1 935 résultats
193982921Couverture souple. Bel état intérieur.
1947059176Paris: Les Editions Du Chene 1947. First Edition . Soft cover. Very Good/Very Good Dustjacket. 15" Tall. 8 Pp. Plain Card With Attached Dust Jacket 15 1/4" X 11 1/8". 15 Fine Full-Color Tipped-In Plates With An Additional Mounted Plate On The Front Of Dustjacket. Contents Lightly And Evenly Aged But Offsetting Browning To Center Of Title Page From Exposed Card Cover Opposite. Likewise To Verso Of Last Card With Mounted Plate On Other Side. Dust Jacket Dusty Small Water Spot Small Chip At Center Of Spine. <br/> <br/> Les Editions Du Chene paperback
194744365Paris: Les Editions Du Chene. Good. 1947. First Edition. Softcover. Oversized folder with pictorial onlay. Contains poem by Paul Eluard introduction by Leon Denand and 16 color plates. The folder has some spine tears toning and foxing. The bottom corner is bumped throughout. ; Folio 13" - 23" tall . Les Editions Du Chene paperback
193931<p>Rare and extraordinary double-sided Surrealist binding by Georges Hugnet executed for his own library.<br /><br />He later gave it to Robert Altmann.<br /><br />At the beginning Georges Hugnet mounted a long autograph note offering first-hand details about his production of Surrealist bindings:<br /><br />"This 'book-object' invented for the personal copy of Chanson complète that Paul Éluard had given me is the last I ever made in my workshop on rue de Buci with the help of my bookbinder assistant Louis Christy who died in October 1940. Since then I have never executed any others; the Nazi occupation extinguished this vein in me.<br /><br />Here is the list of 'book-objects' that I still have in my library:<br /><br />Comte de Lautréamont Les Chants de Maldoror 1934<br />G.H. Onan 1934<br />Paul Éluard Défense de savoir 1934<br />André Breton L'Air de l'eau 1935<br />Paul Éluard Facile 1935<br />Hans Bellmer Die Puppe 1935<br />Hans Bellmer a collection of original black-and-white and colour photographs of Bellmer's dolls<br />Raymond Roussel Locus Solus 1937<br /><br />In total between 1934 and 1939 I composed around twenty 'book-objects' which at the time were housed in the libraries of Mme Lise Deharme and Peggy Guggenheim Messrs. Paul Éluard André Breton Robert Valançay P. Bomsel etc. as well as in my own. My 'book-objects' exist only in a single copy with the exception of Défense de savoir which I reproduced in order to offer it to Paul Éluard who desired it and another set of original photographs of Hans Bellmer's dolls commissioned from me after seeing my copy by Robert Valançay.<br /><br />Paris 25 October 1964<br />Georges Hugnet<br /><br />I am happy that the only 'book-object' I can still dispose of enters your library my dear Robert Altmann."<br /><br />Extraordinary "book-object" by Georges Hugnet in one of the 20 copies of Chanson complète illustrated with four lithographs by Max Ernst.<br /><br />Chanson complète is the fourth collaboration between Max Ernst and Paul Éluard following Répétitions Les Malheurs des immortels and Au défaut du silence. It was produced at a time when Éluard had recently been excluded from the Surrealist group by Breton due to his Stalinist positions and several critics have seen in it an act of solidarity by the painter.<br /><br />The volume contains fourteen poems and four lithographs. These are frottage-based works in which the artist's familiar universe reappears: birds animals vegetal forms and female bodies particularly eroticised in the third plate.<br /><br />For this final binding of his invention intended for his personal library Georges Hugnet deployed his full talent in the field. It is imbued with a diffuse eroticism. The hair-like fur framing the algae—or coral—on a pink ground inevitably evokes a female sexual form. One thinks of Étant donnés Marcel Duchamp's final work where a female body is similarly revealed within an ovoid black form.<br /><br />Georges Hugnet's extensive note highlights the rarity of the "book-objects" he created. "The bindings of Georges Hugnet—which are rather ghostly constructions around books—prepare and dress them for the greatest ball of their life" wrote Benjamin Péret in no. 10 of Minotaure Winter 1937.<br /><br />These creations represent both the culmination of "artistic" binding and its ironic subversion. The binding whose execution Hugnet entrusted to his friend Louis Christy a self-taught bookbinder close to the Surrealists who said he had 'made himself among masters who barely knew their craft' becomes a kind of "mental object." It is no longer decoration but the creation of a unique object "the book fulfils its purpose" as he said fully belonging to Surrealist production.<br /><br />Among the "book-objects" mentioned but not precisely listed in Hugnet's note one may also cite Herbe à la lune by Valentine Penrose.<br /><br />Robert Altmann to whom Hugnet gave this copy was the director of the Brunidor publishing house based in New York and later Paris specialising in illustrated books with engravings.<br /><br />Provenance: Jean-Paul Kahn collection.</p> Gallimard
195323738Paris: Au Ménestrel 1953. Paperback. Very good. One sheet folded to make two pages loose in a folder with an illustration by Andre Beaudin on the front. Paper tanned otherwise a very good copy. <br/><br/> Au Ménestrel paperback books
193918486GLM 1939. Limited Edition. Hardcover. vg. 1/1300 numbered copies printed on vellum. 12mo. 153pp. Previous owners inscription on one of the front free page signed by Jaqueline. Vralon leather binding with gilt lettering to spine and embossed decoration gilt and green honeycomb pattern to boards. Colorfully decorated turquoise endpapers. Original wrappers bound in. Top edge gilt. Frontispiece. Magnificent collection of the works of Charles Pierre Baudelaire 1821 – 1867 one of the most influential French poets of the nineteenth century. His claim to fame is especially his first collections of poems "Les Fleurs du Mal" The Flowers of Evil included here where the principal themes were sex and death. He was also a magnificent translator: His translations of Edgar Allen Poe are delightful to read. Printed on high quality vellum paper. <br /> Minor browning to title page and wrappers. Owner's writing to contemporary free front endpaper. Otherwise clean and tight. In French. Very good condition. GLM hardcover
38304Paris. GLM. 1939. In-12. Demi-chagrin à coins. 4 nerfs. Titre doré au dos. Couverture d'origine conservée. Exemplaire N° 819 sur Vélin. Préface par Paul Eluard. Portrait par Marcoussis. Très bon état malgré des écritures en page de titre.
1943R320065596GALLIMARD. 1943. In-12. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur acceptable. 283 pages - coiffe en pied abimée.. . . . Classification Dewey : 841-Poésie
1942ROD0112766GALLIMARD. 1942. In-12. Broché. Etat d'usage, Tâchée, Dos très frotté, Intérieur acceptable. 283 pages.. . . . Classification Dewey : 841-Poésie
958N.R.F. 1941. In-8° broché. Couverture rempliée. 282 pages.
1946161757Editions Gallimard Editions Gallimard, 1946. In-12 relié plein cartonnage éditeur d'après la maquette de Paul Bonet, 344 pages. Dos légèrement jauni et quelques rousseurs sinon bon état
194629450Paris Gallimard 1946 1 vol. Broché in-12, broché, 344 pp. Un des 113 exemplaires numérotés sur vélin pur fil Lafuma Navarre, en belle condition.
194629450Paris Gallimard 1946 1 vol. Broché in-12, broché, 344 pp. Un des 113 exemplaires numérotés sur vélin pur fil Lafuma Navarre, en belle condition.
21967Paris, Gallimard, 1941. 1 vol. in-12 br., couv. imprimée, 281 pp., (1) p., (1) f. Bon exemplaire. Papier jauni.[G11]
1963364ABNeuwied, Luchterhand 1963. 24x16 cm. 625 S., 1 Bl. Mit einem Fotoporträt. Originalleinwand mit Schutzumschlag.
21133Couverture très légèrement cornée.
p6545aAttention édition est de 1963.
15447Paris, Gallimard, 1941. In-8 broché, 284 pp., couverture rempliée (ex-libris au tampon).
42591VPRT
LITT6289MV1941 chez Gallimard - NRF. In-8, broché, 273 pages.
1946042309Gallimard Broché Paris 1946 344 pages en format 11 - 17 cm - photographie collée de l' auteur Livre personnalisé
194143690Couverture souple imprimée. Dos bruni. Intérieur propre.
18094Edition Gallimard 1944. In-12 relié de 344 pages au format 12 x 15 cm. Elégante reliure demi maroquin rouge avec plats papier. Pages de garde en papier marbré. Dos rond à 5 nerfs, avec titre et date dorés et gravés. Couverture et 4ème plat conservés. Couverture avec importante tache d'encre. Intérieur avec rousseurs. Nouvelle édition revue et corrigée en partie originale. Exemplaire enrichi d'une cordiale dédicace autographe, signée, de l'auteur.
194125292Editions Gallimard 1941. In-12 broché de 274 pages au format 11,5 x 18 cm. Couverture rempliée avec titre imprimé. Dos bien carré avec haut un peu bruni. Intérieur frais. Exemplaire du service de presse, imprimé S.P en page de titre et en haut du 4ème plat. Complet du prière d'insérer. Rare édition originale collective en superbe état général.
1373Paris : Gallimard nrf, 1946. BELLE PROVENANCE ET CURIEUX DESSIN