307 résultats
1914190091Paris: Bernheim-Jeune Editeurs d'Art 1914. no 41 of 100 on Japon paper. Fair only Binding and spine are shot covers soiled. COntents clean but a bit age-toned. Etching is a strong impression. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a nice set of sheets needing rebinding. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown
1914174202Paris: Bernheim-Jeune Editeurs d'Art 1914. no 38 of 100 on Japon paper. Internally VG soiling discoloration to covers but binding is very solid with very minor splitting at top and bottom of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a solid copy with the exception of the cover discoloration. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown
19300599041930. Original Art Works . No Binding. Fine/Slipcase. A Suite Of Illustrations Unbound Ten Groups Of 13-20 Loose Lithographs Wrapped And Sealed In Glassine Enclosed In A Slipcase. Printed In Color Or B/W No Publisher Or Date Indicated Anywhere Many Signed In The Plate By Early 20Th Century Illustrators Fine Paper 9" X 6 5/8". All Enclosed In A Simple Open Three-Panel Folder Paper With Cloth Edges With Morocco Label "Octave Mirbeau / Suite Des Hors-Textes" And In A Matching Cloth Slipcase With Gray Paper Sides And Cloth Edges. The Illustrators' Artistic Histories And Life Spans Indicate These Were Likely Done In 1920'S-1930'S For An Intended But Unpublished Limited Edition Of Octave Mirbeau's Works Possibly For A Nascent Firm That Failed In The Early 1930'S. One Set By Edy Legrand Is Clearly For "The Torture Garden" By Mirbeau The Other Sets For Nine Of His Other Books. Altogether Two Sets By Legrand One By Jean Launois 1898-1942 One By Berthold Mahn 1893-1975 Three Other Sets Signed But With Illegible Signature Other Sets Not Signed. <br/> <br/> unknown
19145681Signed by Artist. Publisher's original wraps boldly signed by Rodin on half-title. A clean copy without names bookplates or other distractions. Grand luxe edition limited to only 100 copies of which this is number 7. Includes the two oft-fugitive unpublished hors-texte plates one of which is in color. All shipments through USPS insured Priority Mail. Editions Artistique de l'Art et les Artistes paperback
192539035Paris: La Connaissance 1925. Gio Colucci. In 1925 Giò Colucci executed fourteen etchings to illustrate Octave Mirbeau's "Le jardin des supplices" and the result was one of the greatest livres de peintre produced between the world wars. The etchings combine Japonisme eclecticism art nouveau surrealism and eroticism. They represent Colucci's greatest achievement as a printmaker. THIS IS A PROOF SET on Imperial Japanese paper of the fourteen etchings each hand-colored by the artist with gouache and gold leaf. In perfect condition. No other such sets on Japanese paper and handcolored by the artist are recorded so this set may be unique. <br/><br/> La Connaissance unknown
190878181Paris: Fasquelle 1908. Fine. Fasquelle Paris 1908 19.50 x 25.50 cm relié De luxe edition illustrated with a hundred drawings by Pierre Bonnard scattered in the margins of the leaves one of 200 numbered copies on Arches vellum one print after 25 Japan. A beautiful copy. Binding in half brown calf spine decorated with double black fillets gilt date at the foot marbled paper boards marbled endpapers covers and spine preserved top edge gilt on the rough. Handwritten presentation signed by Pierre Bonnard to Xavier Roux: . à son compatriote dauphinois et ami. .to his Dauphiné compatriot and friend. enriched with a handwritten presentation signed by Octave Mirbeau to the same. Fasquelle hardcover
29598Paris Fasquelle 1900. 1 vol. 165 x 255 mm de 1 f. 4 et 519 p. Maroquin brun dos à nerfs orné de filets à froid tranches dorées sur témoins filets à froid sur les coupes contreplat à encadrement orné d'un jeu de sept filets couverture conservées reliure signée de Marius Michel. . Édition originale. Un des 20 premiers exemplaires réimposés sur chine n° 18. . Le Journal est dédié à Jules Huret qui avait publié dans son Enquête sur l'évolution littéraire 1891 le récit d'une conversation qu'il avait eu avec Octave Mirbeau quelque temps avant la publication en feuilleton. Dix ans plus tard l'écrivain lui offrira un exemplaire sur chine du roman publié « un violent réquisitoire contre les maux dont souffre la société moderne qui unit la satire des moeurs familiales à une assez trouble sensualité » Dictionnaire des OEuvres III 854. Une première version du Journal d'une femme de chambre avait paru en feuilleton dans L'Écho de Paris du 20 octobre 1891 au 26 avril 1892. Une deuxième version fortement remaniée reparaît dans la Revue blanche au cours de l'hiver 1899-1900 ; c'est à partir d'elle que sera établie l'édition en volume chez Charpentier-Fasquelle en juillet 1900. Quatre adaptations en ont été faites au cinéma - dont celle célèbre de Bunuel et plusieurs dizaines d'adaptations au théâtre en France et à l'étranger. Signalons qu'il existe quelques exemplaires imprimés sur papier jonquille au moins deux exemplaire Pierre Bergé sans provenance et exemplaire Sicklès-Heilbronn pour Jean Richepin. Mirbeau possédait pour lui et son épouse des exemplaires sur chine. Suivent ensuite 30 exemplaires sur japon puis 200 sur Arches tous réimposés. De la bibliothèque Raoul Simonson avec ex-libris. Très bel exemplaire. Paris, Fasquelle, 1900. 1 vol. (165 x 255 mm) de 1 f., [4] et 519 p. Maroquin brun, dos à nerfs orné de filets à froid, tranc unknown
