45 résultats
183821239961838. Rome: 'A la Stamparia ar Curso n. 336'. 1838. 8vo. In the publisher's printed self-wrappers title within typographic border woodcut angel within typographic border to rear cover upper cover lettered 'Treato Palaccorda Carnoval 1838'; slight foxing to title; small marginal paperflaws to 2 ff. variable marginal spotting to last 5 ff.; else very well preserved. First edition extremely rare of this lively programme in Romanesco or Roman dialect issued for the 3 February 1838 Carnival performance of La Didona an adaptation in Romanesco of Metastasio's 1724 Didone abbandonata. The opera is thought to have been translated into Romanesco by the poet and abbot Alessandro Barbosi. This anonymously authored programme advertising the opera as being in the 'Roman language of Trastevere' trans. was to be distributed at the box office 'dar buteghino de la cummedia' at Rome's Teatro della Pallacorda on the night of the opera staged back-to-back with a prequel by Luigi Randanini Un teatro drento na casa ciove er provemio de la commedia also in Romanesco. Our programme which encourages viewers to attend both showings if they can provides an engaging and colloquial summary of the context of the play glowing reviews of the set design and a blow-by-blow account of the plot. 'So you want me to give you the long and short of it without going on and on He the man who wrote Didone abbandonata did everything to inspire anyone who goes to see it. Sound good The clothes are just like the ones they wore a thousand years ago. The scenery is all made of medium-thick Frabbiano i.e. Fabbriano paper made of white rags all painted on the spot . by a painter so gifted that even the sun appears as it would in real life' p. 8 trans. and the prop weapons gleam like silver. The summary is deliberately kept light in tone and brief so that it can be 'better understood by those who - poor things! - are not especially literate and cannot read a story as old as this one detail by detail' p. 9 trans. The Avviso is not only a significant resource with regard to nineteenth-century Roman dialect but also provides insights into the use of plays and operas in Romanesco as a means of 'making the classical repertoire known to a wider audience. The Avviso is a true translation. It is neither a pure intellectual exercise in and of itself nor an adaptation a parody or worse an irreverent remake. With the exception of a few adjustments designed to justify space-time collocations inevitably connoted by the dialect the fidelity to the original text is absolute and the care is such that the work's dramatic impact is in no way taken away altered or diminished' Barboni p. 118.The Teatro Pallacorda famous for staging plays and operas in Romaneseco was renamed Teatro Metastasio in 1841 closed during the First World War and was demolished in 1936; it was formerly a tennis court thought to be the site at which Caravaggio murdered Ranuccio Tomassoni in 1606 prompting his flight from Rome. The libretto of Barbosi's Didona would not be published until 1851 without the author's name and with commentary by Filippo Tacconi. No copies traced in the US or the UK; not on Library Hub. OPAC SBN attributing authorship to Gaspare Randanini finds a single copy at the Biblioteca comunale Mozzi-Borgetti in Macerata. Ludovisi traces another at the Biblioteca Nazionale Centrale di Roma. See Biancini 'Didone o Didona: un successo nel tempo' in Acquaro and Ferari eds I Fenici: L'Oriente in Occidente 2004; Ludovisi 'L'Avviso strasordinario e il Bollettone: studio linguistico con un'ipotesi attributiva' in Vox Romanica 82 2023 pp. 75-101. hardcover
1839265444Parigi: Presso Lefevre Librajo 1839. First Edition. Hardcover. Finely bound in contemporary gilt-blocked calf. Remains preserved overall; tight bright clean and sharp-cornered. Physical description; 590 pages. Subjects; Italian drama — 18th century. Parigi: Presso Lefevre, Librajo hardcover
182257789Livorno Glauco Masi 1822. 8vo. Bound in a splendid full call binding with gilt title-label richly gilt spine and elaborately gild boards with broad gilt floral borders and gilt crowned initials to centre "J. P.". Edges of boards and all edges gilt. Small damp stain to the lower blank margin and to the top of the first 10 leaves otherwise internally very nice and clean. With gift-inscription for James Pennethorne from D. Gregory presumably hos uncle. With lithographed frontispiece portrait of the author. X 264; 259 pp. <br/><br/><em>A magnificent copy which has belonged to the famous English architect and planner James Pennethorne famous for his parks and buildings in central London."For a period of thirty years in the mid-nineteenth century James Pennethorne was more intimately involved with the planning and building of London than any other major architect. A pupil of John Nash he took over his teacher's practice and became government architect for the first half of Victoria's reign. He was responsible for the planning of new streets the laying out of parks and the design of important public buildings such as the Public Record Office the west wing of Somerset House and the Duchy of Cornwall office. It is therefore almost impossible for Londoners to avoid coming into contact with some aspect of his work." Cambridge Studies in the History of Architecture. </em> hardcover
1852RO40170211Va Thiériot, Parigi. 1852. In-18. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Quelques rousseurs. 622 pages. Papier muet et étiquette de code collés sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
182257789Livorno, Glauco Masi, 1822. 8vo. Bound in a splendid full call binding with gilt title-label, richly gilt spine and elaborately gild boards with broad gilt floral borders and gilt, crowned initials to centre (""J. P.""). Edges of boards and all edges gilt. Small damp stain to the lower blank margin and to the top of the first 10 leaves, otherwise internally very nice and clean. With gift-inscription for James Pennethorne from D. Gregory (presumably hos uncle). With lithographed frontispiece portrait of the author. X, 264"" 259 pp.
1803004069London: Presso l'Autore 51. Albemarle Street Piccadilly 1803. Full Leather. Good/No Jacket. Full calf leather. xxiv 156 x; 164 x 3 pp two volumes bound in one. All text in Italian. A collection of 18th century Italian poets including a name and first line/title index as well as a foreword containing biographical information on many of the poets. Poets include Pietro Metastasio Menzini Benedetto Paolo Rolli and many other minor and obscure poets. In GOOD condition with minor to moderate scuffing to the leather heavier along the extremities. Minor loss of leather at the upper front corner. Small dark spot near the head of the spine. Interior solid with some foxing and offsetting to the endpapers. Minor scattered pencil lines mostly in the margins throughout. Presso l'Autore 51. Albemarle Street, Piccadilly unknown
1853392474London : Burns 1853. 1st edition. Hardcover. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; 134 pp.: 26 cm. Subjects; Germanic poetry. Translations. Miscellany. London : Burns hardcover
182546076Wien, Schrämbl, 1825. 12°. 215 (1); 215 (1) S., HLwd.-Bde. d. Zt. m. gepr. Rückentiteln.
181182569Padova nel seminario 1811. Paperback. <b>Livre en italien</b>. Couverture souple. Le tome 5 est manquant. 16 volumes brochés de 300 à 400 pages environ contenant des gravures hors-texte. 14 x 23 cm. Les couvertures dont défraîchies les dos sont pour la plupart très défraîchis avec de nombreux manques. Manque au premier plat et aux premières pages du tome 4. Quelques rousseurs et mouillures. Intérieurs en très bon état. <i>ref. 82569</i> Padova nel seminario paperback
181182569Couverture souple. Le tome 5 est manquant. 16 volumes brochés de 300 à 400 pages environ contenant des gravures hors-texte. 14 x 23 cm. Les couvertures dont défraîchies, les dos sont pour la plupart très défraîchis avec de nombreux manques. Manque au premier plat et aux premières pages du tome 4. Quelques rousseurs et mouillures. Intérieurs en très bon état.
181476109Firenze: Vittorio Alauzet stampatore 1814. Plena piel con 2 tejuelos y dorados. Vittorio Alauzet stampatore unknown
181437125Firenze: Vittorio Alauzet 1814. Vittorio Alauzet unknown
185729866Napoli: C. Boutteaux e M. Aubry editori 1857. First Edition. Hardcover. Complete in one volume. viii 1119 1p. Contemporary quarter vellum spine with orange labels lettered in gold and gold decorations. Text in two columns. Covers are worn hinges a bit weak tear to last leaf light foxing. A good copy. In the Italian language. ; Octavo. C. Boutteaux e M. Aubry, editori hardcover
18134245London: R. Zotti etc. 1813. Good. 17 cm; 5 volumes of six; lacks volume 6. Engraved portrait frontispiece. Uniformly bound in tan polished calf ruled in gilt with leather labels on spine titled in gilt. Bindings shelf worn with occasional scuffs spines somewhat darkened and leather label missing from volume 5. Early gift inscription. Bookseller's ticket. <br /><br />The most successful librettist of his day Metastasio collaborated with Pergolesi Alessandro Scarlatti and Leo; Farinelli and Metastasio worked closely together; his plays were set to music by Johann Christian Bach and Luigi Cherubini; and his Clemenza di Tito was borrowed by Mozart. R. Zotti, [etc.] hardcover
1823807R1Prato: Dalla Tipografia di Luigi Vannini 1823. Vellum. Very Good. 6.5" by 4". None. A delightful vellum-bound complete collection of the writings of Metastasio in the original Italian language illustrated with engraved plates. Peitro Metastasio was an Italian poet and librettist active during the eighteenth century widely considered the most important writer of opera seria libretti. His writings inluded 'Ezio' 'Demetrio' 'L'Olimpiade' 'Catone in Utica' 'La clemenza di Tito' 'Il trionfo di Clelia' and 'Didone abbandonata' with composders including Domenico Sarro Francesco Feo and Leonardo Vinci.Volume I is illustrated with a frontispiece portrait of the author and four engraved plates. Volume II is illustrated with eight plates volume III with eight volume IV with five volume V with four volume VI with three and volume VII with two.Fourteen volumes bound as seven. In the original Italian language.Bound in lovely full vellum with gilt spines and calf spine labels. In a full vellum binding. Externally generally smart; some slight rubbing more noticeable to the spine label of vol XIII and to the head of volume VII. Otherwise minor wear to the heads and tails of the spines; boards have the odd mark. Very Good Dalla Tipografia di Luigi Vannini hardcover
18134245London: R. Zotti etc. 1813. Good. 17 cm; 5 volumes of six; lacks volume 6. Engraved portrait frontispiece. Uniformly bound in tan polished calf ruled in gilt with leather labels on spine titled in gilt. Bindings shelf worn with occasional scuffs spines somewhat darkened and leather label missing from volume 5. Early gift inscription. Bookseller's ticket. R. Zotti, [etc.] hardcover books
1827117847Cremona: Luigi de Micheli e Bernardo Bellini 1827. Hardbound. Tight bindings with some general wear and foxing to pages but no major flaws;. Quarter leather with marbled paper over boards; gilt lettering and decoration on spine; each work numbered individually; occasional bw engravings;. Text in Classical Italian of the version spoken in the 18th-19th centuries. This grouping contains the original 14 volumes in 7 books two volumes per book. It is a lovely matched set. Luigi de Micheli e Bernardo Bellini hardcover
18191207240005Firenze : Gabinetto di Pallade 1819. Hardcover. Very Good. 7 Volumes. 8vo. Marbled boards. Each volumes spine bound in contemporary leather. Gilt lettering on spine. 4 raised bands 5 compartments. Good bindings and covers. Minimal wear to extremities. Italian. Clean unmarked pages with minimal toning. Please feel free to view our photographs. Firenze : Gabinetto di Pallade hardcover
1827117847Cremona: Luigi de Micheli e Bernardo Bellini 1827. Hardbound. Tight bindings with some general wear and foxing to pages but no major flaws;. Quarter leather with marbled paper over boards; gilt lettering and decoration on spine; each work numbered individually; occasional bw engravings;. Text in Classical Italian of the version spoken in the 18th-19th centuries. This grouping contains the original 14 volumes in 7 books two volumes per book. It is a lovely matched set. Luigi de Micheli e Bernardo Bellini hardcover books
1859RO60115005Francesco Rossi-Romano, Napoli. 1859. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur acceptable. 732 pages. Gravure en noir et blanc en frontispice (portrait). Texte sur 2 colonnes. Manques en surface du dos et des plats. Dernières pages légèrement tachées, sans altération de la lecture.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
184550493Napoli : Luigi Jaccarino 1845-1852. 389 - 450 - 467 - 170 - 942 777 pages illustrÂŽ de 23 lithographies ˆ deux teintes demi-parchemin piÂces de titre et de tomaisons en cuir ornementations dorÂŽs plats papier marbrÂŽ quelques rousseurs reliures de lՎpoque. 2947 Luigi Jaccarino unknown
1824R260222596"SOCIETA TIPOGRAFICA DE CLASSICI ITALIANI. 1824. In-32. Relié plein cuir. Etat d'usage, Coins frottés, Dos fané, Rousseurs. 264 pages - petits manque en coins sur quelques pages - tampons ""PELAT HENRI"" - tranches jaunes - signet conservé - RELIURE PLEIN VELIN - Filets dorés sur le dos - pièce de titre avec ornements auteur et titre dorés sur le dos - 3 PHOTOS DISPONIBLES. . . . Classification Dewey : 200-RELIGION"
1837693381 vol. in-18 reliure de l'époque plein chagrin vert bronze, dos lisse, plats richement ornés et estampés à froid, coupes ornées, P. Rolandi, Londra, 1837, 322 pp. et 1 f.
1840466754Parigi : Baudry Libreria Europea 1840. First Edition. Hardcover. Good 24mo copy in the original full vellum over boards with gilt-blocked leather spine label and now somewhat dust-dulled overall. Endbands and joints somewhat rubbed with loss along the lower rear joint. Text block remains tight and strong showing faint foxing throughout. Some modern ownership marks to the front endpapers. A well-preserved example overall. Series; Biblioteca poetica italiana ; XXVI. Physical description; 307 pages ; 11 cm. Notes; Vol. 3 of 3. On verso of half-title: Dalla stampria di Crapelet. Published by A. Buttura. Subjects; Italian literature. Poetry. 18th century. 19th century. Parigi : Baudry, Libreria Europea hardcover
18174557BB1817. 2 Bde. London Schulze e Dean u. Trovansi Presso R. Zotti 1817. Klein-8°. 1 Bl. 4 328 S.; 1 Bl. 4 S. S. 13-326. Lederbde. d. Zt. mit reicher Rückenvergoldung Stehkantenvergoldung u. goldgepr. Rückenschildern Gelenke berieben Ecken leicht bestossen. Mit 3 Namenszügen auf den fl. Vorsätzen. Bd. 2: Es fehlen die Seiten 1-12. Mit stärkerem Wurmfrass über die ersten 20 Seiten. Durchgehend leicht gebräunt. unknown