Metastasio, PietroBiblio.com
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015488Parigi Paris 1755-1769: Presso La Vedova Quillau/Presso G.C. Molin. Small Octavo. Complete in 10 volumes text in Italian. Each volume has engraved title page. Vol. 1 has frontispiece by D. Sornique after C. Eisen and vignette headpiece by N. Le Mire after C.N. Cochin. Vol. 1-9 1755; Vol. 10 Parigi: Presso G.C. Molini bookseller 1769. All uniformly bound in vellum spines fully decorated in gilt double red morocco spine labels gilt all edges speckled red evidence of early owner bookplate removal to each volume with short split to upper joint of volume one usual soiling to the vellum. A very nice set and scarce with tenth volume. A favorite of Thomas Jefferson who only had volumes 1-8 see Sowerby Catalogue. Presso La Vedova Quillau/Presso G.C. Molin unknown
17739600Paris 1773. In italienischer Sprache komplett mit Gesamtregister 6 Bde. Ganzledereinbände d.Zt.mit Rückenschildchen in gutem Zustand Kl.-8°. Ldr.goldgepr. Literatur unknown
181476109Firenze: Vittorio Alauzet stampatore 1814. Plena piel con 2 tejuelos y dorados. Vittorio Alauzet stampatore unknown
2507PG010<p>Do Abbade Pedro Metastasio Traduzidas no idioma Portuguez e offerecidas à Serenissima Senhora D. MARIA ANNA Infanta de Portugal. Por João Carneiro da Silva. Tomo Primeiro. LISBOA. Na Offic. de SIMÃO THADDEO FERREIRA. Anno M. DCC. LXXXIII. Com licença da Real Meza Censoria.</p>_x000d_<p>De 15x105 cm. Com xvi cli i br. 221 iii págs. Encadernação da época inteira de pele. Ilustrado com folha de rosto gravada com gravura alegórica do Teatro com duas gravuras desenhadas por Lucius em extratexto de página inteira sobre papel mais incorpado com o retrato de Metastásio com a data de 1783 e da Infanta D. Mariana com a data de 1784.</p>_x000d_<p>Único volume publicado. Muito raro. Inocêncio não refere a obra e o nome do tradutor. Só existem dois exemplares catalogados em Portugal na BNP e na Academia das Ciências.</p>_x000d_<p>Muito importante para o estudo da divulgação e influência da obra de Mestastasio em Portugal.</p>_x000d_<p>As páginas preliminares sem numeração apresentam a dedicatória à Infanta D. Mariana e a prefação do autor as páginas preliminares com numeração romana contêm uma extensa dissertação de Rainieri de Calsabigi com extensas citações de poesias de Metastasio no original italiano. Este volume contém os três dramas: Artaxerxes Adriano na Síria e Demétrio. As três páginas finais sem numeração incluem o índice um aviso declarando que as versões traduzidas são as últimas revistas pelo autor e as erratas.</p>_x000d_<p>Infanta D. Mariana Vitória de Bragança Palácio de Queluz 1768 - Madrid 1788 Filha da Rainha D.Maria I e do Rei D Pedro III casou com o Infante Gabriel de Espanha filho do rei Carlos III de Espanha em 23 de Maio de 1785. Morreu de varíola quase ao mesmo tempo que o seu marido tendo sobrevivido um filho dos três que o casal teve e que é o antepassado dos actuais Duques de Marchena Durcal Hernani e Ansola.</p>_x000d_<p>José Lúcio da Costa Lisboa 1763 - 1820 entrou para a Academia de S. Lucas em 4 de Junho de 1781. Foi um importante gravador de Buril autor de uma extensa obra. A data de falecimento é incerta e pode ser que só tenha falecido em 1820.</p>_x000d_<p>Pietro Mestastasio Roma 1698 - Viena 1782 Poeta italiano e escritor que se destinguiu especialmente como libretista tendo os seus libretos de ópera sido postos em música numerosas vezes pelos maiores compositores do seu tempo. Foi poeta da Corte Imperial de Viena desde 1729.</p>_x000d_<p>De seu nome completo Antonio Domenico Bonaventura Trapassi. Publicou as suas primeiras poesias em 1717 e o seu primeiro libreto Didone Abbandonata foi posto em música em 1724 pelo compositor Domenico Sarro. Os seus libretos foram postos em música mais de oitocentas vezes durante o século XVIII. É autor de cerca de 61 libretos para óperas 8 para oratórias e várias dezenas para cantatas além de numerosas poesias líricas.</p>_x000d_<p>Ranieri de" Calzabigi Livorno 1714 - Nápoles 1795 Poeta e libretista que fez uma das mais completas edições dos libretos de Mestatasio. Ele próprio ficou famoso pelos seus libretos para as óperas do compositor Christoph Willibald Gluck entre elas Orfeo ed Euridice 1762 Alceste 1767 e Paride ed Elena 1770.</p>_x000d_<p>EN 15x10.5 cm. xvi cli i bl. 221 iii pp. Contemporary full leather binding. Illustrated with engraved title page with allegorical engraving of the Theatre with two engravings designed by Lucius Full <em>hors-texte</em> page on thicker paper with the portrait of Metastasio dated 1783 and of the princess Mariana dated 1784.</p>_x000d_<p>Single published volume. Very rare. Inocêncio does not mention the work or the name of the translator. There are only two copies catalogued in Portugal at the BNP and the Academy of Sciences.</p>_x000d_<p>Very important for the study of the dissemination and influence of Mestastasio"s work in Portugal.</p>_x000d_<p>The unnumbered preliminary pages contain the dedication to princess Mariana and the author"s preface while the preliminary pages with Roman numerals contain an extensive dissertation by Rainieri de" Calsabigi with extensive quotations from Metastasio"s poems in the original Italian. This volume contains the three dramas: <em>Artaxerxes Adrian in Syria</em> and <em>Demetrius</em>. The three final unnumbered pages include the index a notice stating that the translated versions are the latest revised by the author and the errata.</p>_x000d_<p>Princess Mariana Vitória de Bragança Queluz Palace 1768 - Madrid 1788. Daughter of Queen Maria I and King Pedro III she married Prince Gabriel of Spain son of King Carlos III of Spain on 23 May 1785. She died of smallpox at almost the same time as her husband leaving behind one of the couple"s three children who is the ancestor of the current Dukes of Marchena Durcal Hernani and Ansola.</p>_x000d_<p>José Lúcio da Costa Lisbon 1763 - 1820 joined the Academy of St. Luke on 4 June 1781. He was an important engraver author of an extensive body of work. The date of his death is uncertain and it may be that he only died in 1820.</p>_x000d_<p>Pietro Mestastasio Rome 1698 Vienna 1782. Italian poet and writer who distinguished himself especially as a librettist his opera librettos having been set to music numerous times by the greatest composers of his time. He was poet to the Imperial Court of Vienna from 1729.</p>_x000d_<p>His full name was Antonio Domenico Bonaventura Trapassi. He published his first poems in 1717 and his first libretto Didone Abbandonata was set to music in 1724 by composer Domenico Sarro. His librettos were set to music more than eight hundred times during the 18th century. He wrote around 61 librettos for operas 8 for oratorios and several dozen for cantatas as well as numerous lyrical poems.</p>_x000d_<p>Ranieri de" Calzabigi Livorno 1714 - Naples 1795 Poet and librettist who produced one of the most complete editions of Metastasio"s libretti. He himself became famous for his librettos for the operas of composer Christoph Willibald Gluck including Orfeo ed Euridice 1762 Alceste 1767 and Paride ed Elena 1770.</p> M-5-E-48 hardcover
177216215<p><b>1772 ITALIAN Pietro Metastasio Opera Libretto Artaxerxes Hadrian in Syria 4v</b></p><p>Pietro Metastasio was a famous 18th-century Italian poet best known for his extensive portfolio of librettos for various operas. Dramas such as '<i>Artaserse'</i> or <i>Artaxerxes I</i> '<i>Adriano in Siria'</i> '<i>Ezio'</i> and '<i>L'Olimpiade</i>' are all included in this impressive four-volume Venetian set.</p><p>Item number: #16215</p><p>Price: $599</p><p>METASTASIO Pietro pseud. of Pietro Trapassi</p><p><b><i>Opere Drammatiche del Pietro Metastasio edizione decimaterza</i></b></p><p>Venezia : presso Giuseppe Betinelli 1772.</p><p><br /></p><p><u>Details</u>: </p><p>· Collation: Complete with all pages – 8 volumes in 4 tomes</p><p>o Vol. I/II – xxvi 340; 372 </p><p>o Vol. III/IV – 383 1; 384</p><p>o Vol. V/VI – 491 1; 431 1</p><p>o Vol. VII/VIII – 368; iv CLXVIII 235 1 </p><p>· Language: Italian</p><p>· Binding: Vellum; tight and secure</p><p>· Size: ~6.25in X 4in 16cm x 10cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>16215</p><p>Photos available upon request. </p> Giuseppe Betinelli hardcover
ALDR0609Wien 1762. 4°. Vort. gest. Frontispiz gest. Titelbl. A. Tischler sculp. 42 nn. Bll. mit drei gestochenen Kopfstücken drei gestochenen Initialen und vier gestochenen Schlussvignetten. Neuer Pergamentband Einbanddeckel mit altem Marmorpapier beklebt Vorsatz erneuert. Durchgehender Randausriss nur teilw. mit geringem Textverlust fachgerecht angerändert äussere Seitenränder vermutlich infolge Nässeeinwirkung braunfleckig. Wurzbach 181ff. Vgl. Riemann. Opern-Handbuch 571 u. Musik-Lexikon 681. ADB 10755ff. - aufwendig gestaltetes Textbuch zu einer 1762 in Wien zur Feier der Geburt des ersten Kindes der Erzherzogin Isabella von Bourbon Parma 1741-1763 erste Gemahlin Kaiser Josef II. aufgeführten Oper. Das von Pietro Metastasio eigtl. Trapassi 1698-1782 von Kaiser Karl VI. 1729 als Hofdichter nach Wien berufen verfasste Libretto wurde in der Vertonung von J. A. Hasse 1699-1783 aufgeführt. Die gestochenen Zierstücke stammen von verschiedenen Künstlern der Zeit Frontispiz u. Titelblatt sind eine Arbeit des Wiener Kupferstechers Anton Tischler 1721-um1780. Wien (1762). unknown
2-74030Venezia presso Antonio Zatta 1781-1783 quindici volumi di sedici manca il vol. XV in-8° cm. 165 x 95 legatura coeva in mezza pelle verde dorso con fregi dorati e titoli pure in oro su tassello marrone piatti marmorizzati oltre 5000 pagine complessive. Frontespizio inciso con graziosa vignetta in ogni volume; ritratto dell'autore in antiporta al primo volume e moltissime 238 incisioni in rame fuori testo poste all'inizio di ciascun atto ed altrettante testatine anch'esse in rame. Edizione molto apprezzata e non solo per le belle incisioni. Lievi tracce d'uso alle legature ma volumi marginosi freschi in ottimo stato di conservazione. unknown
1823807R1Prato: Dalla Tipografia di Luigi Vannini 1823. Vellum. Very Good. 6.5" by 4". None. A delightful vellum-bound complete collection of the writings of Metastasio in the original Italian language illustrated with engraved plates. Peitro Metastasio was an Italian poet and librettist active during the eighteenth century widely considered the most important writer of opera seria libretti. His writings inluded 'Ezio' 'Demetrio' 'L'Olimpiade' 'Catone in Utica' 'La clemenza di Tito' 'Il trionfo di Clelia' and 'Didone abbandonata' with composders including Domenico Sarro Francesco Feo and Leonardo Vinci.Volume I is illustrated with a frontispiece portrait of the author and four engraved plates. Volume II is illustrated with eight plates volume III with eight volume IV with five volume V with four volume VI with three and volume VII with two.Fourteen volumes bound as seven. In the original Italian language.Bound in lovely full vellum with gilt spines and calf spine labels. In a full vellum binding. Externally generally smart; some slight rubbing more noticeable to the spine label of vol XIII and to the head of volume VII. Otherwise minor wear to the heads and tails of the spines; boards have the odd mark. Very Good Dalla Tipografia di Luigi Vannini hardcover
1734019334Venice Venezia 1734 1737: Giuseppe Bettinelli 1734. First Edition . Full Vellum. Very Good. Frontispiece. Four Volumes 1734 Stated Second Edition Of The First Volume First Editions Of Volumes 2 Through 4. Vol. 1: Half Title Frontispiece Title 12 1 504 And Is The Stated Second Edition Dated 1734; The First Edition Was Issued In 1733. Vol Ii: Title 1 1 480 Dated 1734. Vol. Iii: Title 1 1 520 With "La Betulia Liberata" 1734 Same Publisher At Rear Title 1 72. Vol. Iv:Title 1 2 With Nine Separately Paginated Plays The Last Being Really A Dialogue 11737. Original Vellum. Metastasio Was A Renowned Child Prodigy Whose Plays Became Incorporated Into Much 18Th Century Music. Light Usuage To Vellum. Contents Fine Except A Damage In 1" Corner Of First Three Pages Not Affecting Text And Related Damp Mark No Damp Staining At Lower Foredge Corner Of Pages In Margins And Not Affecting Text. Original Signatures Of Joachim Steetz Dated 1747. Very Scarce Worldcat Locating Only One Copy. New Sturdy Slipcase By Heritage Bindery Pasadena. <br/> <br/> Giuseppe Bettinelli hardcover
1795006157Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. The collected full-length operas of the foremost librettist of opere serie during the eighteenth century. 16mo. 11.5 by 7.5 cm. While these operas were set to music originally by composers mostly forgotten a few of them were re-used as libretti by others and most notably by Mozart who set music to "La Clemenza di Tito" which has in more recent years become a staple of the major opera houses. All of Metastasio's full length operas are here except for "Siface Re di Numidia" and "L'Impresario delle Isole Canarie". We strongly believe that the set is complete as the operas are arranged generally in chronological order and they are in strict chronological order in the latter half; in other words the two omitted works if they were part of the set would have been in the earlier numbers. There is one opera per volume. Each volume has a copper engraved illustration on its title page. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing all or part of the labels for volumes 5 11 and 14. Spine leather heavily worn on Vol. 11 by joint where chewed and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown
17552003290001Parigi Vedova Quillan 1755. First Edition. Hardcover. Very Good. 9 volumes. Bound in handsome contemporary calf. Gilt spine compartments with a floral motif. Gilt spine labels on red and green morocco. Very good bindings and covers with only minor shelf wear. All edges red. Marbled end sheets. Pages are generally clean and unmarked. Engraved title pages. Small stain at the margin of tome VI effecting two pages. <br> Pietro Trapassi 1698-1782 better known as Metastasio was regarded as one of the greatest poets of the 18th century; his libretti were set to music by numerous prominent composers. Dauze page 770. BrunetIII-1676. A tenth volume not included here was published later in 1769. <br> Contents: Vol. I: 1f. frontispiece with portrait of the poet engraved by D. Sornique after C. Eisen 1f. decorative title i-v dedication with vignette vi blank vii-xiv letter from the author 2f. part-title xix-cciv "Dissertazione" 319 i blank pp. Contains Artaserse; Adriano in Siria; and Demetrio. Frontispiece with portrait of the poet engraved by D. Sornique after C. Eisen. Verse dedication to the Signora Marchese di Pompadour by Ranieri de' Calsabigi with engraved vignette and a "Dissertazione" on the dramatic poems by Calsabigi.; Vol. II: 1f. decorative title 464 pp. Contains Olimpiade; Issipile; Ezio; La Danza; Il Sogno di Scipione; Il Natal di Giove; and Didone Abbandonata.; Vol. III: 1f. decorative title 463 i blank pp. Contains La Clemenza di Tito; Catone in Utica; and Demofoonte. ; Vol. IV: 1f. decorative title 463 i blank pp. Contains Alessandro; Achille in Sciro; Ciro Riconosciuto; Temistocle; L'Isola Disabitata; and Lie Cinesi Componimento Drammatico che Introduce ad un Ballo.; Vol. V: 1f. decorative title 463 i blank pp. Contains Zenobia; Ipermestra; Antigono; Semiramide; Il Re Pastore; and L'Asilo d'Amore.; Vol. VI: 1f. decorative title 459 i blank pp. Contains L'Eroe Cinese; Attilio Regolo; Adriano in Siria; Didone Abbandonata; Il Tempio dell' Eternita; and La Contesa de' Numi.; Vol. VII: 1f. decorative title 459 i blank pp. Contains Alessandro; Semiramide; Le Grazie Vendicate; Il Palladio Conservato; Il Parnaso; Astrea Placata; La Pace fra la Virtu e la Bellezza; Il Vero Omaggio; L'Amor Prigioniero; Il Ciclope; and a Cantate.; Vol. VIII: 1f. decorative title 460 pp. Contains Gioas Re di Giuda; Betulla Liberata; Sant' Elena al Calvario; Giuseppe Riconosciuto; La Morte d'Abel; La Passione di Gesù Cristo; Per la Festivita del SSmo. Natale; Isacco Figura del Redentore; Canzonette; Sonetti; Epitalami; and La Strada della Gloria. Sogno.; Vol. IX: 1f. decorative title 468 2f. Censor's approbation "Privilege du Roi" and Register. Contains La Galatea; L'Endimione; Gli Orti Esperidi; Il Convito degli Dei; L'Angelica Serenata; La Morte di Catone; L'Origine delle Leggi; Il Ratto d'Europa; Ode per il Santissimo Natale; and Giustino. With a Distribuzione dell' Edizione and a Tavola delle Arie. Indices. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Parigi, Vedova Quillan hardcover
1780393495In Parigi : Presso la Vedova Herissant 1780. 1st edition. Hardcover. Poor set in the original full aniline with red-morocco title labels to spines. Spines worn; panel edges damaged and with tear. Text remains clear and without blemish. Physical description; 12 v. : ill. port ; 28 cm. Contents; t. 1. Dedicatoria. Avviso dello stampatore. Artaserse. Adriano in Siria. Demetrio. Il sogno di Scipione. Il natal di Giove. La danza -- t. 2. Olimpiade. Issipile. Ezio. L'isola disabitata. Le Cinesi. Il vero omaggio. L'Amor prigioniero. Il Ciclope -- t. 3. Didone abbandonata. La clemenza di Tito. Siroe. L'asilo d'Amore. La pace fra la Virtù e la Bellezza. Le Grazie vendicate -- t. 4. Catone in Utica. Demofoonte. Alessandro nell'Indie. Il tempio dell'eternità. La contesa de' numi. Il sogno -- t. 5. Achille in Sciro. Ciro riconosciuto. Temistocle. Il Palladio conservato. Il Parnaso accusato e difeso. Astrea placata. Sonetti. Canzonette -- t. 6. Zenobia. Ipermestra. Antigono. Gioas re di Giuda. Betulia liberata. Sant' Elena al Calvario -- t. 7. Semiramide. Il re pastore. L'eroe cinese. Giuseppe riconosciuto. La morte d'Abel. La passione di Gesù Cristo. Per la festività del S. natale. Isacco figura del Redentore -- t. 8. Attilio Regolo. Nitteti. Alcide al Bivio. Epitalamj. La stada della gloria. Egeria. Il Parnaso confuso. Cantate -- t. 9. Il trionfo di Clelia. Romolo ed Ersilia. Il Ruggiero. Il trionfo d'Amore. I voti pubblici per Maria Teresa imperatrice regina. Partenope. L'imperial residenza di Schönbrunn -- t. 10. Avvertimento. Avviso del Bettinelli. La Galatea. Gli Orti Esperidi. Il convito degli dei L'Endimione. La morte di Catone. L'origine delle leggi. Il ratto d'Europa. Per Santo natale. L'Angelica. Giustino. Lettere sopra la musica. Lettera sul Tasso e l'Ariosto -- t. 11. t. 11. L'Atenaide. Traduzione della Satira III de Giovenale. Teti e Peléo. La ritrosia disarmata. La corona. L'ape. Satira VI del lib. II. di Orazio. La gara. Tributo di rispetto e d'amore. La respettosa tenerezza. Augurio de felicità. La pace fra le tre dee. Invito a cena l'Orazio a Torquato. L'inverno. Madrigale. Risposta ad Orazio. Versetti. Il quadro animato. Complimento. Canzonetta. Complimento. Complimento. Primo omaggio di canto. Complimento. La virtuosa emulazione. La scommessa. Complimento. Complimento. Complimento. L'aurora. L'estate. Complimento. L'armonica. Strofette. Sonetti. Traduzione d'un epigramma greco. Strofe per per musica da cantarsi a canone. Indice delle arie cori e duetti -- t. 12. Estratto dell'Arte poetica d'Aristotile e considerazioni su la medesima. Dell'Arte poetica epistola di Q. Orazio Flacco a' Pisoni original and Italian translation. Subjects; Aristotle. Poetics ; Early works to 1800. Italian drama 18th century. Greek drama History and criticism. Librettos. In Parigi : Presso la Vedova Herissant hardcover
1780WB15485Parigi Paris: Presso la Vedova Herissant 1780-1782. Full Calf. Very Good. Complete set of 12 volumes. Contemporary mottled calf spines gilt. Bindings rubbed but a sound set overall. Extra shipping charges will apply. <br/><br/> Presso la Vedova Herissant unknown
183821239961838. Rome: 'A la Stamparia ar Curso n. 336'. 1838. 8vo. In the publisher's printed self-wrappers title within typographic border woodcut angel within typographic border to rear cover upper cover lettered 'Treato Palaccorda Carnoval 1838'; slight foxing to title; small marginal paperflaws to 2 ff. variable marginal spotting to last 5 ff.; else very well preserved. First edition extremely rare of this lively programme in Romanesco or Roman dialect issued for the 3 February 1838 Carnival performance of La Didona an adaptation in Romanesco of Metastasio's 1724 Didone abbandonata. The opera is thought to have been translated into Romanesco by the poet and abbot Alessandro Barbosi. This anonymously authored programme advertising the opera as being in the 'Roman language of Trastevere' trans. was to be distributed at the box office 'dar buteghino de la cummedia' at Rome's Teatro della Pallacorda on the night of the opera staged back-to-back with a prequel by Luigi Randanini Un teatro drento na casa ciove er provemio de la commedia also in Romanesco. Our programme which encourages viewers to attend both showings if they can provides an engaging and colloquial summary of the context of the play glowing reviews of the set design and a blow-by-blow account of the plot. 'So you want me to give you the long and short of it without going on and on He the man who wrote Didone abbandonata did everything to inspire anyone who goes to see it. Sound good The clothes are just like the ones they wore a thousand years ago. The scenery is all made of medium-thick Frabbiano i.e. Fabbriano paper made of white rags all painted on the spot . by a painter so gifted that even the sun appears as it would in real life' p. 8 trans. and the prop weapons gleam like silver. The summary is deliberately kept light in tone and brief so that it can be 'better understood by those who - poor things! - are not especially literate and cannot read a story as old as this one detail by detail' p. 9 trans. The Avviso is not only a significant resource with regard to nineteenth-century Roman dialect but also provides insights into the use of plays and operas in Romanesco as a means of 'making the classical repertoire known to a wider audience. The Avviso is a true translation. It is neither a pure intellectual exercise in and of itself nor an adaptation a parody or worse an irreverent remake. With the exception of a few adjustments designed to justify space-time collocations inevitably connoted by the dialect the fidelity to the original text is absolute and the care is such that the work's dramatic impact is in no way taken away altered or diminished' Barboni p. 118.The Teatro Pallacorda famous for staging plays and operas in Romaneseco was renamed Teatro Metastasio in 1841 closed during the First World War and was demolished in 1936; it was formerly a tennis court thought to be the site at which Caravaggio murdered Ranuccio Tomassoni in 1606 prompting his flight from Rome. The libretto of Barbosi's Didona would not be published until 1851 without the author's name and with commentary by Filippo Tacconi. No copies traced in the US or the UK; not on Library Hub. OPAC SBN attributing authorship to Gaspare Randanini finds a single copy at the Biblioteca comunale Mozzi-Borgetti in Macerata. Ludovisi traces another at the Biblioteca Nazionale Centrale di Roma. See Biancini 'Didone o Didona: un successo nel tempo' in Acquaro and Ferari eds I Fenici: L'Oriente in Occidente 2004; Ludovisi 'L'Avviso strasordinario e il Bollettone: studio linguistico con un'ipotesi attributiva' in Vox Romanica 82 2023 pp. 75-101. hardcover
1780001888Parigi: Presso la vedova Herissant 1780-82. Dodici volumi in 8o ognuno di circa 400 pagine su carta forte vagamente azzurra papier de Hollande bleueté. Ritratto inciso di Metastasio 37 belle incisioni nei diverso volumi opera di Cochin Moreau Duclos ecc. Cohen: "Edition de luxe avec des illustrations d'une grande beauté". Margini non tagliati. Legatura d'attesa in cartone rigido rosa con tassello di titolo al dorso qualche usura ai margini un dorso un po' più chiaro. Esemplare freschissimo e senza difetti di uno dei capolavori dell'arte tipografica del 700. ----- Nota Bene: le dimensioni dell'opera comportano un supplemento di costo della spedizione. Presso la vedova Herissant unknown
178049289Parigi/Vienna: presso la Vedova Herissant/Alberti 1780-1795. In-8 gr. mm. 257x199 15 volumi bella legatura in p. pelle coeva rossa 2 volumi con aloni cornici dorate ai piatti ricca decorazione e titolo oro su tassello al dorso tagli dorati.Questa edizione è così composta: "Opere" 1780-82 12 volumi molto ben illustrata da: 1 ritratto dell'A. di Steiner inc. su rame da Gaucher e 37 magnifiche tavole fuori testo di cui 35 di Cipriani Cochin Martini e Moreau inc. su rame da valenti artisti - "Opere postume" 3 volumi date in luce dall'Abate Conte d'Ayala Vienna Alberti 1795 che contengono per lo più lettere scelte.Cfr. Gamba2352: "Tra le infinite edizioni dei Drammi del Metastasio questa è nobilissima ed arricchita di figure intagliate da valenti artefici fra le quali havvi il "Polifemo" di Fr. Bartolozzi. E' stata fatta coll'assistenza di Giuseppe Pezzana ed ebbe l'approvazione dell'immortale poeta. In Vienna si pubblicarono le "Opere postume" nel 1795 e ne furono tirati esemplare nella forma di quarto per poterli accompagnare a quelli dell'edizione della vedova Hérissant". Cfr. anche Cohen p. 706: "Edition de luxe avec des illustrations d'une grande beauté" - Lewine p. 356 - Boissais/Deleplanque p. 124.Bella e rara edizione soprattutto se completa delle "Opere postume". Esemplare ben conservato. presso la Vedova Herissant/Alberti, unknown
