Gateau, Jean-CharlesAntiquariat.de
1 918 résultats
199462197Berlin: edition q 1994. 384 S. 22 x 15 cm. Originalpappeinband mit Originalschutzumschlag.
L10883G.L.M. 1938. In-8 br. Portrait en frontispice. Texte en espagnol et traduction par Louis Parrot & Paul Eluard. E.O. ex. num. sur vélin.
194524420Bruxelles et Paris A l'Enseigne du Cheval Ailé 1945 1 vol. broché in-12, broché, couverture de canson vert typographiée en couleurs, 147 pp., 4 planches hors-texte, bibliographie. Edition originale tirée à 585 exemplaires, celui-ci numéroté sur vélin de Lyon. Dos légèrement bruni et usé. Sinon très bon état.
194524420Bruxelles et Paris A l'Enseigne du Cheval Ailé 1945 1 vol. broché in-12, broché, couverture de canson vert typographiée en couleurs, 147 pp., 4 planches hors-texte, bibliographie. Edition originale tirée à 585 exemplaires, celui-ci numéroté sur vélin de Lyon. Dos légèrement bruni et usé. Sinon très bon état.
19201783Paris, Imprimerie Bernouard (avec étiquette de relais contrecollée sur la couverture : Éditions de la Galerie Simon, Paris), 1920. Une plaquette in-4 (288 x 190 mm) brochée, 16 feuillets, non coupé. 2 GRAVURES ORIGINALES DE ANDRÉ DERAIN EN HORS-TEXTE. Edition originale tirée à 155 exemplaires numérotés. Celui-ci un des 1/125 sur vergé d'Arches, signé par l'artiste. ENGLISH : Originally published by Bernouard the book was taken over by D.-H. Kahnweiler after he started the Galerie Simon with his label affixed to the front cover. François Bernouard was an inspiration as editor for Kahnweileir for both typography and aesthetic of modern book conception he will do for 2 decades. One of 125 copies signed by Derain.
19591719Alès, PAB, 1959. Un volume In-8° (232 x 175 mm), broché, couverture de papier bleu orné de papiers découpés (pour chaque exemplaire l'artiste a fait un découpage particulier et dessiné les étoiles à l'encre de Chine). 2 POINTES SÈCHES ORIGINALES EN BLEU, hors-texte à pleine page. Édition originale de ce court et spirituel poème pour enfant. Édition totale à 35 exemplaires + 5 HC, celui-ci bien signé à l'encre par l'auteur, l'artiste et l'éditeur au colophon.
awd-1134Paris, Éditions du Seuil, s. d. In-8 br., couverture imprimée rempliée, 57 pp.
11660Paris, Editions du Seuil, s.d. Grand in-8, 57-(5) pp., broché (couverture légèrement brunie).
L8352Editions du Seuil, s.d. [1944]. In-8 br. Préface de Paul Eluard. Pointe sèche de Jacques Villon. E.O. 1/9 ex. num. sur vélin d'Arches accompagné d'une épreuve à la pointe sèche avant son état définitif, signée au crayon par Jacques Villon.
Mm 130x205 Brossura editoriale, 174 pagine. Libro in condizioni di nuovo con ancora il cellophane editoriale.. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1981014815Paris: Éditions Hervas 1981. Book. Near Fine / Bel. Quality Paperback / Broché. tall 8vo / in-8o. Éditions Hervas Paperback
57751Musée d'art et d'histoire Saint-Denis 1993 In-4 27 cm 14pp. illustr. Nb-0263 unknown
52181New York, The Black Sun Press 1943, 255x185mm, 44pages, cartonnage de l’éditeur. Coiffe supérieure abimée, autrement bon état. Tirage limité à 610 exemplaires. Bel exemplaire.
1947001759Paris 1947. Soft cover. Very Good/Good. number 97 of 610 total copies spine extremities chipped original glassine dust jacket present which has yellowed and has chips along the edges one page untrimmed along bottom edge. Edition illustrated with 7 colored plates by Paul Eluard and 32 reproductions of Max Ernst's collages. <br/> <br/> paperback
194750126Paris: Pierre Seghers Editeur. Very Good. 1947. First Edition. Softcover. Original sewn pictorial wraps with glassine DJ. #304 of 610 copies. Text in French. Covers show slight edgewear; glassine shows chipping and small tears. ; 8vo 8" - 9" tall . Pierre Seghers Editeur paperback
19621260951962 Köln, Galerie der Spiegel - 1962 - In-8, broché, couverture à rabats - Sans pagination - Contient 11 gravures en N&B hors texte de Max Ernst - Texte en allemand et en français
19701255451970 Alexandre Tolas - 1970 - In-8, broché, couverture à rabats illustrée - Sans pagination - Un des 1500 exemplaires sur papier Ventura constituants l'édition originale - 14 illustrations hors texte en N&B et couleurs
194547336Paris.: Éditions de la Revue Fontaine. 1945. Original publisher's printed wrappers with titles to front cover and spine in green and black. 8vo. 224 x 164 mm. . Half-title with monochrome frontispiece by Ernst verso printed title and Eluard's text illustrated with twenty plates after collages by Ernst final leaf of text with publisher's note concerning the first edition verso leaf with achevé d'imprimer and justification recto printer's credit verso. An excellent unsophisticated copy from the édition de tête limited to 10 copies on Madagascar of the second edition of the seminal collaboration marking the boundary between dada and Surrealism.From the edition limited to 1860 numbered or lettered copies with this one of 10 lettered hors commerce copies from the édition de tête on Madagascar.Reprinted by Henri Parisot from the edition of 1922 which was issued in very small numbers 'un petit nombre d'exemplaires' as per the publisher's note this second edition reproduces the first exactly adding only a publisher's explanatory note and a justification. 'Les Malheurs des Immortels' matches Paul Eluard's prose poems with Max Ernst's 'synthetic' collages. Each poem is faced with one collage; the collages are reproduced at two thirds of the size of those in the orignal edition. An English edition was published by the Black Sun Press in New York in 1943 and a German edition in Cologne by Galerie der Spiegel in 1960.'Ce livre d'étroite collaboration peintre-poète est un des jalons majeurs du livre au vingtième siècle . L'importance de ces collages est soulignée par le fait que c'est essentiellement grâce à eux que le groupe surréaliste naissant prit conscience des possibilités plastiques du surréalisme.' De Parallèlement à Chanson Complète. Éditions de la Revue Fontaine. unknown
19452282Paris: Éditions de la Revue Fontaine 1945. Second edition. Original wrappers with integral dust jacket. Slight spotting to wrappers spine a little browned.<br /> <br /> 1860 copies were printed on various papers; this copy unnumbered and apparently on wove pur fil du marais of which fifty lettered copies were noted at the colophon. Inscribed by Eluard on the half-title “à Hans Bellmer qui a admirablement limité les erreurs de reproduction du désir son ami Paul Eluard.†The first edition was published in 1922 and marked the first major collaboration between Ernst and Eluard; this copy introduces a third association bringing together three of the most important figures in the surrealist movement. Éditions de la Revue Fontaine unknown
71638Köln Galerie der Spiegel 1960. . Nr 235 von 250 Exemplaren auf holzfreiem Werkdruckpapier GA: 335. "Les malheurs des immortels" erschienen zuerst 1922 dann nur noch zwei Mal in den 1940er Jahren Paris und New York. - Schwach lichtspurig. Gutes sauberes Exemplar [Köln, Galerie der Spiegel, [ 1960]. unknown
1969140347Denoel 1969. Hardcover. Very Good/Good. Unmarked. Square format. The pale boards are very slightly bowed and there is yellowing to the spine and spine areas of both front and back. Very slight cocking also to the spine. A little wear and nicks to head and foot of the spine of the original cellophane jacket. <br/> <br/> Denoel hardcover
B59675-9New York Black Sun Press 1943. 44 10pp. 22 full-page illus. 4to. Dec. boards. Edition limited to 610 copies. "This edition is further augmented by Three drawings Twenty Years After. The Misfortunes of the Immortals was first published in Paris in 1920 originally revealed in French by Paul Eluard and Max Ernst and now translated into English by Hugh Chisholm. This edition has been designed and published by Caresse Crosby handset in Spartan type twelve point and printed at the Gemor Press in the city of New York March 1943." Though not noted internally this copy derives from the library of Julien Levy. Slight foxing at edges and endpapers not affecting the book within. New York (Black Sun Press), 1943. hardcover
1943189904New York: the Black Sun Press March 1943. First edition in English one of 610 copies. Ernst and Eluard's work was originally published in 1922 in Paris as Les malheurs des immortels and became a cornerstone of surrealism. The Black Sun edition prints the English and French text side-by-side and includes three illustrations by Ernst not present in the original. Quarto. Illustrated throughout printed on both yellow and pink paper. Original pale green boards spine and front cover lettered in black large design by Ernst on front cover. With dust jacket. Bookseller's ticket of Wittenborn Art Books New York to rear pastedown; title added to jacket spine in pencil. Boards lightly sunned along bottom edge extremities bumped with occasional spots of wear endpapers foxed; jacket unclipped faintly soiled extremities a little creased a couple of tiny nicks and short closed tears to edges: a very good copy in like jacket. Minkoff Black Sun A48. hardcover
B59675-10New York Black Sun Press 1943. 44 10pp. 22 full-page illus. 4to. Dec. boards. Edition limited to 610 copies. "This edition is further augmented by Three drawings Twenty Years After. The Misfortunes of the Immortals was first published in Paris in 1920 originally revealed in French by Paul Eluard and Max Ernst and now translated into English by Hugh Chisholm. This edition has been designed and published by Caresse Crosby handset in Spartan type twelve point and printed at the Gemor Press in the city of New York March 1943." Though not noted internally this copy derives from the library of Julien Levy. Slight foxing at edges and endpapers not affecting the book within. New York (Black Sun Press), 1943. hardcover
B59675-3New York Black Sun Press 1943. 44 10pp. 22 full-page illus. 4to. Dec. boards head of spine damaged. Edition limited to 610 copies. "This edition is further augmented by Three drawings Twenty Years After. The Misfortunes of the Immortals was first published in Paris in 1920 originally revealed in French by Paul Eluard and Max Ernst and now translated into English by Hugh Chisholm. This edition has been designed and published by Caresse Crosby handset in Spartan type twelve point and printed at the Gemor Press in the city of New York March 1943." Though not noted internally this copy derives from the library of Julien Levy. Slight foxing at edges and endpapers not affecting the book within. New York (Black Sun Press), 1943. hardcover
