511 résultats
19342ivEh0009New York: The Modern Library 1934. Book. Good. Decorative Canvas Hardcover. Copyright 1934. 12mo or 12° Duodecimo: 6¾" x 7¾" tall. 360 pp. Solidly bound copy with moderate use. Damage to top of spine. No dj. Previous owner's name inscribed on first front-end page. Slightly bumped cover board corners. The Modern Library Hardcover
19692iiiAb0051fNew York: Vintage Books/ A Division of Random House Inc. 1969. Book. Very Good. Mass Market Paperback. Vintage Books Edition 1969. 12mo or 12° Duodecimo: 6¾" x 7¾" tall. 338 pp. Solidly bound copy with minimal external wear crisp pages and clean text. Light foxing around edges of pages. Vintage Books/ A Division of Random House, Inc. Paperback
2009Q-0141190981Penguin Books 2009-12-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Penguin Books paperback
100-15196Modern Library. Hardcover. Good. Good condition with wear and markings. Modern Library hardcover
193675479The Modern Library 1936. hardback. very good condition in a near very good condition dust jacket with some spine darkening The Modern Library hardcover
2013Q-2070111423French and European Publications Inc 2013-05-18. hardcover. New. In shrink wrap. Looks like an interesting title! French and European Publications Inc hardcover
2070113418.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2070111423.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996SONG2070113418GALLIMARD 1996-01-01. hardcover. Used: Good. 4.57x1.81x7.17. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD hardcover
1996DADAX2070113418GALLIMARD 1996-01-01. hardcover. New. 4.57x1.81x7.17. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD hardcover
78981Paris Gallimard 1974. 4° VI 297 S. zahlr. meist farb. u. oft ganzseit. Abb. OLwd. m. OU OU min. unfrisch Buch tadellos. 010 Paris, Gallimard, 1974 unknown
1921N - 2024 - 118<p>Paris Editions de la Galerie Simon 1921 published by Daniel-Henry Kahnweiler. Limited edition in 112 copies of which this one is one of the 90 copies in Hollande Van Gelder paper signed by Leger and Malraux on justification page. Lunes en Papier Andre Malraux surrealist tale illustrated by Fernand Leger with 7 woodcuts in black of which one in cover 3 in full page and 3 in text. Lunes en papier was Malraux's first book and Leger's first book with original prints featuring his first woodcuts. Malraux presents his surrealist story on the title page of its published first book as: "A small book where we find the account of some struggles little known to men as well as that of a journey among familiar but strange objects all according to the truth and decorated with wood engravings also very true by Fernand Leger." Bound in a superb colorful artistic binder in calf and Morocco by Renee Haas that reinterprets one of Leger's woodcuts in the book executed by Renaud Vernier and Claude Ribal stamp-signed and dated 2000. Original paper cover is well preserved inside. Complete with protective chemise board and slipcase. Ref: Saphire pp 32 - 39</p> Daniel-Henry Kahnweiler. Editions de la Galerie Simon
29046Paris Galerie Simon avril 1921. 1 vol. 230 x 320 mm. Broché couverture d'éditeur sur japon. . Édition originale. Illustré de 7 bois gravés dont 2 à pleine page. Tirage limité à 112 exemplaires celui-ci un des 90 exemplaires sur vergé de Hollande n° 42 signés par A. Malraux et F. Léger. . Première tentative d'illustration par la gravure sur bois de Fernand Léger 1881-1955 ; le texte dédié à Max Jacob est d'André Malraux : c'est son premier livre publié à l'aube de ses 20 ans. D.-H. Kahnweiler marchand éditeur écrivain Centre Georges Pompidou 1984 pp. 181 ; Hugues 50 ans d'édition de D.-H. Kahnweiler p. 7 ; . From Manet to Hockney Victoria & Albert Museum 64 ; Chapon Le Livre et le peintre 1870-1970 pp. 112 116 et 117. Paris, Galerie Simon, [avril 1921]. 1 vol. (230 x 320 mm). Broché, couverture d'éditeur sur japon. unknown
19692524052Barcelona.: Plaza & Janés. 1969. Hardcover. Cubierta deslucida. Good. 18 cm. 1828 p. Encuadernación en tapa dura de editorial con corte superior dorado. Cubierta deslucida. Literatura.82 82 Plaza & Janés. hardcover
19693165381Barcelona.: Plaza & Janés. 1969. Hardcover. Good. 18 cm. 1828 p. Encuadernación en tapa dura de editorial ilustrada con cortes dorados. Literatura.82 82 Plaza & Janés. hardcover
62242Ediciones Oriente 1929 Madrid. 1ª ed. 19x13. 295 pgs. Falto de 1/3 de parte inferior y de parte superior del lomo. Puntos de óxido en cubierta. C5384 Ediciones Oriente, 1929, Madrid. 1ª ed. unknown
1929413231ª. Ed. española.- Madrid: Eds. Oriente Imp. Argis 1929.- 295 p. 2 h.; 8º 19 x 128 cm; Cartulina Ed. bellamente ilustrada por "PUYOL". Un ex-libris tampón en la pag. 9 y otro en la 30. En la última hoja y en 2 hojas del principio pequeñas señales de un antiguo papel celofán adhesivo que debió sujetar algún forro casero del libro. Pero dicho esto que es preceptivo el libro se encuentra en muy buen estado. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en español Eds. Oriente paperback
195484201s. l. Paris: S. n. 1954. Fine. S. n. s. l. Paris s. d. 1954 13.50 x 20.50 cm une feuille Manuscript list by André Malraux 20 lines in blue ballpoint pen providing details and instructions for André Parinaud concerning the publication of his works forming the ""Ecrits sur l'art"" collection illustrated with photographs by Roger Parry. Fold marks inherent to postal mailing. Resistance member and contributor to Combat André Parinaud was a journalist columnist art critic and writer. From 1959 to 1967 he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic fields : literature painting theater cinema. He would then conduct more than 1000 radio interviews with the greatest writers and artists including Salvador Dali Louis-Ferdinand Céline Colette Paul Léautaud André Breton Georges Simenon and André Malraux. While continuing to work at O.R.T.F. and on radio he founded several festivals or artistic events such as Le Festival international du film d'art l'Académie nationale des arts de la rue. S. n. unknown
195184190Paris: S. n. 1951. Fine. S. n. Paris 8 Décembre 1951 13.50 x 21 cm une page sur une feuille Typed letter signed by André Malraux to Roger Nimier sent from his home in Boulogne Malraux's signature at the bottom of the letter in blue ink. A small tear in the right margin of the letter crease marks inherent to folding for mailing. André Malraux shows himself in perfect agreement with Roger Nimier regarding a joint project also including journalist André Parinaud. S. n. unknown
194684191Paris: S. n. 1946. Fine. S. n. Paris 8 Janvier 1946 21 x 27 cm une page sur une feuille une enveloppe Typed letter signed by André Malraux to Roger Nimier on Ministry of Information letterhead Malraux's signature at the bottom of the letter in black ink. Fold mark inherent to posting; envelope with typewritten address included Ministry of Information stamp. André Malraux responds to Roger Nimier regarding administrative matters concerning the Ministry of Information directed by André Malraux from November 21 1945 to January 26 1946 in the government presided over by Charles De Gaulle. S. n. unknown
1969653521969. Fine. 29 janvier 1969 21 x 27 cm une feuille filigranée Guerimand Voiron Letter typed and signed from André Malraux to Maurice Béjart. One leaf headed by the Ministre d'Etat chargé des Affaires Culturelles Ministry of Culture bearing a stamp from 29 January 1969. André Malraux hopes to place choreographer Maurice Béjart in charge of the Ballet de l'Opéra in Paris. Béjart was at the time very well established in Brussels as part of his troop Ballet du XXe siècle performing at the Théâtre de la Monnaie led by his friend Maurice Huismans. Following a report by Jean Vilar to reform the Opéra in Paris Malraux takes the decision to call Béjart back to France: “J'aimerais que nous puissions nous rencontrer pour parler d'un projet que vous connaissez déjà et auquel j'attache une grande importance : la Direction de la Danse à l'Opéra” “I would like us to be able to meet to talk about a project that you already know and to which I attach a great significance: the Management of Dance at the Opéra.” Malraux's idea was to name Boulez and Jean Vilar alongside him thus forming a solid avant-garde resolutely oriented towards the future of the arts. The choreographer declined the offer and continued his creations in Belgium. He becomes no less an admirer of Malraux to whom he will dedicate fifteen years later a ballet using Beethoven's music which he entitled “Malraux ou la métamorphose des dieux.” This letter is the only testimony existing to Malraux's request to the choreographer which remained controversial. This nomination was not accepted by Béjart who stayed in Belgium for ten years before heading to Lausanne.  Provenance: Maurice Béjart's personal archives. unknown
195584065Boulogne-sur-Seine Boulogne-Billancourt: S. n. 1955. Fine. S. n. Boulogne-sur-Seine Boulogne-Billancourt s. d. circa 1955 14 x 21 cm une feuille Autograph letter dated and signed by André Malraux 9 lines in blue ballpoint pen from his Boulogne home on avenue Victor Hugo providing clarifications regarding the publication of an article concerning the appeal for revision filed by Charles Maurras and published in the Gaulliste newspaper Carrefour. Fold marks inherent to postal mailing. A resistant participating in Combat André Parinaud is a journalist columnist art critic and writer. From 1959 to 1967 he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic domains: literature painting theater cinema. He then conducted more than 1000 radio interviews with the greatest writers and artists including Salvador Dali Louis-Ferdinand Céline Colette Paul Léautaud André Breton Georges Simenon and André Malraux. While continuing to work at O.R.T.F. and on radio he founded several festivals or artistic events such as The International Art Film Festival the National Academy of Street Arts. S. n. unknown
195188238Paris: Gallimard 1951. Fine. Gallimard Paris 1951 18 x 23 cm reliure de l'éditeur First edition one of the numbered copies on vellum the only printing. Publisher's binding executed after the original design by Paul Bonet. Rich iconography. Handsome copy complete with its illustrated dust jacket. Precious autograph inscription signed by André Malraux: ""Pour Georges Bataille André Malraux."" Gallimard hardcover
1951GB0000DVQEYI3N01La Galerie de la Pleiade 1951. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. La Galerie de la Pleiade hardcover
195192104Paris: Gallimard 1951. Fine. Gallimard Paris 1951 18.50 x 23 cm reliure de l'éditeur First edition one of the numbered copies bound to Paul Bonet's original design. Publisher's full cream cloth smooth spine lightly sunned lacking its illustrated dust jacket. Profusely illustrated. Inscribed dated and signed by André Malraux to Nicole Briquet. Gallimard hardcover