599 résultats
49672Parigi.1773.8 vols.in-12 en veau d'époque.Portrait en frontispice.Pages de titre gravées par Gravelot.Bel ensemble avec dos ornés de lyres,avec pièces de titre et de tomaison.Tranches rouges.Plats soulignés de 3 filets dorés.Plats un peu accidentés.
3 Voll. In-16°, belle legature ottocentesche con titoli su tassello e fregi in oro al dorso, pp. (2)417(1), (2)414 e 379(31). Contiene testi sui tragici greci, un'ampia scelta di lettere, ed il testamento del poeta. Rare leggerissime bruniture, ma buon esemplare.
1618461747 uniform bindings each containing 2 volumes 306 362 330 354 355 349 310 280 333 287 322 313 332 & 368 pages including index at rear of vol 14 each vol has contents at end illustrated with 37 plates in total Published by Pazzoni hardcover
17822101150072Londra i.e. Leghorn : Si vende in Livorno Presso Gio. Tommaso Masi e comp 1782. Hardcover. Good. Opera Seria Libretti 11 volume set. 15 cm. Bound in 1/4 vellum with gilt leather spine labels. All edges red. Good bindings and covers. Engraved title pages. Illustrated plates. 378 405 386 418 439 381 406 392 375 382 346 pp. Institutional stamp inside front cover. Italian. <br> Contents: t.1: Artaserse Adraino Demetrio il Sogno Di Scipione il Natal Di Giove La Danza; t.2: Olimpiade Issipile Ezio L'isola Disabitata Le Cinesi il Vero Omaggio L'amor Prigioniero il Ciclope; t.3: Didone Abbandonata La Clemenza Di Tito Siroe L'asilo D'amore La Pace Tra La Virtu' E La Bellezza Le Grazie Vendicate; t.4: Catone in Utica Demoofonte Alessandro Nelle Indie il Tempio Dell'eternita' La Contesa De' Numi il Sogno; t.5: Achille in Sciro Ciro Riconosciuto Temistocle il Palladio Conservato il Parnaso Accusato E Difeso Astrea Placata Sonetti Canzonette; t.6: Zenobia Ipermestra Antigono Gioas Re Di Giuda Betulia Liberata Sant'elena Al Calvario; t.7: Semiramide il Re Pastore L'eroe Cinese Giuseppe Riconosciute La Morte D'abel La Passione Di Gesu' Cristo Per La Festivita' Del S. Natale Isacco Figura Del Redentore; t.8: Attilio Regolo Nitteti Alcide Al Bivio Epitalamj La Strada Della Gloria Egeria il Parnaso Confuso Cantate; t.9: il Trionfo Di Clelia Romolo Ed Ersilia il Ruggiero il Trionfo D'amore I Voti Pubblici La Pubblica Felicita' Partenope L'imperial Residenza Di Schonbrunn; Tomo 10: La Galatea Gli Orti Esperedi L'endimione il Convito Degli Dei L'angelica La Morte Di Catone L'origine Delle Leggi il Ratto D'europa Ode Sopra il Santissimo Natale il Giustino Tragedia; t.11: L'atenaibe. Ovvero Gli Effettibenerosi Traduzione Della Satira III Di Giovenale Teti E Pele' Ovvero L'iddiglio Epitalmico La Ritrosia Disarmata La Corona L'ape Satira Vi Del Libro Ii Di Q. Orazio Flacco La Gara Tributo Id Rispetto La Rispettosa Tenerezza Augurio Di Felicita' La Pace Tra Le Tre Dee Invito a Cena D'orazio a Torquato L'inverno Ovvero La Provida Pastorella Cantata. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Londra [i.e. Leghorn?] : Si vende in Livorno Presso Gio. Tommaso Masi e comp hardcover
178465221784 Londra, sans nom d'éditeur (Cazin ?), 1784, 12 vol. in 16, 1 portrait gravé en front. du tome I, rel. d'ép. plein veau marbré, dos lisses ornés de fers dorés, pièce de titre de maroquin vert, encadrements de pointillés sur les plats, tranches dorées, 1 coiffe manque, usure à une autre, travail de ver sur un plat, néanmoins agréable ex.
10499Parigi, G. C. Molini / La Vedova Quillau, 1759-1773. 12 volumes in-8, titres gravés, reliure plein veau, dos ornés, tranches rouges (coiffes supérieures arasées, petits défauts aux reliures, sinon agréable exemplaire).
175721183Turin: Stamperia Reale 1757. Later printing. Vellum. Good. Later printing. Nine vols. of an eventual ten. 8vo. pp. ff 2 12 ii-ccxiv ff 1 7-304; ff 2 8-440; ff 2 6-438 1; ff 2 6-470 1; ff 2 9-461 1; ff 1 8-469 1; ff 1 431 1; ff 1 12-446 1; ff 1 10-422 1; uniformly bound in contemporary three quarter vellum and parchment boards; contemporary handwritten titles and later handwritten call numbers to spines; boards lightly spotted and soiled especially at spines; card pocket to front pastedown at first and ninth volumes; pockets roughly removed from other volumes at front pastedown; later ownership inscriptions to each volume; library stamps to rectos of each engraved title leaf; later embossed stamps and pencil annotations to letterpress title leaves; bookplate at verso of title leaf to all volumes; card pockets and electronic tags to rear pastedowns; text leaves clean. Properly deaccessioned. Vellum. This title was first issued in Paris in 1755. Here published in Turin in 1757 in nine volumes. Volume 10 was published later in 1768 and is often missing from the set when offered.<br/><br/>"Pietro Antonio Domenico Trapassi better known by his pseudonym of Pietro Metastasio 3 January 1698 - 12 April 1782 was an Italian poet and librettist considered the most important writer of opera seria libretti." wikipedia. Stamperia Reale unknown books
1808926F23Avignone: Fratelli Seguin 1808 . Leather. Very Good. 5.5" by 3.5". None. A charming six volume edition of the works of Italian poet and celebrated librettist Pietro Metastasio. In the original Italian.A six volume 'Edizione Portatile' or portable edition of the works of the poet who was the most celebrated librettist in Europe during the eighteenth century for the opera seria; his librettos were set more than eight hundred times.Metastasio authored over twenty-eight operas and thirty-four other stage works.Retaining the original half titles and in attractive calf bindings. In full calf binding with extensive gilt detailing to back strips. Minor losses of leather to spine label perimeters. Light rubbing to back strips. Front hinge of volume I strained and VI strained but firmly held. Internally firmly bound. Pages generally clean and bright. Very Good Fratelli Seguin hardcover
1795006156Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. 16mo. 11.5 by 7.5 cm. A vast compendium of Metastasio's poetic works excepting his lyric opera libretti. Not a few of the works contained herein however were intended to be accompanied by music and many of these are dramatic works short to long-ish and with casts of characters -- essentially one act operas some with many scenes. These works moreover were some of his most popular works in their day. Among the works included are "La Contesa de' Numi" "Il Tempio dell'Eternita" "L'Asilo d'Amore" "Le Grazie Vendicate" "Il Sogno di Scipione" "Il Palladio Conservato" "Il Parnaso Accusato e Difeso" "La Pace fra la Virtu e la Belezza" "Astrea Placata" etc. etc. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing label for volumes 1 and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown
1794006156Venezia: Tipografia Pepoliana 1794-1795. Quarter Calf. Marbled boards. . Very Good. 16mo. 11.5 by 7.5 cm. A vast compendium of Metastasio's poetic works excepting his lyric opera libretti. Not a few of the works contained herein however were intended to be accompanied by music and many of these are dramatic works short to long-ish and with casts of characters -- essentially one act operas some with many scenes. These works moreover were some of his most popular works in their day. Among the works included are "La Contesa de' Numi" "Il Tempio dell'Eternita" "L'Asilo d'Amore" "Le Grazie Vendicate" "Il Sogno di Scipione" "Il Palladio Conservato" "Il Parnaso Accusato e Difeso" "La Pace fra la Virtu e la Belezza" "Astrea Placata" etc. etc. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing label for volumes 1 and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. <br/><br/> Tipografia Pepoliana hardcover books
1806008493Londra: A. Dulau & Co. 1806. Book. Very good- condition. Hardcover. Second edition. 16mo - over 5¾" - 6¾" tall. Two volume set. Vol. I: vi 284 pages of text. Vol. II: iv 284 pages of text. Original full leather bindings with black leather spine labels. Hinges are cracking and worn but remain attached functional and attractive. Moderate rubbing to extremities. The first volume is illustrated with a frontisportrait of Metastasio. Italian poet and dramatist; court poet to Charles IV 1730; Pietro Antonio Domenico Bonaventura Trapassi; lyric dramas oratorios poems for cantatas opera. A. Dulau & Co. Hardcover books
200412552Mantova, Co' Tipi Dell' Erede Pazzoni, 1816 ; in-12, cartonnage de l'éditeur. Les 20 volumes. En Italien - gravures de Zuliani -Maina demi-cuir des manques sur les coiffes et sur certains dos, sinon bon état d''ensemble.
Pietro Metastasio opere complete, edizione del 1857, copertina in mezza pelle dorso con caratteri impressi in oro
18191207240005Firenze : Gabinetto di Pallade 1819. Hardcover. Very Good. 7 Volumes. 8vo. Marbled boards. Each volumes spine bound in contemporary leather. Gilt lettering on spine. 4 raised bands 5 compartments. Good bindings and covers. Minimal wear to extremities. Italian. Clean unmarked pages with minimal toning. Please feel free to view our photographs. Firenze : Gabinetto di Pallade hardcover
1757ED12-852Torino (Turin), Stamperia reale, 1757. 9 Lederb?nde der Zeit mit roten R?ckenlederschildchen und rundum Rotschnitt, kl.-8?, 1. Band / Vol. 1; gestochenes Titelblatt, [15 Seiten], CCXIV Seiten, 1 Blatt, 304 Seiten // 2. Band / Vol. 2: gestochenes Titelblatt, Titelblatt, 440 Seiten // 3. Band / Vol. 3: gestochenes Titelblatt, Titelblatt,438 Seiten, 1 Blatt // 4. Band / Vol. 4: gestochenes Titelblatt, Titelblatt, 470 Seiten, 1 Blatt // 5. Band / Vol. 5: gestochenes Titelblatt, 461 Seiten inkl. Titelblatt, 1 Blatt, // 6. Band / Vol. 6: gestochenes Titelblatt, 469 Seiten inkl. Titelblatt, 1 Blatt // 7. Band / Vol. 7: gestochenes Titelblatt, 431 Seiten inkl. Titelblatt // 8. Band / Vol. 8: gestochenes Titelblatt, 446 Seiten inkl. Titelblatt, 1 Blatt, // 9. Band / Vol. 9: gestochenes Titelblatt, 422 Seiten inkl. Titelblatt, 1 Blatt, Die Lederbez?ge der Einb?nde mit kleineren Fehstellen, oder Wurmg?ngen, gestochener Titel des 1. Bandes mit handschriftlichem Vorbesitzernamen, gestochene Titelbl?tter mit alt. Bibliotheksstempel, Exemplar aus der Bibliothek der 1803-1807 aufgel?sten Reichsabtei Ochsenhausen in Oberschwaben (Bibliotheksstempel auf den gestochenen Titelbl?ttern), Einb?nde berieben, Lederbezug des R?ckens teils mit kleineren, beim 4 und 5. Band gr??eren Fehlstellen, Text altersgem?? sauber und gut, Exemplar mit interessanter Provenienz aus der Reichsabtei Ochsenhausen, insgesamt trotz der Gebrauchspuren, stabiles solides Exemplar // a good minus copy, The bindings with clearer traces of age. Copy with interesting provenance from Ochsenhausen Abbey, Germany. The monastery was closed down at the beginning of the 19th century. (library stamp of the monastery, on the title pages); overall, despite the traces of use, stable and solid copy
Tomi 36 legati in dodici, in 24° cm. 14, pp. complessive 5317 con 48 tav. f.t. Legature in mezza pelle coeva con titoli e dorature ai dorsi. Firma sui margini superiore dei frontespizi, fioriture del tempo (nel complesso sono in più che buone condizioni) lievi mancanze ai margini bianchi di 4 pagine.
17609769Parigi, Presso La Vedova Quillau, 1760. 9 volumes in-12, plein veau marbré, dos à 5 nerfs ornés de fleurons, encadrement, roulettes et titre dorés, étiquettes de titre et de tomaison bordeaux, triple filet doré encadrant les plats, simple sur les coupes, tranches mouchetées. 3 mors fendus sur 3 cm., nom de possesseur à la plume sur garde : Pierre Boissier.
181182569Couverture souple. Le tome 5 est manquant. 16 volumes brochés de 300 à 400 pages environ contenant des gravures hors-texte. 14 x 23 cm. Les couvertures dont défraîchies, les dos sont pour la plupart très défraîchis avec de nombreux manques. Manque au premier plat et aux premières pages du tome 4. Quelques rousseurs et mouillures. Intérieurs en très bon état.
179567317Vienna: : Nella Stamperia Alberti 1795. First edition. old mottled calf; red and blue gilt-lettered spine labels. . Old armorial bookplate on each pastedown; a fine set with just the slightest of rubbing to the leather at extremities. 4to. Nella Stamperia Alberti, hardcover
20315Londres, R. Bremner, [1770]. In-folio, [4]-127 pp., demi-basane marbrée brune, triples filets à froid sur les plats, étiquette manuscrite au premier plat, dos à nerfs orné de filets à froid (reliure un peu défraîchie mais solide, quelques taches et rousseurs).
181182569Padova nel seminario 1811. Paperback. <b>Livre en italien</b>. Couverture souple. Le tome 5 est manquant. 16 volumes brochés de 300 à 400 pages environ contenant des gravures hors-texte. 14 x 23 cm. Les couvertures dont défraîchies les dos sont pour la plupart très défraîchis avec de nombreux manques. Manque au premier plat et aux premières pages du tome 4. Quelques rousseurs et mouillures. Intérieurs en très bon état. <i>ref. 82569</i> Padova nel seminario paperback
015488Parigi Paris 1755-1769: Presso La Vedova Quillau/Presso G.C. Molin. Small Octavo. Complete in 10 volumes text in Italian. Each volume has engraved title page. Vol. 1 has frontispiece by D. Sornique after C. Eisen and vignette headpiece by N. Le Mire after C.N. Cochin. Vol. 1-9 1755; Vol. 10 Parigi: Presso G.C. Molini bookseller 1769. All uniformly bound in vellum spines fully decorated in gilt double red morocco spine labels gilt all edges speckled red evidence of early owner bookplate removal to each volume with short split to upper joint of volume one usual soiling to the vellum. A very nice set and scarce with tenth volume. A favorite of Thomas Jefferson who only had volumes 1-8 see Sowerby Catalogue. Presso La Vedova Quillau/Presso G.C. Molin unknown
17739600Paris 1773. In italienischer Sprache komplett mit Gesamtregister 6 Bde. Ganzledereinbände d.Zt.mit Rückenschildchen in gutem Zustand Kl.-8°. Ldr.goldgepr. Literatur unknown
181476109Firenze: Vittorio Alauzet stampatore 1814. Plena piel con 2 tejuelos y dorados. Vittorio Alauzet stampatore unknown
2507PG010<p>Do Abbade Pedro Metastasio Traduzidas no idioma Portuguez e offerecidas à Serenissima Senhora D. MARIA ANNA Infanta de Portugal. Por João Carneiro da Silva. Tomo Primeiro. LISBOA. Na Offic. de SIMÃO THADDEO FERREIRA. Anno M. DCC. LXXXIII. Com licença da Real Meza Censoria.</p>_x000d_<p>De 15x105 cm. Com xvi cli i br. 221 iii págs. Encadernação da época inteira de pele. Ilustrado com folha de rosto gravada com gravura alegórica do Teatro com duas gravuras desenhadas por Lucius em extratexto de página inteira sobre papel mais incorpado com o retrato de Metastásio com a data de 1783 e da Infanta D. Mariana com a data de 1784.</p>_x000d_<p>Único volume publicado. Muito raro. Inocêncio não refere a obra e o nome do tradutor. Só existem dois exemplares catalogados em Portugal na BNP e na Academia das Ciências.</p>_x000d_<p>Muito importante para o estudo da divulgação e influência da obra de Mestastasio em Portugal.</p>_x000d_<p>As páginas preliminares sem numeração apresentam a dedicatória à Infanta D. Mariana e a prefação do autor as páginas preliminares com numeração romana contêm uma extensa dissertação de Rainieri de Calsabigi com extensas citações de poesias de Metastasio no original italiano. Este volume contém os três dramas: Artaxerxes Adriano na Síria e Demétrio. As três páginas finais sem numeração incluem o índice um aviso declarando que as versões traduzidas são as últimas revistas pelo autor e as erratas.</p>_x000d_<p>Infanta D. Mariana Vitória de Bragança Palácio de Queluz 1768 - Madrid 1788 Filha da Rainha D.Maria I e do Rei D Pedro III casou com o Infante Gabriel de Espanha filho do rei Carlos III de Espanha em 23 de Maio de 1785. Morreu de varíola quase ao mesmo tempo que o seu marido tendo sobrevivido um filho dos três que o casal teve e que é o antepassado dos actuais Duques de Marchena Durcal Hernani e Ansola.</p>_x000d_<p>José Lúcio da Costa Lisboa 1763 - 1820 entrou para a Academia de S. Lucas em 4 de Junho de 1781. Foi um importante gravador de Buril autor de uma extensa obra. A data de falecimento é incerta e pode ser que só tenha falecido em 1820.</p>_x000d_<p>Pietro Mestastasio Roma 1698 - Viena 1782 Poeta italiano e escritor que se destinguiu especialmente como libretista tendo os seus libretos de ópera sido postos em música numerosas vezes pelos maiores compositores do seu tempo. Foi poeta da Corte Imperial de Viena desde 1729.</p>_x000d_<p>De seu nome completo Antonio Domenico Bonaventura Trapassi. Publicou as suas primeiras poesias em 1717 e o seu primeiro libreto Didone Abbandonata foi posto em música em 1724 pelo compositor Domenico Sarro. Os seus libretos foram postos em música mais de oitocentas vezes durante o século XVIII. É autor de cerca de 61 libretos para óperas 8 para oratórias e várias dezenas para cantatas além de numerosas poesias líricas.</p>_x000d_<p>Ranieri de" Calzabigi Livorno 1714 - Nápoles 1795 Poeta e libretista que fez uma das mais completas edições dos libretos de Mestatasio. Ele próprio ficou famoso pelos seus libretos para as óperas do compositor Christoph Willibald Gluck entre elas Orfeo ed Euridice 1762 Alceste 1767 e Paride ed Elena 1770.</p>_x000d_<p>EN 15x10.5 cm. xvi cli i bl. 221 iii pp. Contemporary full leather binding. Illustrated with engraved title page with allegorical engraving of the Theatre with two engravings designed by Lucius Full <em>hors-texte</em> page on thicker paper with the portrait of Metastasio dated 1783 and of the princess Mariana dated 1784.</p>_x000d_<p>Single published volume. Very rare. Inocêncio does not mention the work or the name of the translator. There are only two copies catalogued in Portugal at the BNP and the Academy of Sciences.</p>_x000d_<p>Very important for the study of the dissemination and influence of Mestastasio"s work in Portugal.</p>_x000d_<p>The unnumbered preliminary pages contain the dedication to princess Mariana and the author"s preface while the preliminary pages with Roman numerals contain an extensive dissertation by Rainieri de" Calsabigi with extensive quotations from Metastasio"s poems in the original Italian. This volume contains the three dramas: <em>Artaxerxes Adrian in Syria</em> and <em>Demetrius</em>. The three final unnumbered pages include the index a notice stating that the translated versions are the latest revised by the author and the errata.</p>_x000d_<p>Princess Mariana Vitória de Bragança Queluz Palace 1768 - Madrid 1788. Daughter of Queen Maria I and King Pedro III she married Prince Gabriel of Spain son of King Carlos III of Spain on 23 May 1785. She died of smallpox at almost the same time as her husband leaving behind one of the couple"s three children who is the ancestor of the current Dukes of Marchena Durcal Hernani and Ansola.</p>_x000d_<p>José Lúcio da Costa Lisbon 1763 - 1820 joined the Academy of St. Luke on 4 June 1781. He was an important engraver author of an extensive body of work. The date of his death is uncertain and it may be that he only died in 1820.</p>_x000d_<p>Pietro Mestastasio Rome 1698 Vienna 1782. Italian poet and writer who distinguished himself especially as a librettist his opera librettos having been set to music numerous times by the greatest composers of his time. He was poet to the Imperial Court of Vienna from 1729.</p>_x000d_<p>His full name was Antonio Domenico Bonaventura Trapassi. He published his first poems in 1717 and his first libretto Didone Abbandonata was set to music in 1724 by composer Domenico Sarro. His librettos were set to music more than eight hundred times during the 18th century. He wrote around 61 librettos for operas 8 for oratorios and several dozen for cantatas as well as numerous lyrical poems.</p>_x000d_<p>Ranieri de" Calzabigi Livorno 1714 - Naples 1795 Poet and librettist who produced one of the most complete editions of Metastasio"s libretti. He himself became famous for his librettos for the operas of composer Christoph Willibald Gluck including Orfeo ed Euridice 1762 Alceste 1767 and Paride ed Elena 1770.</p> M-5-E-48 hardcover