AMMIANUS MARCELLINUSMareMagnum
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Carolus Tauchnitz, Lipsiae. 1835. In-18 Carré. Broché. Etat d'usage. Plats abîmés. Dos fané. Rousseurs. 568 pages. Texte en latin. Papier muet encollé sur le dos, le consolidant. 1er plat manquant. Etiquette de code sur le dos. Quelques tampons de bibliothèque. Traces de colle sur la couverture. Ad Optimorum Librorum Fidem, Accurate Edita.
Very light shelfwear. Scholar's bookplate to inner cover (Robert Brown). ; Loeb Classical Library No. 331; Vol. 3; 602 pages
Books have been rebound in attractive brown marbled boards. Rubbing to extremities. Pages are tanned. Light foxing throughout ; Text in Latin; Apparatus in Latin. 2 volume set. This edition was arranged by Viktor Gardthausen, and includes a dated list of Roman consuls for the years 353 through 380 AD. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 16mo 6" - 7" tall
Fr. Beck, Viennae. 1841. In-4 Carré. Broché. Etat d'usage. Plats abîmés. Dos plié. Quelques rousseurs. 212 pages. Texte sur 2 colonnes. Papier muet encollé sur le dos, le consolidant. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Cahiers se détachant. (Rare) Indicem tam Antiquae quam Hodiernae Dividendi Singula Evangelia Methodo Accomodatum, Addidit J.A. SCHMELLER.
An interdisciplinary study of the Latin remnants of the German–Latin Play of the Ten Virgins, based on comprehensive research into the medieval liturgical and dramatic traditions. The restored text and music of the Latin chants reveal a complete Latin liturgical drama that may have preceded the surviving macaronic play. ; 9 x 1.5 x 6.25 Inches; 412 pages
Attractively rebound in 1/4 leather binding with marbled boards and marbled endpapers. Light edgewear with small chip to head of spine. Attractive illustrations. ; 296 pages
Additis var. Lectionibus, 1 vol. in-4 (279 x 210 mm) reliure de l'époque pleine basane marron, dos à 5 nerfs orné, Ex Regio Typographeio, Parmae [ Parma , Parme ], 1785, 2 ff., XCIV-100 pp. et 1 f. n. ch. Très belle impression grecque-latine du grand typographe italien Giambatista Bodoni, tirée sur très beau papier vergé. Etat satisfaisant (reliure abîmée avec mq. de cuir, ancien cachet d'institution jésuite en titre avec petit timbre de cote, bel état intérieur par ailleurs). La présente édition reprend le texte de l'édition de 1784, reconnue "per la bellezza particolarmente del carattere greco" (Lama, 27). Brooks évoque un travail "magnificent" Latin
J.-P. Migne. 1852. In-4 Carré. Relié demi-cuir. Bon état. Couv. convenable. Dos satisfaisant. Rousseurs. 1466 pages. Texte en latin sur 2 colonnes, chacune étant paginée. Pièces de titre rouge et noire sur le dos. Titre, tomaison, fleurons, bandeaux et filets dorés sur le dos. Tranche marbrée. Ex-libris illustré d'une gravure en noir et blanc (Bibliothèque de l'Institut Catholique de Toulouse) au dos du 1er plat. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Légères épidermures sur le dos. Sive Bibliotheca Universalis, Integra, Uniformis, Commoda, Oeconomica, Omnium SS. Patrum, Doctorum Scriptorumque Ecclesiasticorum. Qui ab Aevo Apostolico ad Usque Innocentii III Tempora Floruerunt. Accurante J.-P. Migne.
Light foxing to textblock. Light bump to head of spine. Dustjacket has minor shelfwear and light foxing. ; 256 pages; In addition to Longus, this work considers Achilles Tatius, Xenophon of Ephesus, Heliodorus and Chariton as ancient novelists, and discusses Christian works containing a high proportion of romantic material, including Joseph and Aseneth and The Acts of Thomas.
Light pencil marginalia. Creasing along spine. Tear to base of spine (6 cm). Former owner's name in pencil to front wrap. ; Pp 125-155; Reprinted from the Journal of Roman Studies Vol. LXIX, 1979; 30 pages
pp. 195, (12) [Publisher's catalogue] + Frontis. Illustrated. Fore edges foxed. 8vo. 155mm. Original full cloth binding decorate and lettered in brown. Part of the Library of Useful Stories. Includes: the pre-Columbian discoveries of America; the extinct civilization of the Aztecs; American archeology; Mexico before and after the Spanish invasion; Cortes and Montezuma; Balboa and the Isthmus; the extinct civilization of Peru; Pizarro and the Incas; etc. LATIN AMER BX 2
Scholars' name to halftitle (Mark Golden). Very light shelfwear. ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
Faint creasing to spine. Light shelfwear. Scholar's name to half-title (Robert Brown). ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
Some wear to corners. Scholar's name to ffep (Robert Brown). ; V, 121pp. Anderson's narrative in The Art of the Aeneid provides the modern reader fresh insights into Vergil, into the Aeneid. His analysis illuminates the literary and historical context and covers each of the twelve books of one of the greatest and most enduring works of Latin literature. ; 121 pages
Very light edgewear else Fine. Former owner's name on ffep. ; 129 pages; Anderson's narrative in The Art of the Aeneid provides the modern reader fresh insights into Vergil, into the Aeneid. His analysis illuminates the literary and historical context and covers each of the twelve books of one of the greatest and most enduring works of Latin literature.
Minor pencil marginalia to some pages. ; 129 pages; Anderson's narrative in The Art of the Aeneid provides the modern reader fresh insights into Vergil, into the Aeneid. His analysis illuminates the literary and historical context and covers each of the twelve books of one of the greatest and most enduring works of Latin literature.
120pp., 23cm., text in Latin, Doctoral Dissertation (University of Paris), softcover (spine repaired), stamp at verso of title page, text is clean and bright, T112877
Hachette. 1965. In-12 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Plaquette de 61 pages illustrée de quelques photos en noir et blanc. Quelques annotations dans le texte.
cxxx + 158pp., 25cm., in the series "Corpus Christianorum, Continuatio Mediaevalis" vol.53a, editor's cloth with gilt lettering, new condition, ISBN 2-503-03533-8, (introduction in English, text in Latin)
xx + 254pp., softcover, 25cm., text in latin, small stamp at titlepage, VG, ISBN 978-2-503-03532-1
54pp.+ 5 microfiches (851pp.), 24cm., fine condition, in the series "Corpus Christianorum. Instrumenta lexicologica latina" Fasc.67 (CM 53B) series A: Formae, ISBN 978-2-503-63536-1
xx + 254pp., 25cm., in the series "Corpus Christianorum, Continuatio Mediaevalis" vol.52, editor's cloth with gilt lettering, VG, ISBN 2-503-03531-4, (introduction and text in Latin)
xxviii + 149pp., 25cm., in the series "Corpus Christianorum, Continuatio Mediaevalis" vol.53b, editor's cloth with gilt lettering, VG, ISBN 2-503-03535-2, (introduction in German, text in Latin)
lxxxv + 203pp., 25cm., in the series "Corpus Christianorum, Continuatio Mediaevalis" vol.LIII-E, editor's cloth with gilt lettering, VG, ISBN 2-503-50077-5, (introduction in English, text in Latin)
xxii + 132pp., 25cm., in the series "Corpus Christianorum, Continuatio Mediaevalis" vol.53F, editor's cloth with gilt lettering, spine slightly damaged, else VG, ISBN 2-503-50037-9, (introduction in English, text in Latin)
