8 811 résultats
xvii + 214pp., 24cm., hardcover (cloth), dustwrapper, fine condition, ISBN 0-19-513206-8
iv + 323pp., 23cm., previous owner's name on first page, softcover, VG, ISBN 0-87343-054-9
xix + 334pp., 23cm., previous owner's name on first page, softcover, VG, ISBN 0-521-58952-5
xvi + 242pp., 22cm., in the series "Christian theology in context", softcover, VG, ISBN 0-19-875219-9
cm. 16 x 23,5, 24 pp. Opuscoli accademici 77 gr. 24 p.
LIBRAIRIE POUSSIELGUE FRERES. 1875. In-16 Carré. Cartonné. Bon état. Couv. convenable. Coiffe en tête abîmée. Intérieur frais. 72 pages - 1 petite etiquette collée sur le 1er plat. ALLIANCE DES MAISONS D'EDUCATION CHRETIENNE / TEXTE EN LATIN ET FRANCAIS.
Very light bump to base of spine else fine. DJ has 1 tear along rear upper edge (crudely repaired with cellotape). Dustjacket has creasing along edges and 1 chip. ; In this, the most comprehensive study of Gellius in any language, Dr Holford-Strevens examines his life, his circle of acquaintances, his style, his reading, his scholarly interests, and his literary parentage, paying due attention to the text, sense, and content of individual passages, and to the use made of him by later writers in antiquity, the Middle Ages, the Renaissance, and more recent times. It covers many subject areas such as language, literature, history, law, rhetoric, medicine; light is shed on a wide range of problems in Greek as well as Latin authors, either in the main text or in the succinct but wide-ranging footnotes. ; 284 pages
Scholar's bookplate to inner cover (G. P. Goold). Light Foxing/dustsoiling to top of textblock. DJ has creasing along top edge. ; In this, the most comprehensive study of Gellius in any language, Dr Holford-Strevens examines his life, his circle of acquaintances, his style, his reading, his scholarly interests, and his literary parentage, paying due attention to the text, sense, and content of individual passages, and to the use made of him by later writers in antiquity, the Middle Ages, the Renaissance, and more recent times. It covers many subject areas such as language, literature, history, law, rhetoric, medicine; light is shed on a wide range of problems in Greek as well as Latin authors, either in the main text or in the succinct but wide-ranging footnotes. ; 284 pages
Creasing along spine. Scholar's name to half-title and blindstamp (Robert Brown). Minor shelfwear. Some pencil notes. Else VG. DJ has some chipping and edgewear. ; Auricula Meretricula is a unique play for students in their first semester of Latin. Each scene uses new forms and vocabulary, thus reinforcing the students’ grasp of grammar by placing it in a living context. At the same time it provides an enticing introduction to Roman comedy and elegy. First published in 1981, Auricula Meretricula was greeted with enthusiasm by students and teachers, and is currently used in many classics departments in the US and elsewhere. ; 43 pages
Complete in 2 volumes, 634 + 599pp., 28cm., uniform contemporary hardcover bindings, marbled endpapers, marbled edges, text in Latin, stamp on title page, text and interior are clean and bright except for few ocassional faint foxing, good condition, weight: 2.7kg., R107579
Apud Ludovicum Vivès, Parisiis. 1865. In-4 Carré. Relié toilé. Bon état. Couv. convenable. Mors arrachés. Intérieur frais. 4 tomes d'env. 600 pages chacun. Titre, tomaison, roulettes et filets dorés sur les dos. Texte en latin sur 2 colonnes. Etiquettes de code sur les dos. Tampons de bibliothèque en pages de titre. Coiffe en tête du tome IV légèrement abîmée. Ex Fontibus Aureis Sanctorum Patrum, Conciliorum, Doctorum, Nec non Paganorum Fere Ducentorum, Tam in Theologia, Quam in Philosophia, etc.
Apud Ludovicum Vivès, Parisiis. 1865. In-4 Carré. Relié demi-cuir. Etat d'usage. Couv. convenable. Mors fendus. Intérieur acceptable. 4 tomes d'env. 500-600 pages chacun. Titres, tomaisons, bandeaux et filets dorés sur les dos. Tranches mouchetées. Texte sur 2 colonnes, en latin. Etiquettes de code sur les couvertures. Quelques tampons de bibliothèque. Quelques épidermures et brûlures sur les dos. Ex Fontibus Aureis Sanctorum Patrum, Conciliorum, Doctorum, Nec non Paganorum Fere Ducentorum, Tam in Theologia, Quam in Philosophia.
1 vol. in-4 relié pleine basane bordeaux, Apud Ludovicum Vives, Parisiis, 1868, 634-599 pp. Complet en 2 tomes (2 tomes en 1 vol.). Etat satisfaisant (dos fort. frottés, des rouss.). Cette édition était en 2 tomes et non en 4 comme la plupart des autres éditions. Latin
Complet en 8 tomes: xii,606 + 559 + 572 + 579 + 592 + 592 + 579 + 557pp., "Nouvelle édition reproduite de celle de 1680 avec la traduction en français et indication du nom de l'auteur et des titres chapitres et versets de l'ouvrage d'où chaque texte a été tiré… , texte imprimé en 2 colonnes, bilingue: latin-français, in-4, br.orig. (avec qqs.petits manques) protégées par papier cristal, rousseurs dans le texte (toujours bien lisible), R81855
Lower corners and 1 upper bumped. Small Christmas gift note pasted down to ffep. Small dot to front board. ; 169 pages
Scholar's bookplates (G. P. Goold). Rebound in boards with gilt lettering to spines. Ex-library copy with usual stamps, call numbers (London Library). Original wraps bound in. Some rubbing to boards. Vol. I: browning to endpapers. Vol. 2: 3 cm tear to top of spine. ; Vol. 1: (1901) 169 pp; Vol. 2: (1906) 202 pp; 2 Volume Set; Vol. 1/2/2022; 371 pages
Tears and chipping and creasing to wraps. Spines browned. Small pieces torn from spine ends. Some water-staining and soiling to wraps. Scholar's name to ffep of V2 (R. E. Fantham). Some pencil notes to a few pages of V2. ; LVII, 325 pp & 445; 2 Volume Set COMPLETE. Storia E Letteratura 82, 83.; Vol. 1/2/2022; 770 pages
A few small tears to wraps of V2. Spines browned. Slight water-staining to edges wraps. Rubbing to wraps. ; LVII, 325 pp & 445; 2 Volume Set COMPLETE. Storia E Letteratura 82, 83.; Vol. 1/2/2022; 770 pages
Foxing and browning to endpapers. Rear hinge just starting to crack and weaken. Pages lightly browned. Blank leaves interleaved into latin text with some pencil notes to blank pages. Light foxing passim. Top of spine has a few small tears and fraying. Minor edgewear to corners. Possibly rebound in blue boards? ; Latin Text with German notes and introduction. ; 289 pages
In-8°; cc. 103, (1),l’ultima carta, parzialmente integrata, ha al verso la marca tipografica incisa su legno; legatura in piena pelle con impressioni a secco ai piatti (dorso restaurato). Al frontespizio due timbri a inchiostro. L’opera omnia del poeta latino Ausonius (310-393 D.c.), studioso di grammatica e retorica, autore principalmente di componimenti brevi; qui con una biografia dell’autore. poesia latina latin poems classics classici fortuna giunti binding
Book is fine. DJ has small stain to front panel and light edgewear. ; A literary verse translation of Ausonius, the most famous of the learned poets active in the second half of the fourth century-- To his Commemorations, David Slavitt has added versions of Ausonius's Nuptial Cento, assembled from snippets of Shakespeare (Ausonius's original is a pastiche of Virgil) , and selected epigrams. ; 86 pages
2 corners lightly bumped. Else minor shelfwear to book. DJ has small tears and chippin to spine ends and upper corners. ; The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to place them in an appropriate critical context. ; 292 pages
Former owner's name to ffep else Book is fine. Very Minor shelfwear to DJ ; The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to place them in an appropriate critical context. ; 292 pages
Scholar's bookplate to inner cover (G. P. Goold) else Book is fine. Very Minor shelfwear to DJ ; The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to place them in an appropriate critical context. ; 292 pages