82 résultats
1876ST20760-01Paris: Georges Chamerot pour les Amis des Livres 1876. No. 43 OF 100 COPIES numbered for subscribers this one for M. G. Masson from a total edition of 115. 272 x 172 mm. 10 3/4 x 6 3/4". Two volumes. <br/> HANDSOME CHOCOLATE BROWN LEVANT MOROCCO GILT BY PÉTRUS RUBAN stamp-signed on front turn-in covers framed by multiple gilt rules raised bands spine compartments similarly framed gilt lettering WITH gilt turn-ins framing LIGHT BLUE GOLD PINK AND WHITE JACQUARD SILK PASTEDOWNS AND ENDLEAVES marbled flyleaves top edges gilt volume II with neat repair to head of spine. Original paper wrappers bound in. With etched portrait of the author by Lalauze and 31 etchings by Edmond Morin composed of two frontispiece plates 28 vignette headpieces and a tailpiece. Carteret IV p. 278 "Belle Illustration Cotée"; Beraldi "Les Graveurs du XIXe siècle" X pp. 144-45 "un grand succès pour la Societe des Livres". For the artist: Houfe "Dictionary of British Book Illustrators and Caricaturists" pp. 394-95. Spines just lightly sunned bindings with very light signs of use boards with a hint of dulling from leather preservative faint offsetting from etchings onto titles and pages opposite each chapter opening otherwise very fine internally--entirely clean and fresh with spacious margins and in well-preserved attractive bindings.<br/> <br/> This substantially-sized stately set offers a winning combination of handsome bindings charming illustrations and a deluxe bibliophile's printing in a limited edition. A novel of historical fiction Mérimée's "Chronique" is set in the 16th century during the reign of Charles IX and the French Wars of Religion. The plot revolves around two brothers one Catholic and one a Protestant convert whose conflict in the end the Catholic brother is responsible for the Huguenot brother's death mirrors the wider discord of the period's French Wars of Religion. The novel is known for its meticulous descriptions and faithfulness to historic fact most notably its depiction of the St. Bartholomew's Day Massacre in which thousands of Huguenots were murdered by Catholic mobs. First published in 1829 the novel appears here with illustrations by Edmond Morin "a spirited French Artist" in Houfe's words who worked as a painter illustrator and etcher in Paris and London. Our author Prosper Mérimée 1803-70 would later become a pioneer of the novella and is best known for his work "Carmen" upon which Bizet's famous opera was based. In addition to his literary contributions Mérimée also played a key role in the conservation of French history. As Inspector-General of Historical Monuments from 1833-52 he travelled extensively around France documenting the country's architectural treasures and facilitating plans for their repair and preservation. His more well-known projects include the restoration of the facade of Notre-Dame de Paris saving Vézelay Abbey from collapse and conserving the six tapestries collectively known as "The Lady and the Unicorn." The attractive bindings here are the work of Pétrus Ruban 1851-1929. Praised by the bibliophile Octave Uzanne for taking inspiration from everything around him--flowers birds architecture--and for his facility with colors Ruban became quite a fashionable binder who worked largely for the great collectors of the day among them Beraldi Baudin Granjon de l'Espinay and Romagnol. Flety notes that "with a fertile imagination he practices all genres of binding with equal felicity"--a talent that is very much on display here. Ruban won silver medals at the Palace of Industry and at the Universal Exposition in 1889 with judges at the latter praising his careful study of both historic master binders and modern artists noting that Ruban would "soon achieve the rank he so rightly seeks.". Georges Chamerot, pour les Amis des Livres unknown
189623328Winchester Mass: Edmund H. Garrett 1896. First edition. Garrett Edmund H. Original heavy vellum slightly marked with vellum-hinged clasp fasteners missing one clasp nice condition. One of 50 copies printed at the De Vinne Press on Japanese paper signed by Garrett. Additionally inscribed by Garrett as a wedding-present to a Miss Mary Bacon. BAL 6738 describes only the trade edition. Edmund H. Garrett unknown
18270063-06-7aParis/Strasbourg: Chez F.G. Levrault 1827. First Edition. Boards. Very Good. 257pgs small octavo original pale blue boards frontis portrait of Hyacinthe Maglanovitch boards show some edgewear and bumping some chipping slong the edges of the spine some foxing minor scuffing binding tighta very good copy in original state This is Merimee's anonymously published 2nd book. Very scarce. Digital photos provided upon request. Chez F.G. Levrault hardcover
187423787Paris: Alphonse Lemerre 1874. Fine. Alphonse Lemerre Paris 1874 15.50 x 24 cm broché First edition published anonymously purporting to contain letters written to Prosper Mérimée by ""his unknown correspondent"" one of the rare copies on Holland paper of which no mention is made. Split spine with small losses copy partly unbound small corner losses to boards some foxing. Alphonse Lemerre hardcover
1825008787London: Geo. B. Whittaker 1825. Book. NVG. Rebound. First Edition. Book has been rebound in burgundy cloth with two previous owner bookplates. Book has bumped and worn corners and spine. Geo. B. Whittaker Hardcover
1892BLR/2 - HAY367481892 - Bibliothèque Contemporaine. Paris Calmann-Lévy Éditeur. relié demi-chagrin marron . Belle reliure excellent état. in-12. avec sur le premier contre plat un ex-libris au nom de Charles Robert-Dumas écrivain ; couverture de l'exemplaire broché conservée ; dos lisse avec titres et dates d'édition en caractères dorés ; tête dorée. unknown
1882BLR/2 - HAY367351882 - Bibliothèque Contemporaine. Paris Calmann-Lévy Éditeur. relié demi-chagrin marron . Petites et faibles rousseurs en pages liminaires sinon belle reliure excellent état. in-12. avec sur le premier contre plat un ex-libris au nom de Charles Robert-Dumas écrivain ; couverture de l'exemplaire broché conservée ; dos lisse avec titres et date d'édition en caractères dorés ; tête dorée. unknown
1897BLR/2 - HAY367381897 - Édition Originale. Paris Calmann-Lévy Éditeur. relié demi-chagrin marron . Belle reliure excellent état. in-12. avec sur le premier contre plat un ex-libris au nom de Charles Robert-Dumas écrivain ; couverture de l'exemplaire broché conservée ; dos lisse avec titres et date d'édition en caractères dorés ; tête dorée. unknown
1893BLR/2 - HAY367421893 - Bibliothèque Contemporaine. Paris Calmann-Lévy Éditeur. relié demi-chagrin marron . Belle reliure excellent état. in-12. avec sur le premier contre plat un ex-libris au nom de Charles Robert-Dumas écrivain ; couverture de l'exemplaire broché conservée ; dos lisse avec titres et dates d'édition en caractères dorés ; tête dorée. unknown
18391726411839. MERIMEE M.J.F.L. The Art of Painting in Oil and in Fresco. With Original Observations. By W.B. Sarsfield Taylor. xliv 371 pp. illustrated with 2 hand-coloured plates - the English chromatic scale of M. Harris and the French chromatic scale of Merimee. 8vo 190 x 115 mm. bound contemporary half morocco London: Whittaker & Co. 1839. First Edition in English; originally published Paris 1830; translated into English by W. B. Sarsfield Taylor. It was called by Faber Birren "perhaps the most important book on painting of the early 19th century." History of color in painting p. 55. The subtitle states the work is "a history of the various processes and materials employed from its discovery by Hubert and Jan Van Eyck to the present time.with original observations on the rise and progress of British Art the French and English chromatic scales and theories of colouring by W.B.S.T." Chapter six deals with conservation and restoration and is given a good analysis in Ruhemann/Plesters pp. 384-5. Noted also by Mayer in The Artist's handbook: "one of the first of the carefully written books on methods and materials; an authentic account of the knowledge of the present day." p. 352. Also contains information on pigments; multiple references in R. D. Harley Artist's pigments. Birren Collection 455. The Book of Colour Concepts 170. unknown
184594<p>Large 8vo mm 242x160 pp. 48; a good copy in early 20th-century half morocco spine lettered gilt the original printed wrappers and spine bound in; with stamp of the 'Société Démulation du Dept. des Vosges' to upper wrapper; bookplate of Emmy Joubert; <strong>with one page autograph ms. by Mérimée tipped in</strong>. <strong>The first appearance in print of <em>Carmen</em></strong>. Mérimée's short novel was first published in the journal <em>Revue des Deux Mondes</em> in 1845. It passed virtually unnoticed and did not receive a single review. Mérimée reworked the text before publishing it in book form alongside two other novellas the following year. In 1852 <em>Carmen</em> appeared as the first text in a collection of Mérimée's works <em>Nouvelles</em> together with Mérimée's own translation of Pushkin's <em>The Gypsies</em>. In this form it began to enjoy some success and <em>Nouvelles</em> was reprinted regularly throughout the 1850s and 1860s <strong>but it was not until 1875 with the creation of Bizet's opera based closely on Mérimée's text that the Carmen myth was created</strong>.<br /><br />A separate off-print on <em>papier vélin</em> is also known printed in a very small number of copies.<br /><br />The autograph ms. is a memo on the Revolution of 1848 with reference to the recovery of looted material from the museums and national collections in Paris: '… Des ouvriers pauvres ont rapporté au Musée du Louvre des camées d'un prix inestimable trouvés dans les appartements des Tuileries. Ils n'ont accepté aucune récompense et n'ont pas même voulu faire connaitre leurs noms. Déjà par cette improvisation de l'ordre unique chez les Français d'autres citoyens avaient eu l'heureuse idée de porter à leurs musées des objets d'art trouvés dans des résidences royales …' From 1834-1860 Mérimée held the position of inspector general of historic monuments and he published many reports in this official capacity. The present note which has been dated 1848 in pencil in a later hand is evidently a contemporary account of the events of that year.</p> Au Bureau de la Revue des Deux Mondes
187551759Paris: Lévy Frères 1875. In-16 gr. brossura piccola mancanze a un angolo pp. LXXI233 36 Catalogue de Michel Lévy. Prima edizione. Cfr. LorenzVI260. Con lievi fioriture ma certamente un buon esemplare con barbe. Lévy Frères, unknown
1839008893London England: Whittaker & Co. 1839. Book. Good-VG. Half-Leather. First U.K. Edition. 12mo - over 6¾" - 7¾" tall. The 1839 London translation of Merimee's book originally published in French in 1830. The standard technical recipe text of the mid-19th century referred to by both Eastlake and Merrifield. First English language first English edition. Half-leather scuffed with exposure and surface loss at various points some loss at spine extremities with marbled paper over boards four raised bands lettered in gilt. Front board detached along joint but still firmly anchored by both binding cords; rear board detached and anchored only by one binding cord. Former owner book plate of Henry D. Gilpin 1801-1860 Quaker lawyer and statesman U.S. Attorney General 1840-41 under President Martin Van Buren on front pastedown. Text block is fully intact. xliv 371 pp. w/ two hand-colored plates the first the frontis. of English Chromatic Scale Moses Harris's colour-wheel the second after p. 244 of the French Chromatic Scale Merimee's both with intact tissue guards. This translation of Merimee's famous French treatise was made at the suggestion of Mulready Etty and Wilkie. This volume contains substantial extracts from the original manuscript of Harris's "Natural History of Colours" which the author describes as a "work . . . so very scarce that I have never seen a copy of it" p.350. Recommended leather restoration would significantly enhance appearance but this copy is still quite presentable "as is" and could be recased to provide a complement to its near-immaculate interior. Noted condition as Good-VG weighs semi-detached boards and chipped leather against the quite tidy state of the text block itself which is solid Near Fine and its former ownership. Published by Whittaker & Co. Ave Maria Lane printed by Gilbert & Rivington in St. John's Square. Exceedingly scarce. Whittaker & Co. Hardcover
183917113London: Whittaker & Co 1839. First edition in English. Hardcover. Very good. 8vo. xliv 371 pp. Original blue-green T-grain cloth; title in gilt on spine and the boards blocked with a design in blind; yellow coated endpapers. With two hand-colored plates the first the frontispiece of English Chromatic Scale Moses Harris's colour-wheel the second after p. 244 of the French Chromatic Scale Merimee's. The 1839 London translation of Merimee's book originally published in French in 1830. Cloth spotted and unevenly sunned on the upper board; inner hinged neatly mended; else a very good copy. With the penciled signature of Nash Hood and with three pencil sketches apparently by him on the endpapers. Rare. Whittaker & Co hardcover
183010065New York: G. & C. & H. Carvill 1830. Hardcover. Good . Hardcover. Good in 3/4 red leather and marble paper covered boards with faded gilt title to spine. Wear to edges and hinges. Bookplate of James H. Graff to front paste down.19th century writing to title page. Minor browning throughout. Text is bright. 286 pages. French History. FRH110301. G. & C. & H. Carvill hardcover
189017346New York: Cassell Publishing Company. Very Good- with no dust jacket. 1890. First Edition Thus. Hardcover. Prosper Merimee 1809-1870 was a French Romantic author who first published this historical novel in 1829 which was set in 16th century France. Translated by George Saintsbury. Contains 110 illustrations after engravings on wood by Edouard Toudouze. This is a large format book in the original publisher's green cloth binding with gilt spine lettering and a gilt illustration on the cover depicting two men dueling with swords. There is some light rubbing to a portion of the rear cover shelf wear to the bottom edges & spine ends and a couple of light smudge marks to the front preliminary blank leaf else this is a nice book which is tight clean and unmarked; no previous owner names or bookplates. Printed by the Chisweck Press London for Cassell in New York. No date but probably 1890. Fiction about Charles IX King of France from 1550 - 1574. ; B&W Illustrations; 4to 11" - 13" tall; 309 pages . Cassell Publishing Company hardcover
189051010London: Nimmo 1890. hardcover. near fine. 110 wood engravings from drawings by Edouard Toudouze. Translated by George Saintsbury. 309pp. 4to full brown leather a.e.g. London: Nimmo 1890. Near Fine.<br/> <br/> One of 780 numbered copies printed by the Chiswick Press.<br/> <br/> Nimmo unknown
188949518London: Macmillan and Co. 1889. 8vo. In 2 volumes. xxiii 205; 223 pp. Half dark green morocco over green cloth. Top edge gilt. Gilt-bordered spines with leather title labels. Spines uniformly darkened to a pleasing brown. Bound by Hatchards. Early ink inscription to first blanks. Leaves slightly darkened. A solid VG pair. . Very Good. Half Morocco. First Edition. 1889. Macmillan and Co. 1889 unknown
18842631478Paris.: Calmann Lévy Editeur. 1884. Hardcover. Cubierta deslucida. Good. 20 cm. 147 p. il. Encuadernación en tapa dura artesanal. Idioma francés . Cubierta deslucida. Literatura francesa. Novela corta. Cuento literario. Siglo XIX. 821.133.1-32"18" 821.133.1-3 Calmann Lévy, Editeur. hardcover
184667758Paris: Michel Lévy Frères 1846. First edition in book form. Octavo 8 x 4 7/8 inches; 204 x 124 mm. 4 363 1 blank pp. With both points for the first printing according to Clouzot "insultée" p. 75 et "c'est eur" p. 86. Bound without the wrappers as usual.<br> <br> Bound in contemporary half red morocco over red basket-weave textured boards. Spine decoratively tooled in gilt and black and lettered in gilt. Marbled endpapers. All edges dyed yellow. Boards and edges a bit rubbed. Title-page with a 2-inch closed tear expertly repaired and not affecting text. Page 175 with a 1-inch closed tear to top margin not affecting text and expertly repaired. A tiny burn hole to page 311 barely affecting two letters. A few minor marginal paper flaws. Previous owner's bookplate to front pastedown. Overall a very good copy.<br> <br> This story is Mérimée's tale of Spanish gypsy life and love which was used by Henri Meilhac and Ludovic Halévy as a basis for their libretto for Bizet's opera Carmen.<br> <br> Vicaire V cols. 724-725.<br> <br> HBS 67758.<br> <br> $4750. Michel Lévy Frères unknown
1896266542Boston: Little Brown and Company 1896. Hardcover. Very Good. First American edition. 12mo. Top edge gilt. Very good plus. White cover lightly soiled. All plates are present. Little, Brown, and Company hardcover
1896899Little 1896. GARRETT Edmund H. MERIEE Prosper. CARMEN. Translated From The French And Illustrated by Edmund H. Garrett. With A Memoir Of The Author by Louise Imogen Guiney. Boston: Little Brown & Company 1896. Small 8vo. light-green cloth stamped in gilt & dark-green top edge gilt. First American Edition. Signed presentation from Garrett on the front endpaper: "Best wishes to Mrs. Bullard Edmund H. Garrett. Atlantic Club July 1903." Very Good little bumping covers but quite bright & nice! $285.00. Little unknown
18964844<p>First edition thus. Octavo. Translated and illustrated by Edmund H. Garrett. Memoir of Merimee by Louise I. Guiney. Full gilt stamped yellow morocco by Blackwell spines with raised bands and gilt stamped floral designs within gilt stamped compartments cover with decorative gilt stamped borders and floral designs gilt stamped inner dentelles heavy patterned endpapers t.e.g. uncut. Fine. Black cloth slipcase. Number 47 of 50 numbered copies signed by Garrett on limitation page; also signed and inscribed on third preliminary page by Garrett to Paul Lemperley November 1986 with an original color drawings of several playing cards one pierced by a dagger. Publisher's prospectus laid in loose. Bookplate of Paul Lemperly on the front pastedown. From the library of noted Hollywood director George Cukor with his Paul Landacre bookplate on the front free endpaper.</p> Devinne Press hardcover
1878007129Philadelphia: T. B. Peterson & Brothers 1878 Philadelphia: Peterson 1878. 12mo. Early edition brown cloth binding with fancy lettering in gilt black design in blind black coated endpapers antique library bookplate hand-numbered and hand-dated 150 pp. but mispaginated starting at p. 19 followed by 24 pp. of advertisements. Bang to bottom of front board resulting in indentation but not serious damage. Crisp clean copy in good plus condition. T. B. Peterson & Brothers hardcover
1896H2674Boston: Little Brown & Co 1896. Hardcover. Very Good. First American edition 8vo contemporary green morocco gilt with fine gilt decoration to front cover floral endpapers gilt dentelles very good plus with most minor rubbing owner's name on title page 118pp illustrated contents very good but occasional foxing and spots. Little, Brown & Co hardcover