PetrarchBiblio.com
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1841577London: Henry Colburn 1841. THIS COMPLETE TWO VOLUME SET IS IN NEAR FINE CONDITION BEAUTIFULLY BOUND IN FULL POLISHED CALF WITH BRIGHT GILT RULE TO BOARDS SIX COMPARTMENTS AND FIVE RAISED BANDS TO SPINES WITH BRIGHT GILT DETAILS AND TITLE. BINDING AND HINGES ARE VERY GOOD MARBLED END PAPERS PASTE DOWNS AND END PAGES. NO LOOSE OR MISSING PAGES PAGES ARE BRIGHT AND CLEAN WITHOUT MARKS AND MINIMAL FOXING. ILLUSTRATED BOOKS MEASURE 8.75"x5.75". FIRST EDITION 184 YEARS OLD. A STUNNING SET IN GREAT CONDITION. Henry Colburn unknown
1822312London: C. Corrall for G. Pickering 1822. Very good uncut and partially unopened slight foxing of engraved leaves publisher's ochre cloth which has faded but turn-ins appear to reflect an original brighter red color worn paper label on spine prior owner inscription dated 1830 placing the cloth not later than such date. One of the series usually known as Pickering's "Diamond Classics" they are some of the earliest books to have publisher's bindings of cloth. <br /> <br /> 48mo. 7 237pp. 9 index. Keynes pg. 72. Porter 146. Tomlinson & Masters pg. 11. Carter Binding Variants pgs. 9-15. Nash Two Hundred Years of Publisher's Cloth Journal of Printing Historical Society 2020 passim. C. Corrall for G. Pickering unknown
1822313London: C. Corrall for G. Pickering 1822. Very good uncut and partially unopened publisher's dark cloth worn paper label on spine a variant binding which is perhaps later. One of the series usually known as Pickering's "Diamond Classics" they are some of the earliest books to have publisher's bindings of cloth. <br /> <br /> 48mo. 7 237pp. 9 index. Keynes pg. 72. Porter 146. Tomlinson & Masters pg. 11. Carter Binding Variants pgs. 9-15. C. Corrall for G. Pickering unknown
184261289Italy: David Passigli. Good with No dust jacket as issued. 1842. Second Edition; First Printing. Hardcover. Good 2nd Edition two-volume set stated in-8vo. Original buff leather binding with friezes on five-jointed backs with bright gold titles extremities lightly bumped and rubbed. Covers lightly soiled. Top edge stained brown. Edges foxed. Bindings shaken but secure. Internally no writing or stamps. Volume II front endpaper clipped to top corner one tissue detached but present. Clean occasionally foxed pages. Four works in two tomes Divine Comedy; Rime; Orlando Furioso and Gerusalemme Liberata. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland.; B&W Illustrations; 8vo 8" - 9" tall . David Passigli hardcover
1826008345Lipsia: Fleischer 1826. Un volume in 8vo grande 24 cm di XXIII pagine di introduzione di Adolfo Wagner una pagina incisa in antiporta da Raffaello Morghen con il ritratto dei quattro poeti erroneamente nel titolo si indicano quattro ritratti; 236 colonne VII pagine e 160 colonne VII pagine e 644 colonne XVI pagine e 256 colonne 88 ppnn. Qualche brunitura. Legatura coeva in cartone telato con tassello di titolo al dorso etichetta del legatore J. Muller. Fleischer unknown
182276574237 5 pages Index. Miniature edition with frontispiece. One decorative headpiece and page break. Pages unopened. In Italian. Published by William Pickering hardcover
18632149Firenze: G Barbera 1863. Hardcover. Good. Cream vellum boards with gilt lines front and back. Spine has raised bands and gilt decoration and lettering. Spine is faded with very small stains. Boards also have light staining and small marks. Spine has cracked and been glued. Endpapers are damaged with small loss and tears. Red page edges. Binding is tight. Scattered foxing. A charming small book; 48mo 3½" - 4" tall; 511 pages; In the Italian Good 1863 G Barbera hardcover
182015669Livorno Italy: Dai Torchi Di Glauco Masi 1820. 1/4 leather. Very Good . Lovely 1820 edition of one of the first great modern collections of love poetry written by the Renaissance poet viewed as the "first true reviver of learning in Medieval Europe" Encyclopedia Britannica. The story of Petrarch's love for Laura is well-known but the spirituality and complexity of this love and the cataclysmic loss he felt at her death can be understood only by reading this cycle of his poems. Bound in a modern 1/4 red morocco over marbled boards with matching marbled endpapers. 5 raised bands gilt-rule and gilt-devices within the compartments. A solidly VG copy with very light staining confined to the upper inner margins of the first third of Vol. I. This edition is very handsomely printed as well. Masi the printer boats on the title page that it is printed with types supplied by Fermin Didot the great Parisian printer. Each volume has a lithographed frontispiece portrait accomplished on the stone by F. Wagner. The portrait of Petrarch introduces Vol. I and the portrait of Laura Vol. II. Thick octavo Vol. I consists of 362 pgs. Vol. II 242 pgs. Dai Torchi Di Glauco Masi unknown
1821022774Firenze: Dalla Tipografia 1821. Octavo. In two volumes. 366 9 pp. and 470pp. Each with a fore-edge painting. Volume 1 with a fore-edge painting depicting Ducal Palace and volume 2 depicts a painting of The Rialto Venice.From the publisher."So that this reprint of ours is in no way less valuable than the Padua edition the publishers will scrupulously reproduce everything that was published by the famous Professor Antonio Marsand in his 1818 following the order he gave to the rhymes to the illustrations and c imitating the invention of the branches and also the typographical correction. A beautiful set with each volume displaying a meticulously painted fore-edge painting. Bound in full dark blue levant triple ruled in gilt with corner flourishes raised bands gilt with title gilt marbled endpapers all edges gilt previous owner's name cannot decipher neatly written on verso of free endpaper. Some staining to covers but nonintrusive. A very handsome set housed within a custom lined slipcase. Dalla Tipografia unknown
1832450710Firenze : Presso Leonardo Ciardetti 1832. First Edition. Hardcover. Good tight copies both in the original full aniline calf with raised bands gilt-tooling and leather title labels to spine. Spine bands and panel edges somewhat rubbed and dust-toned. Titles worn on volume 2. Some light foxing chiefly to margins. A well-preserved set overall. Physical description; complete in 2 volumes : illustrations ; 23 cm. Subjects; Italian poetry 14th century. Sonnets Italian. Firenze : Presso Leonardo Ciardetti hardcover
1822407121Londra: Presso di G. Corrall; A spesi di G. Pickering 1822. Hardcover. Very Good. Miniature book or nearly so: 2" x 3.5". Almost certainly publisher's red cloth with printed paper spine label. 257 12 ads pp. Bookseller's label front pastedown small tears at the spine ends label a little chipped a sound very good or better copy. Presso di G. Corrall; A spesi di G. Pickering hardcover
1832500026284Firenze: Ciardetti 1832. First edition thus. . Hardcover. Very Good. two volumes bound in one. Ex Library leather spine & marbled boards 8vo. 367 pages.& 348pp & CLIV Storico-Critiche <br/> <br/> Ciardetti, hardcover
182113453<p>Roma: Nella Stamperia de Romanis 1821 Sixth Muratori edition revised using the Comino edition 1732 and the Marsand edition 1819-20. . Full dark green diaper calf. Covers ruled in blind gilt spine with black calf labels marbled edges. . Two volumes octavo. . Engraved frontispiece. Binding extremities lightly rubbed some scuffing two bookplates in each volume. A very good copy.</p> Nella Stamperia de Romanis,
1846mon0000015769Pietro Fraticelli 1846. Hardcover. Good. in x in x in. Text in Italian. Volume I only. Owner name front free page: John H.R. Polt Professor Emeritus of Spanish and Portuguese University of California Berkeley. Notes on rear free page. No other notes in lightly read book. Binding tight. Hardcover spine taped. Pietro Fraticelli hardcover
1846mon0000015770Pietro Fraticelli 1846. Hardcover. Good. in x in x in. Text in Italian. Volume II only. Owner name front free page: John H.R. Polt Professor Emeritus of Spanish and Portuguese University of California Berkeley. Notes on rear free page. No other notes in lightly read book. Binding tight. Hardcover spine taped. Pietro Fraticelli hardcover
181932220Padova: Nella Tipografia del Seminario 1819-1820. 2 volumes. The especially handsome folio edition of Petrarca and Marsand. This Copy on Large and Grand paper the best of the editions. Volume I with the very fine portraits beautifully engraved on copper by Raffaello Morghen and Mauro Gandolfi. The text in a fine and handsome Bodoniesque typography. Two engraved plates showing a view of Valchiusa engraved by Federico Lose the other showing a facsimile of the celebrated words of the poet handwritten on the Virgilian manuscript and another five plates depicting landscapes and the monument of Petrarca. Folio 33 by 23 cm very handsomely bound in full dark green grained morocco the spines with raised bands ruled in gilt the compartments with gilt panels formed by concentric squares tooled in gilt lettered in gilt in two compartments the covers and turnovers multi-ruled in gilt at the borders dark green endleaves all edges gilt. lix 375; 2 444 pp. A very regal and handsome set the bindings elegant with some unobtrusive age mellowing to the vellum and textured cloth the leather labels a bit rubbed. Internally both volumes are sound and sturdy the hinges fine and tight. The text with some light spotting to which the paper is prone this copy less than is typical and always quite mild. ONE OF THE FINEST PRINTINGS OF THE GREAT ITALIAN POET THIS REMINISCENT OF THE GREAT BODONI PRINTINGS The work is a connoisseur's and bibliophile's treasure printed in a small number of copies on large paper. Published with the valuable work and study of Antonio Marsand and the true reference edition for all later publications. Notable for its refinement and typographic elegance comparable to Bodoni's editions and for the scrupulous attention paid to the critical analysis of texts. At the end of the book a rich and accurate bibliography of all the previous editions of Pertrarca's works.<br> One of the "great triumvirate" of Italian poets Francesco Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and they served as the model for nearly all later Western lyrical poetry. He was also the first true reviver of learning in Medieval Europe. He was a great student of the classical works-- histories poetry law and orations and he included in his studies many ancient books and manuscripts that the medieval period had ignored for nearly a millennium. He also closely followed the politics and learning of his own age. It was with Petrarca that the ancient and the modern eras met together and a new stadium for the Human spirit that which we are wont to style Renaissance was opened.<br> Many have stated that the book is as beautiful as a Bodoni printing.<br> <br>Brunet IV 556. Graesse V 229. Marsand p. 126. Hortis 232. Fiske p. 125. Bellini "storia della tipografica del Seminario di Padova Nella Tipografia del Seminario hardcover
183774600Padova: Coi Tipi Della Minerva 1837. Hardcover. cxxii27862 pp.; 21.5x14.5 cm. Text in Italian - spine faded previous owner's name some spots/ foxing only volume 1 of2 Although still very good see picture Coi Tipi Della Minerva hardcover
1806108031Jena : presso Federico Frommann 1806. 175x105mm. LV - mezza legatura in badana. Legatura coeva in vitello marmorizzato con titolo e decorazioni dorate e filetti dorati sul dorso. Pelle in alcuni punti sfregata ma per il resto rilegatura di pregio. Buono stato. 583 presso Federico Frommann unknown
1818440283Firenze : Dalla Libreria di Pallade 1818. 1st edition. Hardcover. Poor copy in marbled boards backed in gilt-blocked leather; spine and panels dust-dulled bumped nicked and rubbed as with age. Shadow-staining and some foxing. Physical description; 195 pages 12 cm. Subjects; Le rime de Francesco Petrarca. Italian poetry. Italian sonnets. Poetry in Italian. Firenze : Dalla Libreria di Pallade hardcover
18211401008Roma: Nella stamperia De Romanis 1821-1822. Revised Edition. Hardcover. Octavo two volumes. In Very Good minus condition. Contained in a maroon faux-book slipcase quarter bound in red leather with gilt ornamentation and lettering to the spines and armorial stamps to the front and rear boards has moderate chipping and scuff marks throughout a red mark over the Harvard coat of arms and soiling along the head edges. Both volumes are wrapped in maroon three-flap enclosures. Bound in full vellum with gilt ornamentation and lettering along the spines. Boards have light plus discoloration throughout and light bending to fore corners. Textblocks have a prize bookplate for Jacob Canter on the front pastedowns light foxing on some pages throughout minor soiling to edges and blue speckling to edges. Volume 1 has a small tear to the bottom corner of page 229. Volume 2 has small tears to the bottom corners of pages 31 53 and 119. EM Consignment. Shelved in Room A. <br /> <br> <br /> <br> <br /> Contents: VOL I: 1 xxxv 1 543 pages;-- VOL II: 412 pages. 1401008. Special Collections. Nella stamperia De Romanis hardcover
1896456257Firenze : G. Barbèra 1896. First Critical Edition. Hardcover. Very good copy in the original maroon cloth boards slightly rubbed at the edges and with a gilt-blocked spine. Bookplate of the società letteraria italiana di Liverpool on front pastedown; some faint foxing to prelims. Internally tight bright clean and especially sharp-cornered. A very well-preserved copy overall. Physical description; xxiv 697 pages : frontispiece portrait ; 19 cm. Subjects; Petrarca Francesco 1304-1374 - Criticism Textual Italian poetry - 14th century - Criticism Textual. Firenze : G. Barbèra hardcover
183760257Padova : coi Tipi della Minerva 1837. 230x150mm. CXXI- 765Êpagine reliures demi-parchemin coins. Plats papier marbr. Etiquettes aux dos avec auteur et titre en lettres dores. Couvertures dÕorigine conserves lÕintrieur. Quelques rousseurs marginales. Bel exemplaire. 2090 coi Tipi della Minerva unknown
18368447Presso Baudry Libreria Europea 1836. Hardcover. 8vo two volumes xxx442i;373pp engraved oval portrait of Petr marbled end papers all edges marbled a fine C19 French binding: contemporary blue half calf with cloth boards contrasting labels gilt gilt compartments and decorations; text has a few small marks in places but overall very clean binding has slight rubbing on corners however overall a very bright and firm set Presso Baudry, Libreria Europea hardcover
1805e8722Milano: Società Tipografica de' Classici Italiani. G : in Good condition. Cover lightly rubbed. Title labels missing from spine of volume I. Some scattered browning. Text block firm. 1805. Reprint. Brown hardback leather cover. 210mm x 130mm 8" x 5". cxii 283pp; 348pp. Heavy item - shipping supplement may apply for overseas. . Società Tipografica de' Classici Italiani hardcover
