MALRAUX, Andre; GILBERT, StuartBiblio.com
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1949333374London: A. Zwemmer 1949. hardcover. very good. 2 volumes. Numerous black and white illustrations and color plates throughout. 155 223 pages. 4to grey cloth with gilt lettering foxed along spine edges and pages toned with ex-library stamp on inside cover in a cardstock slipcase. London: A. Zwemmer 1949-50. Overall a very good set.<br/> <br/> Translated by Stuart Gilbert.<br/> <br/> A. Zwemmer unknown
1949622305New York: Pantheon Books 1949. Hardcover. Near Fine/Very Good. First edition. Three volume set. Translated by Stuart Gilbert. Black-and-white gravure illustrations and tipped in color plates. Quartos. Gray cloth stamped in gilt. Spine ends and corners lightly rubbed and bumped near fine in very good dust jackets with faint dampstains on spines two-inch chip on volume one spine head short nicks and tears on edges of jackets all housed in the original slipcase with paper label on front panel extremities worn some crayon on rear panel. The text pages and expertly printed plates are bright and clean. The Bollingen Series XXIV. Pantheon Books hardcover
1949033184New York: Pantheon 1949. Book. Near Fine. Hardcover. First Edition. 155pp. Museum Without Walls 219pps The Creatvie Act. Gray cloth. Color and Black and white tipped in plates. Light toning to the extremitiesvolume 2 has light evidence of a dampstain otherwise clean and unmarked volumes. The unclipped pictorial jackets have a significant chip vertically on Volume 1 Volume 2 a dampstain on the upper edge. Housed in a tan slipcase. This two volume set represents the author's philosophy on art and creativity. Pantheon Hardcover
3449Malraux Andre. THE PSYCHOLOGY OF ART. VOLUME III THE TWILIGHT OF THE ABSOLUTE. Translated by Stuart Gilbert. New York Pantheon Books 1950. Cloth. Dust jacket. Slipcase. "In this volume M. Malraux concludes his subtle analysis of the psychology of artistic creation." Very good condition. <br/><br/> hardcover
0914300032.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1992Q-0226502910University Of Chicago Press 1992-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! University Of Chicago Press paperback
1950466849New York : Pantheon Books 1950. First Edition. Hardcover. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper now mylar-sleeved. Remains well-preserved overall; tight bright clean and especially sharp-cornered. Notes: Sir Lawrence Gowing's copy with some pencil notes by his hand to the rear pastedown. Series; Bollingen series ; 24. Physical description; 275 pages : illustrations mounted colour plates ; 29 cm. Notes; Translation of: Monnaie de l'absolu. Bibliographical note: page 255. Translated by Stuart Gilbert. Contents; The twilight of the absolute -- Complementary studies. Subjects; Art psychology. Art philosophy. 20th century. Illustrated. Colour plates. New York : Pantheon Books hardcover
WY-U9DK-6Z2IHardcover. Fine. hardcover
19561380175Garden City NY: Doubleday and Company Inc 1956. Hardcover. Large Thick Octavo 661 pages. In Good condition with a Good dust jacket. Dust jacket protected with a mylar covering. Spine slightly age toned yellow with dark brown lettering. Exterior shows moderate age toning some soiling and some chips to the head/tail edges. Mild age toning interiorly. Boards have light foxing to the spine and edges. Text block has moderate age toning to the edges. Cracking to the hinges shaking the binding. Mild offsetting interiorly. Frontispiece. Profusely illustrated. NOTE: Shelved in Netdesk Office on the Back Shelf.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1380175. FP New Rockville Stock. Doubleday and Company, Inc hardcover
19561765541721Doubleday & Company 1956. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Doubleday & Company hardcover
402229-nnew. unknown
402229like new. unknown
195324092506New York: Doubleday & Company Inc. printed by the Imprimerie Georges Lang Paris 1953. First and Limited Edition. Leather bound. Near fine. First edition in English one of 160 copies octavo size 663 pp. signed by André Malraux in slipcase. Georges André Malraux 1901-1976 lived a life of exploration social activism and danger at one point being a Marxist only later to turn back to the hope of Western culture and ideals. He had a deep and abiding interest in art and its effect on us as human beings: "to Malraux aesthetic ideas like the philosophy of action expressed in his own novels would always be part of man’s eternal questioning of destiny and his response to it" n.b. from the web site of the Encyclopedia Britannica. <br /> <br /> His first work was published in 1926 a novel; for his 1933 masterpiece "La Condition humaine" he was awarded the Prix Goncourt. This work is the first edition in English of the one-volume edition of his first book on art "The Psychology of Art" published in three volumes 1947–1949. <br /> <br /> ___DESCRIPTION: Bound in full crimson leather by Georges Gauche Paris gilt lettering on the spine top edge gilt patterned endpapers limitation page precedes the half-title this no. 8 of 160 copies and is signed by Malraux the books is replete with reproductions of paintings and sculptures mostly black-and-white with a few in colour; octavo size 8 7/8" by 7 3/8" pagination: 1-11 12-661 1 blank 1 printer's statement. In the publisher's slipcase covered and lined with red paper. <br /> <br /> ___CONDITION: Volume near fine the leather soft and supple the boards clean straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; light sunning and a few stray marks to the spine and one mark to the gilt on the top edge else fine. The slipcase very good while some of the seams are beginning to split it is still strong and sturdy with overall light wear and sunning. <br /> <br /> ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Doubleday & Company, Inc. [printed by the Imprimerie Georges Lang, Paris] unknown
19780691018219_newPrinceton University Press 1978-10-21. Paperback. New. 0x0x0. Princeton University Press paperback
1978O2-00072Princeton University Press 1978-10-01. paperback. New. 6x1x8. Ship within 24hrs. 100% Satisfaction is Our #1 Goal! Princeton University Press paperback
ANAIS-0691099413Princeton University Press. hardcover. Good. 6.8x1.5x8.8. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press hardcover
19539SC-SVN-DLE1953. Hardcover. Very Good. Doubleday 1953. Slipcase has moderate wear. Jacket has some chipping at top of spine moderate wear and fading. Book has light wear clean pages lightly yellowed firm binding. hardcover
195321775New York: Doubleday & Company Inc. 1953. Very Good/Good. One of the most influential art-historical works of the postwar era this volume represents Malraux's full-scale assault on traditional linear art history. <br /> <br /> It is the book that taught the world to see art as a universal language of human defiance against mortality. For the collector of modern thought or art theory a first American edition in a surviving jacket is a mandatory acquisition.<br /> <br /> KEY FEATURES<br /> Visuals: Profusely illustrated with hundreds of heliogravure illustrations in black-and-white and several tipped-in color plates.<br /> Visual Encyclopedia: Contains over 600 pages of integrated text and imagery utilizing a sophisticated layout that forces the reader to make the cross-cultural connections Malraux describes.<br /> Binding: Original black cloth with gilt and blind-stamped designs to the front board and spine.<br /> Imprint: Doubleday & Company Inc. Garden City NY 1953. First American Edition.<br /> Specs: Thick quarto; 8.5 inches tall; xii 661 pages including a detailed index and list of illustrations.<br /> Design: Typography and layout designed to emphasize the visual dialogue between disparate cultures e.g. placing a Greek torso next to a Khmer Buddha.<br /> <br /> CONDITION: <br /> THE BOOK: The bindings are tight and square holding the considerable weight of the 600-plus page text block firmly. The internal pages are clean and free of markings showing only light even age-toning consistent with 1950s paper stock. <br /> DUST JACKET: The dust jacket is present but shows the typical vulnerabilities of this heavy volume: the spine is sun-darkened and there is light hand-soiling to the panels. There is a small area of loss at the head of the spine and minor rubbing to the extremities. The jacket is now preserved in a clear archival protective sleeve.<br /> <br /> SCHOLARLY FEATURES<br /> Aesthetic Philosophy: Explores the 'metamorphosis' of art where a religious idol becomes a 'work of art' once removed from its original temple and placed in a museum or book.<br /> Modernist Influence: Deeply impacted the thinking of contemporary figures from Walter Benjamin to Marshall McLuhan bridging the gap between traditional connoisseurship and modern media theory.<br /> Scholarly Shield: As a primary text in the history of the museum this edition is essential for institutional research into how 20th-century curators and historians viewed global heritage. This work popularized the revolutionary idea that the 'imaginary museum' of photographs and prints allows for a global synchronized experience of art history.<br /> Polymathic Perspective: Malraux's dual life as a revolutionary novelist and France's future Minister of Cultural Affairs informs the work's epic philosophical scale.<br /> Postwar Landmark: Published at a moment when Europe was rebuilding its cultural identity; it served as a spiritual defense of Western and World civilization. HISTORICAL SIGNIFICANCE -<br /> André Malraux was a towering figure in French intellectual life a man of action who fought in the Spanish Civil War and the French Resistance before becoming a chief cultural architect under Charles de Gaulle. 'The Voices of Silence' is his most enduring contribution to the world of ideas.<br /> <br /> This 1953 edition was the first to bring Malraux's matured 'Psychology of Art' to a broad American audience. It appeared exactly as the United States was assuming a dominant role in the international art market providing the intellectual justification for the massive encyclopedic museum collections being built in cities like New York and Chicago.<br /> <br /> SUBJECTS: Aesthetics Museum Theory Comparative Art Visual Culture André Malraux Art Reproduction Cultural Memory 20th-Century Thought Art History Philosophy Cultural Criticism. Doubleday & Company, Inc. unknown
1978Q-0691018219Princeton University Press 1978-10-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Princeton University Press paperback
0691099413.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1953001365New York: Doubleday & Company. Clipped DJ in archival cover soiling. . Fine. Hardcover. 1st Edition. 1953. Doubleday & Company hardcover
1953JC15221New York: Doubleday & Company 1953. First American Edition. Hardcover. Very Good. Copy "B" of 10 presentation copies inscribed by Malraux to Madame Nelson Doubleday wife of the publisher with an authograph quotation below the brief signed inscription. Thick 4to. 661 pp. Translated from the French by Stuart Gilbert. Specially bound in full red morocco front joint worn. <br/><br/> Doubleday & Company hardcover
1953404116Garden City: Doubleday & Co 1953. Softcover. Near Fine. Uncorrected proof. Small square quarto. 661 4pp. Illustrated. Printed in France. Quarter canvas and stitched signatures with paper label affixed on front wrap. Slight soiling and stains on front wrap else very near fine. An ungainly format presumably rare thus and unlikely to have received wide distribution. Doubleday & Co unknown
1953ALReMALR68Garden City NY: Doubleday & Company Inc. 1953. 1953. 8vo. pp. 661. 15 colour illus. & many text illus. cloth. Hardcover. Garden City, NY: Doubleday & Company, Inc., 1953. Hardcover
1953156819Garden City N. Y. Doubleday 1953. First Edition. Hardcover. Fine cloth copy in a near fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. Slip-cased ; 8vo 8"" - 9"" tall; 661 pages; Physical desc. : 661 p. 15 leaves of plates : ill. some col. ; 23 cm. Based on the author's Psychologie de l'art. Subject: Malraux Andre 1901-1976. - Psychology of art. Art - Psychology. Art - Philosophy. Art - Theory Garden City, N. Y. , Doubleday hardcover
