VICKERS, PhilipLivre Rare Book
37 résultats
2007351491 brochure in-8, Out of sorts Pres & Letter Foundery, 2007, 25 pp.
2001420951 vol. in-4 br., Cobra Museum for modern Art, Amstelveen, 2001
20070131Stockholm, Premium Publishing, 2007. First and only edition. A tall in-4 hardcover volume, 303 x 218 mm, 235 pp. (2 ff). Pictorial covers, no DJ as published, bonus CD is included. Black and white pictures as endsheets. Table of contents at the beginning. Profusely illustrated. "This lavishly illustrated discography is the definitive statement on the legendary progressive music movement in Sweden during its most flourishing and innovative period – from 1967 and all the way through the 1970's. It has even become one of the most important areas among record collectors from all over the world. Meticulously researched, the book guides you through every single artist and group that ever had a progressive record released! On major labels as well as on the small independent labels. They are presented in detail along with all the individual musicians that made it all happen. It covers the fuzz guitar groups, the experimental bands, the power trios, the radical political groups and the psychedelic acts. Early pioneers like International Harvester, Made In Sweden, Hansson & Karlsson and Mecki Mark Men paved the way for renowned acts like November, Träd, Gräs & Stenar, Blå Tåget, Nationalteatern, Hoola Bandoola Band and Kebnekajse as well as the mavericks of Knutna Nävar and Rävjunk. They are all included! As well as the highly collectable acts as Radiomöbel, Taste of Blues, Gandalf and Epizootic. This superbly produced full colour book presents approximately 400 artists and their records in detail with a collector´s valuation guide for the original vinyl records and with all sleeves lovingly depicted!" (Back cover of the book)
20066956829 issues softcover, the Lute Society, Albury, Guildford, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013 and 2014 rd. 40 pp. for each issue, i.e. rd 1,200 pp. for the whole.
20090103Salvador da Bahia, Maianga, 2009. Édition originale. Bilingue portugais-anglais. Grand in-4 carré de 315 mm de côté pour 254 pp. Relié éditeur avec jaquette et emboîtage protecteur. Accompagné d'un CD-ROM (non testé). Imprimé sur papier couché, richement illustré, tranchefile. Né à Bahia, au Nord-Est du Brésil, le photographe Sérgio Guerra travaille pour la communication du gouvernement d'Angola. Passionné par ce pays d'Afrique, il y consacre ici son cinquième livre. Guerra a tenu à rencontrer les Hereros, une ethnie du sud du pays qui maintient un mode de vie ancestral. Un ouvrage fascinant et plus que dépaysant, quasi introuvable hors hémisphère Sud. ************** Salvador da Bahia, Maianga, 2009. First edition. Bilingual Portuguese-English. Large square quarto (315 mm x 1/4 in) 254 pp. Publisher's hardcover with dust jacket and slipcase. Accompanied by a CD-ROM (untested). Printed on coated paper, richly illustrated, headbands. Born in Bahia, in northeastern Brazil, photographer Sérgio Guerra works for the Angolan government's communications department. Passionate about this African country, he dedicates his fifth book to it. Guerra was determined to meet the Herero people, an ethnic group in the south of the country who maintain an ancestral way of life. A fascinating and truly captivating work, virtually impossible to find outside the Southern Hemisphere. ************* Salvador da Bahia, Maianga, 2009. Primeira edição. Bilíngue português-inglês. Formato grande quadrado (315 mm x 1/4 pol.), 254 páginas. Encadernação original com sobrecapa e estojo. Acompanha CD-ROM (não testado). Impresso em papel couché, ricamente ilustrado, com faixa de cabeça. Nascido na Bahia, no nordeste do Brasil, o fotógrafo Sérgio Guerra trabalha para o departamento de comunicação do governo angolano. Apaixonado por este país africano, dedica-lhe seu quinto livro. Guerra estava determinado a conhecer o povo Herero, um grupo étnico do sul do país que mantém um modo de vida ancestral. Uma obra fascinante e verdadeiramente cativante, praticamente impossível de encontrar fora do Hemisfério Sul.
2017QZI-22London, Hodder & Stoughton, 2017. First UK edition. Hardback in dark blue cloth with dust jacket. SIGNED by Owen King on a tipped-in paper stuck on the half-title page, below an ex-dono by a previous owner. Interestingly, the paper King signed refers to a bookstore localized in Bangor, MA, so in the USA. The colored endpapers feature a butterfly design in clear blue over navy blue. A brick of a book with its 16 x 24 cm and 718 pp. size! An interesting collaboration between Stephen King and his son.
2003DIC71M2003. Oxford University Press. First Printing. Hardcover. Octavo. xiii, 375pp.
2001509801 vol. 4to. softcover, col. photogr., Sotheby's, Amsterdam, 2001, 174 pp. 730 items with estimates
20080420São Paulo, Embraer, 2008. In English. A wide 31 x 24 book with 311 pp. Hardcover, illustrated blue boards, title written in blue on the soft silver spine. Printed on couché paper. Contents listed at the beginning of the book, with a foreword of Maurício Novis Botelho, then chairman of the Board of Directors of Embraer. Lavishly illustrated throughout. Text written in two or three columns per page. This is THE reference book about Brazilian aircraft making. From Santos-Dumont's experiments in France and Brazil to Embraer's global successes in the 2000s, Aircraft Building describes it in painstaking detail while outlaying an engaging account.
2006516Salvador, Corrupio, 2006. First edition of the English and Spanish translation of Verger's original French and Portuguese book published in 1985. Wide in-8, 19 x 25 cm, 151 pp. Softcover. Green cover. Title in yellow and off-white. Illustrated with drawings by Carybé. Written in Spanish on the left pages and English on the right ones. Chapters: The Birth of Oraniyan; A Hunter becomes Orisha Oko; How Olokun Became Queen of the Waters; The Quarrel Between Oshala and Eshu; The War Between Oshala and Oduduwa; and many others.
2001595071 vol. in-8 cartonnage éditeur, Brill, Leiden - Boston - Köln, 2001, XXVII-348 pp. et 2 ff.
20050458Chennai, Sahaj Marg Spirituality Foundation, 2005. En anglais. Édition commémorative spéciale Jubilé de Diamant. Un épais volume in-8 de 213 x 143 mm pour 7 cm d'épaisseur et (xiv) 681 pp. (ff). Relié plein cuir nubuck au ton tabac, plats richement embossés ton sur ton avec de multiples encadrements, floral, fileté, à traits perpendiculaires et points et encadrement final cousu avec le titre en cursive ton sur ton au milieu. Double encadrement orné embossé au dos, titre également en cursives. Motif de la SMSF embossé en quatrième de couverture. Toutes tranches dorées, tranchefile marron, signet rouge. Pages de garde d'un jaune doré à motifs en mandala avec espace prédéfini pour ex-libris, laissé vide. Le livre est accompagné d'un grand boîtier clamshell (270 x 206 mm pour 8 cm d'épaisseur) au ton caramel et à l'intérieur vanille doré, avec un mandala doré au contreplat du couvercle, un aimant de fermeture et un signet doré facilitant la sortie du livre. Nombreux portraits de chefs spirituels en sépia sur des pages en papier calque. Sommaire : An Invitation, Messages from my Mother Janaki Rajagopalan, Messages from Revered Lalaji Maharaj, Messages from Revered Babuji Maharaj, Prophecies from Revered Babuji Maharaj, Messages to All Members of the Human Fraternity from Revered Babuji Maharaj, Messages from my Wife Sulochana, Message from Swami Vivekananda, Message from Maitreya. Boîtier légèrement abîmé, petits points d'usures et de frottement au plat avant et aux arêtes. Taches d'humidité très légères sur le cuir, quasi imperceptibles, sinon en excellent état. Intérieur absolument propre. ******************************************************************************** Chennai, Sahaj Marg Spirituality Foundation, 2005. In English. Special Diamond Jubilee Commemorative Edition. A thick octavo volume of 213 x 143 mm by 7 cm thick and (xiv) 621 pp. Bound in full tobacco-colored nubuck leather, richly embossed tone-on-tone covers with multiple frames, floral, filleted, with perpendicular lines and dots and final frame sewn with the title in tone-on-tone cursive in the center. Double embossed decoration on the spine, title also in cursive. SMSF symbol embossed on the back cover. All edges gilt, brown headbands, red bookmark. Golden yellow endpapers with mandala patterns featuring a predefined space for bookplates, left blank. The book is accompanied by a large clamshell case (270 x 206 mm for 8 cm thick) in caramel tone and golden vanilla interior, with a golden mandala on the inside cover, a closing magnet and a golden bookmark facilitating the removal of the book. Numerous portraits of spiritual leaders in sepia on tracing paper pages. Contents: An invitation, Messages from my mother Janaki Rajagopalan, Messages from the venerable Lalaji Maharaj, Messages from the venerable Babuji Maharaj, Prophecies from the venerable Babuji Maharaj, Messages to all members of the human fraternity from the venerable Babuji Maharaj, Messages from my wife Sulochana, Message from Swami Vivekananda, Message from Maitreya. Case slightly damaged, small points of wear and friction on the front cover and edges. Very light, almost imperceptible white stains on the leather, otherwise in excellent condition. Inside absolutely clean and crisp.
2009421141 vol. in-4 oblong cartonnage éditeur sous jaquette illustrée, Hong Kong SAR China, Yvon Choi, 2009, 161 pp.
20120149Paris, Flammarion, 2012. In-folio de 356 x 273 mm pour 352 pp. Édition originale. En anglais, richement illustré. Relié avec jaquette imprimée colorée, pleine toile grise éditeur embossée, gardes jaunes. Texte de Maurilla Castello Branco. Doublement préfacé par Sérgio Cabral et Eduardo Paes, respectivement gouverneur de l'État de Rio de Janeiro et maire de la ville de Rio de Janeiro. Résumé, traduit, figurant sur le rabat de la jaquette de couverture : "Rio de Janeiro est une ville emblématique aux contrastes vibrants : énergie juvénile et grandes traditions, végétation luxuriante et architecture innovante. Son style de vie unique est diversifié et riche culturellement, et la ville abrite de remarquables maisons modernistes et contemporaines aux côtés de joyaux coloniaux historiques. Les auteurs ouvrent les portes d'un Rio de Janeiro d'initiés à travers une visite de plus de vingt-cinq maisons privées, dont dix-neuf sont présentées ici pour la première fois. Elles comprennent un manoir de l'époque coloniale dans le quartier artistique de Rio entouré de jardins luxuriants ; un appartement privé avec une vue imprenable et une fabuleuse collection d'art moderne ; des maisons contemporaines épurées qui brouillent les frontières entre intérieur et extérieur - avec un design chaleureux à base de bois, des murs en verre du sol au plafond, des piscines ombragées et des meubles de designers modernistes brésiliens tels qu'Oscar Niemeyer et Sérgio Rodrigues. Des domaines traditionnels et des fazendas en dehors de la ville sont également présentés, aménagés avec des bois tropicaux, des rideaux de soie et des volets filtrant la lumière du soleil." Très nombreuses photos et explications sur les appartements de luxe, les jardins, les maisons de plage, les fazendas, la gastronomie, l'architecture contemporaine, etc. de la cité carioca. De quoi voyager ou rêver... que l'on vive à 5000 km de distance ou dans un immeuble miteux juste à côté de ceux du livre !
2011631561 vol. in-8 reliure pleine toile verte éditeur, Dr. Ludwig Reichert Verlag, Wiesbaden, 2011, 364 pp.
2003551São Paulo, Lemar and Tecmedd, 2003. Hardcover, 18 x 24 cm, 368 pp. Printed on glossy paper, illustrated. 27 chapters about "The Classification of MDS and myeloproliferative disorders in children", "Pitfalls in cyto-histology of pediatric MDS/JMML", "Molecular biology of hematopoietic cells in MDS: an evolutionary perspective", "The importance of bone marrow histology in MDS" and many other matters. Various contributors. From the editors: "The last decade has seen a surge of interest in pediatric myelodysplastic diseases and a number of initiatives to improve registration,diagnosis, and management have been launched. An increasing number of publications have appeared but no book has as yet compiled the many aspects of myelodysplastic diseases in children.This book has contributions from the major researchers and groups involved in the study of myelodysplasia and myeloproliferative disorders in children. It is composed of three introducing chapters on classification and epidemiology followed by detailed discussion of the many aspects of MDS and JMML. The last chapters present the experiences from a number of study groups worldwide describing their achievements in the study of this intriguing group of diseases. The book reflects out current knowledge on myelodysplastic and myeloproliferative disorders including some controversies. In a field moving rapidly towards new accomplishments discrepancies in interpretation of the data will invariably exist.It has been a pleasure to collaborate with this distinguished group of authors. We hope hematologists, pediatric oncologists, and laboratorial professionals will find the book useful in clinical practice and an inspiring basis for further research."
20170298São Paulo, self-edited, 2017. One octavo softcover book of 228 x 154 mm, 118 pp. Many black and white pictures throughout the book. Translated from Chinese to English by David Curtis Wright with the author's help. SIGNED by the author on the half-title page. A heart-wrenching and powerful story about a Chinese man who overcame many hurdles to escape an authoritarian government to ultimately land in Brazil, where he and his family fared well in peace. "Born in 1933, Li Mu, pseudonym of Dr. Yeung Chi Bor, is a Chinese-Brazilian doctor and acupuncturist. He grew up in the Chinese province of Guangdong under the Chinese Communist Regime. Targeted by the authorities as 'landlords', Yeung and his family were persecuted, defamed, tortured, and had their possessions confiscated. His father was executed and he was sent to labor camps. Throughout his struggle for survival, Yeung bore witness to one of the worst atrocities in history. He ultimately escaped as a refugee into Hong Kong in 1962 and, in 1977, made a great leap into the unknown, immigrating to Brazil at the age of 44. Dr. Yeung has three daughters and one son, and lives with his wife in the Brazilian city of Belo Horizonte, in the state of Minas Gerais."
2001452351 vol. in-4 cartonnage éditeur sous jaquette illustrée, Magyar Könyvklub, 2001, 136 pp.
20090373Melbourne, Miegunyah Press, 2009. A very thick in-4 book of 276 x 194 mm for (6) vii, xvii, 1108 pp. Coal black hardbinding, title in bronze on the cover and spine, abstract in bronze on the back cover. Printed on couché paper, profusely illustrated with a majority color images. No dust jacket as issued. "Crossing Cultures: Conflict, Migration and Convergence is an in-depth examination of the effect of globalism on art and art history. Covering all aspects of art—including traditional media, painting, sculpture, architecture and the crafts, as well as design, film, visual performance and new media—it explores the themes of conflict, migration and convergence in the visual, symbolic and artistic exchanges between cultures throughout history. Crossing Cultures is a compilation of the conference papers from the 32nd International Congress in the History of Art organized by the International Committee of the History of Art (CIHA), edited by conference convenor Professor Jaynie Anderson. This volume contains more than 200 papers presented at the congress by art historians from twenty-five countries, including Homi K Bhabha (Harvard University), Michael Brand (Director of the John Paul Getty Museum, Los Angeles), Marcia Langton (Chair of Australian Indigenous Studies, University of Melbourne), Ronald de Leeuw (Director of the Rijksmuseum, Amsterdam), Neil McGregor (Director of the British Museum, London) and Ruth B. Phillips (Canada Research Chair in Modern Culture and Professor of Art History, Carleton University, Ottawa). Never before has the state of art history in our polycentric world been demonstrated so well. Crossing Cultures encourages fresh thinking about global art history." (Abstract)
202001004United Kingdom, Scarlet Imprint, 2020. Limited to 51 copies of 278 x 192 mm, 261 pp. Half-bound in black goatskin, with yellow silk boards, black marbled endpapers, all edges gilt, finished with a silk ribbon and presented in a lined slip case, this copy being #50. "In Artaud and the Gnostic Drama, Jane Goodall offers a reappraisal of the importance of Antonin Artaud (18961948), mythologised as an icon of failure and madness, and examines the intricate parallels between his heretical dramaturgy and the heresies of ancient Gnosticism. The book situates Artaud, as the most extravagant of heretics, in company with the Gnostics whose speculations served to define heresy in the beginnings of the Christian tradition. Artaud subscribed to the Gnostic idea that the sensible world was created by a demiurge who was “imperfect, possibly evil and depraved.” His cosmology is inherently dramatic, setting creature against creator, force against form, matter against spirit, pious knowledge against heretical gnosis. Jane Goodall argues that major post-structuralist critics such as Derrida, Deleuze, and Foucault, who have enlisted Artaud in their own anti-orthodoxies, have refused to pay attention to the terms of his own heresy. In this refusal, they display an anxiety towards the gnostic drama and its heresies, which mount an assault that may be more powerful than their own upon the founding tenets of western thought." (Publisher's abstract) This work was first published by the Clarendon Press, Oxford in 1994. The text has been lightly revised for this second edition and is illustrated.
20090129São Paulo, Instituto Tomie Ohtake, 2009. Wide, oblong in-4 of 30 x 31 cm for 323 pp. Text written on three columns on Spanish, English and Portuguese. Hardcover with dust jacket, turquoise covers, black endpapers, printed on neat couché paper. Headband. Lavish art book dedicated to Ruy Ohtake's amazing architectural works. Throughout São Paulo and beyond, this master architect managed to remain ever-creative and lead the Brazilian contemporary architecture, or perhaps the paulista one. Texts by Agnaldo Farias, Paulo Herkenhoff, Rodrigo Queiroz, Roberto Segre, Julio Roberto Katinsky and others. Take a deep breath and immerse yourself in Ohtake's curvy, unmistakable creations such as the Hotel Unique, Condomínio Portal da Cidade, Edificio Tomie Ohtake, Duchamps Villon, Lagoa 1000, Maison de mouette, Montblanc, Anhangabaú building and many others!
20050407Tel-Aviv, Ifat Reiss / GINA, 2005. This is the catalogue of an exhibition which happened from May 26 to June 25, 2005, at the GINA Gallery in Tel-Aviv, Israel. Bilingual, written in English and Hebrew. A square 22 cm softcover volume with Bradel-style covers and 65 pp. Printed on couché paper, features all the paintings exhibited at the event. Introduction by Jacques Ardies. Foreword by Dan Chill, founder of GINA. Translated by Ofer Halevi. Artists featured: Ivonaldo (Veloso de Melo), Louis Marius Amorim Ferreira de Moraes, Constancia Nery, Edgar Calhado, Malu Delibo, Edivaldo Barbosa de Souza, Barbara Rochlitz, Ana Maria Dias.
2017522Springer, 2017. First and only edition. Hardback, Bradel-style hinges, 16 x 24.5 cm, (vii) 175 pp. With texts on: Failure to Make the Correct Diagnosis; Facial Nerve Injury; Frey Syndrome; Neuropathic Pain and Chronic Opioid Use; Massive Hemorrhage; Iatrogenic Degenerative Joint Disease; and other texts. Numerous illustrations throughout. "This book provides detailed guidance on the recognition and treatment of the complications most frequently encountered in patients who undergo temporomandibular joint surgery. Evidence-based guidelines are referred to whenever possible, and when such guidelines are lacking, the preferred current approaches to diagnosis and management are described. In addition, the pathophysiology of each complication is discussed and advice offered on how to ensure that the correct surgical procedure is chosen for the individual patient, thereby minimizing the risk of complications. Illustrative cases are included to further highlight key points. The authors are experienced surgeons and pioneers in the field of temporomandibular joint surgery. Complications of Temporomandibular Joint Surgery will be of value for all who work in this technically very challenging field and regularly have to deal with the issues posed by a difficult patient population and the risk of suboptimal outcomes."
2006520Johannesburg, Art and Ubuntu Trust, 2006. In-8 booklet, 17 x 24 cm, 126 pp. Softcover with rigid silver metal-like covers. Handwritten mention "NEW AFRICAN ARTISTS - ERNEST MANCOBA" on the spine. Book is SIGNED by curator Bridget Thompson on the back of the front cover: "Dear Milton, With great appreciation for our work together and [illegible] for images, with love, Bridget". Printed on coated glossy paper, numerous artworks by Ernest Mancoba showcased, texts by various authors including the Ambassador of Denmark Torben Brylle and the "Funeral Oration" said in honor of the artist on November 2, 2022. "In the Name of All Humanity: The African Spiritual Expression of E. Mancoba" was a landmark 2006–2007 exhibition and catalogue curated by Bridget Thompson, highlighting South African artist Ernest Mancoba's synthesis of African spirituality, humanity, and Western modernism. It showcased his life's work as a vision of global unity rooted in the proverb “umuntu ngumuntu ngabanye abantu” (a person is a person because of other people).
20150521Tel-Aviv, Beit Hatfutsot (Museum of Jewish People), 2015. First and only edition. This is a catalogue of an exposition of paintings and artworks by Eliahou Eric Bokobza, with explanatory texts in English. In-4, 308 x 250 mm, 141 (3) pp. Bradel-style hardcover with colorful boards. Title written in Hebrew on spine. Printed on couché paper. Foreword by Orit Shaham-Gover, text "Kol Israel Haverim (All Jews are Friends): Multiple Jewish Identities in the Work of Eric Bokobza" by Smadar Sheffi. "Bokobza grapples with the weighty concept of kol Yisrael haverim and the contrasting elements of what he calls his “mixed identity”—his Tunisian-French-Israeli heritage, Oriental and Occidental cultures, his experience with religion and mysticism as a secular Jew— in “United Colors.” The exhibit is modeled after traditional museum exhibitions of Judaica, said Bokobza, which typically divide Jewish ritual objects into Jewish holiday and life cycle sections... “In each painting, I’m showing what my secular experience as a Jew in Israel was like” he said." (The Times of Israel, "The artist whose life began with Elijah", Zahava Presser, 30 July 2015)
