803 résultats
1876ST20760-01Paris: Georges Chamerot pour les Amis des Livres 1876. No. 43 OF 100 COPIES numbered for subscribers this one for M. G. Masson from a total edition of 115. 272 x 172 mm. 10 3/4 x 6 3/4". Two volumes. <br/> HANDSOME CHOCOLATE BROWN LEVANT MOROCCO GILT BY PÉTRUS RUBAN stamp-signed on front turn-in covers framed by multiple gilt rules raised bands spine compartments similarly framed gilt lettering WITH gilt turn-ins framing LIGHT BLUE GOLD PINK AND WHITE JACQUARD SILK PASTEDOWNS AND ENDLEAVES marbled flyleaves top edges gilt volume II with neat repair to head of spine. Original paper wrappers bound in. With etched portrait of the author by Lalauze and 31 etchings by Edmond Morin composed of two frontispiece plates 28 vignette headpieces and a tailpiece. Carteret IV p. 278 "Belle Illustration Cotée"; Beraldi "Les Graveurs du XIXe siècle" X pp. 144-45 "un grand succès pour la Societe des Livres". For the artist: Houfe "Dictionary of British Book Illustrators and Caricaturists" pp. 394-95. Spines just lightly sunned bindings with very light signs of use boards with a hint of dulling from leather preservative faint offsetting from etchings onto titles and pages opposite each chapter opening otherwise very fine internally--entirely clean and fresh with spacious margins and in well-preserved attractive bindings.<br/> <br/> This substantially-sized stately set offers a winning combination of handsome bindings charming illustrations and a deluxe bibliophile's printing in a limited edition. A novel of historical fiction Mérimée's "Chronique" is set in the 16th century during the reign of Charles IX and the French Wars of Religion. The plot revolves around two brothers one Catholic and one a Protestant convert whose conflict in the end the Catholic brother is responsible for the Huguenot brother's death mirrors the wider discord of the period's French Wars of Religion. The novel is known for its meticulous descriptions and faithfulness to historic fact most notably its depiction of the St. Bartholomew's Day Massacre in which thousands of Huguenots were murdered by Catholic mobs. First published in 1829 the novel appears here with illustrations by Edmond Morin "a spirited French Artist" in Houfe's words who worked as a painter illustrator and etcher in Paris and London. Our author Prosper Mérimée 1803-70 would later become a pioneer of the novella and is best known for his work "Carmen" upon which Bizet's famous opera was based. In addition to his literary contributions Mérimée also played a key role in the conservation of French history. As Inspector-General of Historical Monuments from 1833-52 he travelled extensively around France documenting the country's architectural treasures and facilitating plans for their repair and preservation. His more well-known projects include the restoration of the facade of Notre-Dame de Paris saving Vézelay Abbey from collapse and conserving the six tapestries collectively known as "The Lady and the Unicorn." The attractive bindings here are the work of Pétrus Ruban 1851-1929. Praised by the bibliophile Octave Uzanne for taking inspiration from everything around him--flowers birds architecture--and for his facility with colors Ruban became quite a fashionable binder who worked largely for the great collectors of the day among them Beraldi Baudin Granjon de l'Espinay and Romagnol. Flety notes that "with a fertile imagination he practices all genres of binding with equal felicity"--a talent that is very much on display here. Ruban won silver medals at the Palace of Industry and at the Universal Exposition in 1889 with judges at the latter praising his careful study of both historic master binders and modern artists noting that Ruban would "soon achieve the rank he so rightly seeks.". Georges Chamerot, pour les Amis des Livres unknown
189623328Winchester Mass: Edmund H. Garrett 1896. First edition. Garrett Edmund H. Original heavy vellum slightly marked with vellum-hinged clasp fasteners missing one clasp nice condition. One of 50 copies printed at the De Vinne Press on Japanese paper signed by Garrett. Additionally inscribed by Garrett as a wedding-present to a Miss Mary Bacon. BAL 6738 describes only the trade edition. Edmund H. Garrett unknown
18270063-06-7aParis/Strasbourg: Chez F.G. Levrault 1827. First Edition. Boards. Very Good. 257pgs small octavo original pale blue boards frontis portrait of Hyacinthe Maglanovitch boards show some edgewear and bumping some chipping slong the edges of the spine some foxing minor scuffing binding tighta very good copy in original state This is Merimee's anonymously published 2nd book. Very scarce. Digital photos provided upon request. Chez F.G. Levrault hardcover
195424149Paris: Les Belles Lettres 1954. Fine. Les Belles Lettres Paris 1954 13.50 x 20.50 cm broché First edition with no mention of deluxe copies. Photographic frontispiece depicting Duranty writer and natural son of Prosper Mérimée. Les Belles Lettres unknown
187423787Paris: Alphonse Lemerre 1874. Fine. Alphonse Lemerre Paris 1874 15.50 x 24 cm broché First edition published anonymously purporting to contain letters written to Prosper Mérimée by ""his unknown correspondent"" one of the rare copies on Holland paper of which no mention is made. Split spine with small losses copy partly unbound small corner losses to boards some foxing. Alphonse Lemerre hardcover
193812291Tournai: V. Farré 1938. Fine. V. Farré Tournai 1938 16 x 24 cm broché The first edition published in a small number of copies. Two lacks at head and foot of spine spine and front board slightly and marginally sunned otherwise handsome copy. Rare. V. Farré unknown
1017048266.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1348270772.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1313896527.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1172613915.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
124767438X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1173180893.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2111902161002587Kawaideshobo N.A. Soft Cover. Fine. Size: 18cm Kawaideshobo paperback
49603Translated by Richard Griffin. With illustrations done in Spain in the summer of MDCCCCII by Lionel Lindsay. Foreword by Peter Lindsay. Sydney : Southern Cross Books 1984. Quarto gilt-lettered morocco in dustjacket discoloured and a little silverfished tear to tipped-on plate pp. 61 19 illustrated. Limited to 250 copies signed by Peter Lindsay son of Lionel Lindsay of which this is one of the 150 copies bound in leather. Presentation copy from the publisher Pat Corrigan Southern Cross Books with warm inscription. hardcover
180346New York: Modern Library N.D. Modern Library Edition. Hardcover. Near Fine in a Very Good price clipped dust jacket. All 4 flap corners clipped. Ring stain on rear panel. Modern Library hardcover
16-5599Circa 1798. Original engraving. 55 x 41 cm. Defect in lower right corner.Inscriptions / marques:Pinxit ; en bas à gauche ; Peint par MériméeInscriptions ; en bas au centre ; ENREGISTREE LE XIX GERMINAL DE L'AN VISculpsit ; en bas à droite ; Gravé par BervicTitre ; en bas au centre ; L'INNOCENCECachet ; en bas au centre ; SOCIETE DES AMIS DES ARTS / C. DEWAILLY SON / FONDATEUR / EN 1789Tampon ; en bas au centre ; à l'encre noire ; ECOLE NATIONALE DES BEAUX-ARTS / BIBLIOTHEQUE / 14680References:Yale University Art Gallery: Accession Number 1980.43.97; Beaux-Arts de Paris no. 13781 Circa 1798 unknown
20192-6139518172Éditions universitaires européennes 2019. Paperback. New. 480 pages. French language. 8.66x5.91x1.09 inches. Éditions universitaires européennes paperback
51262Hutchinson & Co. London. N.D. 4to 203pp lavishly illustrated in b/w illus & colour plates complete with captioned tissue guards. Original red cloth & gilt decorated boards extremities rubbed & slightly silverfish affected. Pictorial endpapers gilt top edge. Cracked at spine mid text binding sound. Offset browned prelim. A very good hardback copy no d/j. . Illustrated by Rene Bull. Hutchinson & Co., London. N.D hardcover
06431London: Hutchinson & Co. 1916. Edition de Luxe<br /> One of 100 Copies Signed by René Bull<br /> <br /> BULL René illustrator. MÉRIMÉE Prosper. Carmen. Translated by A.E. Johnson. With Pictures by René Bull. London: Hutchinson & Co. n.d 1916. <br /> <br /> Edition de Luxe. Limited to 100 numbered copies this copy being No. 55 signed by the artist. <br /> <br /> Quarto 10 3/4 x 8 7/16 inches; 273 x 214 mm. 2 blank x 204 pp. With color frontispiece and fifteen fine color plates each with descriptive tissue guard together with seventy-four black and white illustrations in the text. The plates richly colored and often heightened with a decorative sensibility drawn from both Orientalist and theatrical traditions form one of Bull's most accomplished book illustration cycles.<br /> <br /> Original vellum over boards pictorially stamped and lettered in gilt on front cover and spine a particularly handsome and appropriate binding for a deluxe issue. Gray and white pictorial endpapers all edges gilt. Spine a little darkened as often with vellum; otherwise an excellent and well-preserved copy of this very scarce signed limited edition.<br /> <br /> A distinguished illustrated edition of Mérimée's Carmen the novella that inspired Georges Bizet's opera here interpreted through Bull's dramatic and highly stylized visual language. His illustrations capture both the exoticism and psychological intensity of the story blending elements of Art Nouveau theatrical design and early twentieth-century decorative illustration.<br /> <br /> René Bull d. 1942 "was born in Ireland and went to Paris to study engineering but left this for art work in London 1892. After working for various magazines he was appointed 'special' for Black and White 1896 attending the Armenian massacres and the Graeco-Turkish War as artist.He served in the First World War in RNVR 1916 and RAF 1917. Bull was one of the most versatile specials because his stature as an artist was above average. Not only an accurate reporter he was a talented comic draughtsman and a brilliant illustrator of fairy stories" Houfe The Dictionary of 19th Century British Book Illustrators p. 81. Works illustrated by Bull include: La Fontaine's Fables 1905 Uncle Remus by Joel Chandler Harris 1906 The Arabian Nights 1912 The Russian Ballet by A.E. Johnson 1913 Rubáiyát of Omar Khayyám 1913 Carmen by Prosper Mérimée 1916 and Travels into Several Remote Nations of the World by Jonathan Swift 1928. London: Hutchinson & Co., 1916 unknown
0364078421.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1332374484.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195675013Paris: Presses de Pierre Gaudin 1956. Fine. Presses de Pierre Gaudin Paris 1956 24.50 x 32.50 cm relié sous étui Illustrated edition with 12 original color compositions by Edouard Chimot one of 50 numbered copies on Rives wove deluxe issue after 23 other copies on Rives wove. Half orange-red morocco over corners smooth spine illustrators name gilt at foot gilt fillet framing on vellum-style paper boards marbled endpapers and pastedowns original covers preserved all edges gilt slipcase edged in orange-red morocco with marbled paper panels and interior binding signed Vassière binder in Castres. This copy includes the additional suite of the illustrations in black as stated in the colophon. A fine copy handsomely bound. Presses de Pierre Gaudin hardcover
16-6413Paris et Nantes: Henri Charpentier 1861. 3 volumes. Large folio. 36 x 55cm. Publisher's qtr. red morocco with matching percaline. light to moderate foxing; Complete with 100 lithographs.; one torn in the margins. . Exemplaire en reliure d’éditeur.OCLC Number: 4401208. . Very heavy close to 50 pounds shipping weitght. In-folio demi-chagrin rouge de l'éditeur plats en percaline rouge avec à chaque premier plat les armes dorées de la ville de Paris frottements et usures rousseurs éparses une planche déchirée.41 vignettes gravées sur bois dans le texte dont une répétée sur le titre et 100 lithographies hors texte dont un plan de Paris tirées sur fond teinté et parfois en couleurs complet. Ouvrage collectif qui eut parmi les rédacteurs Louis Énault Édouard Fournier Eugène de La Gournerie Mary Lafon Prosper Mérimée Viollet Le Duc etc. et parmi les illustrateurs PhilippeBenoist Jules David Guérard etc.Expertise by : Amaury BONNETAIN. Paris et Nantes: Henri Charpentier, 1861. unknown
16-4448Paris et Nantes: Henri Charpentier 1861. 3 volumes in- folio 33.5 x 49cm; light to moderate foxing; 98 of 100 lithographs present. lacks plates 81 and 87.reliés demi-chagrin brun plats de percaline marron ornés d’un bel encadrement doré armes dorées de la ville de Paris au centre du premier plat dos à nerfs ornés tranches dorées. Exemplaire en reliure d’éditeur.OCLC Number: 4401208. quelques rousseurséparses manque planches 81 « Henri II mortellement blessé » et 87 « Mgr Affre blessé mortellement ».Une des plus importantes publications sur Paris illustrée de 41 vignettes gravées sur bois dans le texte dont une répétée sur le titre et 98 sur 100 lithographies hors texte dont un plan de Paris tirées sur fond teinté trois Ouvrage collectif qui eut parmi les rédacteurs Louis Énault Édouard Fournier Eugène de La Gournerie Mary Lafon Prosper Mérimée Viollet Le Duc etc. et parmi les illustrateurs PhilippeBenoist Jules David Guérard etc. Paris et Nantes: Henri Charpentier, 1861. unknown
0666787026.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover