Malraux, Andre (1901-1976). Chilton, C WBiblio.com
511 résultats
1957291649London : Phaidon 1957. First Edition. Hardcover. Good cloth copy in a good if somewhat edge-torn with some loss and dust-toned dust-wrapper now mylar-sleeved. Remains quite well-preserved overall; tight bright clean and strong. Physical description; 184 pages illustrations some color. Notes; Translated from the French by C. W. Chilton. Subjects; Goya Francisco. Painting Spain C18th / C19th Critique. London : Phaidon hardcover
1952R1161France: La Galerie de la Pléiade 1952 Ce livre contient 636 illustrations en noir/blanc dans le texte et 15 en couleurs hors texte. Reliure toilée marron; dorure sur dos lisse; coiffe de tête restaurée. Jaquette restaurée au dos insolé. Couverture rigide. Très bon/Très bon. La Galerie de la Pléiade hardcover
78981Paris Gallimard 1974. 4° VI 297 S. zahlr. meist farb. u. oft ganzseit. Abb. OLwd. m. OU OU min. unfrisch Buch tadellos. 010 Paris, Gallimard, 1974 unknown
CA04B-00091La Galerie de la Pleiade. Collectible - Acceptable. Paris: La Galerie de la Pleiade 1952. Sm 4to Hardcover. 776pp. B/W and color illustrations. Fair book and dust jacket. Covers soiled and dampstained. Musty scent. Dust jacket dampstained and torn at hinges and flaps spine sunned. sculpture history bas-relief christian art and symbolism Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. La Galerie de la Pleiade, hardcover
9981896942.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1984202091New York: Random House 1984. First Edition; First Printing. Hardcover. Near Fine in a Very Good dust jacket. Random House hardcover
19509250Paris Skira 1950. In 4° cart. editoriale con piccola mancanza alla testa del dorso. Pp. 260 157 ill. nel testo delle quali 20 tav. in colore appl. a piena pagina. Paris, Skira unknown
0691099413.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19688687012University of London Press 1968. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:034006255X University of London Press hardcover
1953140612Doubleday & Company Inc. June 1953. Hardcover. Used - Very Good/Good. Navy cloth over boards with gilt stamping protected in marbled pictorial dust jacket. Yellowing to book block and dust jacket spine minor wear overall. Doubleday & Company, Inc. hardcover
194999490<p>London: A. Zwemmer 1949. 1949. Good. - Quarto 11-1/8 inches high by 8-7/8 inches wide. Hardcovers two volumes uniformly bound in gray cloth titled in gilt on the front covers and the spines. The covers of both volumes are rubbed and bumped with minor wear to the head & tail of the spine and a small tear to the top of the first volumes' front joint. 155 & 4 pages; and 223 & 4 pages with profuse black & white illustrations including many full-page and tipped-in color plates. The hinges of both volumes are starting to crack and the front endpaper of the first volume has been excised. Good.</p><p>From the library of Dr. Howard D. McKinney d.1980 emeritus professor of music at Rutgers College with his pictorial bookplate on the front pastedown of each volume. Dr. McKinney was an organist and a student of Nadia Boulanger in France.</p> London: A. Zwemmer, 1949. hardcover
195419876Rowohlt. Very Good. 1954. Paperback. Paperback cover has light scuffing and is toned but clean and in very good condition. Pages are toned but clean and very good. . Rowohlt paperback
120225D<p>Modern Library #33 w/scuffed dj. 360pgs followed by Publishers list of titles. Prev owners name on fep.</p> Modern Library #33 hardcover
19721400215Monaco: Editions André Sauret 1972. Hardcover. Quarto 249 pages. In Very Good condition with a Good dust jacket. Spine is black with white print. Dust jacket in mylar; light wear to top edge. Boards in grey cloth with black print. Illustrated: b&w and color plates. <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates.<br /> <br /> NOTE: Shelved in Locked Annex Area Quarto and Folio Case. 1400215. FP New Rockville Stock. Editions André Sauret hardcover
11746RANDOM HOUSE. NY 1936. Near Fine. 1936. First Edition. Hardcover. 9997402634 . First American Edition. Near fine in a Vg. to Nf. dj. A few short edge nicks in dj. Mild shelfwear at edges. Light foxing at top edge. Trace of shelf soiling on front endpaper & pastedown O . RANDOM HOUSE. NY 1936 hardcover
1936000415New York: Random House 1936. Adventrous prewar account of the concentration camp by one of the XXth Century's great writers. This is the later issue unclipped DJ with stunning artwork. Minor nicks mainly on the spine margins. In an archival . Size: 8vo - over 7¾" - 9¾" tall. First American Edition. Hard Cover. Near Fine/Near Fine. Random House Hardcover
70-2901New York: Random House 1948. Dust Jacket. Very Good. Price clipped. In protective Mylar wraps. Scarce. Dust Jacket only. Book not included. New York: Random House, [1948]. paperback
196118013Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 120 pages. 29 x 23 cm. Three original full-page color lithographs by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback
196118017Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 75 pages. 29 x 23 cm. Two original full-page color lithographs one double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback
196118016Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black in original clear plastic overwrapper. Fine in worn clear plastic slipcase. Spitzer Walter. 202 pages. 29 x 23 cm. Seven original full-page color lithographs one double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Partly unopened bright very fresh copy. Editions Lidis paperback
196118022Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black . Fine in nicked original clear plastic overwrapper. Spitzer Walter. 292 pages. 29 x 23 cm. Seven original full-page color lithographs two are double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback
193675479The Modern Library 1936. hardback. very good condition in a near very good condition dust jacket with some spine darkening The Modern Library hardcover
197867887Frankfurt: Propylaen 1978. hardcover. fine/fine. 3 volumes. Profusely illustrated including numerous color plates. Tall thick 4to cloth d.w. boxed. Frankfurt 1978. A fine copy.<br/> <br/> Propylaen unknown
196019693Garden City: Doubleday & Company. As New in Very Good dust jacket. 1960. First US Edition. First Printing. Hard Cover. Publisher's full maroon cloth with embossed gilt lettering on cover and spine. Profusely illustrated with B&W photographs. In slipcase. Through the civilizations of Greece and Byzantium and Europe Malraux traces successive changes not only in the meaning of art but in its uses. One loses a sense of one period growing out of another and substitutes instead an awareness of forces that produced change beyond the definable worldly factors. Malraux reaches back into pre- history to ancient empires Minean and Mycenacean and Egyptian and Hittite; and forward to the classic eres as the Sophists undermined the prestige of the gods and the tyranny of reality lept Rome from true art. With the Byzantium overlordship came the linking and kinship between Christian and Oriental forms. A religious ferment was at work. Mosaics- not painting- took the place of the antique sculptures. Manuscript illumination- Coptic miniatures- the art of the illuminated book all were directed to a limited few the book loving elite. But with the religious revival of the 11th century and the Crusades architecture and sculpture found new birth. The Romanesque period established a new relationship between man and God and man and the world in which he lived:- the religion of love as the sacred found expression in human terms. Two centuries- and another change. With the 14th century came the emergence of purely secular figures- and sculpture in its turn was challenged by painting -- as it had supplanted mosaics. The feudal hierarchy was yielding to an urban way of life. This book expands- it opens wider still- the scope of the "Museum without Walls" which is Malraux' great gift to an art-hungry world. This is a superb translation by Stuart Gilbert of a work destined to take a permanent place. The volume is in perfect pristine condition unmarked tight square and clean. The unclipped dust jacket has some slight creases at the upper edges of the flaps light rubbing to spine ends and tips. In a good slipcase with a short split on the top edge light rubbing and sunfading to covers edges. AS NEW/ VERY GOOD. . B&W Photographs. 8vo 8" - 9" tall. 400 pp . Doubleday & Company hardcover
1960348058Garden City NY: Doubleday & Company 1960. Hardcover. Fine/Very Good. First American edition. Octavo. 400pp. Fine black & white and color gravure illustrations. Translated by Stuart Gilbert. Cloth boards with gilt titles a fine copy in a very good dustwrapper. Housed in a very good slipcase with rubbing to the printed cover. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. With Bernarda Shahn's name stamp on the lower edge of the text pages. Doubleday & Company hardcover
