139 résultats
192643215Paris.: Editions de la Roseraie. 1926. Full vellum with Yapp edges the binding painted by Martin see below and signed in ink at lower left original silver printed wrappers and backstrip preserved grey silk moiré doublures marbled endpapers t.e.g. polished paper chemise with gilt title and matching wool-lined slipcase. 4to. 255 x 205 mm. Engraved frontispiece decorative printed title with colour vignette 5 engraved plates each in two states and 34 etched vignettes 28 in colour by Charles Martin; a separate suite of all the vignettes with additional title is bound in at the rear of the volume the final illustration in the suite is present in the suite alone. Charles Martin's illustrations for Mérimée's Carmen in a beautiful painted binding.From the edition limited to 176 numbered copies with this one of 150 on vélin de Rives teinté and with an extra suite of the plates printed in black.Martin's painted binding signed on the front cover at lower left and executed in black ink with additional highlights in gilt and colour depicts for the front board a man and a woman the man with a gold earring and a cigarette between his lips the woman - it seems likely that this is a portrait of Carmen herself - with elaborate coiffure and a green leaf between her stylised lips her elaborate mantilla picked out in gilt; the rear cover depicts a landscape with mounted caballero and a hacienda with a cloud in outline behind; the spine features the title in magenta ink and a small vignette at the foot. Editions de la Roseraie. hardcover
190565809New York: Croscup & Holby Company 1905. SAINTSBURY George; LA BELLE SAUVAGE BINDERYWALLER Emily MaryLOYD Lady MaryTHOMPSON Edmund BurkeARNOLD William M.PALMER Olive EdwardsSAINTSBURY GeorgeDEY Mary HelenaROBAUDI Alcide-TheophilePAUL LouiseVUILLIER GastonTOUDOUZE Edou. The Writings of Prosper Mérimée. Comprising His Novels Tales and Letters to an Unknown. With an essay on the genius and achievement of the author by George Saintsbury M.A. New York: Croscup & Holby Company 1905.<br> <br> Japan Paper Edition. Limited to thirty numbered copies. Eight octavo volumes 9 x 6 inches; 228 x 152 mm. Etched frontispieces and plates in three states one on India paper mounted one on Japan Paper and one hand-colored. Descriptive tissue guards. Each volume with a watercolor head-piece initial and border vignette. With a corrected galley proof sheet "Proof Corrections as made by Prof. Saintsbury" tipped in to Carmen.<br> <br> Bound by La Belle Sauvage Bindery in full dark green crushed levant morocco. Covers elaborately bordered in gilt with fleur-de-lys cornerpieces in onlaid red morocco gilt. Spines in five compartments with four raised bands gilt-lettered in three compartments decoratively tooled in gilt in the remaining two compartments with a red morocco onlay in one compartment gilt board edges and turn-ins green silk doublures and liners top edge gilt others uncut. A fine set in an superb binding.<br> <br> Comprising: Carmen Arsène Guillot Abbé Aubain. Translated by Emily Mary Waller the Lady Mary Loyd and Dr. Edmund Burke Thompson. With illustrations by Gustave Fraipont and S. Arcos. And: The Double Mistake Soul in Purgatory The Venus of Ille. Translated by William M. Arnold Olive Edwards Palmer and Emily Mary Waller. With Illustrations by Gustave Fraipont A. Bramtot and J.J. Aranda. And: The Chronicle of the Reign of Charles IX. Translated by Prof. George Saintsbury M.A. With illustrations by Edouard Toudouze. And: The Mosaic. Comprising Mateo Falcone and Other Tales. Translated by Emily Mary Waller and Mary Helena Dey. With illustrations by J. Le Blaut P. Sinibaldi Luc Olivier Merson Myrbach Ed. de Beaumont and Lalauze. And: Colomba. Translated by the Lady Mary Loyd. With illustrations by Gaston Vuillier. And: Letters to an Unknown. Translated by Olive Edwards Palmer. Illustrated with contemporary drawings and portraits. Two volumes. And: Last Stories and Translations. Translated by Emily Mary Waller and Louise Paul. With illustrations by A. Robaudi.<br> <br> Prosper Mérimée 1803-1870 "French dramatist and master of the short story whose works-romantic in theme but classical in style-were a renewal of classicism in a romantic age.Mérimée's short stories many of which are mysteries best illustrate his imagination and somber temperament. Spain and Russia were his principal literary sources and he was the first interpreter of Russian literature in France. Aleksandr Pushkin was his master especially for his themes of violence and cruelty and the human psychology behind them. In one of Mérimée's best-known stories Mateo Falcone 1829 a father kills a son for betraying the family honor. The collection Mosaïque 1833 was followed by his most famous novellas: Colomba 1840 the story of a young Corsican girl who forces her brother to commit murder for the sake of a vendetta and Carmen 1845 in which an unfaithful Gypsy girl is killed by a soldier who loves her" Merriam-Webster's Encyclopedia of Literature.<br> <br> HBS 65809.<br> <br> $4000. Croscup & Holby Company unknown
191371727Paris: A. Ferroud 1913. Fine. A. Ferroud Paris 1913 16 x 25.50 cm relié Edition illustrated with 31 original compositions by Gaston Vuillier etched by Omer Bouchery one of 100 numbered copies on Japan paper containing the etchings in two states. Full brown morocco binding spine with five raised bands decorated with triple compartments as well as gilt fillets gilt date at foot gilt roulettes on headcaps frame of quadruple gilt fillets on covers marbled endpapers and pastedowns frame of gilt dentelle on pastedowns double gilt fillets on leading edges covers preserved top edge gilt superb full morocco binding signed by Blanchetière. Superb copy. Copy established in a very handsome full morocco binding by Blanchetière. A. Ferroud hardcover
194719925AB1947. Lausanne H.-L. Mermod 1947. 175 : 125 cm. 3 white sheets color illustrated cover 104 pages 1 blank leaft 1 printed leaf 5 blank leaves with double-page illustrated title by Antoni Clave and 6 1 double-page colored plates by Antoni Clave. Half leather gilt title on spine silk boards calfskin edges front borad with gold and red title gilt top edge slipcase signed P.L. Martin. Extravagant binding in perfect condition. With reproductions of gouaches by Antoni Clave. - Antoni Clavé i Sanmartí Barcelona Spain April 5 1913 - Saint-Tropez France August 30 2005 was a Spanish painter engraver and sculptor. - Living in the French capital Clavé's work is often included in the School of Paris along with that of other artists such as Pablo Picasso Juan Gris Joan Miró or Antonio Saura. In 1944 he met Picasso personally beginning a friendship that lasted until the death of the Malaga painter. From that date on Clavé began to develop work with a different and less classical visual style. - 3 white sheets illustrated color cover 104 pages 1 blank sheet 1 printed sheet 5 blank sheets with double-page illustrated title by Antoni Clave and 1 color sheet by Antoni Clave. Carrosse du Saint-Sacrement is a one-act comedy by Prosper Mérimée inspired by a historical figure the famous Peruvian actress Micaela Villegas 1748-1819 known as the chola bitch - in French la Périchole - 1 the play was created at the Théâtre-Français under the title Le Carrosse on March 13. 1850 with Augustine Brohan in the role of Camilla Périchole. hardcover
19024507Paris: L. Carteret et Cie 1902. First edition. First edition. 4to. Bound by Champs-Stroobant in three-quarter medium blue smooth calf spine gilt in six compartments marbled sides doublures and flyleaves. This is $87 out of 250 on Whatman handmade paper. Colored title-page and 60 colored aquatints combined with text INCLUDING 9 FULL-PAGE COLORED AQUATINTS d’apres Eugen Courboin. Imprinted in the presses of A. Lahure. A superb combination of text and aquatint illustration. Some wear/scuffing to covers near fine internally. With the pictorial bookplate of Frances Georges Leone engraved by Picard. A pretty book. L. Carteret et Cie unknown
194568496Paris: Editions de la couronne 1945. Fine. Editions de la couronne Paris 1945 20.50 x 28.50 cm en feuilles sous chemise et étui Illustrated edition of a frontispiece and 19 drawings by Yves Brayer one of 15 numbered copies on Japan Ot-Su-Ki leading print after 1 Auvergne. Nice copy. Preface by Henri de Montherlant. The book is full of his suite of 16 bullfighting boards presented in a separate folder. Handwritten signature of Yves Brayer to the justification of the draw. Our copy is enriched on a guard volume of text a beautiful watercolor original Yves Baryer he signed and representing a bullfighter brandishing his muleta. Editions de la couronne hardcover
190339060Paris: Librairie de la Collection des Dix / A. Romagnol 1903. A FOLIO PROOF COPY ON IMPERIAL JAPANESE PAPER of this quirky and brutal livre d'artiste. Illustrated with etchings by Chessa after Merson for the illustrations and Cossard for the manuscript text. From a total edition of 500 copies this is ONE OF ONLY TEN COPIES PRINTED IN FOLIO FOR THE PUBLISHER THE ONLY COPIES WITH THE PLATES PRIINTED BEFORE STEELFACING aciérage. These ten copies were printed on different papers and this copy is printed throughout on Imperial Japanese paper. These ten copies are mentioned in the prospectus but not in the justification surely because they were never offered for sale. LAID IN IS AN AUTOGRAPH LETTER BY MERSON SIGNED IN INK. Folio. Loose as issued in original wraps. Wraps a bit worn and spotted internally FINE AND BRIGHT with the illustrations extremely sharp and in perfect condition. Perhaps the unique surviving unbound proof copy on Japanese paper. Ray 300 Ray didn't know about the proof copies. <br/><br/> Librairie de la Collection des Dix / A. Romagnol paperback
19041452Paris: Librairie L. Conquet L.Carteret et Cie 1904. Limited Edition. Near fine. Daniel Vierge. Large 8vo 10 1/2 x 7 inches 270 x 177 mm; viii 298 pp. adv. 4; rubricated title page. 63 wood engravings by Noël et Paillard from drawings by Daniel Vierge. Handsome red pebbled morocco binding by Bretault in gilt on front dentelle with raised bands and gilt titling; turn-ins with elaborate gilt scrolls marbled endpapers t.e.g. rest uncut. Hinges professionally repaired scratch at bottom of rear cover. Original illustrated paper wrappers and strip bound in as well as the subscription advertisement with first spread. Paper evenly toned with very occasional foxing; binding square and tight. Copy 83 of 100 grand luxe copies on Japon ancien as stated on the limitation page. <br /> <br /> BNF30930179. An elegant large paper edition on lush Japon paper of Prosper Mérimée's short novel Colomba which first appeared on 1 July 1840 in the Revue des Deux Mondes. Through the lens of historical fiction the novella examines the Corsican vendetta. The story has been adapted on a number of occasions for the screen including the 1950 film "Vendetta" directed by Mel Ferrer. Librairie L. Conquet, L.Carteret et Cie unknown
194239112Paris: La Tradition Paul Durupt 1942. THE PUBLISHER'S COPY. A wonderful livre d'artiste published during the Occupation with 24 ORIGINAL ETCHINGS with drypoint by Jean Traynier an important printmaker and book artist. From an edition of 540 copies printed on very fine Arches wove paper THIS IS THE UNIQUE PUBLISHER'S COPY BELONGING TO PAUL DURUPT the founder and director of La Tradition. With a remarque suite of the 24 etchings in the first state on wove paper; a remarque suite of the 24 etchings in the second state on wove paper; a remarque suite of the 24 etchings in the second state on Japanese paper; NINE ORIGINAL DRAWINGS each matted and SIGNED BY TRAYNIER; a mounted ORIGINAL DRAWING inscribed to Durupt and SIGNED BY TRAYNIER; a handcolored proof etching inscribed to Durupt and SIGNED BY TRAYNIER; a proof etching SIGNED BY TRAYNIER; THIRTEEN AUTOGRAPH LETTERS FROM TRAYNIER TO DURUPT relating to the production of the book all of which are SIGNED BY TRAYNIER and one of which features a small sketch; and a carte-de-visite from intellectual JACQUES GUIGNARD 1912-1980 with a long inscription thanking Durupt for sending him a copy of this book. 4to. Original wraps with board chemise and slipcase. FINE AND BRIGHT with the additional material in a separate chemise. UNIQUE AND IMPORTANT. <br/><br/> La Tradition (Paul Durupt) paperback
1946240502011Chez Jean Porson 1946. First THUS. Loose Leaf Portfolio . Clean & Unmarked. Text in French. Limited. Includes two loose leaf suites of lithographs. The first are two sets of color 13 full page prints and 25 partial page prints amid text and is housed in folded wraps with a glassine jacket.The second is composed of 51 1 black prints with one full page color print and one partial. All housed in the rear in a folded pocket with the 1 black print being the cover print. Limited. This is #43 of a total of 275 copies. Number 43 is in the subset from numbers 31-50 twenty copies on Rives paper same as 1-30 but without the original watercolor. Both suites housed in loose boards. Scattered yet sparse faint foxing throughout. Pockets fraying as well as board hinges. Loose boards then rest in a slipcase with rubbed edges and scuffed corners. See photos. Very scarce in this complete of a package. Chez Jean Porson unknown
194346413Paris: Le Vasseur et Cie 1943. Fine. Le Vasseur et Cie Paris 1943 23.30 x 28.70 cm en feuilles sous chemise et étui Edition with illustrations by Jean Traynier printed in 425 copies ours one of the 325 numbered on Arches vellum unnumbered includes a manuscript justification by the illustrator: ""Exemplaire d'artiste réservé pour Monsieur . avec la sympathie de l'illustrateur."" ""Artist's copy reserved for Mister . with the illustrator's regards."" It is also enhanced with an autograph dedication page by Jean Traynier and 20 original watercolors by the artist in the text margins. Spine of the chemise slightly faded. Beautiful illustrated adaptation of Jean Traynier's etchings superbly heightened with watercolors by the artist. Le Vasseur et Cie hardcover
1941148549New York: The Limited Editions Club 1941. The Limited Editions Club signed limited edition of this novella that inspired Georges Bizet’s famous opera of the same name. Quarto bound in full modern morocco by Sangorski & Sutcliffe with gilt titles to the spine top edge gilt gilt inner dentelles marbled endpapers frontispiece of Prosper Mérimée illustrated with color lithographs. Boldly signed by illustrator Jean Charlot on the colophon page at the rear. One of an unstated number of copies this is number 331. In near fine condition with sunning to the spine. Translated from the French by Lady Mary Lloyd. Introduction by Konrad Bercovici. Illustrated by Jean Charlot. Prosper Mérimée 1803–1870 was a prominent French writer historian and archaeologist whose literary work reflects the Romantic fascination with exotic locales psychological complexity and the darker aspects of human passion. Though associated with the Romantic movement Mérimée’s prose is marked by clarity conciseness and an interest in realism that sets him apart from his more lyrical contemporaries. His most enduring works such as Carmen and Colomba often center on violent conflicts rooted in cultural difference honor and personal obsession. As Inspector-General of Historical Monuments Mérimée was also instrumental in preserving French architectural heritage demonstrating a scholarly rigor that shaped both his fiction and his public life. His blend of ethnographic detail and narrative economy helped lay the groundwork for modern short fiction in France. The Limited Editions Club unknown
195675013Paris: Presses de Pierre Gaudin 1956. Fine. Presses de Pierre Gaudin Paris 1956 24.50 x 32.50 cm relié sous étui Illustrated edition with 12 original color compositions by Edouard Chimot one of 50 numbered copies on Rives wove deluxe issue after 23 other copies on Rives wove. Half orange-red morocco over corners smooth spine illustrators name gilt at foot gilt fillet framing on vellum-style paper boards marbled endpapers and pastedowns original covers preserved all edges gilt slipcase edged in orange-red morocco with marbled paper panels and interior binding signed Vassière binder in Castres. This copy includes the additional suite of the illustrations in black as stated in the colophon. A fine copy handsomely bound. Presses de Pierre Gaudin hardcover
19305319DB1930. Paris La Pleiade 1930. 154 S. 1 Bl. mit Lithografien von R. Ben Sussan. Dreiviertel Lederband mit marmorierten Deckeln. N°. 86 von 115 nummerierten Exemplaren. - Sehr gut erhaltenes Exemplar. unknown
19828930BAHIA 1982. 1. softcover. Maloftege! BAHIA paperback
19133Beautiful 3/4 leather gilt binding with marbleized eps bright TEG. Spine decorated with 5 daisy-like flowers in gilt & blue. Original wrappers laid in pochoir illus on cover blue silk ribbon intact.<br /><b>Ltd ed #719/1200 on Velin d'Arches - initialed by publisher F. Ferroud</b>. Illustrations by <b>Vuillier.</b><br />Engraved & wash by Omer Bouchery. Corner rub and light edge rub in a few spots.<br /><b>A beautiful book.</b> Librairie Des Amateurs: Editor: F. Ferroud (initialed by publisher) hardcover
1926152714to. All orig. wrappers. Uncut. No 79 of 150 "sur vélin de Rives teinté" a total of 176. With 6 full page etchings and 36 charming illustrations in the text etched in colours and an extra suite of the textetchings in black 36 incl. a black title. unknown
1941016354New York: Limited Editions Club 1941. Hardcover. Spine a little darkened much less than usual. About Fine in a complete Very Good slipcase with a split at the bottom edge. Jean Charlot. Quarto 8-3/8" x 11" bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful ORIGINAL LITHOGRAPHS in color drawn on the plates by Jean Charlot. Of a total edition of 1500 copies SIGNED by the artist on the colophon page this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where instead of a number the initials "G.M." are handwritten. Acquired directly from the publisher's files and most likely the publisher George Macy's very own copy. Perhaps the most stunning and underrated of the early books from the press. <br/><br/> Limited Editions Club hardcover
191072491London Uten Ã¥r. Ca. 1910. 4to. “Falskt†helpergamentbind. Gulldekor pÃ¥ ryggen og deklene. Helt gullsnitt. 203 s. Med 16 helsides farveplansjer utenom pagineringen. Rikt illustrert i svart/hvitt i teksten.4to. Faux vellum binding. Gilt decoratons on spine and covers. All edges gilt. With 16 full page colour plates apart form pagination. Richly illustrated in black and white in text. Hutchinson & Co. Engelsk. <br/><br/><em>“Edition de luxe. Limited to 100 copies signed by the artistâ€. Dette eksemplaret er signert men ikke nummereret.“Edition de luxe. Limited to 100 copies signed by the artistâ€. This copy is signed but not numbered. </em> hardcover
192067876London:: Hutchinson & Co. ca. 1920. First edition; Edition De Luxe one of 100 copies this copy unnumbered signed by Rene Bull. publisher's gilt full vellum; a.e.g. Some very light rubbing/soiling to vellum; an attractive copy. Folio. Translated by A. E. Johnson. Hutchinson & Co., hardcover
190939224Paris: A. Blaizot 1909. WITH A SIGNED AUTOGRAPH LETTER FROM MERIMEE. A livre d'artiste with 41 ETCHINGS BY CHESSA AFTER LUC-OLIVIER MERSON. 3 287 pp. From a total edition of 289 copies this is ONE OF ONLY 30 COPIES PRINTED ON FINE CHINESE PAPER. Laid in is a signed autograph letter c. 1864 from the author likely to his close friend and fellow polymath Francisque Michel 1809-1887 now best remembered for his contributions to medieval studies especially for being the first editor of the Chanson de Roland. In the letter Mérimée discusses a legal matter apparently connected to accusations of sexual misconduct. 4to. In original wraps as issued. A bit of foxing espectially on edges of text block as usual with Chinese paper else FINE AND BRIGHT. Letter also in excellent condition. <br/><br/> A. Blaizot paperback
1915377913New York: Jefferson 1915. First Edition. Hardcover. 8 Volumes. Near fine copies in paper-labeled cloth. Top edge gilt. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 8 Volumes. Contents: Volume One- Carmen Arsene Guillot Abbe Aubain. Volume Two- Colomba. Volume Three- The Mosaic. Volume Four The Double Mistake Etc. Volume Five- Last Stories and Translations. Volume 6- The Chronicle of The Reign of Charles IX. Volume Seven- Letters To An Unknown 1. Volume Eight- Letters to An Unknown II. New York: Jefferson hardcover
19062008260095Frank S. Holby 1906-01-01. Hardcover. Good. 8 volume set. Bound in publisher's 3/4 leather over marbled boards. Gilt decoration to spines. Top edges gilt. Minor shelf wear. Solid bindings and covers. Clean unmarked pages. Illustrated by Robaudi. Contents: v. 1. Carmen; Arsene Guillot; Abbe Aubain. Tr. by Emily M. Waller the Lady Mary Loyd and E.B. Thompson; with illustrations by G. Fraipont and S. Arco.--v. 2. Colomba tr. by the Lady Mary Loyd; with illustrations by G. Vuillier.--v. 3. The mosaic comprising Mateo Falcone and other tales. Tr. by Emily M. Waller and Mary H. Dey; with illustrations by J. Le Blant P. Sinibaldi L.O. Merson Myrbach E. de Beaumont and Lelauze.--v. 4. The double mistake; Souls in purgatory; The Venus of Ille. Tr. by W.M. Arnold Olive E. Palmer and Emily M. Waller; with illustrations by G. Fraipont A. Bramtot and J.J. Aranda. v. 5. Last stories and translations tr. by Emily M. Waller and Louise Paul; with illustrations by A. Robaudi: Lokis the "Viccolo" of Madam Lucrezia. The blue chamber. Djoumane. The Spanish witches. The pistol shot. The queen of spades. The Bohemians. The hussar.--v. 6. A chronicle of the reign of Charles IX tr. by G. Saintsbury; with illustrations by E. Toudouze.--v. 7-8. Letters to an unknown tr. by Olive E. Palmer. Frank S. Holby hardcover
1931dacs263New York: Harrison of Paris 1931. Of an edition of 50 copies on Imperial Japan vellum this is No. XVI. Octavo morocco-backed illustrated boards hardcover leather top edge gilt uncut viii 175 pp. Illustrated with ten monochrome watercolors that have been stencil-colored by Eugène Charpentier. Fine. Harrison of Paris, 1931. Of an edition of 50 copies on Imperial Japan vellum, this is No. XVI. hardcover
195672847París: Presses de Pierre Gaudin 1956. Cartoné original. Presses de Pierre Gaudin unknown