60 résultats
157321702Florenz, Giunti, 1573. 16 Bll., 578 S., 2 Bll. mit einigen einigen großen, figürlichen Holzschnitt-Initialen und Holzschnitt-Vignetten. 8°. Pgmt. der Zeit (knitterfaltig, etw. fleckig und gebräunt sowie etw. bestoßen, oberes Kapitell mit kl. Einriss). [5 Warenabbildungen]
156559595BBVenedig:, Vincenzo Valgrisi, 1565. Gr.-8°. [14] Bl., 682 S., (32) S., 51 Tafeln, zahlreiche Vignetten, Pergament mit rotem Rückenschild und goldgeprägter Schrift und mit umlaufendem Rotschnitt (Einband befleckt; Einbandecken, -kanten und Kapital oben und unten beschabt und bestossen; Innenscharnier vorne eingerissen; handschriftliche Notizen, zum Teil von alter Hand; Seiten teilweise wasserfleckig ohne Textverlust und dadurch wenig wellig)
15997751599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown grey and three shades of ochre 14 1/2 x 14 1/2 inches 370 x 370 mm the full sheet. A very good impression with gaufrage clearly visible on the verso trimmed to the platemark. A central vertical fold is mainly visible on the verso an additional diagonal fold is also visible on the verso. There are several scattered expert repairs to areas of skinning in the lower right quadrant of the sheet on the verso as well as one pea-sized area of expert repair in the center-left sheet on the verso. Repairs are not visible on the recto unless the sheet is viewed through raking light. Laid down to an archival paper matrix.<br /> <br /> Bartsch XII.101.11. Andreani published this suite of prints to reproduce the nine canvases of the Triumphs of Caesar by Andrea Mantegna made for the Gonzaga ducal palace in Mantua between 1484 and 1492 now residing in Hampton Court. The set his last large-scale publication took four years to complete and was the first to depict a painted cycle in its entirety. According to the dedication page Andreani worked after drawings prepared by the Mantuan painter Bernardo Malpizzi. Each of the nine scenes were printed with four blocks; the key block for outlines and separately carved blocks to apply the different shades of color. <br /> - The Chiaroscuro Woodcut in Renaissance Italy edited by Naoko Takahatake p108. unknown
155219674Antwerpen, Joannes Steelsius, 1552. 48 n.n. SS., 748, 43 n.n. SS. 8°, zeitgenössisches, reich blindgeprägtes Schweinsleder der Zeit über Holzdeckeln und vier Bünden. Einband datiert 1579 und mit dem Monogramm CK. Die zentralen Plattenstempel zeigen die Taufe Christi mit vierzeiliger Unterschrift, die Rollenstempel zeigen Porträts von Erasmus, Luther, Melanchton und Jan Hus. Die Metallschließen fehlend, Einband etw. fleckig, Ecken bestoßen.
1551025951Gabriel Giolito di Ferrarii, Vinetia (Venedig) 1551. ristampe 1551 Pergament Tadellos
158411080Florenz, Marescotti, 1584. 24 Bll., 648 S. mit 1 blattgr. Textholzschnitt. 8°. Mod. Pgmt (leicht fleckig, Spuren eines Stempels).
157171359ABVenezia, Mattheo Boselli, 1571. 8°. Mit 57, teilweise wiederholten, Holzschnitten im Text und halbeitengrosser Druckermarke auf Titel. (4), 92, (12) Bll. Flexibler Pergamentband der Zeit (ohne Vorsätze, Deckel berieben).
15886821CBFlorenz, Filippo Giunti, 1588. Kl.-4°. (4) Bl., 186 S., (9) Bl. Mit Holzschnitt-Portrait, 2 versch. Holzschnittdruckermarken und zahlr. Holzschnitt-Initialen. Flexibler Pergamentband der Zeit mit 2 Schliessbändern (2 Seiten ausgerissen), handschr. Rückentitel und Papierrückenschild. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C|D [4 Warenabbildungen]
160015864ABVenice, Io. Baptista Ciotti, 1600. 38,5 : 25 cm. Engraved title, 6 leaves, 136; 15 pages, 32 double-page engraved plates. Calf in contemporary style.
1592371810Rome: Ex Typographia Apostolica Vaticana 1592. First edition of the Clementine Bible. Edition of 500 copies. Engraved title page reading: Biblia sacra vulgatae editionis. Sixti Quinti Pont. Max. iussu recognita atque edita. Letterpress title page printed in red and black. Text in double columns. 12 1131 1 blank 23 1 blank pp. 1 vols. Folio 349 x 250 mm. Full reddish-orange levant morocco spine titled in gilt raised bands highlighted in black boards with single rule in black dated 1957 on turn-in. Fine. Leather-tipped slipcase. First edition of the Clementine Bible. Edition of 500 copies. Engraved title page reading: Biblia sacra vulgatae editionis. Sixti Quinti Pont. Max. iussu recognita atque edita. Letterpress title page printed in red and black. Text in double columns. 12 1131 1 blank 23 1 blank pp. 1 vols. Folio 349 x 250 mm. First edition of the official text of the Catholic Bible issued under sanction of Clement VIII and therefore known as the "Clementine Bible" and superseding the controversial and suppressed edition of Sixtus V of 1590. The text is preceded by Cardinal Bellarmino's preface the Decree of the Council of Trent on the canonical Scriptures and a brief by Clement VIII.<br /> <br /> "It is generally admitted that on the whole the Clementine text . is critically an improvement upon the Sixtine. . The Clementine Bible of 1592 remains to the present day the standard edition of the Roman Church" Darlow & Moule. <br /> <br /> Nice wide-margined copy of this notable edition. Brunet I 878; Darlow and Moule 6184; Adams B1101; P.M. Baumgarten Neue Kunde von alten Bibeln pp. 316-322. Provenance: W. A. Copinger bookplate; General Theological Seminary gift of Cornelius Vanderbilt and Dean Augustus Hoffman bookplates Ex Typographia Apostolica Vaticana unknown