78 résultats
172398971723 veau brun , dos à n., tr. rouges. in-8, (3ff.), 110pp.; 54pp., (3ff.),; (3ff.), 39pp.; 115pp., (1f.); 45pp., (1f.). hauteur 168mm. P. 1723
1743381011743 In-4 (229 x 190 mm), demi-veau fauve, dos lisse orné de doubles filets dorés en place des nerfs, pièce de titre de maroquin havane, daté en pied (rel. moderne), 31 p. titre inclus, vignette de titre, bandeaux et culs-de-lampe. Paris, Imprimerie de Jean-Baptiste Coignard, 1743.
175688481 vol. in-12 relié bradel toile gris, Chez Jean-Jacques Vötter, imprimeur de la Cour & des Etats de Bavière, s.d. (circa 1756), 83 pp.
173342812A Paris, chez Prault Père, 1733. In-12 de (4)-89-(3) pp., demi-veau blond à coins, dos orné à nerfs, pièces de titre en maroquin brun (Thierry Sr de Petit-Simier).
171570457Paris: Pierre Prault 1716. 16mo. French language. 2 volumes. xi lxxiv 264; iv 320 4 12 ads. pp. Full dark blue morocco with raised bands and gilt letering to spines; all edges gilt. Minimal fading to edges of boards otherwise externally in near fine condition. Pages toned with occasional minor offsetting of spots but generally very good. Black & white intaglio illustrations throughout. The playwright and novelist's burlesque of Homer. . Near Fine. Full Morocco. 1715. Pierre Prault 1716 unknown
172582831Paris: Noël PissotPierre DelormelFrançois Flahaut 1725. Fine. Noël Pissot Pierre Delormel François Flahaut Paris 1725 9.50 x 16 cm relié Rare first edition of L'Ile des esclaves. Nineteenth-century Bradel binding in half beige cloth smooth spine uniformly soiled faded long title label gilt date at foot cat's eye pebbled paper boards all edges red. Binding signed Lemardeley. Scattered foxing. ""Vous avez été leurs maîtres et vous en avez mal agi ; ils sont devenus les vôtres et ils vous pardonnent ; faites vos réflexions là-dessus."" ""You have been their masters and you have acted badly; they have become yours and they forgive you; reflect upon this."" Trivelin final scene Noël PissotPierre DelormelFrançois Flahaut hardcover
172582831Noël Pissot Pierre Delormel François Flahaut | Paris 1725 | 9.50 x 16 cm | relié
1725181725 Paris, Pissot, Delormel et Flahaut, 1725 ; in-12, 67 pp., [4] pp. (privilège), broché, couverture d'attente, tranches marbrées.
173342813A Paris, chez Prault Père, 1733. In-12 de (4)-61-(3) pp., demi-veau blond à coins, dos orné à nerfs, pièces de titre en maroquin brun (Thierry Sr de Petit-Simier).
174742879A Paris, chez Prault Père, 1747. In-12 de (4)-131 pp., demi-veau blond à coins, dos orné à nerfs, pièces de titre en maroquin brun (Thierry Sr de Petit-Simier).
172410527Paris François Flahault 1724 In-12 (195 x 120 mm), 1 f. bl., 3 ff. n. ch., 133 pp., 3 pp. n. ch. Maroquin rouge, plats encadrés d’un triple filet doré, armes dorées de la maison de Condé au centre, dos à nerfs ornés, titre doré, roulette dorée sur les coupes et les chasses, tranches dorées sur marbrure, quelques menus frottements, petite tache ocre dans la marge des pages 13 à 19, petite galerie de vers marginale dans le coin inférieur des cinquante premières pages (reliure de l’époque).
173942873A Paris, chez Prault Père, 1739. In-12 de (4)-68 pp., demi-veau blond à coins, dos orné à nerfs, pièces de titre en maroquin brun (Thierry Sr de Petit-Simier).
173942872A Paris, chez Prault Père, 1739. In-12 de (4)-65 pp., demi-veau blond à coins, dos orné à nerfs, pièces de titre en maroquin brun (Thierry Sr de Petit-Simier).
172389534Paris: Chez la Veuve Guillaume 1723. Fine. ""Almost all of them could be called 'The Surprise of Love'"" Chez la Veuve Guillaume Paris 1723 10.1 x 16 cm relié First edition. Full red morocco binding round spine with five raised bands decorated with gilt fleurons slight rubbing on the caps double frame of blind-stamped gilt fillets on the covers with fleurons at the corners of the inner frame edges slightly blunt marbled paper endpapers and back covers gilt edges and heads very elegant 19th-century binding a la Du Seuil signed Quinet on the first endpaper. Rare first edition of Chamblain de Marivaux's first theatrical success The Surprise of Love published four years before The Second Surprise of Love. This play performed in the spring of 1722 before being published the following year in 1723 already contains all the essence of Marivaux's style all its subtle gallantry. According to the Romantic poet Theophile Gautier it is the author's masterpiece. When the playwright submitted his work to the ""Italian Comedians of His Royal Highness the Duke of Orleans"" who had enjoyed the protection of the regent since 1716 the troupe leader of the ""new Italian Theatre"" the renowned actor ""Ricoboni dit Lelio"" was in the process of moving away from farcical theatre in favour of more accomplished plays. Nineteen performances of Marivaux's works will be played by the Italian actors whose acting style was considered more natural than codified. One actress in particular Giovanna-Rosa Benozzi known as Silvia excelled in this art. She was preferred by her contemporaries ""to the brunette Quinault the blonde Balicourt the beautiful Clairon and the young Gaussin all of them Comédie-Française"" actresses. Her first encounter with Marivaux which turned out to be rather eccentric took place after the premiere of The Surprise of Love and was reported by biographer Gaston Deschamps. The playwright went anonymously backstage to congratulate the great actress. Faced with her unknown admirer Silvia complained that she ""did not fully grasp the subtlety of her role"". Marivaux recited a few lines from his play to which the actress replied with great admiration: ""You are either the devil or the author"". According to the Marquis d'Argenson Marivaux's comedies ""could almost all be called 'The Surprise of Love'"". This slightly ironic assessment nevertheless confirms Theophile Gautier's judgement. Indeed this sixth play by Marivaux is the true matrix of his future work and of the famous marivaudage which would culminate in 1730 with The Game of Love and Chance. A very rare copy in a beautiful a la Du Seuil binding signed by a 19th-century master bookbinder. Chez la Veuve Guillaume hardcover
172389534Chez la Veuve Guillaume | Paris 1723 | 10.1 x 16 cm | relié
1781332598Paris: Libraires Associes 1781. hardcover. very good. Three volumes. viii 443; 467; viii 448 pages. 12mo tan mottled calf with red and brown spine letters and decorative gilding red edges marbled endpapers spines quite worn but still intact. Paris: Libraires Associes 1781. Text in French. Internally clean and tight. About very good set.<br/> <br/> Libraires Associes unknown
176249378Chez Prault Paris 1762. Reprint. Hardcover Full Leather. Good Condition. Size: 18mo 5 1/2 - 6 1/2". Text is in French. Pencil notes at rear. Hinges cracked. Joints split. Boards remain firmly attached. Spines worn with loss to ends. Titlepieces absent. Previous owner's signature in ink Duchess of Newcastle. Damp staining to lower outer margin of prelims vol 1. Corners bumped. This set is published over the period 1734-62. Illustrated. Reading ribbons present but loose. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Fiction; French Language; Pictures of this item not already displayed here available upon request. Inventory No: 49378. . This book is extra heavy and may involve extra shipping charges to some countries. Chez Prault hardcover
1756238321756 Amsterdam, pierre erialed, 1756 - In-12 - 1er volume - Reliure plein veau havane moucheté - Dos à nerfs à caissons fleuronnés dorés - 2 pièces de titre de tomaison, l'1 cerise, l'autre havane - Toutes tranches rouges - Bandeaux, lettrines, Culs-de-lampe - Divisée en 2 tomes (8), 95, 98, (2), 140 - 126, 130, (2), soit 6 parties, Propre -
175557879BB4 volumes. Paris, Chez Prault et Fils. 1755. 12°. 351 p.; 360 p.; 408 p.; 336 p. Reliure plein veau d'époque, pièces de titre dorés.
1741275341 vol. in-12 relié demi-veau à coins noir, chez Jean Neaulme, A La Haye, 1741, frontispice et 111 pp., et 1743, 92 pp. et 1 f. n. ch.
1741275351 vol. in-12 relié demi-veau à coins noir, chez Jean Neaulme, A La Haye, 1747, frontispice et 100 pp., et 1748, 94 pp.
1745345882 vol. in-12 reliure demi-basane marron postérieure (fin XVIIIe), Aux dépens de la Compagnie, Amsterdam, 1745, Tomes 1 et 2 : 1 f. de titre, 228 pp., 1 f. blanc, 1 f. de titre, 240 pp. ; Tomes 3 et 4 : 1 f. de titre, 272 pp., 1 f. de titre, 220 pp.
175523404Paris Prault & fils 1755 in-12 demi-velin 4 volumes, reliure demi-vélin ivoire in-douze (jansenist's binding full vellum duodecimo) (15,2 x 8,8 cm), dos long (spine without raised band), titre frappé "or" dans le sens de la hauteur, tomaison frappée "or", pièce de titre et de tomaison liées avec double filets "or" en encadrement, plats recouverts de velin ivoire, toutes tranches lisses (smooth edges), sans illustrations (no illustration), 351 + 360 + 408 + 336 pages, 1755 Paris : Prault & fils Editeur,
178869421788 Londres, sans nom d'éditeur, 1788, 4 tomes en 4 vol. petit in 12, rel. demi-veau brun, dos lisses ornés de roulettes dorées, bon ex.
17141837Paris : en la boutique de la Veuve Barbin, Pierre Huet 1714 1 In-12, 135 x 85 Parchemin crème à recouvrements, dos lisse, pièce de titre en veau caramel, tranches rouges (reliure du XIXe siècle). xiv-293 pp., (3 ff.).