511 résultats
1947mon0000079497Horizon Press 1947-01-01. Paperback. Good. in x in x in. Ex-library book usual markings. Hardback without dust cover. Clean text sound binding. Horizon Press paperback
194736294Genève Geneva: Skira 1947. Fine. Skira Genève Geneva 1947 22.50 x 28.50 cm broché First edition one of 200 numbered copies on pur fil tirage de tête. Illustrated with 195 heliogravures a very good copy retaining its dustjacket. Skira unknown
1999BN256395Wien : Zsolnay 1999. 1999. Gezeichnet: Malraux : Biographie. Aus dem Franz. von Reinold Werner <br/><br/>Gezeichnet: Malraux : Biographie. Aus dem Franz. von Reinold Werner Lyotard Jean-François und André Malraux Wien : Zsolnay unknown
007464Harry N. Abrams Inc. New York Book. Near Fine. Cloth. 267 pp. 135 illustrations 96 in color. n.d. A few chips and one small tear to the bottom edge of the dustjacket cover otherwise fine. Decorated boards. Dustjacket is protected with a mylar cover. Harry N. Abrams, Inc. New York Hardcover
29424S.l.n.d. 1976. 1 page en 1 f. stylo bille bleu. . Manuscrit autographe signé et daté « André Malraux 1976 ». Un des derniers textes de Malraux évoquant son ami Galanis : 50 ans d'amitié. L'amitié entre Maraux et Galanis est précoce puisqu'elle date de 1919. Le jeune homme avait visité son atelier de Montmartre et le premier texte en 1922 de Malraux comme critique d'art c'est en ouverture du catalogue d'une exposition du peintre grec qu'il le donne. Une amitié fondatrice annonciatrice d'une fructueuse collaboration. Lors de toutes ses entreprises éditoriales tant pour le compte de Simon Kra que pour le sien propre associé à son ami d'enfance Louis Chevasson pour créer « À la sphère » qui deviendra « Les Aldes » Malraux fera maintes fois appel à Galanis pour illustrer des livres notamment ceux de Georges Gabory de Paul Morand ou encore d'Albert Samain. Pour la collection des auteurs étrangers chez Gallimard « Du monde entier » Malraux délègue à Galanis la confection de la vignette de couverture le propos de la collection étant de « réunir quelques-uns des meilleurs romans étrangers présentés par des écrivains français connus et dont l'autorité garantisse au lecteur parmi le nombre considérable des traductions de toutes langues une qualité littéraire certaine ». Le motif créé sera utilisé pour chaque titre et sans exception comme fleurons central de couverture jusqu'en 1961 remplacé par un photographisme de Georges Guimbertaud adapté par Massin. Leur amitié culminant avec l'exposition organisée à la Bibliothèque nationale en 1963 sur l'initiative du ministre de la Culture trois ans avant la mort de l'artiste en 1966. Malraux jouera également un plein rôle dans la transformation de la « ruche de Montmartre » - l'atelier où Galanis travaillait dans les années 1920 - en l'actuel Musée de Montmartre. Malraux rédigera ce texte qui constituent l'une de ses dernières publications quelques mois avant sa mort le 23 novembre en l'honneur de son ami. Un texte mélancolique et respectueux qui sera reproduit en fac-similé en tête du catalogue de l'Hommage à Demetrius Galanis organisé du 1er juin au 18 septembre 1976 par le Centre culturel hellénique de Paris au musée de Montmartre justement. Malraux trop affaibli ne pourra s'y rendre : « Que sont devenues ces natures mortes d'Anthologie grecque - figues amandes flûtes de Pan raisins - si différentes de l'illustration des Nuits d'Octobre alors dans sa gloire qu'en 1922 les jeunes écrivains comparaient aux fruits des Cènes toscanes à ceux de Derain Plusieurs ont appartenu à Vanili Photiadès. Combien de surprises nous donnerait une exposition peintures et gravures du temps où Galanis se reposait en décorant d'autres figues et d'autres flûtes l'harmonium qu'il avait fabriqué patiemment entre 1920 et 1930. » Provenance : Paul-Louis Weiller Paris Vente IV 2011 n° 641. S.l.n.d. [1976]. 1 page en 1 f., stylo bille bleu. unknown
197104545Paris: Draeger. Fine in Very Good dust jacket. 1971. Hardcover. 264 pages. Numerous illustrations. Text in French. A touch of light shelf wear with a few tears to top of dustjacket spine otherwise F/VG. No inscriptions. No remainder mark. Not price clipped. Not ex-library. An excellent copy protected in a new Mylar cover. Collectible.; 4to - over 9 3/4" - 12" tall. . Draeger hardcover
48124Stuttgart Belser 1971. 4° 266 S. zahlr. tlw. farb. u. oft ganzseit. Abb. OLwd. m. OU OU mit kleinem Verlust am Kopf sonst tadellos. Dt. Erstausgabe. 010 Stuttgart, Belser, 1971 unknown
197129607Stuttgart: Belser Verlag. As New in As New dust jacket. 1971. Hardcover Monograph. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - In slipcase. Text in German. -- with a bonus offer-- . Belser Verlag hardcover
1971208176New York: Harry N. Abrams 1971. First edition and first printing. Hardcover. 261 pages. Large monograph on French artist Georges Braque. Features text by Francis Ponge Pierre Descargues and Andre Malraux all translated by Richard Howard. Biography and captions translated by Lane Dunlop. Includes 152 illustrations with 86 in full color. A clean and tight very near fine copy in blue cloth boards and in near fine dust jacket with some edge tears and other wear. A very nice copy of what is still one of the better books on Braque. Please note that this is a heavy and oversized book and will likely require extra shipping. Harry N. Abrams unknown
197174586New York: Harry Abrams. Fine in Near Fine dust jacket. 1971. First Edition. Hardcover. Hardcover in dust jacket. 4to. First edition. Book is As New crisp and clean with handsome decorative boards--bright blue with two Braque birds stamped in white and the artist's name stamped in black. Dust jacket has three tiny closed tears else As New. Full-page plates throughout. 261 pp. Plus a tribute by Andre Malraux "To the Memory of Georges Braque. " Text translated by Richard Howard. In protective Mylar. Heavy--may require additional postage if shipped other than domestic media mail. . Harry Abrams hardcover
1971329496New York: Harry N. Abrams 1971. First Edition; First Printing. Hardcover. Very Good in boards.; 4to 11" - 13" tall; 261 pages. Harry N. Abrams hardcover
1971Q-0810900440Harry N. Abrams 1971-08-30. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams hardcover
1978319186New York: Abrams 1978. hardcover. fine/very good. Braque. Texts translated by Richard Howard. Illustrated with 96 color plates. 266 pages. Large square 4to blue cloth with white and black stamped covers d.w. edge-chipped. New York: Abrams 1978. Fine in very good dust wrapper.<br/> <br/> Includes a number of major works never before published.<br/> <br/> Abrams unknown
19711755346833Abrams 1971. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.This could have light cosmetic flaws but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Abrams hardcover
0810900440.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197145227New York: Harry N. Abrams 1971. First American edition. Hardcover. vg. Square Quarto. 261 6pp. Original illustrated blue cloth with black lettering on cover white on spine in original illustrated dustjacket white lettering on spine. Illustrated endpapers. "This handsome volume pays tribute to the genius of Georges Braque. The whole astonishing range of his oeuvre is represented from the early Fauvist masterpieces through the daring experiments with which he and Picasso launched the Cubist revolution in modern art to the classically inspired canvases of the 1920s and the lyrical abstractions of his later years. Paintings drawings sculptures frescoes collages graphic works stained-glass windows–all conceived and executed with that elegance and élan which characterize the style of Braque–are reproduced here with infinite care. And thanks to the cooperation of the artist's estate the wealth of illustrations including 96 plates in full color includes a number of major works never before published." Publisher. Beautifully illustrated with color and b/w reproductions of his work throughout including two gatefolds one of them the three-panel color reproduction of "The Three Bathers." Photographs by Henri Cartier-Bresson Robert Doisneau Brassai Man Ray Daniel Frasnay and others. DJ with minor ware along edges and remnants of removed price sticker on inside front flap. Light age-toning along edges of block not affecting images. DJ binding and interior in overall very good condition. Harry N. Abrams hardcover
1973013775PARIS : Otis Art Institute 1973. Hardcover. Very Good. Andre MALRAUX. B00K: Very Good/ $296.15 FOUNTATION MAEGHT MALRAUX Andre Otis Art Institute 1973 PARIS UnStated Edition Square Tall Wide Thick H/c. Black Colored Spine With Title In Polished Gold Letters Hard Cover B00K: Very Good/ Condition Slight Shelf Edge And Corner Wear. 321 Numbered Pages Printed On Off~White Paper In Fine/ Condition. 2nD To Last Page Is Almost Completely Loose From Spine. D/j: None. X~Library With Stamps And Stickers Withdrawn From Otis Art Institute Library. = No Stains No Odors No Writing No Names No Rippling Not Stuck Together No Book Plate. = Description Applies To This B00K Only Which Is Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector/. WORLD WIDE SHIPPING AVAILABLE. <br/> <br/> Otis Art Institute hardcover
0241021243.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1972Q-0030911664Holt Rinehart and Winston 1972-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Holt, Rinehart and Winston hardcover
1977182062Paris: Maeght Editeur 1977. With one of 25 signed etchings First edition number 17 of 25 copies signed by Chagall and Malraux on the limitation page and with an additional impression of the frontispiece on Japon Impérial paper all sides deckled signed and numbered by Chagall. The full edition was 225 copies 200 of which were numbered and 20 marked hors commerce both without the additional signed print. Malraux winner of the Nobel Prize in Literature provided the text based on a previously unpublished manuscript from 1939 about his experiences in the Spanish Civil War. Chagall executed the etchings with the plates destroyed after printing. Folio. With 16 full-page etchings with aquatint by Chagall 2 double page. Sheet size: 44 x 33 cm. Text in French. Original Rives wove paper wrappers lettering to front cover in black pages printed on Rives wove paper with deckled edges and publisher's watermark. Housed in publisher's beige cloth clamshell box lettering to spine gilt. All in fine condition. Cramer Chagall Illus. Books 103. hardcover
20102-207011645XGallimard 2010. Leather Bound. New. 1488 pages. French language. 7.32x4.57x1.50 inches. Gallimard hardcover
207011645X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2992-03Genf Skira 1949-50. 4°. 226 S. 3 Bll.; 246 S. 8 Bll. Mit zahlr. tlw. farb. mont. Abb. OKart. Unaufgeschn. Deuxième et troisième volume des Essais de Psychologie de l'Art: La création artistique. La monnaie de l'absolu. (Genf), Skira 1949-50 unknown
194663263Paris: Gallimard 1946. Fine. Gallimard Paris 1946 21 x 28 cm broché First edition one of 25 numbered copies on Hollande paper the tirage de tête. A nice copy. Gallimard unknown
194629722Paris: Gallimard 1946. FIRST and LIMITED edition one of only 25 copies on Vergé de Hollande numbered in Roman of a total edition of 2200 copies. Printed throughout in black and red. 4to 20.7 x 28.5 cm publisher's original paper wrappers lettered in red and black and now protected in French glassine. 60 pp. An especially fine copy the wrappers and glassine in an excellent state of preservation the text appearing as pristine and near mint. THE FIRST SEPARATE EDITION OF MALRAUX'S IMPORTANT ESSAY ON THE PLACE OF CINEMA AMONG THE OTHER ART FORMS. Along with being resistance leader revolutionary novelist art theorist and Minister of Cultural Affairs; André Malraux was also a film director. Following his experience filming the movie "Hope" Malraux crafted this essay about the place of cinema among the other arts as well as the links between cinema literature and theater. He ends with the now famous observation "par ailleurs le cinéma est une industrie" concluding that the cinema is an industry. The work has grown to become indispensable reading to film buffs historians producers directors actors and lovers of literature alike. Gallimard unknown
