8 811 résultats
Very light shelfwear else fine. ; Vol. 1; 128 pages
Minor shelfwear. ; Reprint of the 1915 ed. 148pp. Text with introduction and notes.; 149 pages
Light pencilling to a few pages with a few ink checkmarks. Minor shelfwear. Foxing to endpapers. Former owner's name to ffep in ink with a few other names neatly crossed out. ; Latin Text with Latin Apparatus; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis)
Gift inscription from author to G. P. Goold on inner cover. Foxing to textblock. 1 corner of wraps creased. Else VG. ; Latin text with extensive commentary in English. ; American Philological Association Textbook Series; 0.69 x 9.02 x 6.04 Inches; 272 pages; Signed by Author
Scholar's bookplate to inner cover (G. P. Goold). Light foxing to endpapers. ; Sammlung Kurzer Lehrbücher Der Romanischen Sprachen Und Literaturen; 90 pages
Faint scratch to front board. Very light shelfwear. ; Latin text with English introduction and Notes and Vocabulary at back. ; 128 pages
Scholar's name to ffep (T. G. Elliott). Underlining and notes to some pages in blue and light blue ink. Upper corners lightly bumped. ; Pitt Press Series; 120 pages
Underlining and notes to some pages in ink. Former owner's name on ffep. ; Pitt Press Series; 120 pages
Spine and part of front wrap show sun discoloration. ; In this concise analysis, written with elegant wit, the greatest living textual critic of Latin authors offers new insight into the poetry of Horace. Horace is best known for his four books of Odes, cherished for their lyric grace. His amiable persona is displayed more intimately in the moralizing verses of the Satires and Epistles. In a reading of all the poetry, but focusing especially on problematic areas, Shackleton Bailey examines Horace's art of self-presentation. A variety of themes are elucidated, from the poet's relations with his patron to Roman sexual attitudes. Close scrutiny is given to about thirty passages which, he argues, have been misread. An appended essay on a notable predecessor, the textual scholar Richard Bentley, is especially revealing on the art of classical scholarship. ; Classical Life and Letters; 0.67 x 8.81 x 5.68 Inches; 142 pages
Spine sunned. Minor pencilling. Minor Shelfwear; Collection of Greek and Latin inscriptions and papyri in English translation. Theme is the political and military activity of the Roman emperors to the period of Hadrian, the men who carried out their policies, the institutions of their administrations, the wars they conducted, the reaction of their subjects, the imperial ruler cult etc...; Translated Documents of Greece and Rome 6; 328 pages
Minor Shelfwear; Collection of Greek and Latin inscriptions and papyri in English translation. Theme is the political and military activity of the Roman emperors to the period of Hadrian, the men who carried out their policies, the institutions of their administrations, the wars they conducted, the reaction of their subjects, the imperial ruler cult etc...; Translated Documents of Greece and Rome 6; 328 pages
Very light edgewear to corners. Minor shelfwear. ; Beginning with Sappho in the seventh century B. C. And ending with Hypatia and Egeria in the fifth century A. D. , Jane McIntosh Snyder listens carefully to the major women writers of classical Greece and Rome, piecing together the surviving fragments of their works into a coherent analysis that places them in their literary, historical, and intellectual contexts. ; A Godwit Paperback; 199 pages
Ex-library copy with usual stamps, call numbers and pocket. Spine sunned. Shelfwear. Some tears along spine cover. ; Vol. 9; 569 pages
Glue stains to front inner cover. Former owner's book stamp to ffep. Spine a little browned. Light chipping to spine ends. ; 214 pages
Scholar's bookplate to inner cover (Robert Brown). Scholar's name to ffep (Robert Brown). Front hinge cracked. Many notes and underlining in ink and pencil. Very scored. Spine sunned. Some wear to boards with chipping to head of spine. ; Loeb Classical Library No. 206; Vol. 1; 571 pages
Text mostly unopened. A bit of Highlighting to notes, chronological table and analytical table but not to text or translation. Spine a bit browned. Else VG. ; Classiques Garnier; Vol. 1; 359 pages
Former owner's name to ffep has been effaced. Chipping and light loss to spine ends. Corners are edgeworn. Rubbing to boards. Endpage is browned. Ink notes to ffep. Ink marginalia and notes to Latin Text. Coloured pencil to some pages. ; Extensive English introduction and notes with latin text. ; Clarendon Press Series; 400 pages
Book has been rebound in green boards with edgewear to corners and a tear to cloth at spine. Blank pages have been interleaved, with ink notes to pages and text. ; 179 pages
Fine Turkish Paperback. Foolscap 8vo. (18 x 12 cm). In Turkish. 223 p., ills. Kültürlerde Sahmeran: Kiyida kösede Sahmeran kültür izleri. Sahmeran in the cultural history: Cult of snake in Anatolia.
Creasing along spine with some creasing to wraps. ; London Association of Classical Teachers (LACTOR) No. 3; 24 pages
Light edgewear to boards. Some pencil notes to greek text with a bit of inking. Endpapers tanned. ; Extensive English introduction and notes with latin text. ; Clarendon Press Series; 128 pages
A few ink notes to Latin text. Spine a bit sunned. Endpapers tanned. Minor rubbing to boards. Else VG. ; English Commentary and Introduction with Latin Text and index at back. Lxxxi, 186 pp ; Allyn and Bacon`s College Latin Series; 186 pages
Some pencil notes to Latin text. Rubbing to boards. Front hinge starting to crack. Former owner's name to ffep. ; English Commentary and Introduction with Latin Text and index at back. Lxxxi, 186 pp ; Allyn and Bacon`s College Latin Series; 186 pages
Fraying and small tears to joints and ends of spine. Some ink marginalia to about 30 pages. Scholar's name to ffep (G. V. Sumner) with other name deleted (J. W. Clarke). Corners have some edgewear. ; Latin Text with English Commentary and Introduction. ; Pitt Press Series; 200 pages
Non-circulating ex-library copy with institution plate to inner cover (Dept. Of Classics, Univ. Of Toronto). No other markings. Adhesive stains to spine. ; Loeb Classical Library No. 23; Vol. 2; 323 pages; Terence came to Rome from North Africa as a slave in the household of a senator who freed him. His six plays (all of them extant) , first performed in the 160s B. C. In Rome, were all based on New Comedy models—like other Roman comedies of the time. In contrast to the exuberance and buffoonery of Plautus, Terence gives us realistic scenes and witty, refined Latin.