39 résultats
1735038060Rome Cira 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Colored In Shades Of Gray. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
1735038059Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Colored In Shades Of Red-Brown. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
1771D19137Venice: Presso Lorenzo Baseggio 1771. Hardcover. Good. Pocket edition. Contemporary vellum worn and stained. Bookblock pulling away from binding. Collates complete. <br/><br/> Presso Lorenzo Baseggio hardcover
17992539<p>Lipsia 1799. Hardback. Very Good/No Jacket. 1874 8vo. disposto con Ordine Etimologico da Cristiano Giuseppe Jagemann Socio Corrispondente dell'Accademia Fiorentina. 2 volumes: 'Parte Prima ove le voci italiane si convertono in tedesco Parte Seconda ove le voci tedesche si convertono in italiano con una raccolta di voci italiane che hanno affinita colla lingua tedesca o con altre lingue settentrionali'. Lipsia 1799 appresso Sigefredo Lebrecht Crusius. Half leather. Condition notes: Sound clean volumes although with age-tanning to pages especially to earliest and last. External page edges protected by red tinting. Leather somewhat rubbed boards a little knocked but attractive copies.</p> hardcover
175021219Firenze: Con Licenza de' Superiori 1750. Stiff Wrappers. Fair. Volume 3 of 6 ONLY. 8vo. pp. ff 1 xviii 126 blank ii-viii 74 2-103; contemporary limp paper boards; spine ends chipped and worn; backstrip detached from text block with gatherings becoming loose; library stamps and pencil annotations to title leaf; embossed library stamp; card pocket at rear pastedown; text leaves clean throughout; good copy at best. Stiff Wrappers. Con Licenza de' Superiori unknown
174033281Various. Very Good with no dust jacket. 1740//1843. Paperback. Jurisprudence; Law; 8vo 8" - 9" tall; C3500 pages; PAPER COVERS EXCEPT AS NOTED. Codice d'instruzione criminale coi motivi esposti dai Consiglieri di Stato e coi rapporti fatti dalla Commissione di legislazione del Corpo legislativo sopra ognuna delle leggi componenti questo Codice. Tomo Secondo. Motivi e Rapporti by uncredited author - Dated 1809 by uncredited- Lo stato presente di tutti I paesi e populi del mondo naturale politiico e morale con nuove osservazioni e correzioni degli antichi e modeni Viaggiatori. Volume IX. Dei regni di Boemia e d'ungheria dell'imperio germanico in generale ed in particolare de circoli d'Austria Baviera Franconia Sassonia Superiore e Inferiore by uncredited author - Dated 1740 by Francesco Ricciardo- Supplimento del bullettino della commissione feudale N. 8 by uncredited author - Dated 1838 by Tipografia Trani- Legislazione civile commerciale e criminale ossia comentario e compimento dei codici francesi.Opera del Barone Locre by Giuseppe Cioffi Jean Guillaume Locre de Roissy Translated by Giuseppe Cioffi - Dated 1841-1843 by Stablimento Letterario-Tipografico di Giuseppe Cioffi Number of Volumes: 3 Complete: No Volumes 4 7 12- Giornale dell'Intendenza di Bari Num. 992 by uncredited author - Dated 1837 by uncredited. Antique volume is bound in quarter leather with marble paper-covered boards Otherwise contemporary paper covers. shipped boxed only. . Various paperback
170639340Ferrara: Published By Bernardino Pomatelli. Very Good with no dust jacket. 1706. 1. Leather. 187 pages; 18TH CENTURY: "Compendio Della Vita di Giacomo II" Milano 1706. Frontis portrait of Giacomo Bound in ocntemporsry leatehr with raised bands. Worn but solid Contents with light toning to text areas. . Published By Bernardino Pomatelli hardcover
1709V64598Lucca: per i Marescandoli. 1709 from imprimatur. Hardcover. Good. Printer's mark woodcut on titlepage a few decorated small intials and a few printer's ornaments as headpieces. Small 12mo vellum head and foot of spine worn/some marks but neat and tight 454pp privilege leaf dated 1709. Two small holes to blank endpaper & titlepage leaving the attributed name as GRSOE privilege leaf mentions Gerson also. Some edge dusting but mainly to endpapers and first and last pages. Print very clear and legible. per i Marescand[oli]. hardcover
170415585Roma: Giacomo Komarek 1704. First Edition. Quarto 24cm. Contemporary vellum over boards; hand-inked spine title; 119pp. Boards bowing; scattered internal foxing; still a tight pleasing copy. Guidi 1650-1712 was an important Roman poet and critic noted for his reforming influence over the schools of Marini and Achillinni qv Britt. 11th ed. This was the final collection of Guidi's lyrics issued in his lifetime he is said to have died of an apoplectic fit upon discovering a typographical error in his final book a verse translation of six homilies of Pope Clement XI. From the library of artists Ben and Bernarda Bryson Shahn with estate bookplate inside front cover. Giacomo Komarek unknown
175021218Firenze: Con Licenza de' Superiori 1750. Stiff Wrappers. Good. 2 of 6 volumes ONLY. Two vols. 8vo. pp. ff 2 2-100 2-96 2-88 blank 2-82; ff 1 2-95 blank 2-96 2-106 blank; contemporary limp paper boards; volume II rebacked with brown library tape; volume I spine ends chipped and worn; library tickets to spines; library stamps and pencil annotations to title leaves; embossed library stamps scattered throughout both volumes; card pockets at rear pastedowns; electronic tag at rear pastedown of volume I; text leaves clean throughout; a reasonably attractive set. Properly de-accessioned. Stiff Wrappers. Con Licenza de' Superiori unknown
179036609N. P.: Augustae Tavrinorum Typis Ignatii Soffietti 1790. Engraved title vignette by Valperga after Palladius. 1 vols. 4to. Contemporary marbled boards remains of printed label on spine. Rubbed joints starting printed label on upper cover some spotting of endpapers bookplate from the Bibliotheca Giuliari else a very good and clean copy. Engraved title vignette by Valperga after Palladius. 1 vols. 4to. Memorial of Henrietta the Countessa Tapparelli Balbo wife of Prospero Balbo mother of Cesare Balbo the Italian Writer and Statesman and daughter of Robert Taparelli d'Azeglio Conte di Lagnasco. Including poetic contributions of Gioanni Batista Ghio Conte Guiseppe Franchi Conte Giambatista Somis Albo Crisso Camillo Maulandi Emanvele Rosetti Francesco Morelli and others. Augustae Tavrinorum Typis Ignatii Soffietti unknown
18002841800. Graphite and grayish ink wash on bluish wove paper 7 x 10 1/2 inches 177 x 265 mm matrix. Scattered surface soiling adhesive residue dog-eared corners and scattered edge tears along left margin outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire causing a ruckus in a tavern named for King Richard the Lionhearted. Soldiers in what appears to be 18th century uniform bicker one drawing his sword in defense a lady appearing at his side the other standing at the foot of an empty throne. Perhaps a then modern depiction of King Richard refusing to show deference to the Holy Roman Empire. unknown
1758WB18311Venice: Giambattista Novelli 1758. Hardcover. Very Good. 8vo. Contemporary vellum. Gilt spine labels. Old paper labels to bottom spine and small attractive old bookplate "Stamperia E Libreria Di Giovanni Silvestri" of Milano. A charming set. Complete. <br/><br/> Giambattista Novelli hardcover
178495272London: J. Murray. 1784. 1st translated edition in English 2 volumes 8vo. ppxl iv- 328 xvi Index errata two folding plates at end; pp.v vi-385 xx Index errata one folding plate at end some foxing to prelims both vols book-plates of "Cholmondeley Library" half-calf rubbed and chipped leather spine labels marbled bds vellum tips rubbed very good clean condition Translated from the Italian edition of 1782 "Fisica Animate e Vegetabile". Includes papers by Mr. Hunter F.R.S. and the experiments of Dr. Stevens on Digestion; the second a Translation of a Memoir of Mr. Demours and Mr. Debraws Papers on the Fecundation of Bees. 1st Edition in English. Half calf. J. Murray unknown
174040863Italy 1740. Oblong folio 222 x 305 mm. Notated in black ink on 10-stave rastrum-ruled paper. Watermark with initials "G.M." within a circle below a trefoil. <br /> <br /> Violino primo: 1f.<br /> Violino secondo: 1f. <br /> Unfigured basso continuo: i title 2 i blank pp. <br /> <br /> Violino primo part slightly soiled at edges; small tears to blank margins. Violino secondo part with small tear and minor stains to blank margins. Basso continuo part slightly soiled and stained with small tears to margins of title; title and second page of music reinforced at inner margins with early narrow strip of paper. This elegant and lighthearted trio sonata in B-flat major is cast in three movements: Allegro Assai C Andante C and Presto 3/8. Each movement is in binary form with repeats. The opening Allegro Assai incorporates leaping octaves occasional swerves into G-minor terrain and climactic rising scales at its conclusion. The Andante makes use gentle syncopations and slides of a third. The opening two movements start with the Romanesca progression a favorite opening gambit of 18th century composers conveying freshness and an amorous mood. The final Presto is a compact and attractive minuet. Most often the violins harmonize with each other and the bass making frequent use of parallel thirds and sixths; in several spots however they double each other. This may indicate that this work was originally conceived for a larger ensemble with string sections as it is not particularly common to encounter such doubling in chamber music. This sonata may have originally been an orchestral overture to a theatrical work. <br /> <br /> Not located in the RISM manuscripts database. unknown
17508801750. Ink wash in gray and black with heightening in brown pen and ink on cream laid paper laid down to an archival matrix 9 3/4 x 7 inches 247 x 178 mm. In good condition with some minor surface soiling and slight attenuation especially visible in the areas with brown ink. Adhesive residue on the verso at the top corners and bottom center margin does not effect the recto. The name "Argentini." appears in ink on the recto in the lower right margin. unknown
1733AQ27937Londra i.e London: Si vende da Gio. Wilcox 1733. 648 24pp. Contemporary gilt-ruled calf. Extremities worn loss to head- and tail-caps upper board held by cords only. Slight loss to gutter of leaf B1 title browned intermittent light dampstaining. A London-printed Italian translation of the Anglican liturgy a revised and corrected edition edited by antiquary and sometime bookseller Alexander Gordon c. 1692-1754 of Church of Ireland clergyman William Bedell's bap. 1572 d. 1642 translation - the first of its kind - posthumously published in 1685. OCLC and COPAC together record copies at locations BL California Cambridge General Theological Seminary Oxford St. Andrews Strathclyde UoL Wellcome. ESTC T195182 Griffiths 66:3 p.513. 12mo. Si vende da Gio. Wilcox unknown
1741214611Venezia . Milano: Michel'Antonio Panza 1741. Second edition. 12 266pp. 1 vols. 4to. Later vellum-backed boards uncut red leather spine label. Boards scuffed tear in lower joint very slight internal foxing; overall a very good sound copy. Second edition. 12 266pp. 1 vols. 4to. Michel'Antonio Panza unknown
178040349Italy 1780. Folio 226 x 312 mm. Sewn. Notated on 10-stave rastrum-ruled paper with lowermost stave of first page of the Tenore part hand-drawn with music and text added in another hand. Watermark letters within a circle above a star. <br /> <br /> Music for Holy Thursday Good Friday and Holy Saturday of Holy Week in the Christian calendar: <br /> <br /> - "Feria Quinta in Cena Domini." Tenore. 4 pp. Bound with "Feria Sexta in Parasceve" Basso 6 pp. and an additional bass part headed "Sabbato Sancto" 6 pp. <br /> <br /> - "Feria Quinta in Cena Domini." Basso 6 pp. Bound with "Feria Sexta in Parasceve" 6 pp. "Sabbato Sancto" 6 pp. 1f. blank. <br /> <br /> With short semi-chanted homophonic liturgical pieces:<br /> "In Monte Oliveti" "Tristis est anima mea" "Ecce appropinquat" "Ecce vidimus" "Vere languores" "Amicus meus" "Flius quidem hominis" "Unus ex vobis" "Eram quasi agnus innocens" "Seniores populi" "Revelabunt celi iniquitatem" "Omnes amici" "Velum Templi" "Vinca mea" "Tamquam ad latronem" "Tenebre facte sunt" "Barabbas latro dimittitur" "Tradiderunt me" "Jesum tradidit" "Sicut ovis" "Sepultro Domino" "Jerusalem Iuge" "Plange quasi virgo" "Recessit Pastor" "O Vos omnes" "Caligaverunt oculi mei" "Ecce quomodo" "Æstimatus sum" "Agnus Dei" and "Lustris sex qui."<br /> <br /> Occasional moderate soiling and small stains; first leaf of Tenore part partially detached. unknown
17801481780. Graphite and ink on handmade watermarked C & I Honig laid paper 8 15/16 x 6 3/4 inches 226 x 170 mm. Signed illegibly in ink lower margin. Scattered light creasing and surface soiling minor areas of rubbing all consistent with age. unknown
175040348Italy 1750. 5 parts. Quarto and two bifolia. Notated on 10-stave rastrum-ruled paper. Watermark letters within a circle.<br /> <br /> Contains:<br /> <br /> 1 P.rimo Ten.ore: 1 p. Text commencing "Tantum ergo sacramentum" and Genitori Genitoque" "P Mro Martini" to head.<br /> 2 P.rimo Ten.ore music different from above: 1 p. Text commencing "Tantum ergo sacramentum" and Genitori Genitoque."<br /> 3 Basso: 1 p. Text commenting "Tantum ergo sacramentum" and "Genitori Genitoque" with "Tantum &c. a 3 Voci Ripieno" to head.<br /> 4 Secondo Tenore: 2 pp. Text commencing "Pange lingua" "Nobis datus" "Verbum caro" and "Genitori Genitoque." With "à 3. Voci TT. e B." to head of first page.<br /> 5 2o. Ten.ore: 1 p. Text commencing "Tantum ergo" and "Genitori Genitoque." With "P Mro Martini" to head.<br /> 6 2o. Ten.ore: 3 i blank pp. Text commencing "Sancta Maria" "Sedes sapienti" "Regina Martyrum" and "Agnus Dei." With "Littanie a 3. Voci" to head. <br /> 7 Basso: 3 i blank pp. Text commencing "Kyrie" "Virgo potens" "Regina Angelorum" and "Agnus Dei." With "Littanie a 3. Voci" to head.<br /> <br /> A few small stains. unknown
1800130Venice 1800. 1. Mercier Louis Sébastien. Il Disertore. Commedia del Sig. Mercier. Tradotta dal Francese. Bologna: Stamperia di S. Tommaso d'Aquino 1772. 8vo. 82 pp. Original paste paper wrappers. ICCU cites one copy in Bologna; NUC cites only the 1796 edition at Johns Hopkins only. Not in OCLC. 2. Albergati Capacelli Francesco. Il Capriccioso. Farsa del Cittadino Francesco Albergati Capacelli. Venice. 1797. 8vo. 42 pp. Original past paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds Munich; ICCU list 8 locations. 3. Alberghetti Forciroli Carlo. Edipo. Tragedia inedita del Cavaliere Carlo Alberghetti Forciroli. Venice 1797. 8vo. 68 pp. Original paste paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds U Penn; ICCU lists 12 locations. 4. Collin d'Harleville Jean François I Castelli in Aria. Commedia del Signor Collin d'Arleville. Traduzione inedita di Giovanni Piazza. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. No copies in US libraries. ICCU cites 20 locations. 5. Cornielle Pierre. Il Cid. Tragedia di Pietro Cornelio. Tradotta da Giuseppe Greatti. Venice 1798. 8vo. 87 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins U Penn Duke and Getty. 6. Dumaniant M. Guerra Aperta Ovvero Astuzia Conrto Astuzia. Commedia del Sig. Dumaniant tradotta da Pietro Andolfati. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. OCLC Johns Hopkins and U Penn. 7. Piron Alexis. Gustavo Wasa. Tragedia di Alessio Piron. Tradotta dal Nobile Francesco Gritti. Venice: 1798. 8vo. 95 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins and U Penn. 8. Bassi Domenico. L'Impensato Accidente. Commedia del Signor Domenico Bassi. Venice 1799. 8vo. 72 pp. Original paste paper boards. NUC cites copies at Boston Public Library and NYPL; OCLC adds U. Penn. 9. Avelloni Francesco. Giulio Villenwelt Assassino. Commedia del Signor Francesco Antonio Avelloni. Venice: 1800. 8vo. 64 pp. Original paste paper boards. OCLC cites copies at Johns Hopkins and Michigan State. 130. unknown
1758AQ13524A Paris: Chez Ch. Ant. Jombert 1758. In three volumes. xvi 230; 4 197 1; 4 288pp. Attractively bound in contemporary cats-paw calf gilt all edges red. Rubbed with slight surface loss. Marbled endpapers index to rear blank endpapers of Vol. I. ink- stamps of the Ben Damph Forest Library - family seat of the Earls of Lovelace - to all FFEPs. A travelogue and guide to the artworks of Italy produced following a journey of two years conducted by French engraver and critic Charles-Nicolas Cochin 1715-1790 undertaken in part in the company of Abel Francois Poisson brother of mistress to Louis XV Madame de Pompadour. . 12mo. Chez Ch. Ant. Jombert unknown
1767223077Milan: Federico Agnelli 1767. First edition. Engraved portrait frontispiece to volume I. xv 1 343; 2 352; 2 423; 2 374 4; pp. 375-805 Additioni. 4to 25.5 x 20 cm.; 10 x 8 inches. Contemporary half vellum over patterned paper boards brown morocco lettering-piece to spine extremities slightly bumped or rubbed. BEAUTIFUL COPY uncut. First edition. Engraved portrait frontispiece to volume I. xv 1 343; 2 352; 2 423; 2 374 4; pp. 375-805 Additioni. 4to 25.5 x 20 cm.; 10 x 8 inches. Fine set of this massive and important bibliography by the Bolognese Argelati 1685-1755 posthumously published with additions and corrections by Angelo Teodoro Villa 1723-1794. Federico Agnelli unknown