511 résultats
194932664Paris: Albert Skira 1949. Masson André. Original wrappers as issued in chemise and slipcase. Folio 15-1/2 x 11 inches. 223 pp. 33 aquatint etchings printed by Roger Lacourière. From a total edition of 165 this is one of the first 25 copies which were printed on Marais paper and include an original wash drawing. This copy contains the drawing for the frontispiece arguably the best in the book. There are two extra suites of the illustrations one in color on Montval the other in black on Ingres from a total edition of 150 copies signed on the colophon by author illustrator and publisher. In addition four proofs on a variant paper are specially signed by Masson. From the collection of Lawrence Saphire with a note laid in concerning the extra plates. Reva Castleman approvingly quotes Daniel Kahnweiler who called this "among the most beautiful books of our times". Masson's aquatints "erupt throughout the text like the flickering of film that intermittently slides off its sprockets a fitting commentary on the literary form Malraux had devised under the influence of the Russian director Sergei Eisenstein's cinematic style" Castleman A Century of Artists Books New York 1994. p.31 130. This image is one of the 33 aquatints created to illustrate Les Conquerants The Conquerors a novel about civil unrest in China by André Malraux first published in Paris in 1928.<br /> <br /> Swiss publisher Skira who wanted to produce publications in “the tradition of the ‘great illustrated books’†commissioned Masson in 1947 to illustrate Andre Malraux’s novel. Prior to this commission Masson had recently returned from Atelier 17 in New York after studying printmaking techniques with Stanley Hayter Brit. 1901-1988 who originally had his studio in Paris prior to WWII. Masson’s aquatints for Les Conquerants are considered to be technically complex using gradations of only one colour along with black. The plates are larger than the format and therefore there are no platemarks. Ref: Saphire #272. Albert Skira unknown
197236288Monaco: Éditions André Sauret 1972. First edition. Hardcover. g. Folio. 249 3pp. Original grey cloth with black lettering on spine and front cover. Original lithographic frontispiece by Marc Chagall and printed by Mourlot Frères Paris. Exquisite catalogue Raisonné of Chagall's ceramics and sculptures superbly illustrated with 220 color and b/w photographic reproductions of the artist's artwork. Minor shelf wear. Slight age-toning along paper margin. Text in French. Binding and interior in overall good to very good condition. Éditions André Sauret hardcover
197264240Monaco: Éditions André Sauret 1972. First edition. Hardcover. Very good . MISSING THE ORIGINAL LITHOGRAPH. <br /> <br /> 249 pp. Folio. 32 cm. Tan cloth over boards. Artist's name stamped in black ink on front board and title stamped in black ink on spine. Corners bumped and edges of pages toned. Half title page is ripped near head of tail of spine where lithograph was removed but holds. Front board ever so slightly cocked. Dust jacket is in very good condition creased at edges scuffed at corners and with small closed tears at head of spine. French language. Printed in Sweden with collaboration from Charles Solier. With full color plates featuring the three dimensional art of Chagall. Éditions André Sauret hardcover
1972Q-2070368947FOLIO 1972-04-18. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! FOLIO paperback
120091Paris Gallimard 1948. 291 pages. 4 feuillets. 1 feuillet blanc. 22x13 Cm. Broché. Couverture imprimée rempliée. Ce roman sinscrit dans le contexte sombre et bouleversé de la Seconde Guerre mondiale offrant une méditation intense sur la condition humaine la mémoire et lidentité. À travers le personnage dun Alsacien au destin fracturé Malraux explore la complexité dune France vaincue la fragilité des liens familiaux marqués par la guerre et lexil intérieur qui pousse les personnages à construire des mondes imaginaires pour échapper à la réalité tragique. Cette uvre dense et philosophique reflète les préoccupations de lauteur engagée dans une réflexion sur le sens de la vie de lart et de lhistoire à une époque où les repères nationaux et culturels sont bouleversés. La cathédrale de Chartres symbole spirituel et culturel agit comme une sorte de phare dans ce récit tout en métamorphosant les lieux et les âmes soulignant la permanence des besoins et des émotions humaines quelles que soient les époques ou les circonstances. Exemplaire Nº 5345 imprimé sur Alfa en très bon état. Paris, Gallimard, 1948. unknown
59844Imprimerie Nationale - Lidis 1962 In-4 29 cm 180pp. illustr. lithographies originales en couleurs par Walter Spitzer. reliure pleine peau maroquinee de l'editeur decors a froid sur les plats trigrammes et ideogramme chinois dos et premier plat ornes feuillet explicatif sur le symbolisme du decor de la reliure exemplaire numeroté sur vélin filigrané vercors de Moirans Nb-0322 unknown
196118022Paris: Editions Lidis 1961. First edition thus. Paperback. Orig. white wrappers printed in red and black . Fine in nicked original clear plastic overwrapper. Spitzer Walter. 292 pages. 29 x 23 cm. Seven original full-page color lithographs two are double-paged by Walter Spitzer. Printed by Mourlot in a Limited edition copy 2198 of 3993 on Velin Filigrane Vercors Des Papeteries Barjon De Moirans. Unopened bright very fresh copy. Editions Lidis paperback
195188238Paris: Gallimard 1951. Fine. Gallimard Paris 1951 18 x 23 cm reliure de l'éditeur First edition one of the numbered copies on vellum the only printing. Publisher's binding executed after the original design by Paul Bonet. Rich iconography. Handsome copy complete with its illustrated dust jacket. Precious autograph inscription signed by André Malraux: ""Pour Georges Bataille André Malraux."" Gallimard hardcover
1951GB0000DVQEYI3N01La Galerie de la Pleiade 1951. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. La Galerie de la Pleiade hardcover
195192104Paris: Gallimard 1951. Fine. Gallimard Paris 1951 18.50 x 23 cm reliure de l'éditeur First edition one of the numbered copies bound to Paul Bonet's original design. Publisher's full cream cloth smooth spine lightly sunned lacking its illustrated dust jacket. Profusely illustrated. Inscribed dated and signed by André Malraux to Nicole Briquet. Gallimard hardcover
1951blb00556Paris: Galerie Pleiade - nrf 1951. 1st. Hardback. VG/Fair - Good. First Edition First Printing. Maroon boards are clean and book is tight. Gilt titling on spine is faded. DJ has some tears but only one visible in upper right corner of front cover. Book is clean and tight. Galerie Pleiade - nrf hardcover
19521408802Paris: NRF 1952-1954. Hardcover. Octavo Three volumes. In Very Good minus condition with Very Good minus dust jackets. Spines are cream with brown and black print. In toned and torn cellophane dust jackets are cream brown and black print illustration. Boards in cream cloth; light wear to spine caps and corners. Text blocks have slight tanning to endpapers. Illustrated: b&w text illustrations and plates color plates. Text in French. <br /> <br /> CONTENTS: Les Voix du Silence Reprint 1953 657 pages — Le Musée Imaginaire de la Sculpture Mondiale 1952 775 pages — Le Musée Imaginaire de la Sculpture Mondiale. Vol. 2 Des Bas-Reliefs aux Grottes Sacrées 1954 512 pages.<br /> <br /> NOTE: Shelved in Locked Annex Area Multi-volume Section. 1408802. FP New Rockville Stock. NRF hardcover
1951029480Paris: La Galerie de la Pléiade 1951. 1ª Edição . Editorial / Hard Cover. Muito Bom/Very Good/Très Bien. In-4º232x184. 1 Vol. de 657-4 pp. Profusamente ilustrado a negro e a cores. Malraux exerce neste livro uma reflexão sobre a arte e o seu papel na sociedade humana. <br/> <br/> La Galerie de la Pléiade hardcover
1952R1161France: La Galerie de la Pléiade 1952 Ce livre contient 636 illustrations en noir/blanc dans le texte et 15 en couleurs hors texte. Reliure toilée marron; dorure sur dos lisse; coiffe de tête restaurée. Jaquette restaurée au dos insolé. Couverture rigide. Très bon/Très bon. La Galerie de la Pléiade hardcover
195584065Boulogne-sur-Seine Boulogne-Billancourt: S. n. 1955. Fine. S. n. Boulogne-sur-Seine Boulogne-Billancourt s. d. circa 1955 14 x 21 cm une feuille Autograph letter dated and signed by André Malraux 9 lines in blue ballpoint pen from his Boulogne home on avenue Victor Hugo providing clarifications regarding the publication of an article concerning the appeal for revision filed by Charles Maurras and published in the Gaulliste newspaper Carrefour. Fold marks inherent to postal mailing. A resistant participating in Combat André Parinaud is a journalist columnist art critic and writer. From 1959 to 1967 he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic domains: literature painting theater cinema. He then conducted more than 1000 radio interviews with the greatest writers and artists including Salvador Dali Louis-Ferdinand Céline Colette Paul Léautaud André Breton Georges Simenon and André Malraux. While continuing to work at O.R.T.F. and on radio he founded several festivals or artistic events such as The International Art Film Festival the National Academy of Street Arts. S. n. unknown
1969653521969. Fine. 29 janvier 1969 21 x 27 cm une feuille filigranée Guerimand Voiron Letter typed and signed from André Malraux to Maurice Béjart. One leaf headed by the Ministre d'Etat chargé des Affaires Culturelles Ministry of Culture bearing a stamp from 29 January 1969. André Malraux hopes to place choreographer Maurice Béjart in charge of the Ballet de l'Opéra in Paris. Béjart was at the time very well established in Brussels as part of his troop Ballet du XXe siècle performing at the Théâtre de la Monnaie led by his friend Maurice Huismans. Following a report by Jean Vilar to reform the Opéra in Paris Malraux takes the decision to call Béjart back to France: “J'aimerais que nous puissions nous rencontrer pour parler d'un projet que vous connaissez déjà et auquel j'attache une grande importance : la Direction de la Danse à l'Opéra” “I would like us to be able to meet to talk about a project that you already know and to which I attach a great significance: the Management of Dance at the Opéra.” Malraux's idea was to name Boulez and Jean Vilar alongside him thus forming a solid avant-garde resolutely oriented towards the future of the arts. The choreographer declined the offer and continued his creations in Belgium. He becomes no less an admirer of Malraux to whom he will dedicate fifteen years later a ballet using Beethoven's music which he entitled “Malraux ou la métamorphose des dieux.” This letter is the only testimony existing to Malraux's request to the choreographer which remained controversial. This nomination was not accepted by Béjart who stayed in Belgium for ten years before heading to Lausanne.  Provenance: Maurice Béjart's personal archives. unknown
195184190Paris: S. n. 1951. Fine. S. n. Paris 8 Décembre 1951 13.50 x 21 cm une page sur une feuille Typed letter signed by André Malraux to Roger Nimier sent from his home in Boulogne Malraux's signature at the bottom of the letter in blue ink. A small tear in the right margin of the letter crease marks inherent to folding for mailing. André Malraux shows himself in perfect agreement with Roger Nimier regarding a joint project also including journalist André Parinaud. S. n. unknown
194684191Paris: S. n. 1946. Fine. S. n. Paris 8 Janvier 1946 21 x 27 cm une page sur une feuille une enveloppe Typed letter signed by André Malraux to Roger Nimier on Ministry of Information letterhead Malraux's signature at the bottom of the letter in black ink. Fold mark inherent to posting; envelope with typewritten address included Ministry of Information stamp. André Malraux responds to Roger Nimier regarding administrative matters concerning the Ministry of Information directed by André Malraux from November 21 1945 to January 26 1946 in the government presided over by Charles De Gaulle. S. n. unknown
195484201s. l. Paris: S. n. 1954. Fine. S. n. s. l. Paris s. d. 1954 13.50 x 20.50 cm une feuille Manuscript list by André Malraux 20 lines in blue ballpoint pen providing details and instructions for André Parinaud concerning the publication of his works forming the ""Ecrits sur l'art"" collection illustrated with photographs by Roger Parry. Fold marks inherent to postal mailing. Resistance member and contributor to Combat André Parinaud was a journalist columnist art critic and writer. From 1959 to 1967 he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic fields : literature painting theater cinema. He would then conduct more than 1000 radio interviews with the greatest writers and artists including Salvador Dali Louis-Ferdinand Céline Colette Paul Léautaud André Breton Georges Simenon and André Malraux. While continuing to work at O.R.T.F. and on radio he founded several festivals or artistic events such as Le Festival international du film d'art l'Académie nationale des arts de la rue. S. n. unknown
62242Ediciones Oriente 1929 Madrid. 1ª ed. 19x13. 295 pgs. Falto de 1/3 de parte inferior y de parte superior del lomo. Puntos de óxido en cubierta. C5384 Ediciones Oriente, 1929, Madrid. 1ª ed. unknown
1929413231ª. Ed. española.- Madrid: Eds. Oriente Imp. Argis 1929.- 295 p. 2 h.; 8º 19 x 128 cm; Cartulina Ed. bellamente ilustrada por "PUYOL". Un ex-libris tampón en la pag. 9 y otro en la 30. En la última hoja y en 2 hojas del principio pequeñas señales de un antiguo papel celofán adhesivo que debió sujetar algún forro casero del libro. Pero dicho esto que es preceptivo el libro se encuentra en muy buen estado. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en español Eds. Oriente paperback
19692524052Barcelona.: Plaza & Janés. 1969. Hardcover. Cubierta deslucida. Good. 18 cm. 1828 p. Encuadernación en tapa dura de editorial con corte superior dorado. Cubierta deslucida. Literatura.82 82 Plaza & Janés. hardcover
19693165381Barcelona.: Plaza & Janés. 1969. Hardcover. Good. 18 cm. 1828 p. Encuadernación en tapa dura de editorial ilustrada con cortes dorados. Literatura.82 82 Plaza & Janés. hardcover
1921N - 2024 - 118<p>Paris Editions de la Galerie Simon 1921 published by Daniel-Henry Kahnweiler. Limited edition in 112 copies of which this one is one of the 90 copies in Hollande Van Gelder paper signed by Leger and Malraux on justification page. Lunes en Papier Andre Malraux surrealist tale illustrated by Fernand Leger with 7 woodcuts in black of which one in cover 3 in full page and 3 in text. Lunes en papier was Malraux's first book and Leger's first book with original prints featuring his first woodcuts. Malraux presents his surrealist story on the title page of its published first book as: "A small book where we find the account of some struggles little known to men as well as that of a journey among familiar but strange objects all according to the truth and decorated with wood engravings also very true by Fernand Leger." Bound in a superb colorful artistic binder in calf and Morocco by Renee Haas that reinterprets one of Leger's woodcuts in the book executed by Renaud Vernier and Claude Ribal stamp-signed and dated 2000. Original paper cover is well preserved inside. Complete with protective chemise board and slipcase. Ref: Saphire pp 32 - 39</p> Daniel-Henry Kahnweiler. Editions de la Galerie Simon
29046Paris Galerie Simon avril 1921. 1 vol. 230 x 320 mm. Broché couverture d'éditeur sur japon. . Édition originale. Illustré de 7 bois gravés dont 2 à pleine page. Tirage limité à 112 exemplaires celui-ci un des 90 exemplaires sur vergé de Hollande n° 42 signés par A. Malraux et F. Léger. . Première tentative d'illustration par la gravure sur bois de Fernand Léger 1881-1955 ; le texte dédié à Max Jacob est d'André Malraux : c'est son premier livre publié à l'aube de ses 20 ans. D.-H. Kahnweiler marchand éditeur écrivain Centre Georges Pompidou 1984 pp. 181 ; Hugues 50 ans d'édition de D.-H. Kahnweiler p. 7 ; . From Manet to Hockney Victoria & Albert Museum 64 ; Chapon Le Livre et le peintre 1870-1970 pp. 112 116 et 117. Paris, Galerie Simon, [avril 1921]. 1 vol. (230 x 320 mm). Broché, couverture d'éditeur sur japon. unknown