9 970 résultats
1968152359Los Angeles: Cinerama International Releasing Organization 1968. Vintage borderless reference photograph of director Daniel Mann laughing with actors Abbey Lincoln and Joseph Attles on the set of the 1968 film. With a printed mimeo snipe affixed to the verso. <br /> <br /> In order to prevent their maid from leaving their employment to attend secretarial school the youngest son of a wealthy white Long Island family searches for a handsome executive to wine and dine her. <br /> <br /> Set in Long Island and New York. <br /> <br /> 9.5 x 6.5 inches. Very Good plus lightly toned and soiled to the right edge with brief wear to the corners. Cinerama International Releasing Organization unknown
1976135943Los Angeles: Albert S. Ruddy Productions / American International Pictures AIP 1976. Draft script for the 1978 film. <br /> <br /> Based on Paul Gallico's 1970 novel. Bernie Bonnelli Gould is a small-time talent agent down on his luck who discovers a boxing kangaroo named Matilda. Hoping to gain recognition and income he schedules a fight between the kangaroo and the boxing heavyweight champion of the world. The fight attracts the attention of the local mob boss who wants total control of the marsupial and the attention of animal activists looking to stop cruelty to animals. <br /> <br /> Set in New York shot on location in California New York and Nevada. <br /> <br /> Illustrated titled wrappers with glassine cover on the front wrapper. Title page present dated March 15 1976 with credits for novelist Gallico and screenwriter Galfas. 133 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound internally with three silver brads. Albert S. Ruddy Productions / American International Pictures [AIP] unknown
B9780755646890Paperback / softback. New. How did the Israeli military learn to cope with the ubiquity of media technologies that routinely document their power abuses Why did they re-appropriate these to tighten their grip on Palestinian civilians This book explains why a high-tech nation with advanced military technologies came to rely on the everyday media habits performed by soldiers and civilians. Daniel Mann argues that the intensification of the security regime in Palestine and the increasingly personal use of media technologies by both soldiers and civilians are deeply entangled. The book traces how beginning in the 1990s the integration of media into the lives of civilians and Israeli soldiers enabled Israel to transfer responsibilities to individual users who in turn became legally and ethically liable for state abuses of power. Drawing on declassified documents found footage and social media Mann shows how both media and warfare have been remodelled around the figure of the defensive isolated and insular ‘individual’. Mann suggests that the focus on representations and their close visual analysis paradoxically hinders our ability to understand media. Instead of zooming into fine details we must step back to reveal the assemblage of images users and infrastructure that together serve to maintain the racial legal and aesthetic divide between Israel and Palestine. paperback
Bloomsbury-9780755646890I.B.Tauris. Paperback. New. I.B.Tauris paperback
Bloomsbury-9780755646890I.B.Tauris. Paperback. New. I.B.Tauris paperback
Bloomsbury-9780755633906I.B.Tauris. Hardback. New. I.B.Tauris hardcover
Bloomsbury-9780755633906I.B.Tauris. Hardback. New. I.B.Tauris hardcover
ria9780755633906_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; How did the Israeli military learn to cope with the ubiquity of media technologies that routinely documented their power abuses How did they re-appropriate these to tighten their grip on Palestine This book explains why a high-tech na hardcover
45515092-nnew. unknown
45515092like new. unknown
ria9780755646890_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; How did the Israeli military learn to cope with the ubiquity of media technologies that routinely document their power abuses Why did they re-appropriate these to tighten their grip on Palestinian civilians This book explains why a hi paperback
6388490306I.B. Tauris & Company Limited pp. 192 . Hardback. New. I.B. Tauris & Company, Limited hardcover
A9780755633906Hardback. New. hardcover
1966162336Los Angeles: Twentieth Century-Fox 1966. Collection of 17 vintage photographs from the 1966 film including two studio still photographs and 15 reference photographs. One with a mimeo snipe on the verso and all with stamps specific to the film's French release on the verso.<br /> <br /> Secret agent Derek Flint is a smooth-talking Renaissance man-martial arts master polyglot ballet dancer-who works for the international intelligence agency Z.O.W.I.E. When several fellow agents are discovered mysteriously murdered his agency tasks Flint with finding and stopping the killers leading him on a groovy wild goose chase across the world. <br /> <br /> Set in Rome Marseilles and Washington DC and shot on location in Washington DC and California.<br /> <br /> 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
0656620250.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0259955507.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1971137443Burbank CA: Cinema Center Films 1971. Revised Final Draft script for the 1972 film. <br /> <br /> Based on a story by Steven W. Carabatsos. A key Western vigilante film John Benedict Holden leads a peaceful life on his ranch until a gang of Comanche Indians led by a white man murders his family and trashes his home. He assembles his own posse of ruthless outlaws guns-for-hire to help him enact sweet revenge on the murderers. <br /> <br /> Shot on location in Mexico. <br /> <br /> Red titled wrappers noted as Final Draft on the front wrapper and production No. 5008 dated January 5 1971 with a credit for screenwriter Mayes. Title page present dated January 5 1971 noted as FINAL DRAFT with a credit for screenwriter Mayes. 143 leaves with last page of text numbered 134. Mechanical duplication with blue light blue and pink revision pages throughout dated variously between 1/18/71 and 3/16/71. Pages and wrapper Near Fine bound internally with three gold brads. <br /> <br /> Hardy p. 341. Pitts 3402. Cinema Center Films unknown
1955141526N.p.: Hal Wallis Productions 1955. Six vintage double weight studio still photographs from the 1955 film. <br /> <br /> The film is based on Tennessee Williams' 1951 play in which an Italian widow and her teenage daughter cope with the aftermath of her husband's death. <br /> <br /> Shot on location in Florida and California. <br /> <br /> 8 x 10 inches. Near Fine. Hal Wallis Productions unknown
30589326like new. unknown
2008Q-1600101224IDW Publishing 2008-01-08. Hardcover. New. In shrink wrap. Looks like an interesting title! IDW Publishing hardcover
mon0002971967Oxbow Books 2016-04-30. Hardcover. Very Good. 8.4300 158.2700 12.2000. Minimal wear and handling. Oxbow Books hardcover
mon0002971700Oxbow Books 2016-04-30. Hardcover. Very Good. 8.4300 158.2700 12.2000. Oxbow Books hardcover
A9781138067691Hardback. New. <p>Gestalt therapy offers a present-focused relational approach central to which is the fundamental belief that the client knows the best way of adjusting to their situation. </p> hardcover
5513766-nnew. unknown
5513766like new. unknown
