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2012750915.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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45490469like new. unknown
0364856645.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1018359281.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
195532472Paris: Hachette 1955. Fine. Hachette Paris 1955 15 x 22.50 cm broché First edition on ordinary paper. Text established and presented by Louis and Antoinette de Saint-Pierre. Inscription by Antoinette with the additional signature of Louis de Saint-Pierre. With the illustrated dust jacket which has three small tears of no consequence. Hachette unknown
2011G-816-244Editions Amalthée 2011. Paperback. Good. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions Amalthée paperback
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177226732Paris: Chez la Veuve Duchesne 1772. Small octavo. Modern marbled wrappers. 1 title 2 named cast list 27 i blank pp. With decorative woodcut device to title and and headpiece to Scene 1. <br /> <br /> Early exlibris in black ink to blank upper margin of title.<br /> <br /> Slightly worn and foxed. Rare. Worldcat 2 copies only at BCU Dorigny in Switzerland and the Koninklijke Bibliotheek in the Netherlands. OCLC nos. 717059960 907153841. Different from Sonneck I p. 930 which cites an edition also published in 1772 with 80 pages including 5 pages of music.<br /> <br /> La ressource comique ou La pièce à deux acteurs was first performed in Paris on August 22 1772.<br /> <br /> Méreaux a French organist and composer "was educated in Paris by various French and Italian musicians. By 1767 he was organist at St Sauveur Paris and he was later organist of the Petits Augustins and of the royal chapel. He was unusual in his social context for working so consistently in both sacred and secular milieux. In a series of works composed between the ages of 27 and 32 for the opéra comique players and for the Concert Spirituel he achieved particular recognition for the oratorio Samson." David Charlton in Grove Music Online. Chez la Veuve Duchesne unknown