16 158 résultats
1924102166Paris B.Grasset. 1924 304p 1 volume IN8 broché. Couverture imprimée.
500247854Hatier Sans date.
1974105099Kassel, Bärenreiter, 1974. 199 S. 8° Oktav, Softcover/Paperback
Testi: Hansen Al. F.to: 14x21; pagg. 140; BN; rileg. brossura. Editore: Something Else Press, New York, 1965.
1951101485Dornach, Philosophisch-Anthroposophischer Verlag, 1951. 80 S. Gr.-8° Groß-Oktav, Softcover/Paperback
Salamanca, Europa Artes Gráficas, 1981, 24 x 16'5 cm., 527 págs.
500262824Sans date.
Can art express questions about justice? Could art, perhaps, even create justice? In <I>Aesthetic Justice</I>, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers-including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz, Gerald Raunig, Dieter Roelstraete, Hito Steyerl, Julia Svetlichnaja, Hakan Topal, Samuel Vriezen and Christian Wolff-to reflect on new futures for the notion and practice of justice. The book offers thought-provoking views on the ways in which art may confront and potentially redirect social and political futures. Incorporating analyses of contemporary artworks that challenge the social, political or economic status quo, as well as interviews with artists and theoretical reflections, <I>Aesthetic Justice</I> considers the liberating potential of aesthetic frameworks and suggests alternatives for a more just future. — Testi: Beloff Zoe, Van Tomme Niels et al. pagg. 320; rileg. brossura. Editore: Valiz, Amsterdam, 2015.
192893129Zürich, Amalthea-Verlag, ca. 1928. 248 S. 8° Oktav, Softcover/Paperback
1882GITe403Sans lieu ni date vers 1882. Grand in-8 broché, titre imprimé sur le 1er plat 14 feuillets chiffrés imprimés sur le recto seulement d'après un support manuscrit. Pliure angulaire sur le 1er plat, 2 petites coupures sur le 2e, intérieur en bon état et bien complet. Rare.
199989407o. O., Brandes & Apsel Verlag, 1999. 131 S. 8° Oktav, Softcover/Paperback
200189409o. O., Brandes & Apsel Verlag, 2001. 152 S. 8° Oktav, Softcover/Paperback
199989396Frankfurt, Brandes & Apel Verlag, 1999. 137 S. 8° Oktav, Softcover/Paperback
This encyclopedic book examines the history of performances by obscure Japanese artists in Japan from 1957 to 1970, with focus on the Anti-art movement in Japan in the 1960s. The book aims to place those artists in the cultural and political context of the anarchist tendencies of that era in Japan, which also manifested themselves in the contemporary counter-culture and political activism. The book consists of four sections. The first section points out the absence of performance art in the discussion of Japanese art history and art criticism and discusses the cause of such neglect. The second and third section presents the history of Japanese performance arts by documenting performance groups, art movements, and individual performance artists. The fourth section provides an analysis of political, cultural, and social backgrounds to the Anti-art performances and what it infers today. This book also includes photographs of performances, an index of artists, artist groups, and other items, and a chronological table of events spanning 30 years from 1945 to 1975. — Testi: Kuroda Raiji. F.to: 15,5x21; pagg. 768; BN; rileg. rigida con sovraccoperta. Editore: Grambooks, 2010.
17114Stuttgart Deutsche Verlags-Anstalt, o. J. o. S. 8° Oktav Brosch.
1999500232123Ballon Kids 1999 1999. Broché.
“As I see it, creativity includes things like opening a hotel in Kabul,” explained Alighiero Boetti, and he went on to realize this plan in 1971 on his second stay in Afghanistan, during which he opened the One Hotel with his friend Gholam Dastaghir. The hotel remained open for six years. Annemarie Sauzeau was married to the Italian artist for more than twenty years, and in her personal reminiscence, she recounts Boetti’s time in Kabul, where she occasionally accompanied him. How was it possible to open a hotel in Afghanistan? Who were the hotel guests? What happened on a typical day in the hotel? She also describes the close relationship Boetti had with this country, where he spent at least four weeks twice a year, and which assumed a significant role in his oeuvre. — Testi: Sauzeau Annemarie. F.to: 15x21; pagg. 24; 10 ills; rileg. brossura. Editore: Hatje Cantz Verlag, Ostfildern, 2011.
13389o. O. The Japan Art Association. 440 S. 4° Quart Kart.
Universidad de Granada, 1981, 21 x 15 cm., 106 págs. + 2 h.
278p. Hardcover Very good condition Essays reprinted from the Atlantic monthly. Contents: Fiddlers errant, by R.H. Schauffler.--Turtle eggs for Agassiz, by D.L. Sharp.--A father to his freshman son, by E.S. Martin.--Intensive living, by Cornelia A.P. Comer.--Reminiscence with postscript, by O. Wister.--The other side, by Margaret Sherwood.--On authors, by Margaret P. Montague.--The provincial American, by M. Nicholson.--Our Lady Poverty, by Agnes Repplier.--Entertaining the candidate, by Katharine Baker.--The street, by S. Strunsky.--Fashions in men, by Katherine F. Gerould.--A confession in prose, by W.P. Eaton.--In the chair, by R. Bergengren.--The passing of indoors, by Zephine Humphrey.--The contented heart, by Lucy E. Keeler.
193397769Leipzig, Verlag von Auerbachs Deutschem Kinder-Kalender, ca. 1933. XVI + 144 S. 8° Oktav, Leinen
192997767Leipzig, Verlag von Auerbachs Deutschem Kinder-Kalender, ca. 1929. XVI + 144 S. 8° Oktav, Leinen
1979104684Frankfurt, Verlag Roter Stern, 1979. 617 S. 8° Oktav, Leinen
18557Krefeld Agis-Verlag, o. J. 253 S. 8° Oktav Brosch. 4 Bände
192392449Berlin, Verlag Ullstein, 1923. 111 S. 2° Folio, Halbleinen