49 résultats
18964844MA Devinne Press 1896. 1896. First edition thus. 8vo. Translated and illustrated by Edmund H. Garrett. Memoir of Merimee by Louise I. Guiney. Full gilt stamped yellow morocco by Blackwell spines with raised bands and gilt stamped floral designs within gilt stamped compartments cover with decorative gilt stamped borders and floral designs gilt stamped inner dentelles heavy patterned endpapers t.e.g. uncut. Fine. Black cloth slipcase. Number 47 of 50 numbered copies signed by Garrett on limitation page; also signed and inscribed on third preliminary page by Garrett to Paul Lemperley November 1986 with an original color drawings of several playing cards one pierced by a dagger. Publisher's prospectus laid in loose. Bookplate of Paul Lemperly on the front pastedown. From the library of noted Hollywood director George Cukor with his Paul Landacre bookplate on the front free endpaper. Signed by Authors. F. Hardcover. MA, Devinne Press, 1896. hardcover books
1919WRCLIT46433Paris: Georges Crès et Cie / Les Maitres du Livre 1919. Printed wrappers. Woodcut frontis by L. Jou. One of 1300 numbered copies on Rives from a total edition of 1360. Near fine unopened. TALVART & PLACE MÉRIMÉE 21g. Georges Crès et Cie / Les Maitres du Livre unknown books
193176367New York: Minton 1931. hardcover. near fine. Newly Translated. With 10 monochrome water-colours by Maurice Barraud. Square 8vo pictorial boards; slipcase missing top. New York: Harrison of Paris 1931. Limited Edition. Near fine.<br/><br/> One of 425 numbered copies on Rives pure-rag vellum.<br/><br/> Minton unknown books
193135015Paris 1931. Limited. hardcover. fine. Newly translated. With ten monochrome water-colours by Maurice Barraud. 175pp. Small 4to pictorial boards board slipcase. Paris: Harrison of Paris 1931. Fine.<br/><br/> One of 595 numbered copies with stencil-colored illustrations printed on Rives pure-rag vellum.<br/><br/> unknown books
192715682Paris 1927. paperback. fine. Texte Etabli et Annote avec une Introduction par Auguste Dupouy. Preface de Gerard D'Houville. Tall thick 8vo pages untrimmed and unopened original printed wrappers. Paris: H. Champion 1927. One of only 25 copies on Japon vellum. Fine.<br/><br/> unknown books
1896266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. With A.L.s. from Louise Guiney to the Illustrator. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875.<br/><br/>With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ."<br/><br/>With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown books
1876888641876. MORIN Edmond. MERIMEE Prosper 1803-1870. CHRONIQUE DU REGNE DE CHARLES IX. RUBAN binding. Paris: Georges Chamerot pour les Amis des Livres 1876. Quarto. Two volumes. 4to. xv422 pp. Number 43 this one for M.G. Masson of an edition of 115 copies of the 100 numbered for subscribers. With thirty-one etchings by Edmond Morin 1824-1882. A portrait of Merimee is inserted in two full-page states. Carteret says "belle illustration cotee" "beautifully illustrated desirable". Carteret 1946: IV p. 278. Bound by Petrus Ruban 1851-1929 in maroon levant gilt in a classic and elegant design of 9 gold fillets repeated in the spine compartments and dentelles. With lovely blue silk floral embroidered doublures and marbled endpapers. T.e.g. 28 cm large paper. Original wrappers bound-in. A few faint scratches on the leather otherwise fine throughout. unknown books
195861020Alhambra California: Privately Printed By C. F. Braun & Co. Very Good. 1958. Hardcover. Fine Binding; 165 pages; a Near Fine copy. . Privately Printed By C. F. Braun & Co. hardcover books
1982WRCLIT21810Annonay: Les Compagnons du Livre 1982. Thick quarto. Loose signatures laid into printed wrappers. Very fine in cloth chemise and slipcase. One of 300 numbered copies of 310 printed on vélin d'Arches. Illustrated with twenty- five woodcuts by Jean Chieze. The blocks were originally cut by the artist during the Occupation. Les Compagnons du Livre hardcover books
1946703Nice: L'Image Litteraire 1946. One of 70 numbered copies on Marais white wove paper from a total edition of 450. 8vo. Handsomely bound in 3/4 blue morocco and paste-paper boards spine paneled gilt decorated with maroon rosette morocco inlays title gil top edge gilt original covers bound in a bit of rubbing else fine. Illustrated by Charles Picart le Doux with nine pictorial illustrations hors-texte and 21 headpieces in chiaroscuro style wood engravings with stipple effect with generous use of the roulette. Picart le Doux was a decorator and like Lurcat was engaged in the modern revival of tapestry design. These pictorial illstrations are like blurred sketches for the theatre or ballet with figures in romantic gestures or attitudinized silhouettes. L'Image Litteraire unknown books
19133Beautiful 3/4 leather gilt binding with marbleized eps bright TEG. Spine decorated with 5 daisy-like flowers in gilt & blue. Original wrappers laid in pochoir illus on cover blue silk ribbon intact.<br /><b>Ltd ed #719/1200 on Velin d'Arches - initialed by publisher F. Ferroud</b>. Illustrations by <b>Vuillier.</b><br />Engraved & wash by Omer Bouchery. Corner rub and light edge rub in a few spots.<br /><b>A beautiful book.</b> Librairie Des Amateurs: Editor: F. Ferroud hardcover books
1853283904London: Bentley 1853. hardcover. very good. Frontispiece. 312 pages slim small 8vo full contemporary polished calf ornately gilt spine with leather labels bright yellow edges. London: Richard Bentley 1853. Binding slightly rubbed still a very good copy.<br/><br/> Bentley unknown books
1905177132Calcutta: Mérimée Society 1905. Hardcover. VG bumping and shelfwear to boards age toning to pages as expected with age but pages are otherwise clear. Three quarter leather marbled boards gilt design and lettering on spine marble decorative end pages original green wraps bound in XXXVI 29 pp. one bw illustration/. Text in French. The text begins on pg. 3. Privately printed for the Members of the Merimee Society in an edition of 50 copies this being number 12. Mérimée Society hardcover books
1827WRCLIT46294Paris: Chez F.G. Levrault.; et.à Strasbourg 1827. xii257pp. Small octavo. Original printed publisher's pale blue boards. Lithographed frontis portrait of Hyacinthe Maglanovitch. Boards faintly soiled small chip at crown of spine inner hinges cracking but sound scattered foxing but a very good copy in original state. First edition of Mérimée's anonymously published second original book presented as being translations from the Illyrian of non- existent poet Hyacinthe Maglanovich. The conceit is said to have taken in Sir John Bowring as well as Pushkin. A scarce book in this original condition. CARTERET II:136. VICAIRE V:705. TALVART & PLACE MÉRIMÉE 3. ASSELINEAU pp.21-2. Chez F.G. Levrault...; et...à Strasbourg hardcover books
1828WRCLIT46299Paris: Imprimerie de H. Balzac for Brissot-Thivars Libraire 1828. 84221pp. Octavo. 20th century three-quarter fawn calf and marbled boards raised bands lettered in gilt t.e.g. ribbon marker. Early ink authorship attribution on title light foxing binding a bit rubbed but a very good copy. First edition of Mérimée's third original book notable as well for being one of the principal works of literary substance printed by H. Balzac's firm. Unsold sheets from the first edition also appeared later with a cancel title and the imprint of Alexandre Mesnier represented as the "Deuxiéme édition." CARTERET II: 137-8. TALVART & PLACE MÉRIMÉE 4a. VICAIRE V:705-6. [ Imprimerie de H. Balzac for] Brissot-Thivars, Libraire hardcover books
1955046370Lausanne: Editions du Grand-Chene 1955. 226 1p. original stiff printed wrappers deckle edges in the original wrap-around slipcase with red leather spine and original stiff printed boards. No. 12 of 50 copies "sur papier du Marais Editions du Grand-Chene unknown books
1926200455Berlin: R. Mosse 1926. 63p. wraps tiny chip to bottom right corner of front cover mild handling wear; rejected as a duplicate by the Library of Congress with an internal rubberstamp to this effect . Translated by Jean Borel into Esperanto from the French. Biblioteko Tutmonda. R. Mosse unknown books
18871269Paris: Librairie des Bibliophiles 1887. Nouvelles de Mérimée. Avec des dessins de Aranda de Beaumont Bramtot.Gravés par Le Rat Lalauze Toussant.Preface par Jules Lemaitre. Edition of 20 copies on Chine this signed by the publisher Damase Jouast with his initials. Tall 8vo. Full green polished morocco with gilt rules raised bands. By the Club Bindery dated 1900. A few tiny scuffs but a fine copy. Seven etchings plus a lithograph of Mérimée after Deveria by Lalauze.<br/><br/> Damase Jouaust’s “Librairie des Bibliophiles series inaugurated in 1869 featured new editions of Classic French texts with etchings reproducing illustrations by François Boucher and other eighteenth-century artists; this collection set the standard for refined limited editions until Jouaust’s 1891 retirement.†23-34.<br/><br/> Silverman Willa Z. The New Bibliopolis. French book collectors and the culture of print 1880-1914. 2013. Provenance: Robert Hoe with his bookplate. Librairie des Bibliophiles hardcover books
194520100Np: Marais 1945. No. 390 of an edition limited to 600 copies. Softcover. Very good-/No jacket issued. Guy Sabran. Marais paperback books
1849L57-1622London: Richard Bentley 1849. First Edition. Hardcover. Very Good. Half sheep and maroon cloth gilt-stamped lettering on spine top edge gilt. With a folding chart of the Spanish Line of the House of Burgundy in Volume 1. Joints spine tips and corners scuffed. A nice set. <br/><br/> Richard Bentley hardcover books
183917113London: Whittaker & Co 1839. First edition in English. Hardcover. Very good. 8vo. xliv 371 pp. Original blue-green T-grain cloth; title in gilt on spine and the boards blocked with a design in blind; yellow coated endpapers. With two hand-colored plates the first the frontispiece of English Chromatic Scale Moses Harris's colour-wheel the second after p. 244 of the French Chromatic Scale Merimee's. The 1839 London translation of Merimee's book originally published in French in 1830. Cloth spotted and unevenly sunned on the upper board; inner hinged neatly mended; else a very good copy. With the penciled signature of Nash Hood and with three pencil sketches apparently by him on the endpapers. Rare. Whittaker & Co hardcover books
192526792New York: Brentano 1925. First American edn. 12mo pp. 75. Moscow Art Theatre Musical Studio. Text by Lipskeroff after the story by Prosper Merimee. Introduction by Oliver Sayler. Wrappers. Cover torn at staples o/w VG. Brentano unknown books
189623328Winchester Mass: Edmund H. Garrett 1896. First edition. Garrett Edmund H. Original heavy vellum slightly marked with vellum-hinged clasp fasteners missing one clasp nice condition. One of 50 copies printed at the De Vinne Press on Japanese paper signed by Garrett. Additionally inscribed by Garrett as a wedding-present to a Miss Mary Bacon. BAL 6738 describes only the trade edition. <br/><br/> Edmund H. Garrett hardcover books
03527London: Hutchinson & Co. 1916. With Sixteen Full-Page Color Plates by René Bull<br/><br/>BULL René illustrator. MÉRIMÉE Prosper. Carmen. Translated by A.E. Johnson. With Pictures by René Bull. London: Hutchinson & Co. n.d 1916. <br/><br/>First trade edition. Quarto 10 13/16 x 8 7/16 inches; 275 x 214 mm. 2 blank x 204 pp. Color frontispiece and fifteen color plates with descriptive tissue guards. Seventy-four black and white illustrations in the text.<br/><br/>Publishers red cloth over boards pictorially stamped and lettered in gilt on front cover and spine. Gray and white pictorial endpapers. Top edge gilt others stained red. Gilt on spine dull some light wear to extremities neat ink inscription dated 1917 on front free endpaper and another ink inscription on front blank leaf. A good copy of an uncommon book.<br/><br/>Rene Bull's vibrant illustrations perfectly capture the intense drama of love and jealousy in Prosper Mérimée's tale which was the basis for Georges Bizet's opera of the same title.<br/><br/>René Bull d. 1942 "was born in Ireland and went to Paris to study engineering but left this for art work in London 1892. After working for various magazines he was appointed ‘special' for Black and White 1896 attending the Armenian massacres and the Graeco-Turkish War as artist.He served in the First World War in RNVR 1916 and RAF 1917. Bull was one of the most versatile specials because his stature as an artist was above average. Not only an accurate reporter he was a talented comic draughtsman and a brilliant illustrator of fairy stories" Houfe The Dictionary of 19th Century British Book Illustrators p. 81. Works illustrated by Bull include: La Fontaine's Fables 1905 Uncle Remus by Joel Chandler Harris 1906 The Arabian Nights 1912 The Russian Ballet by A.E. Johnson 1913 Rubáiyát of Omar Khayyám 1913 Carmen by Prosper Mérimée 1916 and Travels into Several Remote Nations of the World by Jonathan Swift 1928. London: Hutchinson & Co., 1916 unknown books