Malraux, Andr.Biblio.com
511 résultats
1960119723Paris : Imprimerie Nationale - Editions Lidis 1960-1962. 285x230mm. planches en couleurs reliure d'ÂŽditeur. Reliure cuir bordeaux titre au dos dorÂŽ caractÂre chinois dorÂŽs sur le plat supÂŽrieur ornementations ˆ froid tranche supÂŽrieure dorÂŽe dos un peu insolÂŽ autrement bon ÂŽtat.Exemplaire numÂŽrotÂŽ sur papier vÂŽlin filigranÂŽ Vercors des Papeteries Barjon de Moirans 1979/2500. Bel exemplaire. 8450 Imprimerie Nationale - Editions Lidis unknown
2004BN172582Gallimard 2004. 2004. Hardcover. Ecrits sur l'art 2 volumes - leatherbound BIBLIOTHEQUE DE LA PLEIADE <br/><br/>Ecrits sur l'art 2 volumes - leatherbound BIBLIOTHEQUE DE LA PLEIADE Andre Malraux Gallimard hardcover
19722091202133203575Editions Andre Sauret 1972. Soft Cover. Fine. Volume: 1 Editions Andre Sauret paperback
19291002Y22London: Jonathan Cape 1929. First edition. Cloth. Very Good Indeed/Near Fine. 8" by 5.5". None. A desirable first English edition of Andre Malraux's first novel complete with the very scarce original unclipped dust wrapper. The first English edition of Andre Malraux's first novel 'The Conquerors'. Translated by Winifred Stephens Whale. Scarce. With the very scarce original dust wrapper unclipped. An incredibly smart example for its age. An exciting novelisation of the 1920s Cantonese revolution in Hong Kong describing the struggle between the Kuomintang and the Communists. The plot serves as a vehicle for French novelist Andre Malraux to discuss issues of colonialism and revolution which he opposes and favours respectively.Four pages of publisher's advertisements to the rear. In the original cloth binding. With the original unclipped dust wrapper. Externally very smart with fading to the spine and slightly to board edges. Minimal shelf wear. Dust wrapper is very smart indeed with sunning to the spine and minor edge wear. Small chip to the fly leaf joint and a couple minor marks to the wrap. Internally firmly bound. Pages are bright and clean with only minor offsetting to endpapers and a few spots to the fore edge affecting the odd page. Very Good Indeed Jonathan Cape hardcover
197240668Monaco: Editions André Sauret 1972. Near fine. Beautifully produced catalogue with full-page photographic reproductions of over 200 Chagall pieces many in color and an original color lithographic frontispiece by Chagall. This is the English edition of the catalogue translated from the French. 12.5'' x 9.5''. Original grey cloth in original color pictorial dust jacket. Illustrated with color lithographic frontispiece by Chagall and photographic images throughout. 249 3 pages. Only trace wear to jacket edges and typical offsetting to verso of original lithograph. Editions André Sauret unknown
19521408802Paris: NRF 1952-1954. Hardcover. Octavo Three volumes. In Very Good minus condition with Very Good minus dust jackets. Spines are cream with brown and black print. In toned and torn cellophane dust jackets are cream brown and black print illustration. Boards in cream cloth; light wear to spine caps and corners. Text blocks have slight tanning to endpapers. Illustrated: b&w text illustrations and plates color plates. Text in French. <br /> <br /> CONTENTS: Les Voix du Silence Reprint 1953 657 pages — Le Musée Imaginaire de la Sculpture Mondiale 1952 775 pages — Le Musée Imaginaire de la Sculpture Mondiale. Vol. 2 Des Bas-Reliefs aux Grottes Sacrées 1954 512 pages.<br /> <br /> NOTE: Shelved in Locked Annex Area Multi-volume Section. 1408802. FP New Rockville Stock. NRF hardcover
1953404116Garden City: Doubleday & Co 1953. Softcover. Near Fine. Uncorrected proof. Small square quarto. 661 4pp. Illustrated. Printed in France. Quarter canvas and stitched signatures with paper label affixed on front wrap. Slight soiling and stains on front wrap else very near fine. An ungainly format presumably rare thus and unlikely to have received wide distribution. Doubleday & Co unknown
1967033121Doubleday & Company 1967. Soft cover. Very Good. 1967 Stated 1st edition in US. Solid paperback with minimal wear to cover. No marks or names inside. <br/> <br/> Doubleday & Company paperback
19745Paris Gallimard 4 février 1977. 1 vol. 145 x 215 mm de 330 p. et 3 f. Broché non coupé. . Édition originale. Un des 170 premiers exemplaires sur vergé blanc de Hollande n° 76. Dernier texte d'André Malraux cette étude sur la littérature depuis le XIXème siècle se démarque cependant de l'histoire littéraire classique : les prises de positions et les interprétations personnelles y abondent et conduisent à une réflexion sur l'audio-visuel et son impact profond quant à notre rapport au monde. Malade Malraux mènera à son terme ce texte avant d'envoyer Sophie de Vilmorin sa dernière compagne porter le manuscrit chez Gallimard. Nous sommes fin octobre un mois plus tard il s'éteint le 23 novembre 1976 trois mois avant la publication. Parfait état non coupé. Paris, Gallimard, (4 février) 1977. 1 vol. (145 x 215 mm) de 330 p. et [3] f. Broché, non coupé. unknown
20373Imprimerie Nationale éditions Lidis 1960 / 1962. 7 volumes in/4 28 x 23 cm reliure plein maroquin bordeaux plat à décor doré et à froid doré sur tête illustrations : 52 lithographies originales de W. Spitzer. Monod 7697. Très bon état hormis des dos insolés bordeaux vire à l'orangé. Exemplaire numéroté 883 sur vélin d'Arches pur chiffon filigrané André Malraux. unknown
1983BN100188München : Beck Verlag 1983. 1983. Romanische Kunst. 2 Bände zusammen. Erster Band: Mittel- und Südeuropa. 1060-1220. Zweiter Band: Nord- und Westeuropa. 1060-1220 aus der Reihe Universum der Kunst Band 29 30 . <br/><br/>Romanische Kunst. 2 Bände zusammen. Erster Band: Mittel- und Südeuropa. 1060-1220. Zweiter Band: Nord- und Westeuropa. 1060-1220 aus der Reihe Universum der Kunst Band 29 30 . München : Beck Verlag unknown
1975143h5326New York: The New York Times Company 1975. Book. Illus. by Skrebneski. Good. Single Issue Magazine. First Edition. Folio - over 12" - 15" tall. Features: Fantastic aerial photo of an offshore drilling platform; American Fur Industry one-page color-photo ad features three beauties in long coats each eating submarine sandwiches; Drilling for Oil in the North Sea - Britain's race to save itself from economic and social upheaval; Andre Malraux interviews Pablo Picasso; Keep Open Admissions Open - For Five Years the City University has offered an education to all high-school graduates; Can a Woman Be Liberated and Married - by Caryl Rivers; The High Price of Treasure - The Treasure of the Atocha which sunk off the Florida Keys in 1622; Half-page color-photo ad for the Elbow Beach Surf Club in Bermuda; Nice color-photo centerfold ad for Christenfeld fashions features lady in tan pant suit with studly gent; Boot Fashions; The Shaker Way of Design; One-page ad for Depilatron hair removal for ladies. 104 pages. Generously illustrated with black and white photos and fantastic color-photo ads. School stamp on front cover and page 23 otherwise clean and unmarked with average wear. A sound vintage copy of this excellent issue. The New York Times Company Paperback
1960209526New York: Doubleday & Company 1960. First Edition; First Printing. Hardcover. Near Fine in a Very Good slipcase. Bottom slipcase panel cracking. Doubleday & Company hardcover
197387973s. l.: s. n. 1973. Fine. s. n. s. l. 1973 13.50 x 9 cm une feuille Printed visiting card signed by André Malraux to which he has added in black ballpoint pen these few words for his friend Minka Strauss: ""All my thanks dear Minka for the pastries. I am also sending you a small bibliophilic gift. Most affectionately."" s. n. unknown
197387972s. l.: s. n. 1973. Fine. s. n. s. l. 1973 13.50 x 9 cm une feuille Printed visiting card on which André Malraux has added in blue ballpoint pen these few words for his friend Minka Strauss: ""Thank you dear Minka for your charming and useful attention. My regards to K.H. I beg you and my affectionate respects."" s. n. unknown
197388071s. l.: s. n. 1973. Fine. s. n. s. l. 1973 13.50 x 9 cm une feuille Printed calling card on which André Malraux added in blue ballpoint pen these few words for his friends Minka and Karl Hans Strauss: ""I am touched dear friends by the affectionate part you take in my grief. And what else is there to say.""  s. n. unknown
193582778Paris: Nrf 1935. Fine. Nrf Paris 1935 12 x 19 cm broché First edition one of 297 numbered copies on pur fil paper ours being one of the 100 copies reserved for the Strasbourg selection of the ""La mésange"" bookshop. Four small stains of no consequence to right margin of front cover. Handsome copy. Nrf unknown
193582846Paris: Nrf 1935. Fine. Nrf Paris 1935 12 x 19 cm broché First edition one of 297 numbered copies on handmade paper. A handsome copy. Nrf unknown
1978O2-00072Princeton University Press 1978-10-01. paperback. New. 6x1x8. Ship within 24hrs. 100% Satisfaction is Our #1 Goal! Princeton University Press paperback
119598Paris Gallimard 1952. 128 pages. 3 feuillets. 36x27 Cm. Cartonnage souple remplié. Couverture illustrée en très bon état. Cet ouvrage reproduit pour la première fois la totalité de l'oeuvre de Vermeer de Delft. L'introduction est composée des "Pages sur Vermeer" de Marcel Proust et de "Un artiste à jamais inconnu." d'André Malraux. Illustrations en noir in-texte. Planches en couleurs hors-texte. contrecollées et sous serpentes. Exemplaire en très bon état. Paris, Gallimard, 1952. unknown
19381391551London UK: George Routledge & Sons 1938. First English Edition First Printing. Hardcover. Octavo 507 pages. In Good plus condition with a Good condition dust jacket. Spine is brown with orange stripes and black lettering. Dust jacket is wrapped in a mylar covering price uncut "8s.6d.net" has large open tears along the fore corners and spine mild age toning and mild shelving wear. Boards have mild fraying along the spine head and tail edges chipping along the extremities and mild bending along the fore corners. Textblock has splitting along the gutter between pages 224-225 and creasing along tail fore corner of pages 251 315 and 385. Shelved in Room C. 1391551. Special Collections. George Routledge & Sons hardcover
1950229361Paris: La Galerie de La Pléiade 1950. First edition. 20 colour plates and numerous black & white illustrations by Goya. 186 pp. 1 vols. 4to. Bound in full blue polished calf with the Thaw family motto stamped in gilt on the upper cover: "Ou le Sort Appelle" Where Destiny Calls top edge gilt. Fine spine slightly faded. First edition. 20 colour plates and numerous black & white illustrations by Goya. 186 pp. 1 vols. 4to. La Galerie de La Pléiade unknown
feb65893Used. For more details please contact me unknown
feb40570Used. For more details please contact me unknown
195327414New York: Imprimerie Georges Lang Paris for Doubleday & Company Inc. 1953. First edition. Illustrated profusely throughout with black and white and color photographs and renderings. Thick 4to publisher’s original blue cloth lettered in gilt on the upper cover and spine. In the original colour dustjacket and slipcase with tipped on pastedown to the front board. 661 2 pp. An extremely fine as pristine copy but for some mellowing to the jacket spine panel and a bit of evidence of shelving to the box. A FINE COPY OF THIS IMPORTANT FIRST EDITION. “Art is man’s expression of himself his world and his faith throughout all of time and global space. This book by one of the most powerful and perceptive writers of modern times is a brilliant and provocative inquiry into the meaning of all art. The book is of both philosophical and moral importance. An “imaginary museum†the book is a masterly integration of text and illustration designed and supervised by Malraux himself. Finely produced--printed in France by heliogravure process on paper especially manufactured in Finland it is a beautiful book.<br> Malraux was philosopher archeologist soldier politician and novelist. He was one of the most important experts on art of the last century. His great novel MAN’S FATE is still considered one of the best French works of the 20th century. He fought in WWII was captured by the Germans escaped became a guerrilla leader was captured again and finally liberated when the Americans reached Paris. He was awarded the French Legion of Honor the Croix de Guerre and the British D.S.O. The book is a masterly tour de force and one of the great critical art works of all time. Imprimerie Georges Lang, Paris for Doubleday & Company, Inc. hardcover
