contents. Possible production error because it does not appear that they were removed. Unknown paperback
200316159Oxford University Press. 2003. Paperback. Near Fine. In this book Andrew Erskine examines the role and meaning of Troy in the changing relationship between Greeks and Romans as Rome is transformed from a minor Italian city into a Mediterranean superpower. The book seeks to understand the significance of Rome's Trojan origins for the Greeks by considering the place of Troy and Trojans in Greek culture. It moves beyond the more familiar spheres of art and literature to explore the countless overlapping local traditions the stories that cities told about themselves a world often neglected by scholars.; 336 pages . 0199265801 . Oxford University Press paperback
2005w201029005Hatje Cantz 2005. 80pp. Beige cloth hardback with DJ VG small red ink mark on spine edge Collection of portraits by Irving Penn while in the West African country Dahomey in 1967 Photographs of Dahomey 1967 . Hard Cover. Very Good/Very Good. Hatje Cantz Hardcover
201215566Latomus. 2012. Softcover. Fine. Among the stories surrounding the legendary foundation of the city of Rome by the twins Romulus and Remus previous scholarly attention has focused primarily on one scene – the depiction of the she-wolf nursing the twins following their miraculous salvation from the floodwaters of the Tiber. This book examines another event in the cycle the conception of the twins in which the Vestal Virgin Rhea Silvia is visited in her sleep and raped by the god Mars. Some fifty-one examples of the encounter of Mars and Rhea Silvia are analyzed drawn from coins relief sculpture gems wall painting mosaics and pottery covering a time frame from the motif’s origin in the early 1st century B. C. To its disappearance in the late 4th century A. D. An analysis of the scene's iconographical evolution and its documented periods of popularity both in the public and private sphere are associated with contemporary trends in Roman literature religion and art. This monograph on the representation of Mars and Rhea Silvia is not simply a self-contained study of a single motif over a specific time frame. Within the realm of Roman art the book discusses larger issues concerning the relationship between art myth and religion and political propaganda drawing from methodologies of appropriation Kopienkritik word and image semiotics and memory culture. As such the book constitutes a case study whose conclusions may serve as guidelines for the study of Roman art in general.; Collection Latomus Volume 336; 241 pages . 2870312776 . Latomus paperback
200439082University Press of America. 2004. Softcover. Near Fine. 388 pages; In dramatic representations and narrative reports of inner deliberation the Odyssey displays the workings of the human mind and its hero's practical intelligence epitomized by anticipating consequences and controlling his actions accordingly. Once his hope of returning home as husband father and king is renewed on Calypso's isle Odysseus shows a consistent will to focus on this purpose and subordinate other impulses to it. His fabled cleverness is now fully engaged in a gradually emerging plan as he thinks back from that final goal through a network of means to achieve it. He relies on "signs"—inferences in the form "if this then that" as defined by the Stoic Chrysippus—and the nature of his intelligence is thematically underscored through contrast with others' recklessness that is failure to heed signs or reckon consequences. In Homeric deliberation the mind is torn between competing options or intentions not between "reason" and "desire." The lack of distinct opposing faculties and hierarchical organization in the Homeric mind far from archaic simplicity prefigures the psychology of Chrysippus who cites deliberation scenes from the Odyssey against Plato's hierarchical tri-partite model. From the Stoics there follows a psychological tradition leading through Hobbes and Leibniz to Peirce and Dewey. These thinkers are drawn upon to show the significance of the conception of "thinking" first articulated in the Odyssey. Homer's work inaugurates an approach that has provoked philosophical conflict persisting into the present and opposition to pragmatism and Pragmatism can be discerned in prominent critiques of Homer and his hero which are analyzed and countered in this study. . 076183026X . University Press of America paperback
20096721Franz Steiner Verlag. 2009. Softcover. Fine. 183 pages; The constructive and critical-reflexive potential of myth in its varied literary and everyday contexts is the focus of this volume. Taking a wide-ranging interdisciplinary approach the contributions study universal concepts and life models in pre-modern myths from a variety of angles. They focus on humans heroes and gods as the protagonists of myths mythopoietics and the constant actualization instrumentalization transformation and presentation of mythical themes in vase painting architecture and literature. German text. . 3515092943 . Franz Steiner Verlag paperback
201215567Éditions Latomus. 2012. Softcover. Fine. Mythos generell und der Troja-Mythos im besonderen der sich vor allem um die Gestalten von Paris und Helena rankt war immer schon offen für unterschiedliche Deutungen konnte daher auch für die Vermittlung politischer oder ideologischer Botschaften „maniuliert“ werden. In diesem Buch werden zwei unterschiedliche und doch vergleichbarte Beispiele präsentiert: Ovid läßt in Heroides 16 und 17 bzw. Heroides 5 Paris und Helena bzw. Die von Paris verlassene Nymphe Oenone den Mythos von Urteil des Paris und dessen Liebe zu Helena jeweils anders erzählen. Es handelt sich dabei nicht bloß um literarisches Spiel sondern Ovid reflektiert auf einer Metaebene allgemein über das Problem der Manipulierbarkeit des Mythos im speziellen des Mythos über Troja und Aeneas durch Vergil zum Zweck panegyrischer Aussagen. Am Ende des 11. Jh. Dichtet Baudri von Bourgueil ebenfalls ein Versepistelpaar in dem er zeigt wie Paris und Helena ihren eigenen Mythos bzw. Dessen allegorische Aussage mißverstehen und derart ins Unglück stürzen. Dasselbe Problem der richtigen d. H. Nicht manipulierenden Deutung von Mythos und der Dichtung die von solchen Mythen handelt liegt auch dem poetischen Brief Baudris an die Nonne Constantia und deren vom Dichter fingierten Antwort zugrunde – ein Problem das Baudri persönlich betraf da er wegen seiner Dichtungen in ovidischem Stil Kritik ausgesetzt war.; Collection Latomus Volume 334; 105 pages . 287031275X . Éditions Latomus paperback
2003050425Athens Greece: Hellenic Ministry of Culture 2003. Soft cover. Very Good . 4to - over 9¾ - 12" tall. 227pp. colour photos. Illustrated wrapper w French flaps is clean showing light diagonal crease to bottom front corner. Binding square and not creased. Quarto - 29.5 x 23.5cm. Exhibition catalogue of the 213 works displayed at the Cultural Olympiad 2001-2004 through the Hellenic Ministry of Culture together with an opening series of essays written by specialist researchers and historians. <br/> <br/>The Bull in the Mediterranean World" looks at the male symbolic universe of the ancient cultures around Mare Nostrum - Our Sea - amongst whom the bull acquired a number of different meanings and became a cult object in secular and religious rituals. Hellenic Ministry of Culture paperback
20052675D. S. Brewer. 2005. Hardcover. Very Good in No Dust Jacket dust jacket. Library barcode on ffep--however no other library markings. Cloth has a tear along bottom of spine-- 2" but does not cut through the actual board.; The essays in this volume offer a general overview and a number of detailed examinations of Arthur's fortunes in two senses. First is the role of Fortune itself often personified and consistently instrumental in accounts of Arthur's court and reign. More generally the articles trace the trajectory of the Arthurian legend - its birth rise and decline - through the middle ages. The final essay follows the continued turning of Fortune's wheel emphasizing the modern revival and flourishing of the legend. The authors all distinguished Arthurian scholars illustrate their arguments through studies of early Latin and Welsh sources chronicles romances in English French German Italian Latin and Welsh manuscript illustration and modern literary texts.; Arthurian Studies LXIV; 1.02 x 9.21 x 6.22 Inches; 288 pages . 1843840618 . D. S. Brewer hardcover
200732993Phoibos Verlag. 2007. Hardcover. Very Good in No Dust Jacket dust jacket. 1 corner bumped. Else minor shelfwear.; 4to 11" - 13" tall; 156 pages . 3901232699 . Phoibos Verlag hardcover
200414540Ferdinand Schöningh. 2004. Softcover. Very Good. Light rubbing to wraps. Some pencil marginalia to text by R. E. Fantham. Minor shelfwear.; Wohl kaum ein anderer Mythenkomplex griechischen Ursprungs übte auf Rom eine solche Faszination aus wie die Geschichte von den Pelopiden. Welche Bedeutung man dem Thema beigemessen hat bezeugen die zahlreichen Tragödien mit dem Titel Atreus oder Thyestes in deren Zentrum der den sittlichen Tiefpunkt des Geschlechtes markierende Frevel der coena Thyestea stand. Die Untersuchung geht den Voraussetzungen und Bedingungen nach die den außergewöhnlichen Erfolg gerade dieses Mythos ermöglichten. Es zeigt sich dass die große ideologische Aussagekraft die der Mythos im Verständnis des römischen Publikums entfaltete auf die ganz spezifische Gestalt zurückzuführen ist welche der Tragiker Accius dem Stoff in mehreren seiner Dramen verliehen hat.; Studien Zur Geschichte Und Kultur Des Altertums Neue Folge 1. Reihe: Monographien. Band 24; 336 pages . 3506717855 . Ferdinand Schöningh paperback
200537462Cambridge University Press. 2005. Hardcover. Near Fine in Near Fine dust jacket. Very faint shelfwear to book and DJ.; The Catalogue of Women ascribed to Hesiod one of the greatest figures of early hexameter poetry maps the Greek world its evolution and its heroic myths through the mortal women who bore children to the gods. In this collection a team of international scholars offers an attempt to explore the poem's meaning significance and reception. Individual chapters examine the organization and structure of the poem its social and political context its relation to other early epic and Hesiodic poetry its place in the development of a pan-Hellenic consciousness and attitudes to women. The wider influence of the Catalogue is considered in chapters on Pindar and the lyric tradition on Hellenistic poetry and on the poem's reception at Rome. This collection provides a significant approach to the study of the Catalogue.; 360 pages . 0521836840 . Cambridge University Press hardcover
2014190923-MYB12St Louis Missouri: Missouri Botanical Garden Press 2014. Very Good with Very Good dustjacket Hardcover illustrated INSCRIBED by Peter Wyse Jackson. Inscribed. First Edition. Hardcover. Very Good/Very Good. Missouri Botanical Garden Press Hardcover
200437235Cambridge University Press. 2004. Hardcover. Very Good in Good dust jacket. Scholar's name to ffep Bonnie Maclachlan née Ward. Pencil marginalia to a few pages. Chipping and a few small tears to DJ.; 6.25 X 1 X 9 inches; 292 pages . 0521834341 . Cambridge University Press hardcover
202242479Oxford University Press. 2022. Softcover. Very Good in Near Fine dust jacket. Underlining in pencil to a few pages.; Oxford Classical Monographs; 9.44 X 1.11 X 6.49 inches; 302 pages . 0198864760 . Oxford University Press paperback
2004201231-MB12Ashfield Press 2004. Very Good Hardcover . Softcover. Very Good. Ashfield Press Paperback
20068233Éditions Latomus. 2006. Softcover. Fine. Collection Latomus Volume 299; 246 pages . 2870312407 . Éditions Latomus paperback
200233744Cambridge University Press. 2002. Hardcover. Very Good in No Dust Jacket dust jacket. Minor pencil marginalia to some pages by Jenifer Neils.; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it How could they ensure that their scenes would be recognized What problems did they have How did they solve them This generously illustrated book explores the ways classical artists portrayed a variety of myths. It explains how formulas were devised for certain stories; how these inventions could be adapted developed and even transferred to other myths; how one myth could be distinguished from another; what links there were with daily life and historical propaganda; the influence of changing tastes and problems still outstanding. Examples are drawn from a wide range of media--vases murals mosaics sarcophagi sculpture--used by the ancient Greeks and Romans. The myths are mostly those that are also easily recognized in later works of art. No previous knowledge of the subject is assumed all examples are illustrated and all names terms and concepts are fully explained. Susan Woodford teaches Greek and Roman art at the University of London and is engaged in research for the Department of Greek and Roman Antiquities at the British Museum. A former Fullbright Scholar and Woodrow Wilson Fellow she and is author of The Parthenon Cambridge 1981 The Art of Greece Cornell 1993 An Introduction to Greek Art Cornell 1986 and The Trojan War in Ancient Art Cornell 1993.; 10.2 X 7.2 X 0.9 inches; 332 pages . 0521782678 . Cambridge University Press hardcover
20118796Franz Steiner Verlag. 2011. Softcover. Near Fine. Very light shelfwear else Fine.; Potsdamer Altertumswissenschaftliche Beitrage Pawb Band 34; 532 pages; English summary: The ability to translate the inner world of ideas into image displays is one of the original human characteristics. The figments of imagination translated into the communicative sphere as images represent not only external forms but also memories conveyed fears hopes or other emotions. This is especially true as it pertains to religion. But what image of God did the majority of Greeks of the ancient world hold and what were their godly images The book by Peter Eich focuses on the prevailing ideas that religious image production held in Greece as well as on the community-building function of religious images over the course of time. Contemporary testimonies are fully investigated and reinterpreted in their idiom and their contexts of meaning. German text. German description: Die Fahigkeit die innere Vorstellungswelt in Bilddarstellungen umzusetzen gehort zu den ursprunglichen menschlichen Eigenschaften. Die aus der Vorstellung in die kommunikative Sphare ubersetzten Bilder reproduzieren nicht nur aussere Formen sondern verankern auch Erinnerungen oder transportieren Angste Hoffnungen oder andere Emotionen. Dies gilt besonders auf dem Gebiet der Religion. Doch welches Gottesbild hatte die Mehrheit der Griechen der Antike und was waren Gotterbilder fur sieDas Buch von Peter Eich konzentriert sich auf die in Hellas vorherrschenden Vorstellungen die die religiose Bildproduktion bedingten und die gemeinschaftsstiftende Funktion sakraler Bilder im Wandel der Zeit. Dazu werden die Aussagen der Zeitgenossen in ihrem Idiom und in ihren Sinnzusammenhangen umfassend untersucht und mit Hilfe eines verbreiterten Methodenkanons neu gedeutet. . 3515098550 . Franz Steiner Verlag paperback
200311036Latomus. 2003. Softcover. Fine. Collection Latomus Volume 278; 268 pages . 2870312199 . Latomus paperback
201336889University of California Press. 2013. Hardcover. Very Good in Very Good dust jacket. Sunning along top edge of DJ. Minor shelfwear to DJ. Minor pencilling to margins of some pages. Scholar's name to ffep Bonnie Maclachlan née Ward.; During the archaic and classical periods Greek ideas about the dead evolved in response to changing social and cultural conditions—most notably changes associated with the development of the polis such as funerary legislation and changes due to increased contacts with cultures of the ancient Near East. In Restless Dead Sarah Iles Johnston presents and interprets these changes using them to build a complex picture of the way in which the society of the dead reflected that of the living expressing and defusing its tensions reiterating its values and eventually becoming a source of significant power for those who knew how to control it. She draws on both well-known sources such as Athenian tragedies and newer texts such as the Derveni Papyrus and a recently published lex sacra from Selinous. Topics of focus include the origin of the goes the ritual practitioner who made interaction with the dead his specialty the threat to the living presented by the ghosts of those who died dishonorably or prematurely the development of Hecate into a mistress of ghosts and its connection to female rites of transition and the complex nature of the Erinyes. Restless Dead culminates with a new reading of Aeschylus' Oresteia that emphasizes how Athenian myth and cult manipulated ideas about the dead to serve political and social ends.; 9.0 X 6.1 X 1.3 inches; 352 pages . 0520217071 . University of California Press hardcover
20048224Peeters Publishers. 2004. Softcover. Very Good. Crease along front wrap else fine.; 345 pages; This Festschrift honours the Dutch Latinist Ben Hijmans. Besides his studies on Seneca and Ovid Hijmans published numerous articles on Apuleius' works. In 1973 he initiated the research project Groningen Commentaries on Apuleius and until his retirement he was editor-in-chief of the series of commentaries issued from that research project. This collection of essays contains a number of important new and original articles on Apuleius' Metamorphoses on the reception of the Latin novel and on Apuleius' rhetorical work. The book presents original research on Ovid's Metamorphoses and its reception. Other contributions testify to the broader interests of Ben Hijmans and deal with general cultural aspects art history the art of translating archaeology and iconography. Ben Hijmans' fascination with and insight into mythical motifs is reflected not only in articles on Pyramus and Thisbe and Actaeon respectively but also in contributions on Narcissus and on Seneca's mythical tragedies and their transformation in Roman Declamation. . 9042915048 . Peeters Publishers paperback
2020210331-MB63McFarland & Company 2020. Very Good softcover AS NEW reprint . Softcover. Very Good. McFarland & Company Paperback
201215142Georg Olms Verlag. 2012. Paperback. Fine in No Dust Jacket dust jacket. Book is fine.; Classici sono quei testi capaci di originare riscritture e riconoscibili come modelli di altre espressioni letterarie o artistiche. Questo fenomeno di geminazione è particolarmente vistoso per l’Edipo re di Sofocle e l’Edipo di Seneca la cui ricezione è un labirinto fitto e mutevole ricco di contaminazioni e di reticoli intertestuali in cui lo stesso esercizio critico entra a far parte del processo di riscrittura. Il volume comprende 19 contributi: un ampio saggio introduttivo su alcuni particolari temi e morfemi del mito lungo tutta la sua tradizione; 6 contributi dedicati ai due testi antichi fondativi della tradizione edipica; ed infine 12 capitoli incentrati sull'analisi - senza pretese di esaustività - delle diverse tradizioni letterarie teatrali visive e cinematografiche della fortuna di Edipo lungo una dimensione cronologica e geografica che muove dalle prime riprese nella cultura europea dei secoli XVI e XVII fino alla contemporaneità. In chiusura la testimonianza di Edoardo Sanguineti straordinario interprete del teatro classico e dei classici più in generale che ha tradotto a suo modo un Edipo tiranno messo in scena nel 1980 da Benno Besson.; Spudasmata Band 149; 450 pages . 3487148722 . Georg Olms Verlag paperback