[Metastasio, Pietro]Antiquariat.de
35 résultats
175044901Rom, Ansillioni, (1750). 8°. Mit Holzschn.-Titelvignette. 20 S., Brosch. d. Zt.
1784RO30059711***. 1784. In-18. Relié plein cuir. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur acceptable. 311 pages. Ouvrage en italien. Page de titre détachée. Tranches dorées. Titre, 4 caisson dorés sur le dos cuir marron. Des manques sur la couverture.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1784R300271225Londra. 1784. In-32. Relié plein cuir. Etat d'usage, Coins frottés, Dos abîmé, Quelques rousseurs. 274 pages. Contreplats jaspés. Tranches dorées. Signet conservé. Traces de mouillures sans conséquences sur le texte, altérant quelque peu la qualité du papier. Pièce de titre et tomaison manquantes sur le dos. Motifs dorés passés. Léger manque en coiffe de pied. Livre en italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1747RO20239951Presso Giuseppe Bettinelli. 1747. In-18. Relié. Bon état, Couv. convenable, Dos abîmé, Quelques rousseurs. 204 + environ 250 pages. Texte en italien. Reliure vélin. Ouvrage déboîté. Pièce de titre insolée. Mouillures en marge sur quelques pages en début d'ouvrage. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
178465221784 Londra, sans nom d'éditeur (Cazin ?), 1784, 12 vol. in 16, 1 portrait gravé en front. du tome I, rel. d'ép. plein veau marbré, dos lisses ornés de fers dorés, pièce de titre de maroquin vert, encadrements de pointillés sur les plats, tranches dorées, 1 coiffe manque, usure à une autre, travail de ver sur un plat, néanmoins agréable ex.
175579681755 Parigi: Presso La Vedova Quillau, 1755, [puis] Molini 1769-1783. Collection de 12 vol. in-8: 12 x 19 cm. Édition dédicacée à la marquise de Pompadour illustrée d'un frontispice par Eisen gravé par Sornique, d'une vignette en-tête et d'un titre gravé répété. Les neuf premiers volumes, paru chez la Veuve Quillau en 1755, et édité par Ranieri de' Calsabigi. sont complétés ici par trois volumes par chez Molini à Paris, le supplément de 1769 et les deux derniers en 1783. C'est ailleurs à cette date qu'Herissant donne une édition illustrée en 12 vol. (Cohen, col. 706). Luxueuses reliures uniformes de l'époque en maroquin rouge. Dos à cinq nerfs avec titre et tomaison en capitales dorées et caissons aux petits fers. Trois filets en encadrement des plats. Toutes tranches dorées. Dos légèrement mais uniformément insolé. Fort bel ensemble admirablement décoratif! Pietro Trapassi (1691-1781), ditPietro Metastasio, connu aussi en français sous le nom deMétastase, né à Rome et mort à Vienne, est notamment connu pour sa poésie et son oeuvre de librettiste d'opéra.
177391180Parigi, Presso Pietro Durand 1773 8 volumes. In-16. Reliures de l’époque plein veau havane, dos lisses ornés d'un riche décor de dentelles, de petits fers et de roulettes dorés, pièces de titre cuir grenat, plats encadrés d’un triple filets dorés, coupes ornées de roulettes dorées environ 450 pp. par volumes, frontispice, platspages de titre gravées. Reliures frottées, des coiffes usées. intérieur assez frais. Bon ensemble.
17609769Parigi, Presso La Vedova Quillau, 1760. 9 volumes in-12, plein veau marbré, dos à 5 nerfs ornés de fleurons, encadrement, roulettes et titre dorés, étiquettes de titre et de tomaison bordeaux, triple filet doré encadrant les plats, simple sur les coupes, tranches mouchetées. 3 mors fendus sur 3 cm., nom de possesseur à la plume sur garde : Pierre Boissier.
1750000402Vienne Vienne: , 1750 1750 Couverture rigide
178049289Parigi/Vienna: presso la Vedova Herissant/Alberti 1780-1795. In-8 gr. mm. 257x199 15 volumi bella legatura in p. pelle coeva rossa 2 volumi con aloni cornici dorate ai piatti ricca decorazione e titolo oro su tassello al dorso tagli dorati.Questa edizione è così composta: "Opere" 1780-82 12 volumi molto ben illustrata da: 1 ritratto dell'A. di Steiner inc. su rame da Gaucher e 37 magnifiche tavole fuori testo di cui 35 di Cipriani Cochin Martini e Moreau inc. su rame da valenti artisti - "Opere postume" 3 volumi date in luce dall'Abate Conte d'Ayala Vienna Alberti 1795 che contengono per lo più lettere scelte.Cfr. Gamba2352: "Tra le infinite edizioni dei Drammi del Metastasio questa è nobilissima ed arricchita di figure intagliate da valenti artefici fra le quali havvi il "Polifemo" di Fr. Bartolozzi. E' stata fatta coll'assistenza di Giuseppe Pezzana ed ebbe l'approvazione dell'immortale poeta. In Vienna si pubblicarono le "Opere postume" nel 1795 e ne furono tirati esemplare nella forma di quarto per poterli accompagnare a quelli dell'edizione della vedova Hérissant". Cfr. anche Cohen p. 706: "Edition de luxe avec des illustrations d'une grande beauté" - Lewine p. 356 - Boissais/Deleplanque p. 124.Bella e rara edizione soprattutto se completa delle "Opere postume". Esemplare ben conservato. presso la Vedova Herissant/Alberti, unknown
1780393495In Parigi : Presso la Vedova Herissant 1780. 1st edition. Hardcover. Poor set in the original full aniline with red-morocco title labels to spines. Spines worn; panel edges damaged and with tear. Text remains clear and without blemish. Physical description; 12 v. : ill. port ; 28 cm. Contents; t. 1. Dedicatoria. Avviso dello stampatore. Artaserse. Adriano in Siria. Demetrio. Il sogno di Scipione. Il natal di Giove. La danza -- t. 2. Olimpiade. Issipile. Ezio. L'isola disabitata. Le Cinesi. Il vero omaggio. L'Amor prigioniero. Il Ciclope -- t. 3. Didone abbandonata. La clemenza di Tito. Siroe. L'asilo d'Amore. La pace fra la Virtù e la Bellezza. Le Grazie vendicate -- t. 4. Catone in Utica. Demofoonte. Alessandro nell'Indie. Il tempio dell'eternità. La contesa de' numi. Il sogno -- t. 5. Achille in Sciro. Ciro riconosciuto. Temistocle. Il Palladio conservato. Il Parnaso accusato e difeso. Astrea placata. Sonetti. Canzonette -- t. 6. Zenobia. Ipermestra. Antigono. Gioas re di Giuda. Betulia liberata. Sant' Elena al Calvario -- t. 7. Semiramide. Il re pastore. L'eroe cinese. Giuseppe riconosciuto. La morte d'Abel. La passione di Gesù Cristo. Per la festività del S. natale. Isacco figura del Redentore -- t. 8. Attilio Regolo. Nitteti. Alcide al Bivio. Epitalamj. La stada della gloria. Egeria. Il Parnaso confuso. Cantate -- t. 9. Il trionfo di Clelia. Romolo ed Ersilia. Il Ruggiero. Il trionfo d'Amore. I voti pubblici per Maria Teresa imperatrice regina. Partenope. L'imperial residenza di Schönbrunn -- t. 10. Avvertimento. Avviso del Bettinelli. La Galatea. Gli Orti Esperidi. Il convito degli dei L'Endimione. La morte di Catone. L'origine delle leggi. Il ratto d'Europa. Per Santo natale. L'Angelica. Giustino. Lettere sopra la musica. Lettera sul Tasso e l'Ariosto -- t. 11. t. 11. L'Atenaide. Traduzione della Satira III de Giovenale. Teti e Peléo. La ritrosia disarmata. La corona. L'ape. Satira VI del lib. II. di Orazio. La gara. Tributo di rispetto e d'amore. La respettosa tenerezza. Augurio de felicità. La pace fra le tre dee. Invito a cena l'Orazio a Torquato. L'inverno. Madrigale. Risposta ad Orazio. Versetti. Il quadro animato. Complimento. Canzonetta. Complimento. Complimento. Primo omaggio di canto. Complimento. La virtuosa emulazione. La scommessa. Complimento. Complimento. Complimento. L'aurora. L'estate. Complimento. L'armonica. Strofette. Sonetti. Traduzione d'un epigramma greco. Strofe per per musica da cantarsi a canone. Indice delle arie cori e duetti -- t. 12. Estratto dell'Arte poetica d'Aristotile e considerazioni su la medesima. Dell'Arte poetica epistola di Q. Orazio Flacco a' Pisoni original and Italian translation. Subjects; Aristotle. Poetics ; Early works to 1800. Italian drama 18th century. Greek drama History and criticism. Librettos. In Parigi : Presso la Vedova Herissant hardcover
18001638Venezia: Presso Antonio Zatta. G : in Good condition without dust jackets. Modern rebind with new eps. 1800. 7th Edition. Red hardback half-leather cover with orange cloth boards. 170mm x 100mm 7" x 4". xxviii 432; 423; 420pp. Engraved frontispiece. In Italian. Published 1800 - 1802. Pietro Metastasio 1698-1782. Born in Rome Metastasios talent for verse saw him bequeathed a fortune by a wealthy patron in 1718. He gained his reputation with his masque The Garden of Hesperides 1722 and wrote the libretti for 27 operas including Mozarts Clemenza di Tito. In 1729 he was appointed court poet in Vienna. Heavy item - shipping supplement may apply for overseas. . Presso Antonio Zatta hardcover
1780WB15485Parigi Paris: Presso la Vedova Herissant 1780-1782. Full Calf. Very Good. Complete set of 12 volumes. Contemporary mottled calf spines gilt. Bindings rubbed but a sound set overall. Extra shipping charges will apply. <br/><br/> Presso la Vedova Herissant unknown
1795006157Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. The collected full-length operas of the foremost librettist of opere serie during the eighteenth century. 16mo. 11.5 by 7.5 cm. While these operas were set to music originally by composers mostly forgotten a few of them were re-used as libretti by others and most notably by Mozart who set music to "La Clemenza di Tito" which has in more recent years become a staple of the major opera houses. All of Metastasio's full length operas are here except for "Siface Re di Numidia" and "L'Impresario delle Isole Canarie". We strongly believe that the set is complete as the operas are arranged generally in chronological order and they are in strict chronological order in the latter half; in other words the two omitted works if they were part of the set would have been in the earlier numbers. There is one opera per volume. Each volume has a copper engraved illustration on its title page. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing all or part of the labels for volumes 5 11 and 14. Spine leather heavily worn on Vol. 11 by joint where chewed and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown
177216215<p><b>1772 ITALIAN Pietro Metastasio Opera Libretto Artaxerxes Hadrian in Syria 4v</b></p><p>Pietro Metastasio was a famous 18th-century Italian poet best known for his extensive portfolio of librettos for various operas. Dramas such as '<i>Artaserse'</i> or <i>Artaxerxes I</i> '<i>Adriano in Siria'</i> '<i>Ezio'</i> and '<i>L'Olimpiade</i>' are all included in this impressive four-volume Venetian set.</p><p>Item number: #16215</p><p>Price: $599</p><p>METASTASIO Pietro pseud. of Pietro Trapassi</p><p><b><i>Opere Drammatiche del Pietro Metastasio edizione decimaterza</i></b></p><p>Venezia : presso Giuseppe Betinelli 1772.</p><p><br /></p><p><u>Details</u>: </p><p>· Collation: Complete with all pages – 8 volumes in 4 tomes</p><p>o Vol. I/II – xxvi 340; 372 </p><p>o Vol. III/IV – 383 1; 384</p><p>o Vol. V/VI – 491 1; 431 1</p><p>o Vol. VII/VIII – 368; iv CLXVIII 235 1 </p><p>· Language: Italian</p><p>· Binding: Vellum; tight and secure</p><p>· Size: ~6.25in X 4in 16cm x 10cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>16215</p><p>Photos available upon request. </p> Giuseppe Betinelli hardcover
174832536Roma: si vendono nella Libraria di S.Gregorio Roisecco in Piazza Navona 1748. si vendono nella Libraria di S.Gregorio Roisecco in Piazza Navona unknown
1734019334Venice Venezia 1734 1737: Giuseppe Bettinelli 1734. First Edition . Full Vellum. Very Good. Frontispiece. Four Volumes 1734 Stated Second Edition Of The First Volume First Editions Of Volumes 2 Through 4. Vol. 1: Half Title Frontispiece Title 12 1 504 And Is The Stated Second Edition Dated 1734; The First Edition Was Issued In 1733. Vol Ii: Title 1 1 480 Dated 1734. Vol. Iii: Title 1 1 520 With "La Betulia Liberata" 1734 Same Publisher At Rear Title 1 72. Vol. Iv:Title 1 2 With Nine Separately Paginated Plays The Last Being Really A Dialogue 11737. Original Vellum. Metastasio Was A Renowned Child Prodigy Whose Plays Became Incorporated Into Much 18Th Century Music. Light Usuage To Vellum. Contents Fine Except A Damage In 1" Corner Of First Three Pages Not Affecting Text And Related Damp Mark No Damp Staining At Lower Foredge Corner Of Pages In Margins And Not Affecting Text. Original Signatures Of Joachim Steetz Dated 1747. Very Scarce Worldcat Locating Only One Copy. New Sturdy Slipcase By Heritage Bindery Pasadena. <br/> <br/> Giuseppe Bettinelli hardcover
179567317Vienna: : Nella Stamperia Alberti 1795. First edition. old mottled calf; red and blue gilt-lettered spine labels. . Old armorial bookplate on each pastedown; a fine set with just the slightest of rubbing to the leather at extremities. 4to. Nella Stamperia Alberti, hardcover
1757131621757. Pergamino. unknown
1795006156Venezia: Tipografia Pepoliana 1795. Quarter Calf. Marbled boards. Very Good. 16mo. 11.5 by 7.5 cm. A vast compendium of Metastasio's poetic works excepting his lyric opera libretti. Not a few of the works contained herein however were intended to be accompanied by music and many of these are dramatic works short to long-ish and with casts of characters -- essentially one act operas some with many scenes. These works moreover were some of his most popular works in their day. Among the works included are "La Contesa de' Numi" "Il Tempio dell'Eternita" "L'Asilo d'Amore" "Le Grazie Vendicate" "Il Sogno di Scipione" "Il Palladio Conservato" "Il Parnaso Accusato e Difeso" "La Pace fra la Virtu e la Belezza" "Astrea Placata" etc. etc. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing label for volumes 1 and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. Tipografia Pepoliana unknown
17739600Paris 1773. In italienischer Sprache komplett mit Gesamtregister 6 Bde. Ganzledereinbände d.Zt.mit Rückenschildchen in gutem Zustand Kl.-8°. Ldr.goldgepr. Literatur unknown
1780WB15485Parigi Paris: Presso la Vedova Herissant 1780-1782. Full Calf. Very Good. Complete set of 12 volumes. Contemporary mottled calf spines gilt. Bindings rubbed but a sound set overall. Extra shipping charges will apply. <br/><br/> Presso la Vedova Herissant unknown books
1794006157Venezia: Tipografia Pepoliana 1794-1795. Quarter Calf. Marbled boards. . Very Good. The collected full-length operas of the foremost librettist of opere serie during the eighteenth century. 16mo. 11.5 by 7.5 cm. While these operas were set to music originally by composers mostly forgotten a few of them were re-used as libretti by others and most notably by Mozart who set music to "La Clemenza di Tito" which has in more recent years become a staple of the major opera houses. All of Metastasio's full length operas are here except for "Siface Re di Numidia" and "L'Impresario delle Isole Canarie". We strongly believe that the set is complete as the operas are arranged generally in chronological order and they are in strict chronological order in the latter half; in other words the two omitted works if they were part of the set would have been in the earlier numbers. There is one opera per volume. Each volume has a copper engraved illustration on its title page. All the volumes contain the decorative bookplate of Alexander Speirs who was a prominent Scottish politician in the early 19th century. Spine labels with number of volume only missing all or part of the labels for volumes 5 11 and 14. Spine leather heavily worn on Vol. 11 by joint where chewed and 12 the latter has a slight remnant of the label. Boards with speckled marbled paper pastedowns. These have some darkening. The bindings otherwise with minor bumping here and there and scattered scuffs. Nonetheless the near-miniature set remains very attractive and also very uncommon. <br/><br/> Tipografia Pepoliana hardcover books
17671333<b>Partenope. Festa teatrale da rappresentarsi in musica nell imperial regio teatro festeggiandosi i felicissimi sponsali di Ferdinando II. di Borbone re delle Due Sicilie e di Maria Giuseppa d'Austr</b>ia l'anno MDCCLXVII Vienna: Nella stamperia di Ghelen 1767. First edition of the Ghelen libretto. Sartori 17845 42pp.; Sonneck 851; Schtz 4551. <br /><br />Small quarto 6 3/4 x 8 3/4". Modern floral boards. Engraved title shaved at bottom. A few stains on last leaf otherwise fine. Page of printed half title verso blank; 1p. blank frontis engraving on reverse; 1p. engraved title verso blank; 1p. argomento; 1p. inerlocutor; 40pp. text. Collation: 3 A-E4. Ornaments engraved initials. Festival drama in two scenes with chorus at the end. Music by Johann Adolf Hasse libretto by Pietro Metastasio. <br /><br />This drama was composed at the command of Empress Maria Theresa for the marriage of Ferdinand I 1751-1825 king of Two Siciles to Archduchess Maria Josepha of Austria. The drama was at Vienna's Burgtheater on September 9 1767. Mozart was in attendance. It had been presented at court the evening before. <br /><br />This libretto has little to do with the traditional basis for the opera Partenope originally written in 1699 by Silvio Stampiglia. Instead it was given over to singing and dancing to celebrate the happiness of the royal couple with special Neapolitan equipment for the 2stage setting described in detail in the text. Also of importance is the role of the choir which is presented here as a character in the action not simply a passive voice. This production failed as drama since the plot had little to offer in the way of suspense as well as other qualities that are required for successful drama. Nevertheless due to its flourishes and use of the spectacular it was restaged in Livorno Naples Palermo and Roma Sartori 17845-50. <br /><br /><b>Partenope</b> in this setting was also staged at the Regio Teatro del Nuovo San-Souci Torino in 1775 Berlin: Haude e Spener. Like the few other Ghelen publications of the decade devoted to festival performance Partenope is an elegant production with its many fine engravings and ornaments suggestive of the characters at the beginning of each scene. Ghelen was the court printer for the Holy Roman Empire during this era. There are a total of eight engravings two full-page by J.C. von Reinsperger after J. Biderman. <br /><br />According to Greek legend Parthenope was the daughter of the god Achelous and the Muse Terpsichore. She cast herself into the sea and drowned when her songs failed to entice Odysseus. Her body washed ashore at Naples on the island of Megaride where the Castel dell'Ovo is now located. When people from the city of Cumae settled there they named their city Parthenope in her honor. <br /><br />Several operas based on the myth of Parthenope were composed in the 18th century by Sarro 1722 Vinci 1725 Handel 1730 Vivaldi 1738 and Hasse 1767. Sartori identifies 32 different printing of this libretto prior to ours. OCLC: CGU GZM NYP DLC.<br /><br /> Ghelen hardcover books
