Marot, D[aniel]Antiquariat.de
25 résultats
168517020AB[Den Haag], [nach 1685]. Plattengröße 27,0 x 18,2 cm, Blattgröße 31,8 x 19,4 cm. Kupferstich auf Bütten. Papier etwas gedunkelt.
167051670. Copper-line engraving. 200mm by 280mm platemark. Dessein d'un Arc de Triomphe de l' Invention du Sr Marot'. Jean Marot was a French architect designer and engraver. unknown
167061670. Copper-line engraving. 200mm by 280mm platemark. Dessein d'un Arc de Triomphe de l' Invention du Sr Marot'. Jean Marot was a French architect designer and engraver. unknown
1665251665. Copper-line engraving. 220mm by 290mm platemark. Jean Marot was a French architect designer and engraver. Number inscribed in ink at bottom left of sheet outside the platemark. unknown
1668010610Paris: Anthoine Cellier 1668. Book. Fair. Leather. 24mo - over 5 - 5¾" tall. unpaginated. Lacks title page of the New Testament supplied as a facsimile. The title page of the psalms of David has the date 1668. Lacks rear cover front cover is detached. Anthoine Cellier Hardcover
1662RO30060139ANTOINE CELLIER. 1662. In-16. Relié plein cuir. Etat d'usage, Coins frottés, Dos abîmé, Intérieur frais. Non paginé, environ 600 pages de partitions et paroles. 6 caissons dorés sur le dos cuir noir à 7 nerfs. Bandeux, lettrines en noir et blanc. Passages de vers en marge du bas n'altérant pas la lecture. Manque les fermoirs en fer. Manques sur le dos.. . . . Classification Dewey : 264.2-Musiques et chants, hommage à Dieu
1662A53378Charenton: Anthoine Cellier 1662. 456 . . HB. 12mo 112x 60mm unpaginated 228 ll A-O�� : 2A-2D�� : 2E6 : 6 full chagrin aeg marbled endpapers lacking front free endpaper. Metal clasp and corners. Very good. Text French. Each Psalm is accompanied with musical score. Includes: 'La Forme des Prieres Ecclesiastiques' 'Le Catechisme' 'Confession de Foi'.Cl�ment Marot 1496-1544 was one of the greatest poets of the French Renaissance. He was influenced by Marguerite de Navarre and her interests in humanism and the Reformation. In around 1531 he began to versify psalms into French so that they could be easily memorised and organised them into stanzas so that they could be sung. They were set to music using popular or secular tunes and became popular both at court and throughout France. When Marot died in 1544 he had completed 49 Psalms. John Calvin gave Theodore de B�ze 1519-1605 the responsibility of continuing Marot�s work to complete the versification of all the Psalms of the Bible.In 1562 an official collection of the 150 Psalms was printed. This work had a very large circulation and contributed to the development of the Reformation. Anthoine Cellier unknown
170012341Chez Adrian Moetjens | à La Haye 1700 | 14 x 8 cm | 2 tomes reliés en un volume
170026731700 1700 Adrian Moetjens, La Haye, 1700.2 volumes in-12 plein veau postérieur mais dans le goût du XVIIIe, dos orné, pièces de titre maroquin rouille, tranches dorées, XVI, 732 et [8ff.] de table. Bel exemplaire malgré une tâche en pied de la page de titre du tome second.
1678711221 vol. in-18 reliure ancienne plein cuir à rabat souple, tranches dorées partiellement guillochées, dos muet, A Amsterdam, chez la Veuve de Schippers, 1678 [ et 1677 ], A-Mmm6 [ Mmm7 ] A-S6 T3 [ 1 ] A8 B-V6 X4 Rappel du titre : La Bible qui est Toute la Ste Écriture du Vieil et du Nouveau Testament Autrement l'Ancienne et la Nouvelle Alliance [ Avec :] Les Pseaumes de David, mis en Rime Françoise, par Clément Marot et Théodore de Bèze
16756415Paris Antoine Cellier 1675. frontispiece without numbering Rebound Leather with ribbed back 8° Paris, Antoine Cellier hardcover
170012341à La Haye The Hague: Chez Adrian Moetjens 1700. Fine. Chez Adrian Moetjens à La Haye The Hague 1700 14 x 8 cm 2 tomes reliés en un volume Marot's works saw numerous editions in the 16th century far fewer in the 17th. Contains an abridged life of the author. Handsome edition the most sought-after according to Brunet III 1458 who adds: 'It is difficult to procure well-preserved copies with good margins and whose leaves do not have a russet tint.' This is the appreciated case of our copy. Bound in modern full vellum with overlapping flaps pastiche of a Dutch-style binding. Unlettered spine. Endpapers renewed. Chez Adrian Moetjens hardcover
1698P4770Paris c.1698. Very Good backed on acid free tissue paper for long term preservation. Image Size : 330x698 mm 12.99x27.48 Inches Platemark Size : Paper Size : 404x731 mm 15.91x28.78 Inches Coloring: Black & White Medium: Copper Engraving Categories: Views Europe Benelux; unknown
16568338Charenton, P. Des-Hayes et A. Cellier, 1656. 2 tomes en un volume in-16, une page de titre gravée, et [488] pages pour le nouveau testament : A-I6, K-T6,V6, X6-Z6, Aa-Ii6, Kk-Rr6, Ss4; et [292] pages pour les pseaumes: a2, A-I6, K-T6, V2, a-c6, d-e4, f2. Plein veau moucheté, dos muet à nerfs richement orné de filets et fleurons dorés, roulette à froid sur les coupes, tranches dorées. Mini manque au coin de la coiffe de queue, et un coin un soupçon frotté.
167520796Se vend à Charenton, Par Estienne Lucas 1675 In-16 plein maroquin brun, dos à nerfs, caissons ornés, dentelles et filet d’encadrement des plats, décor aux petits fers à compartiments et volutes, roulettes sur les coupes, tranches dorées, 208 pp. Musique notée en plain-chant. Infimes rousseurs. Petit accroc en pied.et manque pages de garde.
165911990Amsterdam Wed. P. Ravesteyn 1659. without numbering 12° H. 12 x W. 65 x D. 25 cm. Contemporary red Leather richly decorated with gilt on spine and covers gilt-edged. Last page of the Confession du Foi with loss of text clasps are missing. Fine binding lavishly gilt overall pattern on both covers mainly consisting of pointillé-stamps and drawer-handle tools richly gilt spine with 5 compartments with floral motif and raised bands. two copies WorldCat/NCC Amsterdam, Wed. P. Ravesteyn hardcover
170071751Chez Adrian Moetjens | à La Haye 1700 | 8.50 x 14.20 cm | 2 volumes reliés
1700CLL-90La Haye, Adrian Moetjens, 1700 2 volumes in-12 de XVI, 318 et de 319-732 pp., (8) ff., maroquin rouge, triple filet doré d'encadrement sur les plats, dos à nerfs ornés de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées sur marbrure (Duru 1848).
165451762No place, No date, (Paris around 1654). 4to. (275 x 210 mm). Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage (ouside engraving). With engraved ornamental title-page and 113 engravings on 107 (of 122 ??) sheets. Most of the plates signed (I. or J. or Ian, or Jean) Marot sculp. Wide-margined and internally clean.
165451762No place No date Paris around 1654. 4to. 275 x 210 mm. Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage ouside engraving. With engraved ornamental title-page and 113 engravings on 107 of 122 sheets. Most of the plates signed I. or J. or Ian or Jean Marot sculp. Wide-margined and internally clean. <br/><br/><em>First edition of the so-called "Le Petit marot". There seems not to be any standard collation of the work as copies in libraries varies a lot in relation to the number of plates. Lewine's Bibliography lists engr. title and 106 sometimes 111 plates."Little has survived of his own architectural work but his engravings of the works of others primarily those published in the volumes referred to as the Petit Marot c. 1654 and the Grand Marot c. 1670 were highly esteemed by his contemporaries and remain among the most important sources concerning architecture in France up to the early part of the reign of Louis XIV. Wikipedia. </em> hardcover
170071751à La Haye The Hague: Chez Adrian Moetjens 1700. Fine. Chez Adrian Moetjens à La Haye The Hague 1700 8.50 x 14.20 cm 2 volumes reliés First collected edition. First issue copy with the 2 identical title fleurons enriched with 2 frontispiece portraits by Holbent but engraved by 2 different artists. Furthermore no edition of Marot's poetry is recorded between 1615 and this one. Edition that joins the Elzevier collection. Handsome edition the most sought-after according to Brunet III 1458 who adds: ""It is difficult to procure well-preserved copies with good margins and whose leaves do not have a reddish tint."" Ours is of appreciable freshness with some very rare and very pale minimal foxing. English binding in full glazed red morocco doublure of lemon morocco and signed with a red morocco pastille: St. James. London ca 1840. Raised spine richly decorated with antique 18th-century fleurons roulettes on the bands. Gilt titles. Dates at tail. Triple frame on boards with dotted fillets and corner fleurons. Interior frieze. Lemon morocco pastedowns with red morocco pastille of the binder. Japan paper endpapers. Gilt edges. A slip pasted on one of the endpages: ""From Renouard's Library"". Renouard Library. Magnificent copy. Chez Adrian Moetjens hardcover
170027209La Haye Adrian Moetjens 1700 2 volumes in-12. xvi, 732 pp. 8 ff.n.ch.
16831912190016Paris : Chez l'Auteur dans l'Hostel Royal des Invalides 1683. First Edition. Hardcover. Acceptable. Early work on French architecture Folio 44 x 29 cm. Bound in contemporary speckled calf Reliure de l'epoque. Rebacked. 12 51 p. Engraved title vignette. Interesting vignette of Louis XIV addressing supplicants on a battlefield seated on his throne on the dedication page. Twenty-nine copper-engraved plates many folding. The some plates have soiling and early repairs. Planches gravees par Jean Marot et Pierre Le Pautre. The book describes the Hotel commissioned as a hostel for disabled soldiers and built by L. Bruand 1671-4 and J. Hardouin Mansart 1676-1706. An early French hospital. <br> Armorial bookplate of Hans Sloane Esq. Sir Hans Sloane 1660-1753 was the physician to George I and a noted botanist and bibliophile. His collections formed the basis of the British Museum. Huston bookplate no. 1. <br> Refs: Kunstbibliothek Berlin Cat 2476; Brunet IV 486. RIBA Early printed books 2 1995 no. 1762; B. Jestaz L'Hotel et l'eglise des Invalides 1990; A. Mauban Jean Marot 1944. Catalogers note: According to RIBA the publishing history of this work is rather complicated with various attributions and numerous variants. In this example the text appears to be from 1683 but some of the plates may have been added at a later time. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Paris : Chez l'Auteur, dans l'Hostel Royal des Invalides hardcover
167586475Par Anthoine Cellier | A Charenton 1675 | 18.50 x 26.50 cm | 3 volumes reliés
167586475A Charenton: Par Anthoine Cellier 1675. Fine. Par Anthoine Cellier A Charenton 1675 18.50 x 26.50 cm 3 volumes reliés Protestant edition of the Geneva Bible with various additions that characterize the composite impressions sold at Charenton besides The Psalms of David set to French rhyme by Clement Marot and Theodore de Beze with title page and numerous musical staves: History of the Holy Scripture of the Old and New Testament which contains the Summary of sacred chronology. This addition has its own title page placed after the general title. At the end of volume III several texts: The form of ecclesiastical prayers; Of baptism of the Lord's Supper Of the articles of faith; Of the ten commandments; Of the sacraments; Confession of faith. All these additions are present to characterize Protestant liturgy and its difference being both the orthodox Bible of Protestantism and a manual of faith. Although the Geneva Bible was revised several times its first revision is due to Theodore de Beze. A title vignette repeated on 2 volumes; the second tome having a different one printer's mark. A title vignette for the title page of the Psalms. Typographical ornaments. Contemporary full old red morocco binding. Richly decorated raised-band spine. Covers decorated in Du Seuil style with central frame and fleurons in the corner-pieces. Roll-tooled cuts and rich interior frieze. Gilt edges. Rubbing. A small fragment of headcap missing to the New Testament volume. To volume I lack to lower joint at tail. Corners slightly turned in. The first 6 leaves of the New Testament with dampstain traces fading and resembling more browning in inner margin and in the margins. None of the 3 volumes have a marbled endpaper before the title which in the 17th century is not necessarily a lack but is encountered relatively commonly. First endpaper before the title of volume I coming loose. Dampstain traces on the last 2 leaves of volume I. One of the last Protestant Bibles printed in France the last dating from 1678. Protestant worship having been prohibited in Paris and its surroundings by the Edict of Nantes Henri IV authorized the construction of a temple at Charenton near Paris. Parisian printers used this to distribute their editions of sacred texts. In 1671 the booksellers' shops at Charenton were burned down. Manuscript ex-libris: Wilhelmiire de Wrede Par Anthoine Cellier unknown
