8 811 résultats
Foxing/dustsoiling to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). 1 corner a bit bumped/rounded. Dustjacket has minor shelfwear. ; The quality as well as the historical importance of the flourishing bilingual literature of the second century AD is increasingly recognised. This volume collects together eight papers which offer a wide view of the intellectual and literary world of the Antonines, both Greek and Latin. There are special studies on Plutarch's Lives -- C B R Pelling; Lucian's Prologues-- H. -G. Nesselrath; Aristides' Hymns-- D. A. Russell; and Apuleius' Cupid and Psyche-- E. J. Kenney. The relationship between the two literary languages is an important theme of the introductory paper and there are also essays on the neglected topic of Greek poetry of the period--E. L. Bowie, on the definition of the Second Sophistic-- G. Anderson, and on the influence of Plato's Phaedrus-- M. B. Trapp in this period. There is a full bibliography and a brief table of important dates. ; 0.94 x 8.74 x 5.9 Inches; 260 pages
Plaquette della mostra tenutasi presso la Galleria Giorgi, Firenze, dal 24 aprile all'11 maggio 1971. Con un testo di Arturo Bovi. 7 illustrazioni in bianco e nero. Nota biografica . 8vo. pp. 16 non numerate. . Ottimo (Fine). . . .
Volume pubblicato in occasione della mostra tenutasi presso l'American Society Art Gallery, New York 15 settembre - 10 dicembre 2011. Testi di Claudia Calirman, Michael Asbury, Gabriela Rangel, Judith Rodenbeck et al. Illustrazioni a colori e in bianco e nero. Biografia, Bibliografia . 8vo (27x19). pp. 152. . Perfetto (Mint). . Prima edizione (First Edition). . Antonio Manuel: I Want to Act, Not Represent!, the first solo exhibition in the United States of Brazilian artist Antonio Manuel. The show focused on Antonio Manuel's preeminent role in the development of the groundbreaking neo-avant-garde movement that emerged in Rio de Janeiro during the 1960s. During the most repressive years of the Brazilian military dictatorship (1968-1974) Antonio Manuel's artworks and actions instigated and were many times at the center of controversial debates concerning institutional censorship. While some of his closest friends associated with Tropicalismo and the intellectual milieu of Rio de Janeiro were forced into exile during the military regime, Antonio Manuel managed to remain in Brazil. Throughout this time he created a politically potent and visually striking corpus of experimental work that blended Neoconcrete, Pop, and Conceptual art. Antonio Manuel: I Want to Act, Not Represent!, la prima mostra personale negli Stati Uniti dell'artista brasiliano Antonio Manuel. La mostra si è concentrata sul ruolo preminente di Antonio Manuel nello sviluppo dell'innovativo movimento neoavanguardista emerso a Rio de Janeiro negli anni Sessanta. Durante gli anni più repressivi della dittatura militare brasiliana (1968-1974), le opere e le azioni di Antonio Manuel hanno istigato e sono state spesso al centro di dibattiti controversi riguardanti la censura istituzionale. Mentre alcuni dei suoi amici più stretti legati al Tropicalismo e all'ambiente intellettuale di Rio de Janeiro furono costretti all'esilio durante il regime militare, Antonio Manuel riuscì a rimanere in Brasile. Durante questo periodo ha creato un corpus di opere sperimentali politicamente potenti e di grande impatto visivo che fondono il Neoconcreto, il Pop e l'arte concettuale.
35 + [i] pp., 16cm., contemporary blind marbled wrappers, text in Latin, 3 libr. stamps on title page, text clean and in good condition, very rare, [the title is preceded by: "Illmo. ac Rmo Dno Dno Dv Francisco Pertusati ordinis S. Benedicti Congregationis Olivetanae episcopo papiensi, solio Pontificio Assistenti, & S.Sedi immediate subjecto, cum congregationem casuum, & Sacrorum Canonum in Domo Profess. Rom. Soc. Jesu sua praesentia honoraret". Subtitle of this work: "De Matrimonio conscientiae, nuncupato ad Morganaticum. Dissertatio canonico-theologica], R96350
27x17 cm., 510 pp., hardcover, gilt lettering on cover and spine, faded and slightly stained spine, cover and spine slightly worn on edges, pen inscription on the front and rear endpaper, slightly yellowing pages, some stained. else in good- condition.
Octavo in white paper wraps. 136 p. bw ill. and maps; 21 cm., includes bibliographies. Ex-Lib with minimal markings. In Spanish. Uncommon work on the economic development of Panama. Economic zoning -- Panama. Regional planning -- Panama. Regionalism.
Choral part of Cantata for Alto, Tenor and Bass or Tenor I, II and Bass (Soli or Chorus) and Organ (Piano or Harpsichord), (2 Violins ad libitum). Edition and adaption of English text prepared by Walter E.Buszin. Figured bass realized by Fritz Oberdoerffer. A clean, unmarked copy. Staple-bound, tight binding. Cream color. 24 pages.
Book is fine. DJ has very light shelfwear. ; xiii, 150pp.; The Transformation of the Classical Heritage 15; 150 pages
Aedes Facultatis Iuridicae. 1928. In-8 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos abîmé. Non coupé. 88 pages. Tampons et annotations sur le 1er plat et en 1re page. Athenaeum Pontificii Seminarii Romanii. Cura prof. Editum. Acta Apostolicae Sedis. Edicta Civilia de Re Ecclesiastica. Studia...
Aedes Facultatis Iuridicae. 1929. In-8 Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur bon état. 31 pages. Tampons et annotation sur le 1er plat et en 1re page. Athenaeum Pontificii Seminarii Romanii. Cura prof. Editum. Ph. Maroto. Fr. Roberti. S. D'Angelo...
Librariam Pont. Instituti Utriusque Iuris. 1935. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur bon état. 27 pages. Tampons et annotations sur le 1er plat et en 1re page. Dir. Ph. Maroto. Fr. Roberti. I. Pasquazi.
Apollo's importance in the religion of the Roman state was markedly heightened by the emperor Augustus, who claimed a special affiliation with the god. Contemporary poets variously responded to this appropriation of Phoebus Apollo, both participating in the construction of an imperial symbolism and resisting that ideological project. This book offers a synoptic study of 'Augustan' Apollo in Augustan poetry. Topics explored include the divine self-imaging of late Republican rivals for power, poetic imaginings of Apollo's intervention at the pivotal battle of Actium, how poets 'read' Augustus' new Palatine Temple of Apollo and the deity's role in the reconstituted Saecular Games, and Apollo's key position in the emerging dialectic between poetics - as traditional divine patron of music and literature - and politics - as patron of Augustus. Discussions encompass the major Latin poets (Horace, Virgil, Tibullus, Propertius, Ovid) as well as anonymous voices in poetic lampoons, encomia, and contemporary Greek verse. ; 422 pages
192pp., 22cm., reliure cart. (plats marbrés, dos en toile), qqs.cachets, bon état, [texte en latin], R70420
viii + 467pp., 24cm., text in Latin, attractive modern hardcover with gilt lettering on spine, original softcover preserved and bound in, signed with handwritten dedication by author, two stamps, text clean and bright, good condition, rare, [Complete title: Apologeticae de aequiprobabilismo alphonsiano historico-philosophicae dissertationis a r.p. J. De Caigny C.SS.R. exaratae. Crisis juxta Principia Angelici Doctoris instituta. Accedit Dissertatio scholastico-moralis pro usu moderato opinionis probabilis in concursu probabilioris a S. Alphonso de Liguori E.D. anno 1755 primum in lucem edita], R101266
359pp., 20cm., br.orig., dans la série "Sources chrétiennes" vol.303, bilingue: latin-français, très bon état, R86802
Librairie Hachette et Cie, Paris. 1875. In-16 Carré. Relié. Etat d'usage. Couv. convenable. Dos satisfaisant. Rousseurs. 133 pages. Texte en latin et notes en français sur 2 colonnes. Annotations au dos du 1er plat. Fortes rousseurs. Nouvelle édition publiée avec des Notes en français et suivie d'un Vocabulaire des mots employés dans l'ouvrage par A. EDELINE.
Librairie Religieuse de A. Courcier, Paris. Non daté. In-8 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos abîmé. Rousseurs. Plaquette de 40 pages. Etiquettes de code sur le 1er plat. Tampon de bibliothèque en page de titre. (Rare) Editio Sexta. Joannis Cardinalis SOGLIA, Episcopi Auximani et Cingulani.
Scholar's bookplate to inner covers (Robert Brown). 2 volumes have browned wraps. Water-staining to lower edges of all pages. Small chip to Vol. 2 corner. ; 31+28 pp; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; Vol. 1/2/2022; 59 pages
1 vol. in-18 rel. demi-basane bleue, dos à 4 nerfs, Imp. de G. Lopez del Hoeno, Madrid, 1908, 202 pp. Etat satisfaisant (couv. lég. frottée, part. en coins, anciens cachets et étiq. d'instit. relig., bon état par ailleurs). Peu courant. Latin
Foxing to textblock and boards. Scholar's bookplate to inner cover (G. P. Goold). ; Texte Und Kommentare 16; 394 pages
Set: Pages are slightly browned. Some browning to wraps. Mild creasing to edges of wraps. V1: Lower Corners of wraps have mild damp-staining. Shelfwear. ; V1: (1964) 139 pp & V2: (1964) 277 pp ; 2 Volume Set. Collana Di Studi Latini VI & VII; Vol. 1/2/2022; 416 pages; Commentary and Translation in Italian. Includes original Latin text.
Book appears to have been rebound in green boards with gilt lettering to spine. Scholar's name to ffep (Peter Fraser). Pages a bit browned. ; Italian commentary and translation with Greek text; Biblioteca Di Studi Superiori XXVI; 282 pages
658pp., 25cm., dans la série "Corpus Christianorum. Series latina" vol.19, reliure toile d'éditeur avec titre doré, bel état, ISBN 2-503-00191-3, [introduction en français, texte en latin]
Spine has some foxing. Scholar's bookplate to inner cover (G. P. Goold). ; Unchanged Reprint of 1914 ed. Lxviii, 208 pp ; 208 pages
B. G. Teubner, Leipzig. 1907. In-12 Carré. Broché. Etat d'usage. Tâchée. Dos fané. Intérieur acceptable. 296 pages. Papier muet encollé sur le dos, le consolidant. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Quelques annotations au crayon dans le texte. 'Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana. Recensuit Rudolfus HELM.