72 résultats
1897P83399Paris, Arthur Rousseau & Vigot frères 1897 806pp., illustré de 7 figures dans le texte, 25cm., reliure cart. (plats marbrés, dos en cuir noir avec titre et fleurons dorés), feuilles de garde marbrées, qqs.rousseurs, bon état, [Contenu: I: Considérations générales, Hygiène de la première enfance, Hygiène de la seconde enfance, II: Higiène internationale, Hygiène administrative: histoire de l'hygiène publique, L'hygiène publique dans l'antiquité et au moyen-age, De l'antiquité jusqu'aux temps modernes, L'hygiène publique moderne, Les enseignements de la démographie, L'hygiène publique dans la commune, L'hygiène publique dans le département, L'hygiène publique dans l'Etat, L'hygiène publique à l'étranger, Les "desideralia" de l'hygiène publique], P83399
187243055Paris : A. Franck 1872. 250x165mm. VIII- reliure demi-basane. Rouge. Plats papier marbrÂŽ. Auteur et titre dorÂŽs au dos. TÂte et charniÂres lÂŽgÂrement frottÂŽs. Quelques rousseurs autrement bel ÂŽtat. 510 A. Franck unknown
1885boz_001616Auguste Molinier. Lettre autographe signée à Gabriel Monod, Fontainebleau, 1885 Lettre autographe signée d'Auguste Molinier, adressée à Gabriel Monod, datée du 9 août 1885 à Fontainebleau. Rédigée à l'encre noire sur un double feuillet de papier vergé filigrané. Dimensions : 11,2 x 17,8 cm État : Traces d'onglets au dos de la lettre sinon bel état de conservation. Nombre de pages : 1 page Auguste Molinier est un bibliothécaire et historien français né à Toulouse le 30 septembre 1851 et mort le 19 mai 1904 dans la même ville. Gabriel Monod, né le 7 mars 1844 à Ingouville et mort 10 avril 1912 à Versailles, est un historien français.
188871875París: Hachette et Cie 1888. Holandesa. Cuarto. Hachette et Cie hardcover
189937778L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H. Piazza | Paris 1899 | 30 x 40 cm | une feuille
189847225Imprimerie Champenois pour CH. Masson H. Piazza | Paris 1898 | 30 x 40 cm | une feuille
1857052983London: A. M. Piggot Aldine Chambers Paternoster Row & Kennington Park Corner 1857. Second Edition . Hardcover. Very Good Plus. 8vo. LONDON : 1857. First published in 1851. Hardback. Original brown textured cloth; gilt lettered spine and cover. Blind stamped decorative bevelled boards. Original brown end-papers. All edges gilt. Bright tight and clean. No owner name or markings. VERY GOOD INDEED. 102 pages. Eight chapters on: Woman Province & Position Beneath the Cross Domestic relations Christian Wife Christian Maiden Mother Christian Servant Useless Woman - Worldly Women Bereaved Woman. Founded on two sermons by Adolphe Monod given in 1848. Very Scarce. Will be well-packed for posting/shipping. 8vo. Rosley Books for Antiquarian books CHS Cumberland Everyman GKC Inklings Keswick Literature MacDonald Rarities Theology and History. . <br/> <br/> A. M. Piggot, Aldine Chambers, Paternoster Row & Kennington Park Corner hardcover
189847225Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris 1898 30 x 40 cm une feuille Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on laid paper protected by a printed tissue guard publisher's dry stamp in lower margin. Artist's signature in the plate. Very fine copy. Lithograph inspired by a poem by Henri de Régnier an extract of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza the two years of l'Estampe Moderne form one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist Art Nouveau Orientalist and ""Belle Epoque"" movements. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189937778Paris: L'Estampe ModerneImprimerie Champenoispour CH. Masson & H. Piazza 1899. Fine. L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H. Piazza Paris 1899 30 x 40 cm une feuille Original color lithograph executed specifically by the artist for l'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard publisher's dry stamp in lower margin. Artist's signature in the plate. Very handsome copy. Lithograph inspired by a poem by Henri de Régnier an excerpt of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specifically for the journal by the greatest French and foreign artists representing Symbolist Art Nouveau Orientalist and ""Belle Epoque"" movements. L'Estampe ModerneImprimerie Champenoispour CH. Masson & H. Piazza unknown
1890102001890 percaline éditeur, décorée, titre à l'or sur le Ier plat. 3 vol. in-4, illustré, (rousseurs diverses), P. Dentu 1890,
1899118915Estampe moderne 1899 Imp. Champenois, l'Estampe Moderne, Numéro 23, Mars 1899, environ 41x31cm, couverture d'après Mucha, complet des 4 estampes (2 sont contrecollées à une page plus grande, les 2 autres sont directement imprimées). Dos en partie fendu, premier plat insolé. Une mouillure dans la marge de l'illustration de Monod. Marges de l'illustrations de Granès piquées. 2 petits trous de punaise et une mouillure en bordure de la page sur laquelle est contrecollée l'illustration de Grasset. Bon état pour le reste.
189010167Paris E. Dentu 1890 Petits In-4° XXXI+666+618+ album non paginé. (.) Grand ouvrage illustré historique, encyclopédique, descriptif publié sous le patronnage de M. le Ministre du Commerce, de l'Industrie et des Colonies. Frontispice dans le tome I, très nombreuses illustrations en noir dans les tomes I et II ; tome III : album, suite de gravures. Les titres sont estampés à chaud sur les plats et les dos avec décors estampés à froid ; têtes dorées. Frottis d'usage, percaline restaurée sur un mors. Rousseurs éparses.
18901256956Paris: E. Dentu 1890. first edition. Thick folios in grey hardcovers with brown gilt and gold letters; VG; boards have moderate soiling; volume one corners slightly bumped; edges dusty; paper clean; text clean; in French; foxing on a few pages; app. 600 pages each volume; shelved above French section; please contact us for shipping costs. 1256956. Shelved Dupont Bookstore. E. Dentu unknown books
18901256956Paris: E. Dentu 1890. first edition. Thick folios in grey hardcovers with brown gilt and gold letters; VG; boards have moderate soiling; volume one corners slightly bumped; edges dusty; paper clean; text clean; in French; foxing on a few pages; app. 600 pages each volume; shelved above French section; please contact us for shipping costs. 1256956. Shelved Dupont Bookstore. E. Dentu unknown
189974834Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mars) 1899 | 30.50 x 25 cm | une feuille
1863691571 vol. in-4 reliure demi-chagrin noir, dos à 4 nerfs, 1863 - 1864, environ 150 ff. dont 92 ff. manuscrits (le feuillet de titre partiellement imprimé, complété à la plume)
189974834Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille Rare original lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso some foxing. Lithograph inspired by an extract from a work by Henri de Régnier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1890RO30011424E. Dentu. 1890. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Tome 1: 664 pages, petit accroc sur le dos, et couverture un peu abîmée. Tome 2: 618 pages, dernier plat un peu abîmé. Tome 3: 667 pages, légères tâches sur les plats et dos légèrement plié. Néanmoins les trois sont en bon état. Les trois volumes sont illustrés de gravures noir et blanc, dans et hors-texte. Relié toilé, titre doré.. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
189974833Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mars 1899) | 30.50 x 25 cm | une feuille et une serpente
189974833Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille et une serpente Rare original color lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered luxury edition stamp on the verso; engraving preceded by a tissue guard captioned with the artist's name the title and text. Lithograph inspired by an extract from a work by Henri de Régnier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1890R300140104E.DENTU. 1890. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 666 pages + 618 pages + 670 pages + album contenant environ 70 planches en noir et blanc - nombreuses illustrations en noir et blanc dans et hors texte - 7 photos disponibles.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
189061004Paris: E. Dentu Editeur Libraire de la Societe des Gens de Letteres 1890. Four Vols. Folio. 9.75 x 13 in. xxxi 1 666 2; 4 618 2; 4 670 2; 8 pp unpaginated. with 82 engravings on 70 plates many double-page. Extra-illustrated title page frontispiece in vol. I 100’s of text woodcut-engravings tables diagrams charts decorated head- and tail-pieces decorated initials. Uniformly bound in elaborately decorated gray-lilac-coloured cloth embossed decorative borders in burgundy-colour gilt lettering front covers & spines t.e.g. minor edgewear inner hinges starting in a few places due to weight of the textblock minor wear and slight bumping to corners darkening and more wear to Atlas volume still a VG set. First edition of this nicely printed and weighty set chronicling the fourth great Paris World’s Fair an extraordinary Exposition which refashioned Paris and celebrated the Centennial of the French Revolution and the storming of the Bastille. The Exposition was intended to pull France out of a ruinous recession and attracted over 61000 exhibitors as well as 32 million visitors many of whom came to view the iconic Eiffel Tower and even a profit of 8000000 francs. This lavish production details the development and history of the Exposition the construction of the Eiffel Tower as well as the development of the sites along the Seine. The companion album includes 82 woodcut-engraved images executed by such artists as Baude Baulenaz and Hauger many of them from original photographs shot by Messiers J. Levy et Cie. Levy had also shot photographs for the 1867 Paris L’Exposition Universelle and his photos captured many views of the exhibition grounds and buildings and focused on many in the Javanese Tonkin and Streets of Cairo attractions. E. Dentu, Editeur, Libraire de la Societe des Gens de Letteres, hardcover
