18 résultats
1888080FR1Hachette et Cie Paris: 1888. 1888 pp. xi 420. Uncut. 8vo. Original printed wraps chipped at edges. An important bibliography of French history that is now quite scarce. PRICE JUST REDUCED! FR5 Language: eng. Soft cover. Very Good. Hachette et Cie, Paris: 1888. paperback
1878501281878. Arch. Phys. norm. path. 2 5. - Paris G. Masson Éditeur 1878 8° pp. 375-403 2 lith. Taf. orig. Broschur; minimal fleckig. First Edition - Rare Extrait! Louis Charles Malassez 1842-1909 Travail du laboratoire d'histologie du College de Fance. unknown
1895S14170Paris :: Gauthier-Villard 1895. 1895. 8vo. 6 162 2 pp. Half title figs. Original printed wrappers; spine worn. Very good. Scarce. 308 'Stereochemistry. Presentation of the theories of Le Bel & Jacobus Henricus Van't Hoff 1852-1911 supplemented by the work of Messrs Emil Fischer 1852-1919 Johann Friedrich Wilhelm Adolf von Bæyer 1835-1917 Philippe A. Guye 1862-1922 and Charles Friedel 1832-1899' who contributed the preface. All worked on stereochemistry. Gauthier-Villard, 1895. unknown
189843056Paris : Emile Bouillon 1898. 250x165mm. demi-percaline. Rouge. Plats papier marbrÂŽ. Auteur et titre dorÂŽs au dos. TrÂs bel exemplaire. 500 Emile Bouillon unknown
1858045494New York: Sheldon Blakeman and Co. 1858. Cloth. Fair/No Jacket. 12mo - over 6¾" - 7¾" tall. 82 2 pp. This is a reading copy only. The covers are heavily damp-stained and worn at the corners. The spine covering is worn at the head and foot. The rear free endpaper has been removed. The frontispiece has a 1" closed tear at the head of the spine edge. The binding is secure and the text is clean. Translated from the French. <br/> <br/> Sheldon, Blakeman and Co. hardcover
190054446Genève ca.1900. Stempel des Bureau off de Renseign.Zermatt a.Umschlag Société Genevoise d'Edition Kl.-8°. br. Helvetica unknown
18909530Paris : Delagrave sans date vers 1890. 260x205mm. planches en n/b reliure d'ÂŽditeur. Percaline ornÂŽe tranches dorÂŽes. TrÂs bel exemplaire. 1300 Delagrave unknown
1865060495London: James Nisbet & Co. 21 Berners Street 1865. New Edition . Soft cover. Very Good Plus. Small 8vo. LONDON : 1865. First published in French in 1854 . Softback. Original dark-green pebble-grained cloth gilt lettered cover within blind stamped decorative border. No owner name or internal markings. A tight bright and clean copy. Minor wear only. VERY GOOD INDEED. xx 204 pages. Early copies of this important book are scarce. Only 5 copies held in the UK : no copy in Cambridge National Library of Wales or Trinity College Dublin. Small 8vo. London: James Nisbet & Co. 21 Berners Street. <br/> <br/> James Nisbet & Co., 21 Berners Street paperback
18901309030068Unknown 1890. Hardcover. Good. Good hardcover. No DJ. HARD TO FIND ORIGINAL 1890 EDITION. French. Pages are clean and unmarked though tanned. Covers green quarter leather with marbled boards show edge wear with rubbing/scuffing. Bumped corners. Scuffing on spine. Binding is tight hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! Unknown hardcover
187243055Paris : A. Franck 1872. 250x165mm. VIII- reliure demi-basane. Rouge. Plats papier marbrÂŽ. Auteur et titre dorÂŽs au dos. TÂte et charniÂres lÂŽgÂrement frottÂŽs. Quelques rousseurs autrement bel ÂŽtat. 510 A. Franck unknown
188871875París: Hachette et Cie 1888. Holandesa. Cuarto. Hachette et Cie hardcover
1857052983London: A. M. Piggot Aldine Chambers Paternoster Row & Kennington Park Corner 1857. Second Edition . Hardcover. Very Good Plus. 8vo. LONDON : 1857. First published in 1851. Hardback. Original brown textured cloth; gilt lettered spine and cover. Blind stamped decorative bevelled boards. Original brown end-papers. All edges gilt. Bright tight and clean. No owner name or markings. VERY GOOD INDEED. 102 pages. Eight chapters on: Woman Province & Position Beneath the Cross Domestic relations Christian Wife Christian Maiden Mother Christian Servant Useless Woman - Worldly Women Bereaved Woman. Founded on two sermons by Adolphe Monod given in 1848. Very Scarce. Will be well-packed for posting/shipping. 8vo. Rosley Books for Antiquarian books CHS Cumberland Everyman GKC Inklings Keswick Literature MacDonald Rarities Theology and History. . <br/> <br/> A. M. Piggot, Aldine Chambers, Paternoster Row & Kennington Park Corner hardcover
189847225Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris 1898 30 x 40 cm une feuille Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on laid paper protected by a printed tissue guard publisher's dry stamp in lower margin. Artist's signature in the plate. Very fine copy. Lithograph inspired by a poem by Henri de Régnier an extract of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza the two years of l'Estampe Moderne form one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist Art Nouveau Orientalist and ""Belle Epoque"" movements. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189937778Paris: L'Estampe ModerneImprimerie Champenoispour CH. Masson & H. Piazza 1899. Fine. L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H. Piazza Paris 1899 30 x 40 cm une feuille Original color lithograph executed specifically by the artist for l'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard publisher's dry stamp in lower margin. Artist's signature in the plate. Very handsome copy. Lithograph inspired by a poem by Henri de Régnier an excerpt of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specifically for the journal by the greatest French and foreign artists representing Symbolist Art Nouveau Orientalist and ""Belle Epoque"" movements. L'Estampe ModerneImprimerie Champenoispour CH. Masson & H. Piazza unknown
18901256956Paris: E. Dentu 1890. first edition. Thick folios in grey hardcovers with brown gilt and gold letters; VG; boards have moderate soiling; volume one corners slightly bumped; edges dusty; paper clean; text clean; in French; foxing on a few pages; app. 600 pages each volume; shelved above French section; please contact us for shipping costs. 1256956. Shelved Dupont Bookstore. E. Dentu unknown
189974834Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille Rare original lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso some foxing. Lithograph inspired by an extract from a work by Henri de Régnier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974833Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille et une serpente Rare original color lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered luxury edition stamp on the verso; engraving preceded by a tissue guard captioned with the artist's name the title and text. Lithograph inspired by an extract from a work by Henri de Régnier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189061004Paris: E. Dentu Editeur Libraire de la Societe des Gens de Letteres 1890. Four Vols. Folio. 9.75 x 13 in. xxxi 1 666 2; 4 618 2; 4 670 2; 8 pp unpaginated. with 82 engravings on 70 plates many double-page. Extra-illustrated title page frontispiece in vol. I 100’s of text woodcut-engravings tables diagrams charts decorated head- and tail-pieces decorated initials. Uniformly bound in elaborately decorated gray-lilac-coloured cloth embossed decorative borders in burgundy-colour gilt lettering front covers & spines t.e.g. minor edgewear inner hinges starting in a few places due to weight of the textblock minor wear and slight bumping to corners darkening and more wear to Atlas volume still a VG set. First edition of this nicely printed and weighty set chronicling the fourth great Paris World’s Fair an extraordinary Exposition which refashioned Paris and celebrated the Centennial of the French Revolution and the storming of the Bastille. The Exposition was intended to pull France out of a ruinous recession and attracted over 61000 exhibitors as well as 32 million visitors many of whom came to view the iconic Eiffel Tower and even a profit of 8000000 francs. This lavish production details the development and history of the Exposition the construction of the Eiffel Tower as well as the development of the sites along the Seine. The companion album includes 82 woodcut-engraved images executed by such artists as Baude Baulenaz and Hauger many of them from original photographs shot by Messiers J. Levy et Cie. Levy had also shot photographs for the 1867 Paris L’Exposition Universelle and his photos captured many views of the exhibition grounds and buildings and focused on many in the Javanese Tonkin and Streets of Cairo attractions. E. Dentu, Editeur, Libraire de la Societe des Gens de Letteres, hardcover