525 résultats
197939433Rouen: Société Normande des Amis du Livre 1979. Weisbuch. A stunning livre de peintre illustrated with 14 STRIKING ORIGINAL HORS-TEXTE DRYPOINTS BY WEISBUCH THE LAST OF WHICH IS SIGNED IN PENCIL BY THE ARTIST. Edition limited to 130 numbered copies beautifully printed on fine Rives wove paper this copy printed for Pierre de Ridder. Folio. Loose as issued in original wraps. Housed in the original cloth chemise and slipcase. FINE AND BRIGHT WITH NO DEFECTS. <br/><br/> Société Normande des Amis du Livre paperback
1952148551New York: The Limited Editions Club 1952. The Limited Editions Club limited edition of Guy de Maupassant's first full-length novel. Royal octavo bound in full modern morocco by Sangorski & Sutcliffe / Zaehnsdorf with gilt titles and tooling to the spine in six compartments within raised gilt bands gilt ruling and detailing to the front and rear panels all edges gilt gilt turn-ins and inner dentelles marbled endpapers frontispiece illustrated with hand-colored gravures. One of 1500 numbered copies this is number 511. In fine condition. Translated from the French by Marjorie Laurie. Introduction by Edmond Jones. Illustrated by Edy Legrand. Nineteenth century French author Henri René Albert Guy de Maupassant is remembered as a master of the short story form and as a representative of the Naturalist school who depicted human lives and destinies and social forces in disillusioned and often pessimistic terms. Maupassant was a protégé of Gustave Flaubert and his stories are characterized by economy of style and efficient seemingly effortless dénouements. A Woman’s Life Une Vie 1883 is a realist novel that traces the emotional and social decline of Jeanne a young aristocratic woman whose idealistic expectations of love and happiness are gradually eroded by betrayal disillusionment and the constraints of bourgeois society. Through its restrained narrative style and focus on the minutiae of domestic life the novel offers a critique of the romantic illusions imposed on women and the limited agency afforded to them within 19th-century French society. The Limited Editions Club unknown
196862908Paris : H. Piazza 1968-1973. 275x195mm. reliure d'diteur. cuir bordeaux dos faux-nerfs auteur titre et filets dors plats avec encadrement filets dors tranche suprieure dore sous embotage. Exemplaire numrot 1400/5000. Exemplaire l'tat de neuf. 27000 H. Piazza unknown
192628281Paris: Javal Et Bourdeaux. Very Good with no dust jacket. 1926. First Edition. Paperback. French Language; We fit archival quality clear acrylic covers for additional protection whenever possible. ; 4to 11" - 13" tall; 88 plates in two states pages; LOBEL-RICHE ALMERY. DE MAUPASSANT GUY. La Maison Tellier. Illustre par Lobel-Riche. Paris: Javal et Bourdeaux 1926. First Edition with these illustrations Hors de Commerce copy separate from limited edition of 375 copies. Small 4to light green printed wraps text in loose signatures as issued 12 full-page and 3 smaller engraved reproductions of occasionally erotic drawings by Lobel-Riche extra loose set of the engraved illustrations printed in sepia with small remarque illustrations in margins plus one additional plate not called for in the book and single sheet of green paper with four 4 original pencil sketches by Lobel-Riche several heightened in red pencil signed at bottom right by the artist. Wraps sun-browned at spine minor wear at edges original glassine over wrapper chipped and torn at edges with early owner's hand-lettered title in ink at spine torn and partly lacking text quite good slight aging text and plates very clean sheet with original illustrations with some aging at edges offsetting to protective paper folder. The edition consisted of 75 copies on Japon Ancien with the plates in four or five states and 300 copies on Velin d'Arches with plates in two or three states; there were also 42 additional lettered or Roman-numbered copies on Japon Imperial or Arches. This copy is an Hors de Commerce copy similar to the 200 copies on Arches with plates in two states with the addition of the sheet with original drawings; the limitation leaf cites no other issue which also included an original drawing although there probably were some. One set is with and one without additional small drawings in the lower margin. A number of additional graphics are available. . Javal Et Bourdeaux paperback
1907220471907. Literature Art Chertkov Vladimir et al. 1907 represents one of the most visually forceful Tolstoyan critiques of militarism produced in the decade before World War I and reflects the transnational pacifist networks surrounding Leo Tolstoy during his final years. Edited by Tolstoy's close associate Vladimir Chertkov and illustrated by Czech artist Emile Holarek the volume integrates literary excerpts from Tolstoy Guy de Maupassant Charles Mackay and others with allegorical and documentary imagery condemning war religious nationalism and state violence. It supports research in peace movements Christian anarchism visual propaganda prewar European dissent and radical religious publishing.<br /> <br /> Chertkov Vladimir and Holarek Emile. War. Christchurch Hants: The Free Age Press 1907. First edition. Illustrated red wrappers. Folio. A stark and visceral anti-war publication composed of allegorical and documentary drawings by Czech artist Emile Holarek interwoven with selections from the writings of Leo Tolstoy Guy de Maupassant Charles Mackay and others. Edited by Tolstoy's disciple and English publisher Vladimir Chertkov this rare example of early twentieth-century pacifist propaganda was part of a broader Tolstoyan publishing initiative launched in exile. The book is accompanied by a loosely inserted handbill letter of endorsement from Tolstoy dated 24 December 1900 praising The Free Age Press's accessibility to working-class readers and emphasizing the moral necessity of copyright-free literature.<br /> <br /> Through uncompromising graphic allegory and scathing textual commentary War presents the horrors of militarism the spiritual hypocrisy of religious nationalism and the corrupt symbiosis between church and state. Holarek's etchings expose the machinery of violence in both sweeping and intimate terms-from the image of a demonic figure herding anonymous soldiers into the jaws of a beast titled The Victims of Moloch to scenes of devastated civilian families The Mobilization of the Reservists and emaciated corpses After the Battle. These are juxtaposed with images of societal sanctification of war The Commander's Reward The Christian Army critiques of militarized science Science for Science's Sake and depictions of unequal moral accountability The Murderer of Many vs. The Ordinary Murderer. One image entitled Christians portrays Jesus turning away as crusaders kings and soldiers offer their weapons in his name. The result is an indictment of nationalism cloaked in divine justification and a fervent call for Christian anarchism and pacifism reflecting the radical ideals that animated Tolstoy's final decades. Poems by Isabella Fyvie Mayo and Charles Mackay further elevate the volume's literary and emotional impact.<br /> <br /> Heavy chipping and closed tears along page edges and corners affecting margins but not illustrations or text. A 5" closed tear to the first leaf and partial separation of text block from wrappers. General soiling and toning throughout. Most pages disbound. With printed red wrappers intact but fragile featuring Holarek's signature illustration of Moloch. Includes rare laid-in printed letter from Tolstoy praising the press's mission. Overall a good only copy of a scarce politically urgent Tolstoyan production that remains one of the most graphic critiques of early twentieth-century Christian militarism in visual print. unknown
1950390331950. AN APPARENTLY UNPUBLISHED AND UNRECORDED SET OF EIGHT LARGE FOLIO 42 x 30 cm PENCIL-SIGNED ORIGINAL LITHOGRAPHS BY ARTUR LIEBIG based on "Bel Ami" "Der Favorit" in German by Maupassant. The lithographs are printed on fine wove paper pink paper in one case and are in perfect condition housed in the original printed and illustrated paper folder also signed and dated by the artist. The absence of title-page and a justification / colophon / limitation statement as well as the impossibility of locating another copy indicates that this set was likely never published. Exceedingly rare and possibly unique. <br/><br/> unknown
1920005780Paris: L. Carteret 1920. Limited Edition. Full Morocco. Cloth slipcase. Near Fine. No. 31 of 80 "exemplaires de grand choix sur Japon et Vélin du Marais and total limitation of 300 copies. 4to. 27 by 18 cm. 310 pp. Each of the illustrations is rendered thrice -- once in text and twice in two states as full page plates. Slight starting and rubbing by upper front joint about 3 cm long. Immaculate within. Gilt ornamented binding is very handsome with all edges gilt and silk doublures. L. Carteret unknown
1947000742Lausanne: Andre Gonin 1947. Limited/Numbered. . Unsewn. Near Fine. Roger Ferrero. Unsewn in original publisher's quarter vellum chemise and slipcase 21 x 28 cm. Limited 1/325 copies illustrated with 11 original etchings by Roger Ferrero. Signed by both artist and editor. This copy being a SPECIAL EDITION number IV of XXV copies printed for the editor and collaborateurs and not for sale with an extra suite of the plates on Chine paper and an inserted pen & watercolour DRAWING signed not reproduced in the book. This unique ASSOCIATION copy is INSCRIBED by the artist Ferrero to Monsieur Pierre Huguenin. The book is printed on Velin du Marais pur fil paper 157 pp. text in French. A clean and bright copy in a lightly soiled slipcase Size: Quarto <br/> <br/> Andre Gonin unknown
19038348New York. M. Walter Dunne. 1903. Attractively bound in 3/4 gilt ruled grain morocco and marbled boards. Gilt tooled spine compartments with elaborate fleural motifs. Gilt titles. Marbled endsheets. t.e.g. 8vo 6" x 9". The Flaubert Edition which is Limited to 500 numbered sets of which this is number 334. Illustrated with illuminated chromolithographic Limitation and Title page and further by tissue-guarded duotone plates after original drawings by eminent French and American artists. A splendid opus of France's most masterfull story teller. This limited edition set was the first complete collection of the authors work to be published in English. Quite scarce. Spines and covers mildly sunned. Covers spines and hinges occasionally rubbed and mildly chipped. Mild chipping to two headpieces. Volume 4 presents an obvious repair at front hinge which has somewhat darkened that area covers well attatched. A Very Good clean attractive set. M. Walter Dunne. hardcover
190539390Paris: Les Cent Bibliophiles 1905. Louis Legrand. A WONDERFUL COPY OF ONE OF THE MOST WONDERFUL BELLE EPOQUE LIVRES D'ARTISTE DEVOTED TO PARIS. Complete with 82 ORIGINAL ETCHINGS BY LOUIS LEGRAND including FIVE FULL-PAGE HORS-TEXTE ETCHINGS PRINTED IN COLOR all very sensual and some lightly erotic. Edition limited to 130 numbered copies all printed on extremely fine Japanese paper. THIS COPY PRINTED FOR EUGENE LE SENNE 1863-1943 owner of perhaps the greatest private collection ever assembled of books maps and documents relating to Paris. His wonderful etched bookplate depicting Parisian scenes of course with a large central view of Notre Dame by Antoine Vanteyne adorns the front pastedown. Le Senne was responsible for distributing this book and thus the following documents are bound in at the front: the retained copy of a letter from Le Senne to Louis Legrand which accompanied each copy sent out; a SIGNED AUTOGRAPH LETTER FROM LOUIS LEGRAND TO LE SENNE acknowledging receipt and thanking him; the carte de visite of Marie Thérèse de Maupassant Maupassant's sister-in-law with a manuscript annotation acknowledging receipt and thanking Le Senne. 4to. ELEGANTLY BOUND IN CONTEMPORARY THREE-QUARTERS CITRON MOROCCO AND MARBLED BOARDS. Top edge gilt other edges uncut. Original wraps and backstrip preserved. Tiny traces of wear to extremities of binding else FINE AND BRIGHT with no defects. <br/><br/> Les Cent Bibliophiles paperback
1925370067New York: Dingwall-Rock Ltd 1925. Beaux Art edition. Illustrated after Le Rat L. Vallet etc. 17 vols. 8vo. Bound in full red morocco with matching red dentelles and blue morocco doublure t.e.g. Fine. Beaux Art edition. Illustrated after Le Rat L. Vallet etc. 17 vols. 8vo. Dingwall-Rock, Ltd unknown
1903123801London and New York: M. Walter Dunne Publisher 1903. The Flaubert edition of the complete works of Guy de Maupassant including his well-known short stories and novels Boule de Suif Une Vie Bel-Ami and Pierre et Jean. Octavo 17 volumes bound in three quarter morocco over marbled boards with git titles and botanical tooling to the spine in six compartments within raised bands marbled endpapers top edge gilt with others untrimmed pictorial title page and lettered tissue-guarded frontispiece in color to each volume illustrated from original drawings by eminent French and American artists. One of 500 numbered sets signed by Robert Arnot this is number 77. With a critical preface by George Bourget of the French Academy and an introduction by Robert Arnot M.A. In near fine condition. Nineteenth century French author Henri René Albert Guy de Maupassant is remembered as a master of the short story form and as a representative of the Naturalist school who depicted human lives and destinies and social forces in disillusioned and often pessimistic terms. Maupassant was a protégé of Gustave Flaubert and his stories are characterized by economy of style and efficient seemingly effortless dénouements. Many are set during the Franco-Prussian War of the 1870s describing the futility of war and the innocent civilians who caught up in events beyond their control are permanently changed by their experiences. Maupassant's second novel Bel-Ami chronicles journalist Georges Duroy's corrupt rise to power from a poor former cavalry NCO in France's African colonies to one of the most successful men in Paris most of which he achieves by manipulating a series of powerful intelligent and wealthy women. It has been adapted for film and television several times. M. Walter Dunne, Publisher hardcover
1903L2 mnsComplete 17 volume set "The Life Work of Henri Rene Guy de Maupassant Complete 17 Volume Set". Embracing Romance Travel Comedy and Verse for the first time Complete in English. With a Critical Preface by Paul Bourget of the French Academy and an Introduction by Robert Arnot. Illustrated from original drawings by eminent French and American Artists. Copyright 1903 by M. Walter Dunne. Edition de Luxe printed for Subscribers only by The St. Dunston Society. Of the Editor's Autograph Edition of The works of Guy de Maupassant there have been printed 1000 sets of which this is Number 52. M. Walter Dunne hardcover
1934N - 2024 - 35<p>Paris: Ambroise Vollard 1934. La Maison Tellier is one of Guy de Maupassant's most well-known short stories. First published in 1881 it centers around the theme of prostitution. This edition contains 19 hors-text aquatint etchings in colors and black by Maurice Potin and 17 wood engravings in-text by Georges Aubert after original monotypes by Edgar Degas. It is one of 325 numbered copies on Rives vellum. Ref.: Monod no. 7903; Skira no. 55.</p> Ambroise Vollard
1925192386New York: Dingwall-Rock Ltd. 1925. The first complete edition in English The Beaux Arts edition number 128 of 1250 sets. Based on Walter Dunne's similarly deluxe publication of the same name published around the turn of the century this edition was the first to print Maupassant's entire oeuvre in English. 17 vols octavo 220 x 152 mm. Frontispieces and plates with captioned tissue guards decorative chapter headings title pages printed within decorative borders. Contemporary red crushed half morocco spines lettered in gilt compartments framed in gilt with central laurel wreath tools red cloth sides purple endpapers top edges gilt fore and bottom edges uncut. Bindings a little marked patches of wear to vol. I and VI. A near-fine set. hardcover
1903126081London: Printed for subscribers only by M. Walter Dunne 1903. First Bourget edition number 431 of 750 copies signed by Robert Arnot. 17 vols octavo 230 x 166 mm. Elaborate decorative title page to all vols. and limitation page to vol. 1 illustrated frontispieces and 51 illustrated plates all with captioned tissue guards illustrated chapter headings. Contemporary green half morocco raised bands to spines lettered and tooled in gilt single gilt rule to marbled sides monogram of "EHR" within a laurel crown in gilt to front covers marbled endpapers top edges gilt others untrimmed. Gift inscription to front binder's blanks. Spines and edges of covers faded consistently to brown a little wear to upper tips with occasional refurbishment. A handsomely bound set. hardcover
1934007150Paris: Ambroise Vollard 1934. Limited Edition; First Edition Thus. Decorated Full Morocco. Slipcase with paper pastedown. Fine. No. 271 of 325 limitation one of 305 on vélin de Rives. With a striking Art Deco full morocco binding by Leprêtre. Binding features a geometric design blindstamped and gilded onto pebbled black morocco. The design employs bands of five ruled gilded lines the lines within a band of descending width. A centerpiece which is purely blindstamped suggests a lamppost lantern with the number 10 framed. Folio 33 by 25.5 cm. 65 pp. With 19 engraved plates both b/w and tinted after Degas and executed by Maurice Potin. Most unusual are a table of plates in the back in which the non-text plates are rendered as line drawings on four plates. These are in addition to 17 engraved drawings interspersed within the text engraved by Georges Aubert and printed by Henri Jourde . With satin and marbled endpapers. Slipcase with same marbled papers as pastedown. Light wear to the slipcase. Foxing to three prelim blanks. Otherwise clean and fresh. Ambroise Vollard unknown
1905312910London and New York: M. Walter Dunne Publisher 1905. Edition Suprème Letter R of 26 copies printed on Japan Vellum. Illustrated from Original Drawings by Eminent French and American Artists. 17 vols. 8vo. Bound in full blue morocco with full citron morocco doublures and waters silk endpapers t.e.g. Edition Suprème Letter R of 26 copies printed on Japan Vellum. Illustrated from Original Drawings by Eminent French and American Artists. 17 vols. 8vo. Provenance: Duke of York sold 1926; Aspery 1985 M. Walter Dunne, Publisher unknown