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179788<p>RARE FIRST EDITION OF LORENZO MASCHERONI's TREATISE ABOUT THE USE OF THE COMPASS IN GEOMETRY</p><p>UNTRIMMED AND UNCUT COPY IN ORIGINAL PAPER WRAPPER</p><p>Mascheroni Lorenzo. <i>La geometria del compasso di Lorenzo Mascheroni. </i>Pavia : presso gli eredi di Pietro Galeazzi anno V della Repubblica francese 1797.</p><p>8to 223 x 130 mm original printer's wrappers; pp. 2 XVIII 264 14 leaves of folding plates woodcut decoration at title page friezes and headletters. </p><p>The principle of economy in geometric constructions</p><p>First edition of Mascheroni's most important work with a dedication in verse to Napoleon in which he proves that any geometrical construction of Euclidean geometry can be carried out by means of compasses alone admitting that a straight line is constructed once two of its points have been defined thus demonstrating how a certain principle of economics in geometric constructions proclaimed by all the great mathematicians of the past from Pappus to Descartes was regularly and violated by the use of two tools where only one was enough.</p><p>His approach was to first demonstrate how to use the compass alone to bisect a given arc of a circle add and subtract two given segments find the fourth proportional given three segments find the point of intersection of two given lines and the points of intersection between a given line and a circle.</p><p>At this point Mascheroni theoretically demonstrated how all constructions completed with ruler and compass can be considered as a composition of the elementary operations defined above and therefore obtained using only the compass. In the spirit of the Enlightenment this work is not meant to be just theoretical but is also designed to facilitate the construction of precision instruments. </p><p>Although some authors such as the Danish G. Mohr had sought before Mascheroni the solution of certain geometrical problems by using the compass alone he was able to deal with the subject of the geometry of the compass with such depth and in such a general way to make his forerunner forgotten.</p><p>Lorenzo Mascheroni 1750 - 1800 was an Italian mathematician scholar and academic who since 1778 taught physics and mathematics at the Bergamo seminary.</p><p>His most important contributions concern mathematical analysis with studies related to integral calculus and natural logarithms construction science with its original studies on arc-breaking calculus and geometry with the demonstration that solvable problems with row and compasses can also be solved with just the compass.</p><p>His name is also linked to the Euler-Mascheroni constant of which he calculated the first 32 decimal digits. The Euler – Mascheroni constant also called Euler's constant is a mathematical constant recurring in analysis and number theory usually denoted by the lowercase Greek letter gamma γ.</p><p>It is defined as the limiting difference between the harmonic series and the natural logarithm.</p><p>Napoleon whose passion for science and mathematics is known met Mascheroni in 1796 during the invasion northern Italy and was intrigued by his theories ion the use of the compasses becoming they say a great expert. "General we could expect from you everything but geometry lessons": with this sentence the mathematician Laplace and Lagrange welcomed Napoleon's explanations on Mascheroni's constructions whose book just a year after the Italian edition in 1798 was translated into French by Charette.</p><p>Conditions: Light marks of use along the text small warmholes never touching the text in general very good copy printed on strong paper untrimmed and uncut in its original paper wrapper.</p><p>References: RICCARDI P. "Biblioteca Matematica Italiana Milano 1952 vol. 1 134 9.1 "Pregiata e Rara".</p> Pietro Galeazzi paperback
18203960Mexico City: Impreso en Madrid en la imprenta de Vega y compañia y reimpreso en México en la de D. Alejandro Valdés en dicho año 1820. Second edition. Very good. Small 4to. 26 pp. a little age toning. Recent drab wrappers lettered in manuscript. REPUBLICAN SPAIN COLLAPSES ERODING SPANISH DOMINION OVERSEAS: A WEIRD AND VERY LITTLE-KNOWN DIATRIBE CONCERNING THE 1820 SPANISH ELECTION SCANDAL INVOLVING LATIN-AMERICAN BORN REPRESENTATIVES IN THE NEWLY REFORMED SPANISH PARLIAMENT "CORTES OF CÃDIZ. This issue fueled the debate on the future of the former Spanish colonies in the Americas which openly advocated independence -- as here. <br /> <br /> In 1820 the provisional Cortes of Cádiz election board limited to 30 the number of Latin-American born substitute deputies which led to strong criticism across the Atlantic. Particular outrage was expressed by those born in the Americas and who had been summoned to Spain to elect the aforementioned substitutes on May 28 and 29 1820 an event which occasioned the present pamphlet. While the present text is more than 200 years old its venomous spew reminds us of more recent claims of "election fraud." The first paragraph of this "Manifesto on the Nullity of the Elections" conveys the foaming nonsensical language throughout:<br /> <br /> "The crazy or drunk populace often shout in the excess of their delirium: 'Long live our death Perish our life!' This sublime concept of Dante is the most faithful depiction of the power of seducers over the common imbecile. A strong genius a strong character an ambition without limits are the weapons with which an impostor attracts to his party a large number of weak spirits of little people. With the examples with modern and ancient history he presents the master of our political works. We do not need this to happen to know this truth to ancient or alien events. We continually see iniquitous men who disturb the internal peace of states and who sacrifice the most sacred rights of their compatriots for petty interests. Monster enemies of society you had to have a thousand heads and even then your blood would not compensate for the horrendous evil that your greed caused! What a horrible compromise in which the imprudence of a few American Spaniards constitutes me!"<br /> <br /> And finally the last paragraph which in its rhythmic desparation reminds us of Ginsburg's "Howl":<br /> <br /> "When America screams without her voices dissipating either by distance or the seas asking for help from her own children; when she presents them with her hands in manacles her feet in chains; when she discovers the aged and deep sores that her fanaticism and tyranny caused on her delicate body; when she stretches out her arms to rest on the chest of the beings she produced and to recover from the spirits that are beginning to fail her ah! She is neglected despised insulted. In what debates do we waste time when the Homeland demands our help What laurels do we think will cover us if our countries turn to ashes What peaceful sleep awaits us in abundance if we are continually agitated by the cries of our unfortunate people But the denatured American does not hear me: I turn to the European Spaniards and tell them with the most illustrious tragedy: You who have broken the chains that oppressed you generously defend the freedom of your brothers."<br /> <br /> It is a remarkable fact that the author Manuel Lorenzo de Vidaurre 1773-1841 was the enlightened liberal president of the first Peruvian Supreme Court see: Lissell Quiroz-Pérez "The Books and Private Libraries of Peruvian High Magistrates of the Nineteenth Century" in: Revue historique 658:2 2011 p. 265 et seq.<br /> <br /> Sabin 99488 Madrid and Mexico City editions. Impreso en Madrid en la imprenta de Vega y compañia, y reimpreso en México en la de D. Alejandro Valdés, en dicho año unknown
213916Roma: Edizione a cura dell'Artista 2018. Brossura sovracoperta wrappers dust jacket. Ottimo Fine. Menabò originale con 39 fotografie in bianco e nero. Citazione in apertura del libro di Pavel Florenskij. Accompagna il menabò un <strong>manoscritto autografo</strong> dell'Autore datato 17 ottobre 2018 di 4 fogli 8 facciate. 8vo cm 275x205. pp. 86. Ottimo Fine. Edizione originale di 4 copie numerate e firmate. <em>Il menabò raccoglie fotografie dell'autore realizzate dal 1994 al 2001 che sono la sintesi per quanto possibile di una vita personale e di un percorso nella fotografia. Gli inizi e il consolidamento della propria consapevolezza come artista sono ripercorsi nel libro e nel manoscritto che lo accompagna.<br /><br />L'edizione originale di 4 esemplari numerati del menabò precede la tiratura regolare che verrà stampata da Grafiche dell'Artiere con una differente selezione di fotografie e pubblicata nella prima metà del 2019.</em> <em>La prima mostra legata al volume si terrà alla galleria Anne Clergue di Arles durante Les Rencontres de la photographie d'Arles 2019</em> Edizione a cura dell'Artista, unknown
202133821Modena: Panini Comics 2021. First Edition. Hardcover. 69pp. Pictorial boards. Includes a complete story in full color. Includes a gallery of sketches. A fine copy. In the Italian language. ; 21 x 32 cm. Panini Comics hardcover
SLIVCN-9782368089859Kimane (9/2022)
SLIVCN-9782383221470Kimane (10/2023)
1982109340Contrejour 1982. First Edition; First Printing. Softcover. Very Good in wrappers. Edge wear. Opened tear to front panel's lower-left corner. ; French Edition; 93 pages. Contrejour unknown
1982ABE-1647727996562Countrejour 1982 Softcover 4to. 1st ed. 95pp. White wraps with illustrated dj. Catalogue for group exhibition by 21 European photographers with 4 images each including Joan Fontcuberta and Martin Parr. Dj top edge lightly scuffed book lightly bumped at top corner. Pages clean & tight. 1st Edition. Soft cover. Very Good/Very Good. Countrejour paperback
198210408Paris: Contrejour 1982. Lievi difetti sulla sovraccoperta e tracce di orecchia sull’angolo di alcune carte peraltro buon esemplare. Brossura con sovraccoperta cm 24x30 pp 93 3 fotografico in nero. Catalogo di mostra collettiva organizzata da Lorenzo Merlo e Claude Nori con la collaborazione di Canon presentata a Yokohama ed Arles nel 1982. Il catalogo illustra con una breve nota biografica e 4 immagini il lavoro di 21 fotografi europei: Joan Fontecuberta Martin Parr Ralph Nyvist Mimmo Jodice John Demos Tom Drahos Carol Fonteyne Klaus Frahm Paul Den Hollander Eddie Kuligowski Verena von Gagern Marlo Broekmans Rafael Navarro Paul de Nooijer Hervé Rabot Jacques Pugin Olivier Perdrix John Vink Branko Lenart Jaschi Klein Gillo Lorenzo. Contrejour unknown
1982108885Paris: Contrejour 1982. First edition. Softcover. Text in French. Catalog for a group exhibition with 21 European photographers. Each photographer has four images in the catalog. Included in the catalog among others are Joan Fontcuberta and Martin Parr. This was a very early appearance for Parr. A fine copy in wrappers in a fine dust jacket. Very uncommon. Contrejour unknown
1982108885Paris: Contrejour 1982. First edition. Softcover. Text in French. Catalog for a group exhibition with 21 European photographers. Each photographer has four images in the catalog. Included in the catalog among others are Joan Fontcuberta and Martin Parr. This was a very early appearance for Parr. A fine copy in wrappers in a fine dust jacket. Very uncommon. Contrejour unknown books
198246251982 Paris, Contrejour, 1982, 24x30. Reliure souple illustrée de l'éditeur, avec jaquette. Très bon exemplaire de cette première édition. Envoi de photographies sur demande.
94643Mexico: Editorial Mexico Nuevo 19. Pages 105-122 have faint water stain to bottom right corner not affecting text. fldg. pict. wrps. Near fine copy. Cover illustration by Leopoldo Méndez is one of classic images of workers. Editorial Mexico Nuevo unknown
14392484-nnew. unknown
2011Q-1456572016CreateSpace Independent Publishing Platform 2011-02-10. Paperback. New. In shrink wrap. Looks like an interesting title! CreateSpace Independent Publishing Platform paperback
1825SS10294Torino:: Pietro Marietti 1825. 1825. Three books in one volume. Thick 8vo. 132 220 iv 328 pp. 1012 plates 156 text figs. Black library buckram gilt-stamped spine title; front hinge weak. Ex-lib spine markings. Very good. RARE. Included with this title: 2 ROGER Aristide pseud. for Jules Rengade. Les Monstres Invisibles. Paris: P. Brunet 1868. Part of the "Bibliotheque de la Science pittoresque." and: 3 COULIER Paul-Jean. Manuel Pratique de Microscopie Appliquee a la Medecine. Paris: Desobry E. Magdeleine 1859. The first work by Martini relates to the work of Johann Gottfried Bremser 1767-1827 the Vienna parasitologist and hygienist. His classic "Uber lebende Wurmer im lebenden" Munich 1819 introduces his studies on intestinal worms in man. Pietro Marietti, 1825. hardcover
1825SS10294Torino:: Pietro Marietti 1825. 1825. Three books in one volume. Thick 8vo. 132 220 iv 328 pp. 1012 plates 156 text figs. Black library buckram gilt-stamped spine title; front hinge weak. Ex-lib spine markings. Very good. RARE. Included with this title: 2 ROGER Aristide pseud. for Jules Rengade. Les Monstres Invisibles. Paris: P. Brunet 1868. Part of the "Bibliotheque de la Science pittoresque." and: 3 COULIER Paul-Jean. Manuel Pratique de Microscopie Appliquee a la Medecine. Paris: Desobry E. Magdeleine 1859. The first work by Martini relates to the work of Johann Gottfried Bremser 1767-1827 the Vienna parasitologist and hygienist. His classic "Uber lebende Wurmer im lebenden" Munich 1819 introduces his studies on intestinal worms in man. Pietro Marietti, 1825. hardcover books
RO50059415CANAUX. XIX° SIECLE. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 12 pages de partitions. Tampon sur le premier plat.. . . A l'italienne. Classification Dewey : 780.26-Partitions
SONG0495129755Brand: Cengage Learning 0000-00-00. 3. audioCD. Used: Good. 5.25x1.00x5.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Cengage Learning unknown
CUSPID47570NEW. NEW. Enviamos a todo el mundo por USPS. UPS o DHL. 100% garantia en su compra. We ship worldwide. unknown
Interessante carteggio di Michelangelo Billia indirizzato allo scrittore Odoardo Campa. Studioso di filosofia Billia fondò la rivista filosofica Nuovo Risorgimento (1891), fu Arconte del Sillogo Filellenico per la Confederazione orientale. Polemista violento, sostenne con tenacia il rosminianesimo, specialmente contro i neotomisti.
9788535912265-11-30402Companhia das Letras. New. Companhia das Letras unknown
Incisione a bulino, mm. 220x118 alla battuta + c.ca mm. 2 di margini bianchi, applicata su carta settecentesca. Buona prova con monogramma "L M" prima dell'apposizione del n° 8 nell'angolo inferiore dx. "... copia nello stesso verso di un'incisione del Raimondi da disegno di Raffaello. L'assegnazione della lastra al Musi è controversa, dato che l'artista è semisconosciuto e si citano solo cinque stampe con le sue iniziali ..." Cfr."Raffaello e l'incisione europea dal Cinquecento all'Ottocento pp. 22 del 2020. Reggio Emilia " Minime tracce di foxing
Disegno a matita su carta da taccuino, cm. 18x14. In basso, sempre a lapis, autentica del pittore Renato Santini
Disegno a matita su carta da taccuino, cm. 18x14. In basso, sempre a lapis, autentica del pittore Renato Santini