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Bibliothèque du Professeur Millot

(BINDINGS - ALLIX). (ARTIST'S BOOKS). LONGUS SUSAN ALLIX, Book ArtistBiblio.com

DAPHNIS AND CHLOE

ST16989London: Willow Press 1982. No. 31 OF 55 COPIES SIGNED by artist and binder Susan Allix. 300 x 230 mm. 12 x 9". 4 p.l. 91 1 pp. 1 leaf colophon. Translated by A. M. Burnett. WHIMSICAL PICTORIAL MOROCCO BY SUSAN ALLIX stamp-signed on rear pastedown the wrap-around design showing Daphnis and Chloe in blind-tooled brown morocco silhouetted against a blue morocco sea and cream morocco sky beneath the lovers a blind-tooled vine with 11 inlaid or onlaid citron morocco leaves blind-stamped lettering to front cover turquoise blue pastedowns and white free endpapers painted with blue fore edge of front free endpaper cut into wave pattern showing a glimpse of the yellow handmade paper front flyleaf edges untrimmed and lightly brushed with blue paint. In the original felt-lined tan linen clamshell box blind-lettered cream and blue morocco label on back. With etched frontispiece and 20 etchings 14 in color and six in sepia by Allix. As new. This is a modern take on the most popular romance of ancient Greece from book artist Susan Allix who is responsible for the binding illustrations and the printing through her Willow Press imprint. The third century pastoral romance was newly translated from the Greek by Andrew M. Burnett and illustrated with etchings based on Allix's travels in Greece. The binding in Allix's words "creates an atmosphere of the sea landscape and figures in the story." Born in 1943 and educated at the Royal College of Art Allix began her career as a printmaker before creating her first hand-crafted book in 1973. Mark Dimunation Chief of the Rare Book Division at the Library of Congress wrote of Allix's work: "her books launch you on a visual journey. Each book is a voyage propelled by color texture image impression and material. . . . Because she insists on creating the entire book--from letterpress to illustration to binding--her work has a certain recognizable aesthetic; a malleable signature that responds to the particular character of a piece but is still unquestionably hers. Allix conceives each book visually. 'I am concerned with visual things so I see books as full of colour and form in a pictorial sense as well as through the images created in my mind by the words and through the sculptural qualities a book possesses.' The real narrative of her books is the flow of color and image as they move throughout the piece.". Willow Press unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis5 720,00 $US≈ 4 839,69 €

(BINDINGS - "CAPTAIN GLADSTONE"). LONGUSBiblio.com

DAPHNIS ET CHLOE

1890ST20732Paris: H. Launette et Cie 1890. No. 196 of 1000 copies and 100 Large Paper Copies with the etchings in multiple states. 255 x 165 mm. 10 x 6 1/2". 3 p.l. viii 190 pp. 3 leaves.Translated into French by Jacques Amyot. LOVELY DARK BLUE MOROCCO GILT BY CAPTAIN GLADSTONE stamp-signed C. E. G. on front dentelle covers divided into multiple compartments that at center a lobed mandorla all of the compartments densely gilt the inner compartments with swirls of leafy branches on a dotted background the others diapered by diagonal gilt fillets into lozenge-shaped compartments containing a single gilt dot smooth spine covered with leafy branches gilt lettering wide inner dentelles with sprays of leafy branches green silk pastedowns and endleaves top edge gilt imperceptible repair at top of spine. With 12 full-page etchings and 29 in-text illustrations by Champollion after the designs of Raphaël Collin. Ray "French" p. 377. Spine just faintly sunned though difficult to see with all its gilt occasional very minor foxing otherwise a fine copy clean and fresh internally with vast margins in a well-preserved binding bright with gilt. A unique combination of decadence and sweet innocence Longus' charming pastoral novel appears here with a series of engravings that were considered to be some of the most attractive of the period and in an impressive binding that emphasizes its pastoral setting and that has an origin clouded with mystery. Ray says that in a survey conducted in 1895 our "Daphnis et Chloé" with the Collin engravings came in fourth in a poll to determine the 10 most successful modern French illustrated books. Our edition uses the popular translation of Jacques Amyot 1513-93 first printed in 1559 and always recognized for its graceful style. Naval Commander Charles Elsden Gladstone 1855-1919 or "Captain Gladstone" as he is commonly called was an English bookbinder of great technical skill working in the late 19th Century but no one seems to know how or by whom he was trained. We know he had many hobbies including microscopy and optical magic lanterns per family accounts suggesting a curious mind and attention to detail both useful in bookbinding. Although testimony from the period indicates that Gladstone personally bound his books there are no known contemporaneous i.e. 1880-1910 exhibitions or auction records of the sale of any of his bindings and no information exists about his being an apprentice. Since the degree of complexity and beauty of his bindings--clearly in evidence here--is extraordinary one wonders if he did in fact personally bind the books. Yes he could have been a self-taught genius binding for his own pleasure but it is not inconceivable that he commissioned someone like Alfred de Sauty as finisher requiring that his own initials always be placed on the dentelles. Regardless of their origin Captain Gladstone bindings are exquisitely crafted filled with lovely all-over gilt-tooled work and characterized by innovative design features. Whoever produced them they are among the best to be found in England around the turn of the century. H. Launette et Cie unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis5 720,00 $US≈ 4 839,69 €

(BINDINGS - KIEFFER). LONGUSBiblio.com

LES AMOURS PASTORALES DE DAPHNIS ET CHLOÉ

1745ST20826Paris: s.n. 1745. 205 x 155 mm. 8 x 6". 6 p.l. first blank 159 1 xx pp.Translated by Jacques Amyot. SPLENDID CREAM-COLORED MOROCCO BEAUTIFULLY GILT AND INLAID BY RENÉ KIEFFER stamp-signed on front turn-in verso of front flyleaf with his Rue Seguier ticket covers framed by dogtooth roll and plain rule border a charming spray of flowers at center inlaid in scarlet orange citron indigo turquoise lilac pink and violet morocco tooled with gilt on graceful gilt branches with leaves in three shades of green morocco smaller sprays of inlaid flowers and leaves in similar shades at corners the whole giving the effect of an elegant embroidered sampler smooth spine framed in gilt and with a chain of four inlaid morocco blossoms in brilliant hues extending from the head and foot of spine gilt lettering at center of spine turn-ins with frame of cream morocco inlaid with strips of emerald green morocco tooled with a ribbon and floral chain roll orange morocco squares at corners stamped with gilt flowers gold silk endleaves marbled flyleaves all edges gilt. In a kid-lined blue marbled chemise with navy morocco spine and lips and in a matching suede-lined slipcase. Additional engraved pictorial title by Coypel four engraved headpieces of putti four tailpiece vignettes by Cochin and 33 ENGRAVED PLATES consisting of 28 plates after Philippe d'Orléans by Audran the oft-lacking final plate "Les petits pieds" by the Comte de Caylus and EXTRA-ILLUSTRATED with four engraved headpiece vignettes by Fokke after Eisen mounted on blank leaves. A Large Paper Copy. Cohen-de Ricci 652-53; Ray 2A. Four small very faint water spots to boards one plate somewhat foxed in all other ways A GORGEOUS COPY clean and fresh internally with immense margins and in an unworn binding. This exceptionally desirable copy of Longus' unique combination of decadence and sweet innocence is printed on quarto-sized paper enhanced with engravings from some of the greatest Rococo illustrators and offered in an exquisite binding by a modern Parisian master. The charming pastoral novel appears here in the popular translation of Jacques Amyot 1513-93 first printed in 1559 and always recognized for its graceful style. The illustrations were created in 1714 by Philippe duc d'Orléans and Regent of France 1674-1723 engraved by Benoît Audran and published for the first time in 1718. Although Ray indicates that Philippe's work is clearly an amateur's he says that the plates "do tell the story in their halting way and the background landscapes in some of the larger plates have a naïve appeal." The plates were re-engraved for our 1745 printing and the always elegantly graceful tailpiece vignettes by Charles-Nicholas Cochin were created for this edition. Cochin 1715-90 is generally considered on a par with the three Rococo masters Gravelot Eisen and Moreau. Ray notes that works from his early career like the engravings here "are marked not only by the mastery of outline and firmness of composition which never deserted him but also by acute observation and unpretentious humor." Our volume also contains an extra plate by the Comte de Caylus omitted from some copies for its suggestive nature as it shows the feet of the entwined lovers Mon Dieu! protruding from the privacy of a grotto. Additionally a previous owner added four engravings created for the 1754 Longus by the great Charles Eisen 1720-78 Louis XV's Court painter and drawing master to Madame de Pompadour. Ray describes him as "the master of the small design" with "a marvelous talent for pleasing." The beauty of this copy was further--and gloriously--enhanced ca. 1910 when binder René Kieffer created the striking binding with its bouquets of fantastical flowers in a riot of colors and gold. Kieffer 1875-1963 was in the first class of students to graduate from the École Étienne where he concentrated on becoming a doreur learning to tool gold designs in the well-established style. After leaving school he worked for Chambolle-Duru until 1898 at which time he established his own studio. According to Duncan & De Bartha he "became a disciple of Marius Michel moving gradually away from his traditional training towards a more emblematic and modern style." He would become one of the most innovative and progressive binders in Paris in the 20th century earning a well-deserved reputation for producing widely variable bindings that defied typification. s.n. unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis10 400,00 $US≈ 8 799,44 €

(BINDINGS - HACCIUS). MAILLOL, ARISTIDE, Illustrator LONGUSBiblio.com

LES PASTORALES DE LONGUS OU DAPHNIS ET CHLOÉ

1937ST11995Paris: Les Frères Gonin 1937. No. CXXV OF 500 COPIES SIGNED BY THE ARTIST this is one of the hors commerce copies with an additional suite of plates. 219 x 149 mm. 8 5/8 x 5 7/8". 2 217 5 pp. One volume and one portfolio. Translated by Jacques Amyot. MOST ATTRACTIVE BEIGE CRUSHED MOROCCO BY IRMGARD HACCIUS stamp-signed "I. H." in gilt on rear cover front cover with gilt titling arranged in 10 short descending rows surrounded by blind-tooled leaves and grasses rear cover with three-inch column of blind-tooled leaves bearing gilt berries and the binder's initials flat spine with titling in blind top edge gilt. Housed with the portfolio of plates in its original printed paper wrapper in a matching marbled paper folding box with beige morocco spine and edges no doubt done by Haccius as well. WITH 47 WOODCUTS BY ARISTIDE MAILLOL depicting scenes from the text AND WITH AN EXTRA SUITE OF 48 PLATES printed in sanguine the additional plate bearing the 15 woodcut initials used in the text. Front pastedown with armorial bookplate of German bibliophile and music publisher Ludwig Strecker. The Artist and the Book 174. ◆A SPLENDID COPY clean and bright in a luxurious unworn binding. This version of Longus' charming Greek pastoral novel of awakening love long retained its popularity and was published frequently often with illustrations. And perhaps the chief virtue of the present edition is the unaffected sometimes mischievous woodcuts of nymphs and lovers by the French-Catalan artist Aristide Maillol 1861-1944 best known for his sculpture. His engravings here have the same classical lines that typify his three-dimensional works. According to "The Artist and the Book" the work is "perhaps the most harmonious of Maillol's illustrated books." The very attractive and intelligent binding is by Mainz master bookbinder Irmgard Haccius 1916-2003 whose work here is entirely in keeping with the illustrator's graceful simplicity. Haccius studied at the art academies in Munich and Berlin in addition to completing advanced training in book binding at the Academy of Fine Arts at Castle Giebenstein Hall. She was one of the first faculty members at the State University Institute for Art and Handicraft in Mainz before joining Johannes Gutenberg University in 1973 as a professor in the Department of Visual Arts. Les Frères Gonin unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis8 840,00 $US≈ 7 479,52 €

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