65 résultats
200233744Cambridge University Press. 2002. Hardcover. Very Good in No Dust Jacket dust jacket. Minor pencil marginalia to some pages by Jenifer Neils.; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it How could they ensure that their scenes would be recognized What problems did they have How did they solve them This generously illustrated book explores the ways classical artists portrayed a variety of myths. It explains how formulas were devised for certain stories; how these inventions could be adapted developed and even transferred to other myths; how one myth could be distinguished from another; what links there were with daily life and historical propaganda; the influence of changing tastes and problems still outstanding. Examples are drawn from a wide range of media--vases murals mosaics sarcophagi sculpture--used by the ancient Greeks and Romans. The myths are mostly those that are also easily recognized in later works of art. No previous knowledge of the subject is assumed all examples are illustrated and all names terms and concepts are fully explained. Susan Woodford teaches Greek and Roman art at the University of London and is engaged in research for the Department of Greek and Roman Antiquities at the British Museum. A former Fullbright Scholar and Woodrow Wilson Fellow she and is author of The Parthenon Cambridge 1981 The Art of Greece Cornell 1993 An Introduction to Greek Art Cornell 1986 and The Trojan War in Ancient Art Cornell 1993.; 10.2 X 7.2 X 0.9 inches; 332 pages . 0521782678 . Cambridge University Press hardcover
20111160012011 Editions Panini Comics, Collection "100% Vertigo" - 2011 - In-8, broché, couverture à rabats illustrée - Sans pagination, planches illustrées en couleurs
20121160032012 Editions Urban Comics, Collection "Vertigo Classiques" - Décembre 2012 (1ère édition) - In-8, broché, couverture à rabats illustrée - 186 planches illustrées en couleurs
20131160042013 Editions Urban Comics, Collection "Vertigo Classiques" - Juillet 2013 (1ère édition) - In-8, broché, couverture à rabats illustrée - 150 planches illustrées en couleurs
20141160052014 Editions Urban Comics, Collection "Vertigo Classiques" - Avril 2014 (1ère édition) - In-8, broché, couverture à rabats illustrée - Sans pagination, planches illustrées en couleurs
20141160062014 Editions Urban Comics, Collection "Vertigo Classiques" - Décembre 2014 (1ère édition) - In-8, broché, couverture à rabats illustrée - 247 planches illustrées en couleurs
20151160072015 Editions Urban Comics, Collection "Vertigo Classiques" - Novembre 2015 (1ère édition) - In-8, broché, couverture à rabats illustrée - 199 planches illustrées en couleurs
20161160082016 Editions Urban Comics, Collection "Vertigo Classiques" - Janvier 2016 (1ère édition) - In-8, broché, couverture à rabats illustrée - 153 planches illustrées en couleurs
20091160022009 Editions Panini Comics, Collection "100% Vertigo" - 2009 - In-8, broché, couverture à rabats illustrée - Sans pagination, planches illustrées en couleurs
201042096Ithaca: Centre for Odyssean Studies. 2010. Softcover. Very Good. Very minor pencilling to a few pages.; Essays in English and Greek.; 356 pages . Centre for Odyssean Studies paperback
2003LITT3335MArcadia Editions, 2003. 125pp.
200396917Bergen, Der Rüganer, 2003. 128; 143 S. (= Rüganer Taschenbuch). 17,5 cm. Illustr, OKart.
20068233Éditions Latomus. 2006. Softcover. Fine. Collection Latomus Volume 299; 246 pages . 2870312407 . Éditions Latomus paperback
200294417Kiel, Jung, 2002. 335 S. 22 cm. Illustr. OPp.
20131220Unknown 2013. Paperback. Acceptable. No dustjacket as issued. Cover has wear in the lower right front corner and a long slight crease lengthwise along the left side. Eight consecutive pages have a crease in lower right corner. Gift inscription on inside front cover. It appears that the front endpaper and title page are missing because the first page is number three Table of Contents. Possible production error because it does not appear that they were removed. Unknown paperback
201215567Éditions Latomus. 2012. Softcover. Fine. Mythos generell und der Troja-Mythos im besonderen der sich vor allem um die Gestalten von Paris und Helena rankt war immer schon offen für unterschiedliche Deutungen konnte daher auch für die Vermittlung politischer oder ideologischer Botschaften „maniuliert“ werden. In diesem Buch werden zwei unterschiedliche und doch vergleichbarte Beispiele präsentiert: Ovid läßt in Heroides 16 und 17 bzw. Heroides 5 Paris und Helena bzw. Die von Paris verlassene Nymphe Oenone den Mythos von Urteil des Paris und dessen Liebe zu Helena jeweils anders erzählen. Es handelt sich dabei nicht bloß um literarisches Spiel sondern Ovid reflektiert auf einer Metaebene allgemein über das Problem der Manipulierbarkeit des Mythos im speziellen des Mythos über Troja und Aeneas durch Vergil zum Zweck panegyrischer Aussagen. Am Ende des 11. Jh. Dichtet Baudri von Bourgueil ebenfalls ein Versepistelpaar in dem er zeigt wie Paris und Helena ihren eigenen Mythos bzw. Dessen allegorische Aussage mißverstehen und derart ins Unglück stürzen. Dasselbe Problem der richtigen d. H. Nicht manipulierenden Deutung von Mythos und der Dichtung die von solchen Mythen handelt liegt auch dem poetischen Brief Baudris an die Nonne Constantia und deren vom Dichter fingierten Antwort zugrunde – ein Problem das Baudri persönlich betraf da er wegen seiner Dichtungen in ovidischem Stil Kritik ausgesetzt war.; Collection Latomus Volume 334; 105 pages . 287031275X . Éditions Latomus paperback
200311036Latomus. 2003. Softcover. Fine. Collection Latomus Volume 278; 268 pages . 2870312199 . Latomus paperback
200726601New York: Marshall Cavendish 2007. 1st ed. Hardcover. Fine. Spirin Gennady. 1st ptg. 4to picture book pictorial boards an Arthurian tale illustrated with Gennady Spirin's richly colored paintings and signed by the artist in gold ink on the title page. Fine in fine unclipped dj no previous owner's marks. Signed by Spirin. Marshall Cavendish hardcover
2005w201029005Hatje Cantz 2005. 80pp. Beige cloth hardback with DJ VG small red ink mark on spine edge Collection of portraits by Irving Penn while in the West African country Dahomey in 1967 Photographs of Dahomey 1967 . Hard Cover. Very Good/Very Good. Hatje Cantz Hardcover
200441938London: Orion 2004. First edition first prnt. Illustrated by Geoffrey Taylor. Signed by Paver on the title page. Includes an illustrated booklet with the same title containing the first four chapters of the novel and author's note distributed for promotional purposes by Ottaker's. 5.5 x 8.5 inches glossy pictoral stapled wraps. 30pp. The booklet is an unread copy in Fine condition. The book is an unread copy in Fine condition in a Fine dustjacket with an archival cover. First volume in Paver's "Chronicles of Ancient Darkness" series. Paver's first book. Signed by Author. First Edition. Hardcovers. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Advance Reader's Excerpt. Orion Hardcover
200441938London: Orion 2004. First edition first prnt. Illustrated by Geoffrey Taylor. Signed by Paver on the title page. Includes an illustrated booklet with the same title containing the first four chapters of the novel and author's note distributed for promotional purposes by Ottaker's. 5.5 x 8.5 inches glossy pictoral stapled wraps. 30pp. The booklet is an unread copy in Fine condition. The book is an unread copy in Fine condition in a Fine dustjacket with an archival cover. First volume in Paver's "Chronicles of Ancient Darkness" series. Paver's first book. Signed by Author. First Edition. Hardcovers. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Advance Reader's Excerpt. Orion Hardcover books
201036752Oxford University Press. 2010. Hardcover. Very Good in Very Good dust jacket. Some pencilling. DJ has some creasing along upper edge. DJ spine sunned.; 9.3 X 1.2 X 6.5 inches; 224 pages . 0195339363 . Oxford University Press hardcover
20048224Peeters Publishers. 2004. Softcover. Very Good. Crease along front wrap else fine.; 345 pages; This Festschrift honours the Dutch Latinist Ben Hijmans. Besides his studies on Seneca and Ovid Hijmans published numerous articles on Apuleius' works. In 1973 he initiated the research project Groningen Commentaries on Apuleius and until his retirement he was editor-in-chief of the series of commentaries issued from that research project. This collection of essays contains a number of important new and original articles on Apuleius' Metamorphoses on the reception of the Latin novel and on Apuleius' rhetorical work. The book presents original research on Ovid's Metamorphoses and its reception. Other contributions testify to the broader interests of Ben Hijmans and deal with general cultural aspects art history the art of translating archaeology and iconography. Ben Hijmans' fascination with and insight into mythical motifs is reflected not only in articles on Pyramus and Thisbe and Actaeon respectively but also in contributions on Narcissus and on Seneca's mythical tragedies and their transformation in Roman Declamation. . 9042915048 . Peeters Publishers paperback
2001LFA-126749055Un ouvrage de 576 pages, format 160 x 190 mm, illustré, broché couverture couleurs, publié en 2001, Editions du Seuil / B.N.F., bon état
200512188Brill. 2005. Hardcover. Near Fine in No Dust Jacket dust jacket. Gift inscription to R. E. Fantham from author on ffep includes tipped-in note from author. Dust-soiling to one small area of textblock.; This book analyses the mythical and legendary narratives in Ovid's Fasti as narrative and concentrates on the neglected literary aspects of these stories. It combines traditional tools of literary criticism with more modern techniques taken especially from narratology and intertextuality. From a narratological viewpoint it covers important features such as aperture closure characterization internal narrators description space time and cinematic technique. On the intertextual level it examines the narratives' complex relationship with Virgil Livy and Ovid's own earlier works. Recent criticism on the Fasti has addressed various elements religious historical political astronomical etc. but detailed narrative study has been wanting. This book fills that gap to provide a more informed and balanced appreciation of this multifaceted poem aimed at classicists and literary critics in general for whom all the Latin is translated.; Mnemosyne: Bibliotheca Classica Batava Supplementum; 306 pages; Signed by Author . 9004143203 . Brill hardcover