236 résultats
196914903Cambridge University Press. 1969. Hardcover. Very Good in Very Good- dust jacket. Scholars' bookplate to inner cover. Scholar's name to ffep. Small 'j's stamped to feps and inner covers. Corners lightly bumped. DJ has tears to base of spine with small section lifting.; Cambridge Classical Texts and Commentaries 11; 262 pages; An exhaustive study of Claudian's unfinished mythological epic with a text apparatus criticus and commentary. The long introduction begins with a catalogue of manuscripts; and this leads to an investigation into the manuscript tradition and the history of the poem's transmission. Dr Hall then surveys the most important printed editions of the poem. He examines various theories of dating and discusses the sources of the story. He concludes the introduction with a brief critical assessment of the form and style of the poem. Dr Hall establishes his text after an examination of all the extant manuscripts. The apparatus though very full is selective in that it records readings of younger manuscripts only when they offer something new. It also ignores trifling corruptions. The commentary is similarly selective. In general it discusses everything relevant to the establishing of the text and ignores points of purely mythological and literary interest. . 0521074428 . Cambridge University Press hardcover
19702993Cambridge University Press. 1970. Hardcover. Fine in Very Good dust jacket. DJ is price-clipped else Fine. Dustjacket is protected in plastic.; Cambridge Classical Texts and Commentaries 11; 262 pages; An exhaustive study of Claudian's unfinished mythological epic with a text apparatus criticus and commentary. The long introduction begins with a catalogue of manuscripts; and this leads to an investigation into the manuscript tradition and the history of the poem's transmission. Dr Hall then surveys the most important printed editions of the poem. He examines various theories of dating and discusses the sources of the story. He concludes the introduction with a brief critical assessment of the form and style of the poem. Dr Hall establishes his text after an examination of all the extant manuscripts. The apparatus though very full is selective in that it records readings of younger manuscripts only when they offer something new. It also ignores trifling corruptions. The commentary is similarly selective. In general it discusses everything relevant to the establishing of the text and ignores points of purely mythological and literary interest. . 0521074428 . Cambridge University Press hardcover
199329701Cambridge University Press. 1993. Hardcover. Very Good in Very Good dust jacket. Minor Foxing/dustsoiling to top of textblock. Scholar's bookplate to inner cover G. P. Goold. Minor edgewear along lower edge of DJ.; 216 pages; In recent years the subtlety and complexity of Apollonius' Argonautica have been better appreciated but in Dr Hunter's view the purposes and aesthetic of the epic are still not readily understood and much basic analysis remains to be done. The present book seeks to offer some of that analysis and to place the Argonautica within its social and intellectual context. A series of studies deal with notions of heroism; with eros and the suffering of Medea; the role of the divine; poetic voice and literary self-consciousness; and the Ptolemaic context of the poem. A pervasive theme of the book is Apollonius' creative engagement with Homer and a final chapter sketches out an approach to Virgil's use of Apollonius in the Aeneid. The Argonautica emerges as a brilliant and original experiment. This book is the only advanced study of the Argonautica currently available. All Greek is translated. . 0521413729 . Cambridge University Press hardcover
199326384Cambridge University Press. 1993. Hardcover. Very Good in Very Good dust jacket. Light bumping to lower edge. Pencil marginalia to a couple of pages. Creasing and 1 chip along top edge of DJ.; 216 pages; In recent years the subtlety and complexity of Apollonius' Argonautica have been better appreciated but in Dr Hunter's view the purposes and aesthetic of the epic are still not readily understood and much basic analysis remains to be done. The present book seeks to offer some of that analysis and to place the Argonautica within its social and intellectual context. A series of studies deal with notions of heroism; with eros and the suffering of Medea; the role of the divine; poetic voice and literary self-consciousness; and the Ptolemaic context of the poem. A pervasive theme of the book is Apollonius' creative engagement with Homer and a final chapter sketches out an approach to Virgil's use of Apollonius in the Aeneid. The Argonautica emerges as a brilliant and original experiment. This book is the only advanced study of the Argonautica currently available. All Greek is translated. . 0521413729 . Cambridge University Press hardcover
198811803Routledge. 1988. First Edition. Hardcover. Very Good- in Very Good dust jacket. Corners are bumped. Pen lines to margins on about 9 pages. Pencil markings on 2 other pages. Small chip to one corner of DJ. Dustjacket has minor shelfwear and rubbing. Writing in pencil to front DJ flap.; 236 pages; In antiquity a considerable number of books of prophecies went under the general title of "Sibylline Oracles". Rulers as significant as Augustus consulted them in time of danger or crisis for advice and prognoses. Increasing numbers of "ex post facto" prophecies laying a particular interpretation on facts of recent history came to be attributed to one of the mysterious Sibyls. Perhaps the most famous of these is the Cumaean Sibyl who guides the hero in the sixth book of Vergil's "Aeneid" . In fact she was somewhat unusual in her similiarity to other oracular prophetesses such as the Pythia. For where the latter prophesied in response to particular inquirers one of the distinguishing characteristics of Sibyls was that they composed discursive verses for distribution to the world at large. This Professor Parke's last book which was virtually complete on his death in 1986 is an account of a subject both rarely treated in recent decades and difficult to access for all but the most expert. In its pursuit of the sometimes elusive Sibyls it ranges from Heraclitus to Eusebius from Archaic Asia Minor to Christian Rome. This book should be of interest to undergraduates postgraduates and academics of classics. . 0415003431 . Routledge hardcover
2004201231-MB12Ashfield Press 2004. Very Good Hardcover . Softcover. Very Good. Ashfield Press Paperback
197837534Yale University Press. 1978. Hardcover. Near Fine in No Dust Jacket dust jacket. 178 pages . 0300019408 . Yale University Press hardcover
197033768Wilhelm Fink Verlag. 1970. Hardcover. Near Fine in No Dust Jacket dust jacket. Münchener Archäologische Studien 1; 116 pages . 3770504348 . Wilhelm Fink Verlag hardcover
199736084British Archaeological Reports. 1997. Softcover. Very Good. A bit of waviness to some plate pages. Else minor shelfwear.; British Archaeological Reports B. A. R. International Series 671; 11.7 X 8.3 X 0.8 inches; 276 pages . 0860548627 . British Archaeological Reports paperback
20068233Éditions Latomus. 2006. Softcover. Fine. Collection Latomus Volume 299; 246 pages . 2870312407 . Éditions Latomus paperback
199533331Oxford University Press. 1995. Hardcover. Fine in Very Good dust jacket. Review of book tipped in. Dustjacket has faint creasing; 0.85 x 9.32 x 6.32 Inches; 240 pages; Theseus is celebrated as the greatest of Athenian heroes. This work explores what he meant to the Athenians at the height of their city-state in the fifth century B. C. Assembling material that has been scattered in scholarly works Henry Walker examines the evidence for the development of themyth and cult of Theseus in the archaic age. He then looks to major works of classical literature in which Theseus figures exploring the contradictions between the archaic primitive side of his character and his refurbished image as the patron of democracy. His ambiguous nature as outsider flouting accepted standards of behavior while at the same time being a hero-king and a representative of higher ideals is analyzed through his representations in the work of Bacchylides Euripides and Sophocles. This is the only work of scholarship that examines the literary representation ofTheseus so thoroughly. It brings to life a literary character whose virtues flaws and contradictions belong in no less a degree to his creators the people of Athens. . 0195089081 . Oxford University Press hardcover
198215643University of Toronto Press. 1982. Hardcover. Near Fine in No Dust Jacket dust jacket. Very Minor Shelfwear. Else fine.; 272 pages; The Myth of Orpheus shaman and teacher musician and lover is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ Eleanor Irwin ; Sparagmos: Orpheus among the Chrisitians Patricia Vicari ; Orpheus and Ficino Warden ; Myth of Orpheus in Italian Renaissance Art 1400-1600 Scavizzi ; Orfeo and Euridice the first two operas Timothy J. McGee ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 Pedro Leon ; Triumph of Art of Death: Orpheus in Spenser and Milton Vicari. . 0802055184 . University of Toronto Press hardcover
198217099University of Toronto Press. 1982. Hardcover. Very Good in No Dust Jacket dust jacket. Minor Shelfwear. Faint foxing to top of textblock. Else fine.; 272 pages; The Myth of Orpheus shaman and teacher musician and lover is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ Eleanor Irwin ; Sparagmos: Orpheus among the Chrisitians Patricia Vicari ; Orpheus and Ficino Warden ; Myth of Orpheus in Italian Renaissance Art 1400-1600 Scavizzi ; Orfeo and Euridice the first two operas Timothy J. McGee ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 Pedro Leon ; Triumph of Art of Death: Orpheus in Spenser and Milton Vicari. . 0802055184 . University of Toronto Press hardcover
200233744Cambridge University Press. 2002. Hardcover. Very Good in No Dust Jacket dust jacket. Minor pencil marginalia to some pages by Jenifer Neils.; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it How could they ensure that their scenes would be recognized What problems did they have How did they solve them This generously illustrated book explores the ways classical artists portrayed a variety of myths. It explains how formulas were devised for certain stories; how these inventions could be adapted developed and even transferred to other myths; how one myth could be distinguished from another; what links there were with daily life and historical propaganda; the influence of changing tastes and problems still outstanding. Examples are drawn from a wide range of media--vases murals mosaics sarcophagi sculpture--used by the ancient Greeks and Romans. The myths are mostly those that are also easily recognized in later works of art. No previous knowledge of the subject is assumed all examples are illustrated and all names terms and concepts are fully explained. Susan Woodford teaches Greek and Roman art at the University of London and is engaged in research for the Department of Greek and Roman Antiquities at the British Museum. A former Fullbright Scholar and Woodrow Wilson Fellow she and is author of The Parthenon Cambridge 1981 The Art of Greece Cornell 1993 An Introduction to Greek Art Cornell 1986 and The Trojan War in Ancient Art Cornell 1993.; 10.2 X 7.2 X 0.9 inches; 332 pages . 0521782678 . Cambridge University Press hardcover
198004770Berkeley: University of California Press 1980. Hardcover. Better than Good in green cloth; a bit beat up; top edge dirty; front edges of boards are frayed and worn; contents clean and unmarked. 8.25 x 6 x 1.8 inches. California Library Reprint Series Edition Fabulous resource for the study of the oracle! University of California Press hardcover
193457015Racine WI: Whitman Publishing 1934. Folio. 9.75 x 13 in. 48 pp unpaginated. colour plates and black & white plates throughout. Quarter-blue cloth over colour-illustrated boards cover art by Lorioux some edgewear minor dampstain to spine a few pages w/ evidence of a young child trying to aid the illustrator still a G- copy. First Whitman omnibus edition of this delightfully inventive rendition of Fontaine’s fables by one of France’s most beloved artists. In 1919 he was recruited by Walt Disney who was driving an ambulance at the time following World War I and hired him to illustrate his works released in French. Lorioux would leave Disney in the early 1930’s when he refused to relocate to California to join the studio Whitman Publishing, hardcover
189544723Philadelphia: George W. Jacobs. & Co. 1895. 12mo. xxxvi 392 pp. plus 4 pp. publ. ads. 150 text illusts. Illust. gray cloth silver red & blk lettrng on frnt cvr & spine soot soilng on cvrs edgewear some rubbng slght bmpng to crnrs still a G- copy inscribed by the author on 2nd flyleaf to Miss Anna Springer 1895. First edition inscribed of this fascinating collection of fairy tales based on the author’s naturalist studies of the behaviors of ants and spiders. McCook 1837-1911 is perhaps best remembered for his expansive work American spiders and their spinning work 1889-1893 and he had most of the illustrations executed by Daniel Carter Beard founder of the Boy Scouts of America. George W. Jacobs. & Co., hardcover
199648221Norwalk CT: The Easton Press 1996. 4to. 159 1 pp. Colour frontisp. 6 colour plates. Full burgundy-coloured calf elaborate gilt & red illustrated decorative border on front cover & spine gilt lettering raised bands silk endpapers a.e.g. NF copy. First Easton Press edition of this beloved collection of Fairy Tale stories by the noted author of Babes in Toyland and the wonderful illustrations of Jessie Willcox Smith. The Easton Press, hardcover
1954001357Rio de Janeiro: Ministerio da Ecucao. 1954. hardcover. 660 pp Near Fine/- light scraping & wear to edges. Green half-leather binding published by the Ministerio da Educacao eCultura Instituto Nacional do Livro. Luis da Camara Cascuso was a notedresearcher on Brazilian culture and folklore. Ministerio da Ecucao hardcover
191250353Boston: Little Brown and Company. Good with no dust jacket; Usual library stamps and markings pages toned . and finger soiling throughout spine cocked. 1912. First Edition. Hardcover. Ex-library copy rebound in orange patterned reinforced cloth. xii 333pp. Black and white plates and many other smaller elegant illustrations by Alexander Popini. A collection of 41 fairy tales from Grimm and Andersen as well as traditional fairy tales from Greece Norway Roumania Ireland India Turkey China and some other countries. Johnson notes in his introduction that he has edited the stories to remove savagery distressing details and excessive pathos and removed references to cruel fathers and wicked stepmothers. ; Ex-Library; 8vo 8" - 9" tall . Little, Brown, and Company hardcover
1974041788Athens: Bibliotheke Tes en Athenais Archaiologikes Etaireias # 64 1974 Book. Near Fine. Soft cover. 1st Greek Edition. Excavation report on the 1972 season at Akrotiri in TWO parts 1 Text volume 60p illus. 112 B & W plates including a fold-out panorama 2 Portfolio containing 11 full colour plates and 7 plans of the site. The book and contents of the portfolio are both fine though the folder has some slight surface wear else a fine complete set. Bibliotheke Tes en Athenais Archaiologikes Etaireias # 64 paperback
199902195El Paso TX: Cinco Puntes Press 1999. Hardcover. Fine in dustjacket. small 4to. First U.S. Edition originally published in Mexico in 1996 by Ediciones Colectivo Callejero Guadalajara Copyright page includes National Endowment for the Arts logo; erratum laid in saying NEA `has withdrawn previously committed funding' Cinco Puntes Press hardcover
20118796Franz Steiner Verlag. 2011. Softcover. Near Fine. Very light shelfwear else Fine.; Potsdamer Altertumswissenschaftliche Beitrage Pawb Band 34; 532 pages; English summary: The ability to translate the inner world of ideas into image displays is one of the original human characteristics. The figments of imagination translated into the communicative sphere as images represent not only external forms but also memories conveyed fears hopes or other emotions. This is especially true as it pertains to religion. But what image of God did the majority of Greeks of the ancient world hold and what were their godly images The book by Peter Eich focuses on the prevailing ideas that religious image production held in Greece as well as on the community-building function of religious images over the course of time. Contemporary testimonies are fully investigated and reinterpreted in their idiom and their contexts of meaning. German text. German description: Die Fahigkeit die innere Vorstellungswelt in Bilddarstellungen umzusetzen gehort zu den ursprunglichen menschlichen Eigenschaften. Die aus der Vorstellung in die kommunikative Sphare ubersetzten Bilder reproduzieren nicht nur aussere Formen sondern verankern auch Erinnerungen oder transportieren Angste Hoffnungen oder andere Emotionen. Dies gilt besonders auf dem Gebiet der Religion. Doch welches Gottesbild hatte die Mehrheit der Griechen der Antike und was waren Gotterbilder fur sieDas Buch von Peter Eich konzentriert sich auf die in Hellas vorherrschenden Vorstellungen die die religiose Bildproduktion bedingten und die gemeinschaftsstiftende Funktion sakraler Bilder im Wandel der Zeit. Dazu werden die Aussagen der Zeitgenossen in ihrem Idiom und in ihren Sinnzusammenhangen umfassend untersucht und mit Hilfe eines verbreiterten Methodenkanons neu gedeutet. . 3515098550 . Franz Steiner Verlag paperback
198837326Routledge. 1988. First Edition. Hardcover. Very Good in Very Good dust jacket. Dustjacket has minor shelfwear Scholar's name to ffep Bonnie Maclachlan née Ward.; 236 pages; In antiquity a considerable number of books of prophecies went under the general title of "Sibylline Oracles". Rulers as significant as Augustus consulted them in time of danger or crisis for advice and prognoses. Increasing numbers of "ex post facto" prophecies laying a particular interpretation on facts of recent history came to be attributed to one of the mysterious Sibyls. Perhaps the most famous of these is the Cumaean Sibyl who guides the hero in the sixth book of Vergil's "Aeneid" . In fact she was somewhat unusual in her similiarity to other oracular prophetesses such as the Pythia. For where the latter prophesied in response to particular inquirers one of the distinguishing characteristics of Sibyls was that they composed discursive verses for distribution to the world at large. This Professor Parke's last book which was virtually complete on his death in 1986 is an account of a subject both rarely treated in recent decades and difficult to access for all but the most expert. In its pursuit of the sometimes elusive Sibyls it ranges from Heraclitus to Eusebius from Archaic Asia Minor to Christian Rome. This book should be of interest to undergraduates postgraduates and academics of classics. . 0415003431 . Routledge hardcover
198734523Paul Aströms Förlag. 1987. Softcover. Very Good-. Foxing and spotting to wraps. Scholars' bookplate to inner cover Slater & Dunbabin. Faint creasing to upper rear wrap; Studies in Mediterranean Archaeology and Literature. Pocket-Book 55; 329 pages . 9186098624 . Paul Aströms Förlag paperback