3 022 résultats
500372731Sans date. Bon état unknown
2070241319.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
193365787Paris: Nrf 1933. Fine. Nrf Paris 1933 12 x 19 cm broché First edition one of 339 numbered copies on pur fil the only large paper copies after 1 Chine and 39 vergé pur fil re-imposed. A very nice copy. Nrf unknown
2-2070241319GALLIMARD 1933. Paperback. New. 336 pages. French language. 7.80x5.51x0.87 inches. GALLIMARD paperback
193369839Paris: Nrf 1933. Fine. Nrf Paris 1933 12 x 19 cm broché First edition one of 339 numbered copies on ""pur-fil"" paper only deluxe copies ""grand papier"" after 1 China and 39 laid ""pur-fil"" paper reimposed. Very nice copy. Half morocco binding. Nrf unknown
feb65893Used. For more details please contact me unknown
feb40570Used. For more details please contact me unknown
19762386Gallimard Paris France 1976. 22 x 28 cm in good condition Gallimard, Paris, France unknown
192688243Paris: Grasset 1926. Fine. Grasset Paris 1926 12 x 19 cm broché First edition on ordinary paper despite a mention of twelfth edition. Paper yellowed and slightly brittle at the edges a small insignificant lack at the head of the leaves of the first gathering which was poorly cut. Beautiful autograph inscription signed by André Malraux on the half-title page: ""A André Germain - cet ancien portrait de moi-même où je ne me reconnais guère que par endroits - avec le fidèle souvenir et la sympathie d'André Malraux."" To André Germain - this old portrait of myself in which I hardly recognize myself except in places - with faithful memory and the sympathy of André Malraux.  Grasset unknown
192688242Paris: Grasset 1926. Fine. Grasset Paris 1926 12 x 19 cm broché First edition one of the review copies. Bradel binding in full patterned paper with abstract motifs smooth spine date gilt at foot rust-coloured morocco title label wrappers preserved binding signed by P. Goy & C. Vilaine. Signed autograph inscription from André Malraux to J. Ernest-Charles.  Grasset unknown
192692129Paris: Grasset 1926. Fine. Grasset Paris 1926 12 x 19 cm broché First edition one of the press service copies.Sun-faded spine boards marginally faded and sunned as is usually the case.Precious signed autograph inscription by André Malraux: ""A Pierre Mac Orlan introuvable en témoignage de gratitude et de vieille sympathie.""  Grasset hardcover
197480215Paris: Gallimard 1974. Fine. Gallimard Paris 1974 14.50 x 20.50 cm broché First edition a Service de Presse advance copy. Iconography at rear. Precious autograph inscription signed by André Malraux to the diplomat and great resistance fighter faithful among the faithful of General De Gaulle Gaston Palewski to whom this work is dedicated below the printed dedication: ""C'est pour vous distraire. Vous recevrez vos exemplaires convenables la semaine prochaine"" ""This is to entertain you. You will receive your proper copies next week"".  Gallimard unknown
feb72213Used. For more details please contact me unknown
feb59445Used. For more details please contact me unknown
193091058Paris: Grasset 1930. Fine. Grasset Paris 1930 12 x 19 cm Broché First edition one of 170 numbered copies on deluxe paper.A very slight tear without loss to the second panel of the double wrapper.A pleasing copy preserved in its double wrapper. Grasset unknown
193055710Paris: Grasset 1930. Fine. Grasset Paris 1930 11.50 x 18.50 cm relié First edition of 62 numbered copies on Madagascar the tirage de tête. Contemporary half blue morocco over marbled paper boards by Robinson gilt date to spine gilt fillet frame to covers endpapers and pastedowns of light green paper double covers and double spines preserved top edge gilt. A very good copy in a nice binding. Grasset hardcover
0354041657.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
195479898Paris: Gallimard Galerie de La Pléiade 1954. Fine. Gallimard Galerie de La Pléiade Paris 1954 18 x 23.50 cm reliure de l'éditeur First edition one of the numbered copies the only printing. Richly illustrated. Publishers binding in full boards designed after Paul Bonets original model. Joints of the upper cover skillfully restored. Precious signed presentation inscription from André Malraux to Maurice Blanchot. Gallimard, Galerie de La Pléiade hardcover
CA04B-00091La Galerie de la Pleiade. Collectible - Acceptable. Paris: La Galerie de la Pleiade 1952. Sm 4to Hardcover. 776pp. B/W and color illustrations. Fair book and dust jacket. Covers soiled and dampstained. Musty scent. Dust jacket dampstained and torn at hinges and flaps spine sunned. sculpture history bas-relief christian art and symbolism Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. La Galerie de la Pleiade, hardcover
500051491Sans date. Etat correct unknown
100153484La galerie de la pléiade. jaquettes défrâichies ternies livres en bon état intérieurs propres tome I édité en 1952 tome II et III édités en 1954. in4. Sans date. Broché. 3 volumes. La galerie de la pléiade unknown
195480045Paris: Gallimard 1954. Fine. Gallimard Paris 1954 18 x 23.50 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Publisher's full cream cloth binding complete with its illustrated dust jacket. Spine of dust jacket sunned and with two small stains on the back panel Precious signed autograph inscription from André Malraux to Maurice Blanchot. While they knew each other at the NRF it was primarily through several major articles by Blanchot devoted to Malraux that the two men ""encountered"" each other. After the war Blanchot published in Bataille's ephemeral review 'Actualité' an article on l'Espoir that allowed him ""to visibly inscribe his political reversal"". In 1950-51 in his double article on ""Le Musée imaginaire"" he formalized his own theory of the image that would permeate his future work. Confronting these two visions of art Henri Godard writes: ""Through the constancy and radicalism of its reference to death to absence to nothingness Blanchot's thought is one pole of our reflection on art of which Malraux could well incarnate the other"" In ""L'Expérience existentielle de l'art"". A polarity that could only bind Blanchot to Malraux whose tutelary figure would be invoked one final time at the end of his last narrative ""l'Instant de ma mort"": ""Later having returned to Paris he met Malraux. The latter told him that he had been taken prisoner without being recognized that he had managed to escape while losing a manuscript. What does it matter! Only the feeling of lightness remains which is death itself or to put it more precisely the instant of my death henceforth always pending."" Rich iconography. Spine of dust jacket slightly sunned as is often the case and with two marginal stains at the head of the back panel. Gallimard hardcover
193582778Paris: Nrf 1935. Fine. Nrf Paris 1935 12 x 19 cm broché First edition one of 297 numbered copies on pur fil paper ours being one of the 100 copies reserved for the Strasbourg selection of the ""La mésange"" bookshop. Four small stains of no consequence to right margin of front cover. Handsome copy. Nrf unknown
193582846Paris: Nrf 1935. Fine. Nrf Paris 1935 12 x 19 cm broché First edition one of 297 numbered copies on handmade paper. A handsome copy. Nrf unknown
197088237Paris: Gallimard 1970. Fine. Gallimard Paris 1970 12 x 20.50 cm broché First edition on ordinary paper. Very light worming at foot of first cover handsome copy. Autograph inscription signed by André Malraux to Edouard Caen. Gallimard unknown