MAROT ClémentLivre Rare Book
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156819224Opuscules - Élégie (60) - Epistres (122) - Ballades (284)- Chants divers (304) - Rondeaux 346) - Chansons (387) - Épigramme (410) - Épigramme et l’imitation de Martial (494) - Estrenes (510) - Epitafes (523) - Cimetière (534) - Complaintes (550).Paris, (Jean Ruelle pour) Gabriel Buon - 1568. RARE.Reliure plein maroquin rouge du XVIIIème. Dos à nerfs orné et doré. Tranches dorées sur marbrures. Roulette dorée intérieure. Pas de rousseur. Très bon état. Format in-16°(12x8).Clément Marot (1496-1544). A la fois héritier des auteurs de la fin du XVe siècle et précurseur de la Pléiade, il est sans conteste le poète le plus important de la cour de François Ier. Malgré la protection de Marguerite de Navarre, la propre soeur du roi, ses sympathies marquées pour la Réforme lui valent plusieurs emprisonnements et deux exils.
1582LA - HAY149511582. Paris Philippe Brachonier éditeur. relié plein vélin postérieur 18e s. Page de titre absente ; petites restaurations "professionnelles" aux pages de table un manque de papier en marge inférieure d'une page de table sans manque de texte ; volume recoupé "court" au ras du texte en marge supérieure ; quelques très faibles auréoles éparses et tranches un peu brunies sinon excellente reliure intérieur très frais bel exemplaire. fort in-16 - format : 11/7 cm. avec quelques bandeaux et lettrines ; dos avec le titre et la date à l'encre brune. unknown
1596156261Niort: Thomas Portau 1596. First Niort edition the first to include the poems of Marot's son. Eighteenth century full calf maroon morocco spine label spine decoratively stamped in gilt dentelles all edges stained red wide comb marbled end papers green ribbon marker. General moderate to heavy wear front joint cracked but still holding tide mark to bottom corner text block and pages trimmed close on upper edge but not obscuring any text several unobtrusive patches to pages still very good. Overall a square and serviceable copy. Black and white engraved frontis. Sixteenmo in 8s. 16 548; 1-148 4 149-248 32 tables. 4.5" x 3" EVERYONE HAS THEIR OWN QUIRKS AND I HAVE MINE FOR MY MAROT<br /> <br /> Sometimes history leaves a physical mark and this collection of Clément Marot's poems is a prime example. Full of handwritten French script marginalia this copy offers insight into the eighteenth-century historiography of Marot as the former owner bound fourteen pages of handwritten notes in the rear detailing the various editions of Les Ouvres with a biographical excerpt from Jean-Pierre Niceron's History of Illustrious Men 1727 and left meticulous annotations throughout. Well-versed in Marot the owner also included exhortations from Marot's contemporaries binding Joachim Du Bellay's lesser-known epitaph and an excerpt from Rabelais' Gargantua and His Son Pantagruel before the title page proclaiming over Marot's verse "Everyone has their own quirks / And I have mine for my Marot."<br /> <br /> And the praise is deserved. Marot 1496-1544 the court poet for King Francis I was one of the great poets of the French Renaissance and shook up medieval poetic form by infusing it with Latin symbolism and structure primarily informed by the time he spent in Italy in exile for his Reformation ties. Les Ouvres was first published in the 1540s and well-known provincial printer Thomas Portau took up Marot's publication mantel in 1596. He included the poems Thomas Mallard had added to the collection in his important publication earlier that year as well as poems by Marot's son. Its publication in Niort serves as a prime example of provincial book printing during the French Renaissance as local booksellers began printing their own editions of popular works as cheaper alternatives to transporting Parisian editions spreading court life and establishing a source of pride through the region. Portau would go on to publish multiple editions of Marot's Psalms translations with the French courtier's works marking the high points of his career. <br /> <br /> This edition and the touches left on it from the eighteenth-century craft a renowned version of Marot in his historical context surrounded by the poems of his son notes on hundreds of years of editions of his poetry and fellow poets admiring his work.<br /> <br /> Davies 2.355 & 365 for 1548 and Mallard's 1596 editions; Mortier 366 for 1549 edition. Thomas Portau unknown
1596Embry 156261Par Thomas Portau Niort: 1596. Two pages inked notes to added blank and recto of Frontis portrait at front and 14 pages of inked note to added blanks at rear. Occasional marginal inked notes pages trimmed close on upper edge but not obscuring any text binding rubbed but solid. Overall a charming copy of a scarce and early edition of Marot's works. Engraved Frontis. Probable 18th century calf spine decoratively gilt. 16mo. 4.5 x 2.75 inches. 16 1-548 1-148 4 149-248 32 last blank. Edited by Francois Miziere. Brunet III 1458. Par Thomas Portau, Niort: 1596. unknown books
15519911551 1 Reliure romantique en plein veau bleu, fleuron central losangé à froid, dos lisse orné de filets et fers dorés, roulette dorée sur les coupes, tranches dorées. Reliure frottée. Titre et premier feuillet restaurés, mouillures. Titre courant atteint par le couteau du relieur. In-16, 11,1 x 7,2 cm, 398-[8] feuillets, numérotation au recto. Paris, Vivant Gaulterot, 1551.
15519911551 1 Reliure romantique en plein veau bleu, fleuron central losangé à froid, dos lisse orné de filets et fers dorés, roulette dorée sur les coupes, tranches dorées. Reliure frottée. Titre et premier feuillet restaurés, mouillures. Titre courant atteint par le couteau du relieur. In-16, 11,1 x 7,2 cm, 398-[8] feuillets, numérotation au recto. Paris, Vivant Gaulterot, 1551.
157475825Chez Claude Micard | à Paris 1574 | 8.50 x 12.50 cm | 2 parties reliées en un volume
157475825à Paris: Chez Claude Micard 1574. Fine. Chez Claude Micard à Paris 1574 8.50 x 12.50 cm 2 parties reliées en un volume Very rare first edition of this collection which brings together translations that had appeared separately before: The Georgics translated by Richard Le Blanc 1554 The Eclogues translated by Clément Marot for the first and by Richard Le Blanc for the nine others in 1555 and The Aeneid by Louis Des Mazures first complete edition in 1560. This edition includes the verse translation printed in roman type facing the Latin text printed in italics. Manuscript ownership inscription on the title page. Contemporary full calf binding spine with four raised bands decorated with gilt typographical motifs and blind fillets covers decorated with multiple blind ruling frames gilt fleurons at corners and stamped with a large gilt typographical motif at their center. Binding very skillfully restored. Chez Claude Micard hardcover
157942165Lyon, Jean de Tournes Imprimeur du Roy, 1579. 2 parties en 1 volume in-16 (120 x 75 mm) de (26)-597-(1) pp., 314 pp., (1) f. fleuron au verso, 22 figures dans le texte (42 x 55 mm), maroquin rouge, dos orné à nerfs maroquin rouge, dos orné à nerfs, filets et roulette dorée intérieurs, tranches dorées sur marbrure (Belz-Niédrée).
152974561529 Paris: Galliot, 1529. In-8: 9.5 x 14 cm, 8 ff. n. chiff. de titre, prologue et table, 403 ff. chiff. I à CCCCIII. Achevé d'imprimé en mars 1529 par Pierre Vidoue pour Galliot du Pré. Première édition en lettres rondes et deuxième édition de la version du Roman de la Rose établie par Clément Marot (1ère de 1526 in-fol.). Edition illustrée d'une vignette de titre et de 50 bois dans le texte nouvellement gravés pour cette édition. (Broudillon, The early editions of Roman de la Rose, Londres, 1906: p. 32). Reliure du XVIIIe siècle en veau. Dos à nerfs avec pièce de titre de maroquin lavallière et caissons ornés aux petits fers. Bel exemplaire.
