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19356911935 - reliure - Sanjian Shuwu 三閒書屋 - Yinyu ji 引玉集 (« Recueil pour attirer le jade ») 木刻五十九幅 - Deuxième tirage, avril 1935 - In-8 (19,5 × 15,5 cm) reliure cartonnée de l'éditeur, dos noir, pièce de titre contrecollée sur le premier plat - 68 pages - 59 reproductions de gravures sur bois soviétiques imprimées au procédé collotype (珂羅版) d'après les tirages originaux fournis par les artistes - Comprend un texte de Chen Jie (陳節), traduction abrégée d'un essai de A. D. Chegodaev consacré à la gravure soviétique contemporaine - Tirage limité à 215 exemplaires, dont 15 exemplaires hors commerce - Diffusion assurée par la librairie Uchiyama (內山書店), Shanghai - Ouvrage en chinois - Avec des œuvres de Dmitri Isidorovich Mitrokhin, A. Kravchenko, N. Piskarev, Vladimir Andreevich Favorsky, P. Pavlinov, A. Goncharov, M. Pikov, Sergei Mikhalovich Mocharov, L. Khizhinsky, Nikolai Vasilievich Alekseev et Sergei Mikhailovich Pozharsky - A PROPOS : Rare anthologie consacrée à la gravure soviétique moderne, publiée à Shanghai par 三閒書屋 et diffusée par la librairie Uchiyama (內山書店). L'ouvrage réunit cinquante-neuf reproductions en collotype de gravures sur bois réalisées par plusieurs figures majeures de l'école russe et soviétique de la gravure des années 1920-1930, parmi lesquelles Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko et Pavel Pavlinov. Accompagné d'une traduction abrégée par Chen Jie d'un essai de l'historien de l'art soviétique A. D. Chegodaev, ainsi que d'une préface, d'un catalogue des planches et d'une postface, le volume fut conçu comme une introduction à l'estampe contemporaine soviétique pour le public chinois. Témoignage remarquable des échanges artistiques sino-soviétiques dans le Shanghai républicain des années 1930, il s'inscrit dans le contexte du mouvement de la Nouvelle Gravure (新興木刻運動), alors en plein essor sous l'influence des milieux intellectuels de gauche et des réseaux culturels gravitant autour de la librairie Uchiyama et de la figure de Lu Xun. Les reproductions furent réunies à partir de documents et publications soviétiques découverts au début des années 1930, notamment par l'intermédiaire de la revue Graphika. /// ENGLISH: Sanjian Shuwu (三閒書屋) - Yinyu ji (引玉集, “Collection to Draw Forth Jade”): Fifty-Nine Woodcuts (木刻五十九幅) - Second printing, April 1935 - Octavo (19.5 × 15.5 cm), publisher's boards with black spine and mounted title label on upper cover - 68 pages - 59 collotype (珂羅版) reproductions of Soviet woodcuts printed from original impressions supplied by the artists - Includes a text by Chen Jie (陳節), an abridged translation of an essay by A. D. Chegodaev on contemporary Soviet printmaking - Limited edition of 215 copies, including 15 non-commercial presentation copies - Distributed by Uchiyama Bookstore (內山書店), Shanghai - Text in Chinese - Featuring works by Dmitri Isidorovich Mitrokhin, Alexei Kravchenko, Nikolai Piskarev, Vladimir Andreevich Favorsky, Pavel Pavlinov, Aleksandr Goncharov, Mikhail Pikov, Sergei Mikhailovich Mocharov, Leonid Khizhinsky, Nikolai Vasilievich Alekseev and Sergei Mikhailovich Pozharsky. ABOUT: Rare anthology devoted to modern Soviet wood engraving and printmaking, published in Shanghai by Sanjian Shuwu and distributed through Uchiyama Bookstore (內山書店). The volume gathers fifty-nine collotype reproductions of woodcuts by several leading figures of the Russian and Soviet printmaking revival of the 1920s and 1930s, including Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko and Pavel Pavlinov. Accompanied by Chen Jie's abridged translation of an essay by Soviet art historian A. D. Chegodaev, as well as a preface, plate catalogue and postface, the work was conceived as an introduction to contemporary Soviet printmaking for Chinese readers. A remarkable testimony to Sino-Soviet artistic exchanges in Republican-era Shanghai, it belongs to the context of the New Woodcut Movement (新興木刻運動), then flourishing under the influence of left-wing intellectual circles and cultural networks associated with Uchiyama Bookstore and the figure of Lu Xun. The reproductions were assembled from Soviet books, periodicals and documentary sources discovered in the early 1930s, notably through the journal Graphika. /// 中文:三閒書屋出版 — 《引玉集:木刻五十九幅》 — 1935年4月再版 — 32開(19.5 × 15.5厘米)精裝本,黑色書脊,封面貼書名籤 — 68頁 — 收錄蘇聯木刻作品59幅,以珂羅版工藝依據藝術家提供之原拓本複製印製 — 附陳節摘譯 A. D. Chegodaev(契戈達耶夫)論蘇聯現代版畫藝術之文章 — 限印215部,其中15部為非賣贈送本 — 上海內山書店代售 — 中文版 — 收錄 Dmitri Isidorovich Mitrokhin、Alexei Kravchenko、Nikolai Piskarev、Vladimir Andreevich Favorsky、Pavel Pavlinov、Aleksandr Goncharov、Mikhail Pikov、Sergei Mikhailovich Mocharov、Leonid Khizhinsky、Nikolai Vasilievich Alekseev 及 Sergei Mikhailovich Pozharsky 等藝術家作品。關於本書:本書為三閒書屋於上海出版、由內山書店代售之珍稀蘇聯現代木刻版畫選集。全書收錄59幅以珂羅版精印之蘇聯木刻作品,作者均為1920至1930年代俄羅斯及蘇聯版畫復興運動的重要藝術家,其中包括弗拉基米爾·法沃爾斯基(Vladimir Favorsky)、德米特里·米特羅欣(Dmitri Mitrokhin)、阿列克謝·克拉夫琴科(Alexei Kravchenko)及帕維爾·帕夫利諾夫(Pavel Pavlinov)等人。書中除收錄陳節摘譯之蘇聯藝術史家 A. D. Chegodaev 論文外,尚附序言、圖版目錄及後記,旨在向中國讀者介紹蘇聯當代版畫藝術。本書不僅是研究俄蘇版畫的重要文獻,亦是1930年代上海中蘇藝術交流的珍貴見證。其出版背景與中國新興木刻運動(新興木刻運動)密切相關,反映了左翼知識界、內山書店文化網絡以及魯迅所倡導之版畫思想的深遠影響。書中圖版主要彙集自1930年代初傳入中國之蘇聯書籍、期刊及藝術資料,其中包括《Graphika》等重要出版物。
1961AMO-4505London : George Allen & Unwin ltd. Boston : Houghton Mifflin Company. 3 vol. 8vo 9.0" x 6.0" inches (23 x 15,5 cm) 423pp, folding map ; 352pp, folding map ; 416pp, folding map. First edition. Later printings (12/9/8). The Fellowship of the Ring. First edition first published in July 1954. Twelfth impression 1962. The Two Towers. First edition first published 1954. Ninth impression 1962. The Return of the King. First edition first published, October 1955. Eight impression 1961. Printed in Great Britain in 11 on 12 point Imprint type by Jarrold & Sons Ltd, Norwich. Each volume with a folding map at the end printed in red and black, top edges stained red. Exquisite full dark blue morocco fine leather binding, gilt ruled covers with the gilt "Ring & Eye" design stamped on the both covers, spine with decorated 5 raised bands ans two red gilt lettered morocco labels in the second and fourth compartments, with intertwined "J.R.R.T." initials in the bottom compartment. The amazing quality of the binding in in the style of Sangorski & Sutcliffe in fine condition. Extremely rare and absolutely spectacular.
196757805A human document, with an Introduction by Barbara Hannah, 8vo paperback, Schippert & Co, Zurich, s.d. [ 1967 ], XII-128 pp. with 12 original colored drawings under an envelope pasted on guard, and autograph text in flemish on 14 leaves (letters, poems) in another one. Full Tite : The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]
195359302Menu original format 16 x 10,5 cm, aux armes de la Reine Elizabeth, texte calligraphié du menu, rédigé en français : "Potage de Tomate à l'Estragon", "Truite de Rivière", "Poulet Reine Elizabeth ou Cornets de Jambon Lucullus", "Salades", "Galettes aux Fraises", "Roulade", "Mousse au citron", "Café. Friandises", "Moselle Brauneberger '43", 'Champagne Krug '45" / Original Coronation Luncheon Menu", 1953, with Queen Elizabeth coat of arms, size : 16 x 10,5 cm, Manuscript calligraphied text, with first mention of "Poulet Reine Elizabeth" and full text in french
1969014798Paris, New York, Genève, Milano, Roma, Madrid Alexander Iolas Gallery 1969 In-4 à l'italienne Reliure de l'éditeur Signé par l'illustrateur
19259583New York, Alfred A. Knopf, 1925. In-8 de 283-[5] pages, demi-toile verte, étiquette de titre au dos (passé et taché), plats de fantaisie florale. Sous étui gris (un peu taché, avec frottements en tête), étiquette de titre contrecollée au dos. Une troisième étiquette de titre couleur framboise est collée au second contreplat. Les défauts mentionnés mis à part, en belle condition. Page de titre non coupée.
195543736Privately Printed Softcover Iroquois Falls / Ontario 1955
1945517This is a set which belonged to Janusz Gluchowski, a high-ranking Polish military officer at the time of the WW2. The set contains three original B&W pictures. First one: undated postcard showing Marshal Jozef Pilsudski, signed by himself in black ink, 8.5 x 13.5 cm, with two embossed mentions above and below. Second picture: undated postcard showing Poland President Gabriel Narutowicz, with a written mention on the back. Third picture: 11 x 15.5 cm photograph. General Tadeusz Bór-Komorowski inspecting a British Cromwell tank, accompanied by Polish officers of the 3rd Armored Regiment (3 puk pancerny). The image was captured during an official ceremony in the city of Kelso, Scotland, in the immediate post-war period, on June 15, 1945. The scene shows the General in an observation position, climbing onto the tank while surrounded by Polish soldiers. The tank corresponds to a British model widely used by Polish forces in exile during the Western European campaign. On the reverse, the following handwritten inscriptions appear: VI 1945, Kelso. N. Wódz gen. Bór-Komorowski dokonuje inspekcji 3 p. panc. N. Wódz w towarzystwie bryg. puku na czogu." / June 15, 1945, Kelso The book is an illustrated three-languages (Polish, English and Italian) set commemorating the struggles of the Polish II Corps. Edited by Wyda Rererat [Referat] Kultury i Prasy Kresowej Dywizji Piechoty in Rome, 1945. Oblong book of 21 x 19 cm, unpaginated (144 pp.). Cover detached. Endpapers and first page show Janusz Gluchowski's stamp. In publisher's photographically illustrated wrappers. Each page contains a photographic image or a photomontage accompanied with a short text in three languages. Front cover shows some wear and tear, the binding is a bit loose - we would advise having this book bound. The Polish II Corps was a major tactical and operational unit recruited from Polish deportees in the Soviet Gulags in 1943. First they fought in the Middle East, and in 1944 February they were transferred to Italy and as independent part of the British Army to fight in the Italian campaign, in the battles of Monte Cassino and Ancona and also the Battle of Bologna during the final offensive in Italy in 1945. The book goes through the story of Poland and the later established Polish II Corps, starting with the German and Soviet occupation in 1939. It shows the deportation of Poles to forced labour to the Gulag and, after the Polish-Russian Military Agreement in 1941, the establishment of the Polish Army on Soviet soil, also their military training and their fights in various battles. Janusz Julian Gluchowski was a Major General in the Polish Army during the Second Polish Republic. He was born on August 6, 1888, in Bukowa. He fought in the Polish Legions in World War I, the Polish-Ukrainian War, the Polish-Soviet War, and the invasion of Poland by Nazi Germany, Slovakia, and the Soviet Union in 1939, which culminated in the start of World War II. In his adolescence, he attended high school in Czstochowa. In 1905, he became a member of the Combat Organization of the Polish Socialist Party and was wounded in the hand during an attack near Czstochowa. To avoid arrest by the Russian authorities, he left for Belgium, where he studied at the University of Liège. He returned to divided Poland around 1910 and settled in Austrian Galicia. In 1912 he graduated from the Officers' School of the Riflemen's Association in Stroza, near Krakow. In the early hours of August 1914, he commanded a platoon in Oleandria and was Wadysaw Belina-Pramowski's representative during the legendary attack of the so-called Seven Lancers of Belina (Uaska siódemka). On August 6th, together with the First Cadre Company, he left Krakow and marched to Miechów. In October 1914 he was promoted to Lieutenant (Poruchik) and, in November 1916, to Rittmeister (Cavalry Master). Until 1917 he served in the First Uhlan Regiment of the Polish Legions. After the Oath Crisis (Kryzys przysigowy) he was interned first in Fort Beniaminów and later in Werl. Released in October 1918, he went to Lublin, where, in early November, he formed the Third Ulan Regiment (later renamed the Seventh Ulan Regiment of Lublin). Along with his unit, he fought in the Polish-Soviet War. On May 29, 1920, he was promoted to Polkovnik. He was transferred in July 1920 to Eastern Galicia, taking command of the First Cavalry Brigade, fighting against the Soviets in Galicia and Volhynia. After the war, he remained in this position until 1925, when he was transferred to the Fourth Cavalry Brigade. Promoted to Brigadier General on March 16, 1927. Appointed commander of the Center for Higher Military Studies on June 4, 1930, and three years later, after the death of General Stanislaw Tessaro, he was appointed commander of Military District X in Przemyl. In October 1935, he became Deputy Minister of Military Affairs. In the early days of the 1939 invasion of Poland, Gluchowski ordered General Walerian Czuma to prepare the defense of Warsaw. In mid-September 1939, he fled to Romania. After his escape, he managed to travel to the Middle East and, in January 1941, received orders to go to London. In October 1941, he was appointed Commander of the Training Brigade stationed in Scotland. On September 23, 1943, he was appointed commander of all Polish Army units stationed in Great Britain, except the First Independent Parachute Brigade, which remained under the authority of the Commander-in-Chief. He was promoted to Major General on June 1, 1945. He decided not to return to Soviet-occupied Poland and remained in Great Britain. He frequently criticized the Soviet regime and the Soviet occupation authorities in postwar Poland. Furthermore, he was one of the founders and president of the Jozef Pilsudski Institute in London. He was, therefore, an active member of the Polish community in Great Britain. He was president and honorary member of several Polish veterans' organizations. He died on June 11, 1964, in London, England.
19289206London, Methuen & Co, 1928. In-8 de XI-[1]-178-[2] pages, plein veau souple framboise, dos lisse orné de cinq personnages dorés, premier plat orné de Eeyore et Christopher Robin au centre, double encadrement de filets dorés, fleurons dorés aux angles, tranches dorées. Très bel exemplaire en parfaite condition, ayant pour seul défaut une marque d'étiquette au faux-titre.In-8 of XI-[1]-178- [2] pages, full raspberry colored soft calf, smooth back decorated with five golden figures, first side decorated with Eeyore and Christopher Robin in the center, double framing of gilt fillets, gilt floral ornaments at the angles, gilt edges. Very nice copy in perfect condition, as the only defect a label trace on the half title.
1942016380New York Editions de la Maison Française 1942 In-4 broché, jaquette papier crista Edition originale
190759328Edited by William B. Slater and Arthur J. Sarl, with map and illustrations, 8vo full original red cloth, John Murray, Albemarle Street, London, 1907, xvii-380 pp. with a folding map
19767407Genève, Collections Baur, 1976. In-4 de [2]-52-[168]p, plein veau brun, couverture illustrée, emboîtage bordé de veau brun. A L'ETAT DE NEUF!!
19302008# AUTEUR: Aldington Richard # ÉDITEUR: Babou Henri and Jack Kahane - Paris # ANNÉE ÉDITION: 1930 # ENVOI, BEAUX PAPIERS: Japon # COUVERTURE: Souple - imprimée rempliée sous double emboitage # DÉTAILS: Deux volumes in 4° brochés, sous emboitage. T1- XII + 194pp + 1ff. T2- 212pp + 2ff. Authorized unexpurged edition, limited to 300 numbered copies. N° 14 des 300 exemplaires. Signature de l'auteur. # PHOTOS visibles sur www.latourinfernal.com
1964014525London John Calder 1964 In-8 Reliure de l'éditeur
1978013365Genève Claude Givaudan - Am Here books 1978 In-8 Cartonnage de L'éditeur Edition originale
1997015820Paris Claude Duthuit 1997 In-4 Cartonnage toilé, jaquette illustrée
1903RO60109917Adam and Charles Black. 1875-1903. In-4. Relié. Etat d'usage, Couv. légèrement passée, Dos frotté, Quelques rousseurs. 35 volumes d'env. 900 pages chacun. Illustrés de très nombreuses gravures, cartes et photo-gravures en noir et blanc, dans et hors texte. Texte sur 2 colonnes. Reliures d'éditeur vertes ou noires, à titres et motifs dorés. Tranches de tête dorées. Quelques dos et quelques plats abîmés ou défraîchis. Quelques couvertures se détachant. Quelques feuillets déchirés. Texte globalement bien lisible.. . . . Classification Dewey : 423-Dictionnaire anglais
1994015384Munchen Gina Kehayoff verlag 1994 In-8 Broché, couverture à larges rabats
192647172Minneapolis, Minn., The Physicalreview, 1926. 4to. Contemp. full buckram. Small tear to first hinge at foot. A stamp in upper right corner on titlepage and 2 other pages. In: ""The Physical Review. Conducted by the American Physical Society"", Vol. 28, Second Series. VI,1343 pp. (Entire volume offered).Schrödinger's paper: pp. 1049-1070. Internally clean and fine.
190264678Fourth Edition Revised & Enlarged, 8vo vol., editor's hardcover, John Murray, Albermarle Street, Kelly & Walsh, Limited, London, Yokohama Shanghai, Hong-Kong, Singapore 1902, VI pp., 1 f., 545 pp. et une carte dépliante
19309207London, Methuen & Co, 1930. In-8 de X-[2]-99-[1] pages, plein veau souple framboise, dos lisse orné de cinq personnages dorés, premier plat orné de Little Bo Peep au centre, double encadrement de filets dorés, fleurons dorés aux angles, tranches dorées. Très bel exemplaire en parfaite condition, ayant pour seul défaut une étiquette ovale collée au faux-titre.In-8 of X- [2] -99- [1] pages, full raspberry colored soft calf, smooth back decorated with five golden figures, first dish decorated with Little Bo Peep in the center, double frame of golden fillets, golden florets at the corners , golden slices. Very nice copy in perfect condition, having for only defect an oval label stuck to the false title.
19866956593 issues 8vo. softcover with col. front covers, b&w or col. ill., Early Music, Oxford Journals; Oxford University Press, Oxford, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, r. 725 pp. for each year i.e. more than 16,000 pages for the whole. Missing issues are : 1991 /4 , 1992 /1 , /2 and /4, 1993 /1 , 2010 /3 and /4 - Ensemble de 93 numéros de cette revue trimestrielle, du vol. XIV / 1 (Février 1986) au vol. XXXVIII / 2 (mai 2010) ; 25 années complètes, de 1986 à 2010, sauf 7 numéros ]
19045875New-York, Privatly printed for the Soctt-Thaw compagny, 1904. In-folio de [10]-269-[1]p., plein maroquin bordeaux, dos à nerfs orné de filets, fleurons dorés, plats très richement ornés de filets, fleurons et rinceaux dorés, petites pièces de maroquin vert aux angles, contre-plats doublés de maroquin de même teinte, richement orné à l'identique, gardes de soie moirée lie de vin, tête dorée (mors et coupes inférieures un peu frottés, un coin ouvert, petit manque à la coiffe).
192057812Dec. 22 1920, 4 pages, with small lackings : "My Dear Khourshed, warmest greetings & best wishes for Xmas & the New Year. I am sorry to hear that you have been ill [ ... ] Your husband write to me just before he was leaving London, to let him know when time came, if I would let him this house. I have decided nothing yet, & shall not I think be in a position to decide till the Spring. It is [ ... ] to hear that [ .... ] thinks your plan can be performed if certain conditions are fulfilled, which you are in a position to fulfill. [... ] It is evidently a musical Plan. Do you want my collaboration in the Libretto ? What is the idea underlying it ? For title, either "At feet of Shiva" or "At Shiva's Feet" would be good English. Some [ ... ]might prefer the one, and some other prefer "At Shiva's Feet". It is shorter, and the rythm is more balanced. As regards [ ... ] I agree with your remarks in the abstracts, but am puzzled to see later application. What is the question that I did [ ... ] but which you want to answer ? What is the question & what is the answer ? Perhaps the sand & waves of Scheveningen are necessary before I can solve the puzzle ? Or perhaps a [ ... ] chair of musical laughter, or perhaps after all, not among these things, but simply [... ] I don't know. That's unfinished conversation - or interrupted [ ... ] : shall we just treasure it because it began at all, & not be impatient because it did not finish ? [ ... ] sunbeams, love themselves in [... ]Mar.7, 1921, 4 pages, with small lackings : "My dear Khourshed, I a glad you are better, & I hope you will soon recover this weakness which must make an eager soul like yours free under the compulsory withdrawal from fields words & the ever-sounding sea. We are having such beautiful weather - [ ... ]summer spring days, with a bite of frost in the mornings, our clear blue skies, through which Orion & Sirius & all the great summer constellations are gradually making their [ ... ] overload. Do you remember the glorious summer days we had in The Hague ? It was autumn then. Now is the sun of Spring, increasing in splendour and strength. Good [ ... ] About my Lecture on Hafiz in the Lyceum Club an Mar. 5th. : I am going to give an account of Hafiz & illustrate his poetry to this audience : 1 - by the singing of one of his Tales in Persian ; 2 - by the singing of this same Ode in an English verse translation in the original metres, & 3 - by explanations of his meanings. I have transleted the Ode which begins [persian text ] [ lacking ] who are going to set it to music & also to find singers if possible. [... ] But you are at a distance, & in this state of your health, I dare not ask you to undertake the strain. I have not seen any english translation of Hafiz that is satisfactory. I do not claim for my translation that it is satisfactory. But it is an honest presentment. [ ... ]I send you my Poem on Rembrandt. If you can make, or have made, two copies without mistakes, I shall ask for one copy to be sent to me & the other for publication to the Gazette de Hollande or any other paper that may like to publish it." Mar. 28,1921, 10 pages, with important lackings : [long letter about his poems on Rembrandt, then, on a second part, about Hafiz ] "Hafiz first addresses his master, the beloved Shiraz. He offers him whole heards, but if he only finds acceptance, what will he not give ? The black mole is rules a blemish, but even for a blemish of their master, he will give what is to him most precious. Samarkand & Bokhara were reputed the two finest cities of the time [... ] The turkish painter whom picture : "Jeune Emir à l'étude" I saw in Liverpool was Osman Hamdu Bey, of Constantinople. He frequently exhibited in Paris and died within this century. If you can get any reproduction of this picture, I shall be obliged" [ ... ]. Apr. 7, 1921 4 pages, very damage, half of the text lacking
19906956479 vol. 4to., Lute Society of America Quarterly, Lexington Virginia, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010 and 2011, approximately 2,500 pages in total. A very uncommon set of 73 issues of this quarterly journal, from no. XXV/2-3 (May/August 1990) to XLVI/2 (Summer 2011), representing 21 complete years, minus 4 issues. Missing issues are : XXXVI /4, XLI /2, XLIII /4 and XLIV /1. - Ensemble de 73 numéros de cette revue trimestrielle, du n° XXV / 2-3 (Mai/Août 1990) au XLVI / 2 (Eté 2011), soit 21 années complètes, sauf 4 numéros : XXXVI /4, XLI /2, XLIII /4 and XLIV /1 ]