Henri BauligLivre Rare Book
706 résultats
1956146291956. Paris Société d'Edition Les Belles Lettres 1956 - Broché 16 5 cm x 24 cm XIV+ 230 pages - Texte de Henri Baulig - Bon état
1901146731901. Paris Librairie Flammarion s.d. (1901 ?) 5ème ed. - Toilage moderne couv. conservée 9 cm x 15 cm 186 pages - Texte de Jean La Rue (faussement attribué à Vallès ; cf Denis Delaplace) précédé d'une histoire de l'argot par Clément Casciani- Toilage très propre mais ouvrage en état moyen
3254Belfond Mémoire du Livre, 2002. Broché, couverture contre pliée, 372 pages et un texte sur deux colonne émaillé d'illustrations en vignettes in text et en noir. Agréable exemplaire.
22092CBLeipzig, VEB Verlag Enzyklopädie, ohne Jahr. gr.8°, 864 S., zweispaltig gesetzt, mit Handregister, schwarzer Kunstledereinband mit original Schutzumschlag, Schutzumschlag an oberer und unterer Kante ein wenig angerändert (sauber mit säurefreiem Filmoplast hinterlegt), Schutzumschlag und Vorderdeckel minimal berieben, Kopfschnitt nahe Buchrücken und Vorsatzseite oben links leicht fleckspurig, sonst schönes, s
19919184Les Éditions Némésis 1991 220 pages in8. 1991. broché. 220 pages. Le 'Dictionnaire de la recherche scientifique' de Richard Lefrançois est un ouvrage de méthodologie publié en 1991 par les Éditions Némésis. Il s'adresse aux chercheurs en sciences sociales avec une application particulière en gérontologie et vise à définir les concepts clés de la recherche scientifique
182464883CBLondini [London], Priestley u.a., 1824. 8°. 20 x 13 cm. VI, 409 Seiten. Halblederband der Zeit mit marmoriertem Bezugspapier, goldgeprägtem Rückentitel auf Lederschildchen und rotem Schnitt. [3 Warenabbildungen]
12020Lexique et textes, préface d’André MARY. In 8 broché, faux-titre, titre, 131 pages, 1 page de table des matières, non coupé. Paris Librairie E. DRO 1932. (un petit manque angle inférieur droit au premier plat de couverture
18352045FBParis, Belin-Mandar, Libraire [u.a.], o.J. [c. 1835]. 8°. 22 cm x 14 cm. 694 Seiten. Original-Ledereinband, marmoriert, mit goldgeprägtem Rückentitel sowie Rückenornamenten. Marmorschnitt.
1931R48208Parisiis, Lethielleux 1931 xxiii pp. + 1502 columns, Editio altera novis curis retractata, (greek-latin), cart. hardcover, spine in leather, 25cm., good condition, in the series "Cursus Scripturae Sacrae, auctoribus R.Cornely, I.Knabenbauer, Fr. de Hummelauer Pars prior. Libri introductorii" VII, R48208
xxiii pp. + 1502 columns, Editio altera novis curis retractata, (greek-latin), cart. hardcover, spine in leather, 25cm., good condition, in the series "Cursus Scripturae Sacrae, auctoribus R.Cornely, I.Knabenbauer, Fr. de Hummelauer… Pars prior. Libri introductorii" VII, R48208
1998FOLIO-133-FOLLexicon 1998. misc_supplies. Like New. 0x0x0. Includes hardback manual paperback exercise book audio cassette and VHS tape all in pristine condition; clamshell has minor shelf wear Lexicon unknown
1G-13GZ-Z2OPVery Good. Hardback no marks in text and binding solid. Shipping daily. Previous owner has put tabs for easier look up. hardcover
L01D-00321Lexicon. Used - Very Good. Very Good condition. Paperback edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. Lexicon paperback
Fine Turkish Paperback. Demy 8vo. (22 x 15 cm). In Turkish. 380 p. Yazmalar arasinda. Eski Türk Edebiyati Arastirmalari 1.
Near Fine German 1/4 leather bdg. with five compartments at spine. Roy. 8vo. (23 x 17 cm). In German and Hittite language. 344 p. Hethitisches Wörterbuch. Kurzgefasste Kritische Samlung der deutungen hethistischer Wörter. Indogermanische Bibliothek. Herausgegeben von Hans Krahe. Zweite Reihe: Wörterbuch.
As New English Paperback. Demy 8vo. (21 x 14 cm). In English. 173 p., ills. Islamic art and modernism: Formal elements in painting, architecture and film. "Much has been written about the workshop structure and the role of the Sultan, Emperor or Emir in commissioning works of painting or architecture in the history of Islamic art and contradiction to the ideas of the last two centuries in the West, where the individual artist is credited with making a conceptual statement while working alone. The reality presented here is somewhere in the middle - individual poets, artists and architects play a prominent role historically in Islamic art while the position off the Ruler is also extremely valuable and stylistically relevant. The movement of artists and architects to cities that are centers of a particular style, movement or patronage was common throughout history and the interchange in Ottoman and Safavid-Persian and Mughal and Deccani India are examples of methods and techniques spreading, developing, influencing and changing regional trends. In this study, selected paintings, buildings andd films that cross genres, styles and dynastic periods are explored in both a socio-historical context and, more importantly, in terms of their striking formal innovations. It is a thematic new look at how we position Islamic art - how it in fact embodies, exemplifies and invents many aspects of Modernism in Painting and Architecture and Film.".
0332612333.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200922528CBBologna, Zanichelli Klett Pons, 2009. gr.8°, 2640 S., dreispaltig gesetzt, 32 Tafelseiten mit Farbabbildungen und farbigen Vorsätzen, orangener original Pappband (Hardcover) mit original Schutzumschlag im farbig illustr. Pappschuber, 2. Auflage sehr schönes, sauberes Exemplar ohne die CD-Rom
1964Biblio11041964 City University of New York State College Yearbook large hardcover format. Pages clean unmarked & bright. White woven boards clean & square. Binding firm & straight. Touchstone Press hardcover
In-8° gr. cm. 27, pp. 912, testo su due colonne. Bross. edit. con tracce d'uso.
New Kurdish Paperback. Demy 8vo. (21 x 14 cm) In Kurdish and Turkish. 336 p. Ferhengên duzimanî yên mewzûn, di edebiyata rojhilatî de kevnesopiyek e. Di edebiyata Kurdî de jî ev cure ferheng çend heb hatine amadekirin. Herwekî Nûbihara Biçûkan ya Ehmedê Xanî, Luxetnameyî Ehmedî ya Sêx Ehmedê Nodeyî, Gulzara Îsmaîlê Bazîdî, Mîrsadul-Etfala Sêx Mihemed Kerbelayî û Duristeya Mela Ebdulkerîm Muderris. Evan ferhengên navborî, bi Kurdî-Erebî, Farisî-Erebî yan Kurdî-Erebî-Farisî ne, lê di nav vana de Tirkî-Kurdî/Kurdî-Tirkî tunene; îcar nivîskarê vê berhemê Dilbikulê Cizîrî jî, îlhama xwe ji Nûbihara Biçûkan ya Ehmedê Xanî girtiye û li ser rêça wî mesiyaye. Yanî çawa ku Xanî ferhenga xwe bi Erebî-Kurdî ji bo zarokên Kurmancan bi awayê kêsa erûzê ristiye, herweha ewî jî ya xwe bi Tirkî-Kurdî/Kurdî-Tirkî ji bo mezinên Kurmancan amade kiriye û navê wê kiriye Nûbihara Mezinan. Di vê Nûbihara Mezinan de, pênc behrên/qalibên erûzê, 3337 malik, 13.104 peyvên Kurdî û 8268 peyvên Tirkî hene. The tradition of dictionaries written in verse is a significant line of work in classical literature. This genre is found in the ancient literature of several Muslim nations. It could be observed in recent studies that this tradition continued in classical Kurdish literature, and there are several examples in Turkish literature as well as Arabic and Persian literatures. This literary genre has been authored mainly due to significant factors such as teaching language to children, formation of a literary taste, establishing a basis for madrasah education by improving the ability to rote, preparation for Qur'anic terminology, and familiarizing the students with the aruz prosody in early ages. Naturally, among these reasons, increasing the vocabulary of children, especially in the early years, could be considered as one of the objectives for this genre. Furthermore, it could be argued that these dictionaries have performed important functions in terms of establishing a foundation for a foreign language (which was mostly Arabic). While these works have been regarded as functional educational material especially for those who attend Islamic science studies in the past, today, they unfortunately exist solely as important historical-literary works that only researchers are interested in. It is extremely important that these work, where each work documents important topics such as culture, history and daily life, should be transferred to younger generations through such publications. This dictionary is Dilbikulê Cizîrî's 'Nûbihara Mezinan' (the spring of the ancestors), a Turkish-Kurdish dictionary written in verse. This work is one of eight known dictionaries written in verse in classical Kurdish literature. The work, written to familiarize Turks with the Kurdish language and specially to teach Turkish language to Kurds who do not speak Turkish, aimed to teach the basic words and rules of both languages to adults and children, and to provide advice on religious and ethical affairs. Furthermore, the oeuvre is worth consideration and investigation due to the structure of the method utilized in the work, the volume of the dictionary, and the words prioritized in teaching the language. There's weight and significance of this dictionary in the lexicon tradition which is an important genre in classical Turkish and Kurdish literature. (Source: Ertekin: JOsR, 17.).
Creasing to spine. Chipping to two corners. Tear to joint at top of spine (1 cm). Wrappers yellowed. Scholar's name to ffep (Martin Cropp). Red pen underlining to 1 page. ; Greek and Latin text. Unchanged reprint of 1872 edition. ; Olms Paperbacks Band 8; 812 pages
Very Good Turkish Paperback. 4to. (30 x 21 cm). In Turkish, Hittite, and Akkad. 30 p. Baslayanlar için Hititçe ve Akkadça kilavuzu. Hittite and Akkad guide for beginners. First Edition. One of first linguistics guide of Hittite and Akkad.
New English Paperback. Demy 8vo. (21 x 14 cm). In English. 173 p., ills. Islamic art and modernism: Formal elements in painting, architecture and film. "Much has been written about the workshop structure and the role of the Sultan, Emperor or Emir in commissioning works of painting or architecture in the history of Islamic art and contradiction to the ideas of the last two centuries in the West, where the individual artist is credited with making a conceptual statement while working alone. The reality presented here is somewhere in the middle - individual poets, artists and architects play a prominent role historically in Islamic art while the position off the Ruler is also extremely valuable and stylistically relevant. The movement of artists and architects to cities that are centers of a particular style, movement or patronage was common throughout history and the interchange in Ottoman and Safavid-Persian and Mughal and Deccani India are examples of methods and techniques spreading, developing, influencing and changing regional trends. In this study, selected paintings, buildings andd films that cross genres, styles and dynastic periods are explored in both a socio-historical context and, more importantly, in terms of their striking formal innovations. It is a thematic new look at how we position Islamic art - how it in fact embodies, exemplifies and invents many aspects of Modernism in Painting and Architecture and Film.".
Very Good Azerbaijani Original aesthetic and illustrated cloth bdg. Cr. 8vo. (20 x 14 cm). In Azerbaijani (Cyrillic script). 204, [4] p. Yeddi közel kitabi (Nizami Kencevinin 'Jeddi Kösel' poemasinin el dastani). Seven beauties of Nizami Ganjavi.
