1 128 résultats
192643215Paris.: Editions de la Roseraie. 1926. Full vellum with Yapp edges the binding painted by Martin see below and signed in ink at lower left original silver printed wrappers and backstrip preserved grey silk moiré doublures marbled endpapers t.e.g. polished paper chemise with gilt title and matching wool-lined slipcase. 4to. 255 x 205 mm. Engraved frontispiece decorative printed title with colour vignette 5 engraved plates each in two states and 34 etched vignettes 28 in colour by Charles Martin; a separate suite of all the vignettes with additional title is bound in at the rear of the volume the final illustration in the suite is present in the suite alone. Charles Martin's illustrations for Mérimée's Carmen in a beautiful painted binding.From the edition limited to 176 numbered copies with this one of 150 on vélin de Rives teinté and with an extra suite of the plates printed in black.Martin's painted binding signed on the front cover at lower left and executed in black ink with additional highlights in gilt and colour depicts for the front board a man and a woman the man with a gold earring and a cigarette between his lips the woman - it seems likely that this is a portrait of Carmen herself - with elaborate coiffure and a green leaf between her stylised lips her elaborate mantilla picked out in gilt; the rear cover depicts a landscape with mounted caballero and a hacienda with a cloud in outline behind; the spine features the title in magenta ink and a small vignette at the foot. Editions de la Roseraie. hardcover
190565809New York: Croscup & Holby Company 1905. SAINTSBURY George; LA BELLE SAUVAGE BINDERYWALLER Emily MaryLOYD Lady MaryTHOMPSON Edmund BurkeARNOLD William M.PALMER Olive EdwardsSAINTSBURY GeorgeDEY Mary HelenaROBAUDI Alcide-TheophilePAUL LouiseVUILLIER GastonTOUDOUZE Edou. The Writings of Prosper Mérimée. Comprising His Novels Tales and Letters to an Unknown. With an essay on the genius and achievement of the author by George Saintsbury M.A. New York: Croscup & Holby Company 1905.<br> <br> Japan Paper Edition. Limited to thirty numbered copies. Eight octavo volumes 9 x 6 inches; 228 x 152 mm. Etched frontispieces and plates in three states one on India paper mounted one on Japan Paper and one hand-colored. Descriptive tissue guards. Each volume with a watercolor head-piece initial and border vignette. With a corrected galley proof sheet "Proof Corrections as made by Prof. Saintsbury" tipped in to Carmen.<br> <br> Bound by La Belle Sauvage Bindery in full dark green crushed levant morocco. Covers elaborately bordered in gilt with fleur-de-lys cornerpieces in onlaid red morocco gilt. Spines in five compartments with four raised bands gilt-lettered in three compartments decoratively tooled in gilt in the remaining two compartments with a red morocco onlay in one compartment gilt board edges and turn-ins green silk doublures and liners top edge gilt others uncut. A fine set in an superb binding.<br> <br> Comprising: Carmen Arsène Guillot Abbé Aubain. Translated by Emily Mary Waller the Lady Mary Loyd and Dr. Edmund Burke Thompson. With illustrations by Gustave Fraipont and S. Arcos. And: The Double Mistake Soul in Purgatory The Venus of Ille. Translated by William M. Arnold Olive Edwards Palmer and Emily Mary Waller. With Illustrations by Gustave Fraipont A. Bramtot and J.J. Aranda. And: The Chronicle of the Reign of Charles IX. Translated by Prof. George Saintsbury M.A. With illustrations by Edouard Toudouze. And: The Mosaic. Comprising Mateo Falcone and Other Tales. Translated by Emily Mary Waller and Mary Helena Dey. With illustrations by J. Le Blaut P. Sinibaldi Luc Olivier Merson Myrbach Ed. de Beaumont and Lalauze. And: Colomba. Translated by the Lady Mary Loyd. With illustrations by Gaston Vuillier. And: Letters to an Unknown. Translated by Olive Edwards Palmer. Illustrated with contemporary drawings and portraits. Two volumes. And: Last Stories and Translations. Translated by Emily Mary Waller and Louise Paul. With illustrations by A. Robaudi.<br> <br> Prosper Mérimée 1803-1870 "French dramatist and master of the short story whose works-romantic in theme but classical in style-were a renewal of classicism in a romantic age.Mérimée's short stories many of which are mysteries best illustrate his imagination and somber temperament. Spain and Russia were his principal literary sources and he was the first interpreter of Russian literature in France. Aleksandr Pushkin was his master especially for his themes of violence and cruelty and the human psychology behind them. In one of Mérimée's best-known stories Mateo Falcone 1829 a father kills a son for betraying the family honor. The collection Mosaïque 1833 was followed by his most famous novellas: Colomba 1840 the story of a young Corsican girl who forces her brother to commit murder for the sake of a vendetta and Carmen 1845 in which an unfaithful Gypsy girl is killed by a soldier who loves her" Merriam-Webster's Encyclopedia of Literature.<br> <br> HBS 65809.<br> <br> $4000. Croscup & Holby Company unknown
192845692Paris Ren Kieffer 1928 In-8, bradel, plats de plexiglas laissant apparatre par transparence une composition d'arabesques dessines en noir sur un papier rose; dos de maroquin noir portant le nom de l'auteur et le titre de l'ouvrage en petites capitales pousses l'oeser blanc et or; doublures et gardes de papier jaune ple, tte dore, non rogn, couverture portant une pice de titre imprime. Etui (Henri Mercher).Agrable dition illustre par Touchagues de 10 eaux-fortes originales hors texte en couleurs, ainsi que d'une composition reprsentant un thtre encadrant chaque page de texte et imprime en brun-rouge. Elgant spcimen de ces reliures avec des plats en plexiglas monts en bradel selon un brevet d'invention dpos par le relieur Henri Mercher (1912-1976) qui occupe une place singulire dans la gnration qui a marqu l'art de la reliure aprs 1945. Ce modle fut ressenti comme moderne par le matriau, par la facture en rupture avec la tradition et par un dcor moins assujetti la mosaque de peaux. De ce point de vue, notamment par la technique des plats rapports, Henri Mercher peut tre considr comme l'initiateur lointain et mal reconnu du grand changement qui a donn un nouvel lan cratif la reliure d'art durant ces quarante dernires annes.
190235563Reliure demi-maroquin bleu nuit à coins. Dos lisse mosaïqué de rouge et orné de filets dorés, date en queue. Tête dorée. Filets dorés sur les plats. Couverture et dos conservés. Reliure signée Ch. SEPTIER. Intérieur très propre avec petites piqûres aux extrémités des feuilles. Avec une couverture illustrée et 61 aquarelles d'après Eug. COURBOIN.
191371727Paris: A. Ferroud 1913. Fine. A. Ferroud Paris 1913 16 x 25.50 cm relié Edition illustrated with 31 original compositions by Gaston Vuillier etched by Omer Bouchery one of 100 numbered copies on Japan paper containing the etchings in two states. Full brown morocco binding spine with five raised bands decorated with triple compartments as well as gilt fillets gilt date at foot gilt roulettes on headcaps frame of quadruple gilt fillets on covers marbled endpapers and pastedowns frame of gilt dentelle on pastedowns double gilt fillets on leading edges covers preserved top edge gilt superb full morocco binding signed by Blanchetière. Superb copy. Copy established in a very handsome full morocco binding by Blanchetière. A. Ferroud hardcover
190252403Paris Librairie L. Conquet 1902 In-4, maroquin bleu marine orn sur les plats d'un large encadrement de roulettes et de filets dors, rappel du dcor sur le dos nerfs, filet or sur les coupes; encadrements intrieurs orns de filets dors, doublures et gardes de papier marbr, tranches lisses dores, couverture illustre. Etui (Noulhac).19 aquarelles originales de Bertrand graves en couleurs par Charles Wittmann, dont une vignette de titre, 17 en-ttes et un cul-de-lampe. Tirage unique limit 150 exemplaires numrots sur vlin du Marais.
1948LIQ-5365Casablanca, Editions de la Cigogne 1948. Fort in-4° en ff, sous chemise et étui.
194719925AB1947. Lausanne H.-L. Mermod 1947. 175 : 125 cm. 3 white sheets color illustrated cover 104 pages 1 blank leaft 1 printed leaf 5 blank leaves with double-page illustrated title by Antoni Clave and 6 1 double-page colored plates by Antoni Clave. Half leather gilt title on spine silk boards calfskin edges front borad with gold and red title gilt top edge slipcase signed P.L. Martin. Extravagant binding in perfect condition. With reproductions of gouaches by Antoni Clave. - Antoni Clavé i Sanmartí Barcelona Spain April 5 1913 - Saint-Tropez France August 30 2005 was a Spanish painter engraver and sculptor. - Living in the French capital Clavé's work is often included in the School of Paris along with that of other artists such as Pablo Picasso Juan Gris Joan Miró or Antonio Saura. In 1944 he met Picasso personally beginning a friendship that lasted until the death of the Malaga painter. From that date on Clavé began to develop work with a different and less classical visual style. - 3 white sheets illustrated color cover 104 pages 1 blank sheet 1 printed sheet 5 blank sheets with double-page illustrated title by Antoni Clave and 1 color sheet by Antoni Clave. Carrosse du Saint-Sacrement is a one-act comedy by Prosper Mérimée inspired by a historical figure the famous Peruvian actress Micaela Villegas 1748-1819 known as the chola bitch - in French la Périchole - 1 the play was created at the Théâtre-Français under the title Le Carrosse on March 13. 1850 with Augustine Brohan in the role of Camilla Périchole. hardcover
192813124Paris, L'Estampe moderne, 1928. 1 vol. long in-4. Plein maroquin rouge, jeu de filets dorés et à froid en encadrement, dos à nerfs orné de même, titre et auteur dorés, date en queue, doublures de maroquin vert, cuivre encastré au premier contreplat, doubles gardes marbrées, couvertures et dos conservés, tête dorée, sous étui bordé. [P. SAILLIER].
194530622Paris Editions Galatea 1945 In-4, box vert orn sur les plats d'un dcor vertical mosaqu en papier havane motifs argents, compos d'une succession verticale de petits triangles encadrant trois bandes verticales spares par deux listels de box orange; nom de l'auteur et titre de l'ouvrage pousss or sur le dos sans nerfs orn en tte et en queue d'un triangle en maroquin lavallire; doublures de papier jaune, gardes de papier vert, tte dore, non rogn, couverture imprime. Chemise, tui (Manuel Grard).26 lithographies originales en couleurs de Marti Bas, dont 20 in-texte et 6 hors-texte. Tirage limit 500 exemplaires numrots. Un des 27 exemplaires sur lana contenant une grande gouache originale et une suite en couleurs avec remarques.
192840161Sous étui bordé. Reliure plein maroquin aubergine. Cuivre encré enchâssé dans le plat supérieur. Dos lisse avec titre doré. Tête dorée. Couverture et dos conservés. Reliure signée KIEFFER. Ouvrage orné d'eaux-fortes en couleurs hors texte par TOUCHAGUES, ainsi que d'ornements autour du texte de chaque page.
19928683Paris, Mairie de Paris, Bibliothèque Historique de la Ville de Paris, 1992. 3 fascicules in-8, 18-(2 bl.) pp. pour la préface de V. del Litto ; (2)-16-(2 bl.) pp. pour le fac-similé ; 8 pp. pour les notes. Tirage à 250 exemplaires numérotés dont 70 hors commerce (n° 18). Envoi du relieur à Jean Dérens, directeur de la Bibliothèque historique de la Ville de Paris et ex-dono de Jean Dérens sur la couverture du premier fascicule. Reliure en box noir recouvert de bandes verticales en peau de reptile, couvertures conservées, étui en demi-box noir à coins, minimes griffures au dos de l'étui, superbe reliure de Florent Rousseau datant de 1993.
193037547Paris La Pliade 1930 In-4, maroquin jansniste noir, dos quatre nerfs; larges encadrements intrieurs orns de filets dors, doublures et gardes de soie rouge fonc, doubles gardes de papier marbr, tte dore, non rogn, couverture imprime. Etui (J. Van West).23 lithographies originales hors texte de R. Ben Sussan. Tirage limit 126 exemplaires numrots. Exemplaire hors commerce imprim sur papier Japon au nom de l'imprimeur Robert Coulouma, comportant comme les 7 premiers exemplaires galement sur papier Japon, une suite part des lithographies imprimes sur papier de Chine.
19024507Paris: L. Carteret et Cie 1902. First edition. First edition. 4to. Bound by Champs-Stroobant in three-quarter medium blue smooth calf spine gilt in six compartments marbled sides doublures and flyleaves. This is $87 out of 250 on Whatman handmade paper. Colored title page and 60 colored aquatints combined with text INCLUDING 9 FULL-PAGE COLORED AQUATINTS d'apres Eugen Courboin. Imprinted in the presses of A. Lahure. A superb combination of text and aquatint illustration. Some wear/scuffing to covers near fine internally. With the pictorial bookplate of Frances Georges Leone engraved by Picard. A pretty book. <br/><br/> L. Carteret et Cie unknown books
19024507Paris: L. Carteret et Cie 1902. First edition. First edition. 4to. Bound by Champs-Stroobant in three-quarter medium blue smooth calf spine gilt in six compartments marbled sides doublures and flyleaves. This is $87 out of 250 on Whatman handmade paper. Colored title-page and 60 colored aquatints combined with text INCLUDING 9 FULL-PAGE COLORED AQUATINTS d’apres Eugen Courboin. Imprinted in the presses of A. Lahure. A superb combination of text and aquatint illustration. Some wear/scuffing to covers near fine internally. With the pictorial bookplate of Frances Georges Leone engraved by Picard. A pretty book. L. Carteret et Cie unknown
194568496Paris: Editions de la couronne 1945. Fine. Editions de la couronne Paris 1945 20.50 x 28.50 cm en feuilles sous chemise et étui Illustrated edition of a frontispiece and 19 drawings by Yves Brayer one of 15 numbered copies on Japan Ot-Su-Ki leading print after 1 Auvergne. Nice copy. Preface by Henri de Montherlant. The book is full of his suite of 16 bullfighting boards presented in a separate folder. Handwritten signature of Yves Brayer to the justification of the draw. Our copy is enriched on a guard volume of text a beautiful watercolor original Yves Baryer he signed and representing a bullfighter brandishing his muleta. Editions de la couronne hardcover
190339060Paris: Librairie de la Collection des Dix / A. Romagnol 1903. A FOLIO PROOF COPY ON IMPERIAL JAPANESE PAPER of this quirky and brutal livre d'artiste. Illustrated with etchings by Chessa after Merson for the illustrations and Cossard for the manuscript text. From a total edition of 500 copies this is ONE OF ONLY TEN COPIES PRINTED IN FOLIO FOR THE PUBLISHER THE ONLY COPIES WITH THE PLATES PRIINTED BEFORE STEELFACING aciérage. These ten copies were printed on different papers and this copy is printed throughout on Imperial Japanese paper. These ten copies are mentioned in the prospectus but not in the justification surely because they were never offered for sale. LAID IN IS AN AUTOGRAPH LETTER BY MERSON SIGNED IN INK. Folio. Loose as issued in original wraps. Wraps a bit worn and spotted internally FINE AND BRIGHT with the illustrations extremely sharp and in perfect condition. Perhaps the unique surviving unbound proof copy on Japanese paper. Ray 300 Ray didn't know about the proof copies. <br/><br/> Librairie de la Collection des Dix / A. Romagnol paperback
19041452Paris: Librairie L. Conquet L.Carteret et Cie 1904. Limited Edition. Near fine. Daniel Vierge. Large 8vo 10 1/2 x 7 inches 270 x 177 mm; viii 298 pp. adv. 4; rubricated title page. 63 wood engravings by Noël et Paillard from drawings by Daniel Vierge. Handsome red pebbled morocco binding by Bretault in gilt on front dentelle with raised bands and gilt titling; turn-ins with elaborate gilt scrolls marbled endpapers t.e.g. rest uncut. Hinges professionally repaired scratch at bottom of rear cover. Original illustrated paper wrappers and strip bound in as well as the subscription advertisement with first spread. Paper evenly toned with very occasional foxing; binding square and tight. Copy 83 of 100 grand luxe copies on Japon ancien as stated on the limitation page. <br /> <br /> BNF30930179. An elegant large paper edition on lush Japon paper of Prosper Mérimée's short novel Colomba which first appeared on 1 July 1840 in the Revue des Deux Mondes. Through the lens of historical fiction the novella examines the Corsican vendetta. The story has been adapted on a number of occasions for the screen including the 1950 film "Vendetta" directed by Mel Ferrer. Librairie L. Conquet, L.Carteret et Cie unknown
194239112Paris: La Tradition Paul Durupt 1942. THE PUBLISHER'S COPY. A wonderful livre d'artiste published during the Occupation with 24 ORIGINAL ETCHINGS with drypoint by Jean Traynier an important printmaker and book artist. From an edition of 540 copies printed on very fine Arches wove paper THIS IS THE UNIQUE PUBLISHER'S COPY BELONGING TO PAUL DURUPT the founder and director of La Tradition. With a remarque suite of the 24 etchings in the first state on wove paper; a remarque suite of the 24 etchings in the second state on wove paper; a remarque suite of the 24 etchings in the second state on Japanese paper; NINE ORIGINAL DRAWINGS each matted and SIGNED BY TRAYNIER; a mounted ORIGINAL DRAWING inscribed to Durupt and SIGNED BY TRAYNIER; a handcolored proof etching inscribed to Durupt and SIGNED BY TRAYNIER; a proof etching SIGNED BY TRAYNIER; THIRTEEN AUTOGRAPH LETTERS FROM TRAYNIER TO DURUPT relating to the production of the book all of which are SIGNED BY TRAYNIER and one of which features a small sketch; and a carte-de-visite from intellectual JACQUES GUIGNARD 1912-1980 with a long inscription thanking Durupt for sending him a copy of this book. 4to. Original wraps with board chemise and slipcase. FINE AND BRIGHT with the additional material in a separate chemise. UNIQUE AND IMPORTANT. <br/><br/> La Tradition (Paul Durupt) paperback
1946240502011Chez Jean Porson 1946. First THUS. Loose Leaf Portfolio . Clean & Unmarked. Text in French. Limited. Includes two loose leaf suites of lithographs. The first are two sets of color 13 full page prints and 25 partial page prints amid text and is housed in folded wraps with a glassine jacket.The second is composed of 51 1 black prints with one full page color print and one partial. All housed in the rear in a folded pocket with the 1 black print being the cover print. Limited. This is #43 of a total of 275 copies. Number 43 is in the subset from numbers 31-50 twenty copies on Rives paper same as 1-30 but without the original watercolor. Both suites housed in loose boards. Scattered yet sparse faint foxing throughout. Pockets fraying as well as board hinges. Loose boards then rest in a slipcase with rubbed edges and scuffed corners. See photos. Very scarce in this complete of a package. Chez Jean Porson unknown
194645356Paris Jean Porson 1946 In-8, en feuilles, couverture illustre (embotage de l'diteur).39 lithographies originales en couleurs de Clav, dont une sur la couverture, un frontispice, 8 hors-texte et 29 in-texte. Tirage limit 275 exemplaires numrots. Un des 185 exemplaires sur vlin d'Arches. Exemplaire dans son embotage d'diteur recouvert de compositions par Clav, et complet du prospectus illustr de l'diteur.
19460044911946 Paris, Jean Porson, sans date [1946]. In-8 couronne (200 X 252 mm) en feuilles, couverture rempliée illustrée, étui et chemise illustrés de l’éditeur; 154 pages, (3) ff.. Rousseurs sur l'étui et les plats de la chemise ; quelques rares rousseurs dans les barbes et une petite rousseur répétée en marge du faux-titre, du frontispice et du titre.
194346413Paris: Le Vasseur et Cie 1943. Fine. Le Vasseur et Cie Paris 1943 23.30 x 28.70 cm en feuilles sous chemise et étui Edition with illustrations by Jean Traynier printed in 425 copies ours one of the 325 numbered on Arches vellum unnumbered includes a manuscript justification by the illustrator: ""Exemplaire d'artiste réservé pour Monsieur . avec la sympathie de l'illustrateur."" ""Artist's copy reserved for Mister . with the illustrator's regards."" It is also enhanced with an autograph dedication page by Jean Traynier and 20 original watercolors by the artist in the text margins. Spine of the chemise slightly faded. Beautiful illustrated adaptation of Jean Traynier's etchings superbly heightened with watercolors by the artist. Le Vasseur et Cie hardcover
193534898Paris Marcel Lubineau 1935 In-4, demi-maroquin rouge coins, plats de papier marbr, dos nerfs; doublures et gardes de papier marbr, tte dore, non rogn, couverture illustre.33 illustrations en couleurs d'Andr Collot, dont une sur la couverture, un frontispice, 15 hors-texte et 16 in-texte. Tirage unique limit 2.000 exemplaires numrots sur vlin d'Arches.
193538988Paris Marcel Lubineau 1935 In-4, demi-maroquin rouge coins, plats de papier marbr, dos sans nerfs orn d'une rose pousse or; doublures et gardes de papier marbr, tte dore, non rogn, couverture illustre.33 illustrations en couleurs d'Andr Collot, dont une sur la couverture, un frontispice, 15 hors-texte et 16 in-texte. Tirage unique limit 2.000 exemplaires numrots sur vlin d'Arches.