Malraux, AndreBiblio.com
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1960135568Doubleday. Very Good in Very Good dust jacket. 1960. Hardcover. A book that looks almost new with dustjacket. - IN SLIPCASE with some wear. Dustjacket is very nice though the rear top outside corner is damaged from putting it in the slipcase carelessly ; 9 X 6 X 1 inches; 400 pages . Doubleday hardcover
19601259893New York: Doubleday & Company Inc 1960. Limited edition 58 copies; signed #D. Thick small quarto in burgundy leather with five-band embossed spine and gold letters in cardboard case; bound by hand; VG/VG; moderate shelf wear on spine with slight fraying around edges; front board slightly loosening on top; marbled end pages clean; paper and text clean; three pages have minuscule notches on the edge; pp. 400; abundant illustrations mostly in black and white with color at the end; synopsis of each chapter at the end; dedication in French and signature on special page; please contact us for shipping costs; GP consignment. 1259893. Special Collections - Downstairs. Doubleday & Company, Inc unknown
1960Q-B0000CKQTFLondon Secker and Warburg 1960 1960-01-01. Hardcover. New. New. London (Secker and Warburg), 1960 hardcover
196019693Garden City: Doubleday & Company. As New in Very Good dust jacket. 1960. First US Edition. First Printing. Hard Cover. Publisher's full maroon cloth with embossed gilt lettering on cover and spine. Profusely illustrated with B&W photographs. In slipcase. Through the civilizations of Greece and Byzantium and Europe Malraux traces successive changes not only in the meaning of art but in its uses. One loses a sense of one period growing out of another and substitutes instead an awareness of forces that produced change beyond the definable worldly factors. Malraux reaches back into pre- history to ancient empires Minean and Mycenacean and Egyptian and Hittite; and forward to the classic eres as the Sophists undermined the prestige of the gods and the tyranny of reality lept Rome from true art. With the Byzantium overlordship came the linking and kinship between Christian and Oriental forms. A religious ferment was at work. Mosaics- not painting- took the place of the antique sculptures. Manuscript illumination- Coptic miniatures- the art of the illuminated book all were directed to a limited few the book loving elite. But with the religious revival of the 11th century and the Crusades architecture and sculpture found new birth. The Romanesque period established a new relationship between man and God and man and the world in which he lived:- the religion of love as the sacred found expression in human terms. Two centuries- and another change. With the 14th century came the emergence of purely secular figures- and sculpture in its turn was challenged by painting -- as it had supplanted mosaics. The feudal hierarchy was yielding to an urban way of life. This book expands- it opens wider still- the scope of the "Museum without Walls" which is Malraux' great gift to an art-hungry world. This is a superb translation by Stuart Gilbert of a work destined to take a permanent place. The volume is in perfect pristine condition unmarked tight square and clean. The unclipped dust jacket has some slight creases at the upper edges of the flaps light rubbing to spine ends and tips. In a good slipcase with a short split on the top edge light rubbing and sunfading to covers edges. AS NEW/ VERY GOOD. . B&W Photographs. 8vo 8" - 9" tall. 400 pp . Doubleday & Company hardcover
1960107541Doubleday 1960. 1st Edition. Hardcover. Fine/No Jacket. First Edition in English stated on the copyright page fine in near fine original slipcase. Doubleday hardcover
19601103New York: Doubleday 1960. Hardcover. Near Fine. 400 pages Near Fine condition hardcover in Very good dustjacket one corner has wear in original slipcase Doubleday hardcover
1960329890Garden City NY: Doubleday & Company 1960. Hardcover. Near Fine/Near Fine. First American edition. Octavo. 400 pp. Fine black & white and color gravure illustrations. Translated by Stuart Gilbert. Publishers' cloth boards gilt titles a fine copy in a fine dustwrapper. Housed in a slipcase with rubbing to the printed cover and sunning to the edges. An excellent copy. Doubleday & Company hardcover
19609008494Garden City: Doubleday 1960. 1st. Hardcover. Book fine Dust jacket fine. Housed in a slipcase. <br/><br/> Doubleday hardcover
1960348058Garden City NY: Doubleday & Company 1960. Hardcover. Fine/Very Good. First American edition. Octavo. 400pp. Fine black & white and color gravure illustrations. Translated by Stuart Gilbert. Cloth boards with gilt titles a fine copy in a very good dustwrapper. Housed in a very good slipcase with rubbing to the printed cover. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. With Bernarda Shahn's name stamp on the lower edge of the text pages. Doubleday & Company hardcover
194940395Switzerland: Pantheon. Fine in Very Good dust jacket. 1949. First Edition. Cloth. B/w; 4to ; Prolifically illustrated in B/W plates. The Bollingen series #XXIV. Text is Fine DJs are lightly folded at some edges from insertion into slipcase which which has partial split at bottom edge. Contents unmarked and fine. DJ. S are unclipped. . Pantheon hardcover
1949199190France: Pantheon Books 1949. Hardcover. Good Boards are edgeworn/scuffed/smudged; textblock edges are lightly worn/scuffed/smudged; interior is clean but lightly toned with occasional foxing or smudging; binding is solid. Brown boards with gilt lettering and illustration; two volumes; 156 224 pp.; richly illustrated. These volumes are two volumes of a three-volume set. Pantheon Books hardcover
1949502073Pantheon Books / Bollingen Foundation Inc 1949. First Edition. Hardcover with Dust Jacket. FINE/Very Good. 157 225 276 pp. 4tos brown cloth. All volumes are exceedingly clean and sharp with tight bindings; DJ spines show some wear as does the slipcase which remains structurally entirely sound. First Edition in English. Pantheon Books / Bollingen Foundation, Inc hardcover
1949210445976Pantheon Books/Bollingen Foundation 1949. First Edition. Hardcover. Good/Good. Three volumes with light to moderate rubbing and shelf wear to boards. Bindings square and tight. Dust jackets have rubbing and wear to edges as well as small closed tears. Photos upon request. Books are oversized and heavy. Additional postage may be required for shipping. Thank you for supporting Last Word Books and independent bookstores. Pantheon Books/Bollingen Foundation hardcover
194969715New York: Pantheon Books 1949. First edition. Hardcover. Very Good /Very Good. 155; 223pp. Quarto 28.5 cm Gray cloth over boards. Spine ends gently bumped and rubbed. In price-clipped dust jackets with light soiling and a bit of chipping to the edges. There are a couple 3/4" closed tears to the jacket of volume 1. May require extra postage due to weight. The Bollingen Series XXIV. <br /> <br /> From the publisher-<br /> <br /> "The position of contemporary man in the face of the problem of art is redefined and the psychology of the creative act is determined showing it to be essentially the same in the Greeks as in Cézanne and Picasso. Pantheon Books hardcover
19491404160New York: Pantheon Books 1949. Hardcover. Quarto Two volumes. In Very Good minus condition with Good dust jackets. Spines are white with black print. Dust jacket in mylar; toning to spine small tear to rear panel of first volume. Price unclipped: “$25.00â€. Boards in grey cloth; sight wear to spine caps. Illustrated: b&w with tipped-in color plates. <br /> <br /> CONTENTS: Vol. 1. Museum Without Walls 155 pages — Vol. 2. The Creative Act 223 pages.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates.<br /> <br /> NOTE: Shelved in Locked Annex in column ND-QC. 1404160. FP New Rockville Stock. Pantheon Books hardcover
1949228119Pantheon Books 1949. Hardcover. Small dent and tear to top of spine on volume one small patch of discoloration to bottom of back cover on volume two else all three volumes are in very good clean and unmarked sound condition without dust jackets. Size: small 4tos. Pantheon Books hardcover
1949333374London: A. Zwemmer 1949. hardcover. very good. 2 volumes. Numerous black and white illustrations and color plates throughout. 155 223 pages. 4to grey cloth with gilt lettering foxed along spine edges and pages toned with ex-library stamp on inside cover in a cardstock slipcase. London: A. Zwemmer 1949-50. Overall a very good set.<br/> <br/> Translated by Stuart Gilbert.<br/> <br/> A. Zwemmer unknown
1949622305New York: Pantheon Books 1949. Hardcover. Near Fine/Very Good. First edition. Three volume set. Translated by Stuart Gilbert. Black-and-white gravure illustrations and tipped in color plates. Quartos. Gray cloth stamped in gilt. Spine ends and corners lightly rubbed and bumped near fine in very good dust jackets with faint dampstains on spines two-inch chip on volume one spine head short nicks and tears on edges of jackets all housed in the original slipcase with paper label on front panel extremities worn some crayon on rear panel. The text pages and expertly printed plates are bright and clean. The Bollingen Series XXIV. Pantheon Books hardcover
1949033184New York: Pantheon 1949. Book. Near Fine. Hardcover. First Edition. 155pp. Museum Without Walls 219pps The Creatvie Act. Gray cloth. Color and Black and white tipped in plates. Light toning to the extremitiesvolume 2 has light evidence of a dampstain otherwise clean and unmarked volumes. The unclipped pictorial jackets have a significant chip vertically on Volume 1 Volume 2 a dampstain on the upper edge. Housed in a tan slipcase. This two volume set represents the author's philosophy on art and creativity. Pantheon Hardcover
3449Malraux Andre. THE PSYCHOLOGY OF ART. VOLUME III THE TWILIGHT OF THE ABSOLUTE. Translated by Stuart Gilbert. New York Pantheon Books 1950. Cloth. Dust jacket. Slipcase. "In this volume M. Malraux concludes his subtle analysis of the psychology of artistic creation." Very good condition. <br/><br/> hardcover
0914300032.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1992Q-0226502910University Of Chicago Press 1992-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! University Of Chicago Press paperback
1950466849New York : Pantheon Books 1950. First Edition. Hardcover. Near fine cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper now mylar-sleeved. Remains well-preserved overall; tight bright clean and especially sharp-cornered. Notes: Sir Lawrence Gowing's copy with some pencil notes by his hand to the rear pastedown. Series; Bollingen series ; 24. Physical description; 275 pages : illustrations mounted colour plates ; 29 cm. Notes; Translation of: Monnaie de l'absolu. Bibliographical note: page 255. Translated by Stuart Gilbert. Contents; The twilight of the absolute -- Complementary studies. Subjects; Art psychology. Art philosophy. 20th century. Illustrated. Colour plates. New York : Pantheon Books hardcover
WY-U9DK-6Z2IHardcover. Fine. hardcover
19561380175Garden City NY: Doubleday and Company Inc 1956. Hardcover. Large Thick Octavo 661 pages. In Good condition with a Good dust jacket. Dust jacket protected with a mylar covering. Spine slightly age toned yellow with dark brown lettering. Exterior shows moderate age toning some soiling and some chips to the head/tail edges. Mild age toning interiorly. Boards have light foxing to the spine and edges. Text block has moderate age toning to the edges. Cracking to the hinges shaking the binding. Mild offsetting interiorly. Frontispiece. Profusely illustrated. NOTE: Shelved in Netdesk Office on the Back Shelf.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1380175. FP New Rockville Stock. Doubleday and Company, Inc hardcover
