10 937 résultats
Light Edgewear with small tears to spine ends. Spine a little sunned. Pages tanned. Scholar's bookplate to ffep. ; Parallel text in French and Latin. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 1; 316 pages
Light Edgewear with very light chipping. Corner crease to first few pages. Spine a little sunned. Pages tanned. Scholar's bookplate to ffep. Some pages unopened. ; Parallel text in French and Latin. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 201 pages
Light Edgewear. Light scuffing to wraps. Pages a little tanned; Parallel text in French and Latin. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 3; 189 pages
This fascinating introduction to classical art and architecture is the first book to investigate the way classical buildings are put together as formal structures. It researches the generative rules, the poetics of composition that classical architecture shares with classical music, poetry, and drama, and is enriched by a variety of examples and an extensive analysis of compositional rules. The 205 line drawings make up a discourse of their own, a pictorial text that serves as an introductory theory of composition or basic design aid. Drawing from Vitruvius, the poetics of Aristotle, the theories of classical architecture, music, and poetry since the Renaissance, and the poetics of the Russian formalists, the authors present classical architecture as a coherent system of architectural thinking that is capable of producing a tragic humanistic discourse, a public art with critical, moral, and philosophical meaning. Alexander Tzonis is Crown Professor of Architectural Theory and Methodology at the Technische Hogeschool, Delft. Liane Lefaivre teaches at the Akademie voor Beeldende Kunsten in Arnhem. "This publication draws in part from De taal van de klassicistiese architektuur" 306p.illus. plans, bibliography.index. - Book
Poetry from Ioannina. Frontis .75p. [WorldCat lists NO copies] Book
1 vol. in-8 cartonnage bradel crème, In Libraria Weidmannia, Lipsiae [ Leipzig ], colophon : Ex Officina Breitkopfiana, 1793, XXXII-185 pp. Bon exemplaire (cachet d'ex-libris Ph. Le Bas en page de titre et au plat sup., dos très lég. frotté avec petit reste d'étiquette au dos en queue) provenant de la bibliothèque de l'helléniste, épigraphiste et archéologue français Philippe Le Bas (1794-1860). Grec
Some creasing to front wrap. ; Speculum. Contributi Di Filologia Classica; 179 pages
328 pages; This book has come out of a project that pioneered, and is continuing to pioneer, the in-depth application of state of the art scientific analyses to ceramic artefacts and skeletal material. The vases and skeletons of Bronze Age Greece which are the subjects of this comprehensive study, do not appear as they do in their usual format - illustrations in a book with descriptions of contexts. In this project, and therefore in this book, each object is revealed from the inside, and because of this, it has a different story to tell - what people ate and drank in everyday life, the diet and health of the people who lived in Bronze Age Greece. By means of organic residue and stable isotope analysis, knowledge has been extended beyond anything previously gleaned through normal archaeological research. There are some fascinating insights, such as the origin of modern Greek retsina, which was traced first to the time of Agammemnon, then to Crete in the 17th century BC and finally to the Early Minoan Period, c. 2000 BC. The results of this ground breaking project have been presented in 7 international exhibitions, starting with the National Archaeological Museum in Athens in 1999. It is the most widely travelled exhibition of Greek artefacts ever mounted. This volume gives the reader the ultimate "story within the story": the primary scientific evidence behind the work that has been carried out up to 2003. It has been written by the world renowned scientists who carried out the work.
Very faint shelfwear. Gift inscription from author to Jenifer Neils on ffep. ; After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens' imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus' Eumenides, Euripides' Children of Heracles, and Sophocles' Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians' sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology. ; 206 pages; Signed by Author
Pages slightly tanned. Else book is fine. DJ has minor shelfwear. ; 229pp. This book analyzes the relationships between Athenian myths and the institutions that informed them. In particular, it examines how myths encode thoughts on ritual, the code of the warrior, marriage, and politics. Combining traditional historical and literary criticism with the approaches of anthropologists, feminist critics, and cultural historians, the authors study specific examples of the epic and tragedy, as well as funeral orations and the Parthenon marbles, to illuminate the ways mythic media exploited the beliefs, concepts, and practices of fifth-century Athens, simultaneously exemplifying and shaping that culture. ; 229 pages
Pencil notes and underlining to some pages (by Jenifer Neils). 2 cm tear to top edge of DJ. ; 229pp. This book analyzes the relationships between Athenian myths and the institutions that informed them. In particular, it examines how myths encode thoughts on ritual, the code of the warrior, marriage, and politics. Combining traditional historical and literary criticism with the approaches of anthropologists, feminist critics, and cultural historians, the authors study specific examples of the epic and tragedy, as well as funeral orations and the Parthenon marbles, to illuminate the ways mythic media exploited the beliefs, concepts, and practices of fifth-century Athens, simultaneously exemplifying and shaping that culture. ; 229 pages
"This book provides an introduction to the critical interpretation of Athenian myths. It does not retell the various myths under consideration, but rather examines the myths from a variety of perspectives, including the traditional historical and literary-critical interpretations, as well as the more modern approaches of anthropologists, feminist critics, and in particular, the work of the French structuralists Jean-Pierre Vernant, Marcel Detienne, and Pierre Vidal-Naquet. " 229p. bibliography.index Book
Light sunning to spine. Front board has two stains from removed stickers. ; Examines the development of this myth using the text of Aeschylus's ORESTEIA to lay the conflicts and sharp male/female polarities within Athenian society that fostered the Amazon myth. ; 192 pages
Light bump to 1 corner. Foxing to textblock. Tiny abrasion to front board. ; Examines the development of this myth using the text of Aeschylus's ORESTEIA to lay the conflicts and sharp male/female polarities within Athenian society that fostered the Amazon myth. ; 192 pages
Scholar's name to ffep (Jenifer Neils). Very faint bump to top of spine. ; Examines the development of this myth using the text of Aeschylus's ORESTEIA to lay the conflicts and sharp male/female polarities within Athenian society that fostered the Amazon myth. ; 192 pages
P., Bossange, 1802. Deux volumes in-8 reliés, dos chagrin et basane sur les plats ; dos longs ornés, double encadrement sur les plats (dont encadrement intérieur de guirlande de fleurs), coupes et contre-plats ornés de roulettes dorées, toutes tranches dorées ; ILVI-270 et 338 pages. Mors un peu frottés, départ de fente à un mors au tome 2, quelques épidermures. Ensemble de bonne apparence et très agréable.
Ex-library copy with usual stamps, call numbers and pocket. Former owner's name on ffep. Fraying to spine ends. Edgewear to extremities. ; Looks at the theology that may be present in the writings of Homer, Aeschylus and Sophocles. ; 365 pages; 1870. Natural theology may be contemplated from two different points of view, and so may be seen in two different aspects. We may look at in from the stand point of our own observation and reason in the light of Christianity; or we may consider it as it has been developed in the literature and history of heathen nations, and as it appeared in the eyes of those who were destitute of the Christian revelation. This volume is intended as a humble contribution to natural theology in both these forms.
Former owner's name in ink to ffep. Spine sunned. Chipping and fraying to spine ends. Corners of boards a bit edgeworn. Pages tanned. Else VG. ; 184 pages
A book about the nature of political authority using he tales of Moses, Oedipus, Antigone and KIng Lear to explore the meanings of social institutions ...in an effort to make sense of public office and public authority in a way that leads to neither blind obedience nor fashionable cynicism. 168p. Book
Minor shelfwear. Light Foxing/dustsoiling to top of textblocks. Vol 1 has bumping to upper corners and Vol 2 has very light bump to top of spine. Scholar's name to ffeps (G. P. Goold). ; 2 Volume Set; Folio 13" - 23" tall
Spine sunned. Minor spotting to boards. Scholar's name to ffep (Philippa Goold née Forder). Upper corners bumped. ; 141 pages
108pp., in the series "Eus Supplementa" vol.6, softcover, 24cm., text in Latin, few foxing, copy from the collection of the belgian byzantinist and hellenist prof. Justin Mossay (with stamp and ex-libris), good condition, K103545
Based on the classical Greek tragedies and "re-created into a unified drama in which Klytaimnestra and Elektra emerge into the chief protagonists.Play produced in NY October1936 by Delos Chappell. 127p. Book
'An important study that establishes what Victorian writers said about Greek culture and how their interpretations both molded and reflected the attitudes and values of the Victorian age". xiv,464p.index Book
Spine tanned and lower half reinforced with cellotape. Faint creasing to pages. ; Institute of Classical Studies Bulletin Supplement 17; 73 pages