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183017725Paris, Ledoyen, um 1830. Ca. 39,5 cm x 50 cm (ganze Blatt). [4 Warenabbildungen]
1841577London: Henry Colburn 1841. THIS COMPLETE TWO VOLUME SET IS IN NEAR FINE CONDITION BEAUTIFULLY BOUND IN FULL POLISHED CALF WITH BRIGHT GILT RULE TO BOARDS SIX COMPARTMENTS AND FIVE RAISED BANDS TO SPINES WITH BRIGHT GILT DETAILS AND TITLE. BINDING AND HINGES ARE VERY GOOD MARBLED END PAPERS PASTE DOWNS AND END PAGES. NO LOOSE OR MISSING PAGES PAGES ARE BRIGHT AND CLEAN WITHOUT MARKS AND MINIMAL FOXING. ILLUSTRATED BOOKS MEASURE 8.75"x5.75". FIRST EDITION 184 YEARS OLD. A STUNNING SET IN GREAT CONDITION. Henry Colburn unknown
1862219632Berlin, Otto Janke, 1862. 286, 240 Seiten. Pappband der Zeit. 18 cm
187438802Triest, Appolonio & Caprin, 1874. 4°. Mit einem Titelbild in Lichtdruck. XIII S., 1 Bl., 215 S., 4 Bll., Mod. Ppbd. m. mont. Vorderdeckel des Orig.-Umschlages.
187417702Avignon Imprimerie Administrative Gros Frères et Roumanille 1874 In-8 287 pp, couvertures en état passable et débroché, cachet de bibliothèque discret
1892223221892 Paris, Marpon & Flammarion, sans date [1892]. In-12 broché,(120 X 186) XX-286 pages, 1 feuillet non chiffré (justification du tirage), (1). EDITION ORIGINALE. "Paul Arène est né à Pamiers. Ami de Gambetta, il fut le promoteur des fêtes cigalières en Provence, après 1875. Avec Tournier ils éditèrent ce livre à l'occasion des fêtes gasconnes et pyrénéennes de 1890. Livre très agréablement illustré, en particulier de portraits de mainteneurs des traditions du piémont gascon et languedocien nord-pyrénéen." (DENDALETCHE, 75) ; (LABARERE, 56). Le texte et les illustrations de cet ouvrage ont été entièrement imprimés par la Glyptographie Silvestre. Le premier plat de la belle couverture illustrée en couleurs par Charles TOCHE a été conservé.
1860001093Berlin, Hempel, 1860. Marmorierter Orig.-Halblederband, 620 Seiten, Gr.-8°. Aus der Reihe: Die Classiker aller Zeiten und Nationen (Erster Theil). Einband deutlich berieben und angestoßen. Innen mit (sehr) vereinzelten, kleinen Anstreichungen. Seiten an den Rändern teilweise etwas stockfleckig, aber aufgrund der hervorragenden Papierqualität kaum gebräunt. Insgesamt ein gut brauchbares Exemplar in altdeutscher Schrift mit vielen Abblidungen.
1822312London: C. Corrall for G. Pickering 1822. Very good uncut and partially unopened slight foxing of engraved leaves publisher's ochre cloth which has faded but turn-ins appear to reflect an original brighter red color worn paper label on spine prior owner inscription dated 1830 placing the cloth not later than such date. One of the series usually known as Pickering's "Diamond Classics" they are some of the earliest books to have publisher's bindings of cloth. <br /> <br /> 48mo. 7 237pp. 9 index. Keynes pg. 72. Porter 146. Tomlinson & Masters pg. 11. Carter Binding Variants pgs. 9-15. Nash Two Hundred Years of Publisher's Cloth Journal of Printing Historical Society 2020 passim. C. Corrall for G. Pickering unknown
1822313London: C. Corrall for G. Pickering 1822. Very good uncut and partially unopened publisher's dark cloth worn paper label on spine a variant binding which is perhaps later. One of the series usually known as Pickering's "Diamond Classics" they are some of the earliest books to have publisher's bindings of cloth. <br /> <br /> 48mo. 7 237pp. 9 index. Keynes pg. 72. Porter 146. Tomlinson & Masters pg. 11. Carter Binding Variants pgs. 9-15. C. Corrall for G. Pickering unknown
183321230Leipzig, Brockhaus, 1833. Etw. späterer, dekorativer Ebd. (ca. 1880) Reichhalt. gold- und blindgepr. Ldr.-Rücken 531 S. 8°. Sehr schöner Bd. in sehr guter Erhaltung. Deckelbezüge gering berieb. u. fleck. Namenseintrag v. alter Hd.
184261289Italy: David Passigli. Good with No dust jacket as issued. 1842. Second Edition; First Printing. Hardcover. Good 2nd Edition two-volume set stated in-8vo. Original buff leather binding with friezes on five-jointed backs with bright gold titles extremities lightly bumped and rubbed. Covers lightly soiled. Top edge stained brown. Edges foxed. Bindings shaken but secure. Internally no writing or stamps. Volume II front endpaper clipped to top corner one tissue detached but present. Clean occasionally foxed pages. Four works in two tomes Divine Comedy; Rime; Orlando Furioso and Gerusalemme Liberata. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland.; B&W Illustrations; 8vo 8" - 9" tall . David Passigli hardcover
1820GIT00c80Paris sd v 1820. In-12 XXXVIII 164pp. Plein veau blond marbré, dos lisse élégamment orné de filets, pastilles, fleurettes et 1 chaînette dorés, pièce de titre maroquin rouge, plats encadrés d'un double filet et 1 chaînette dorés, coupes filetées, chaînette dorée sur bordure intérieure, tranches dorées, rel époque. Usure sur 1 coiffe.
1826008345Lipsia: Fleischer 1826. Un volume in 8vo grande 24 cm di XXIII pagine di introduzione di Adolfo Wagner una pagina incisa in antiporta da Raffaello Morghen con il ritratto dei quattro poeti erroneamente nel titolo si indicano quattro ritratti; 236 colonne VII pagine e 160 colonne VII pagine e 644 colonne XVI pagine e 256 colonne 88 ppnn. Qualche brunitura. Legatura coeva in cartone telato con tassello di titolo al dorso etichetta del legatore J. Muller. Fleischer unknown
186043002Firenze: Felice le Monnier 1860. First edition. Paper wrappers. A very good copy with faint foxing on first and last leaf with neat writing verso of plain paper wrappers. 70 pp. 16mo. Giudicata da Francesco Petrarca. Fiske: Catalogue of the Petrarch Collection 45. Felice le Monnier unknown books
182276574237 5 pages Index. Miniature edition with frontispiece. One decorative headpiece and page break. Pages unopened. In Italian. Published by William Pickering hardcover
1895RO40248873Giuseppe Dessi, Sassari. 1895. In-4. Broché. Etat d'usage, Plats abîmés, Dos fané, Intérieur acceptable. 161 pages. Texte en latin et en italien. Papier muet encollé sur le dos, le consolidant. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Couverture tachée (traces de colle). Manques sur les plats. Nombreuses pages non coupées.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
18632149Firenze: G Barbera 1863. Hardcover. Good. Cream vellum boards with gilt lines front and back. Spine has raised bands and gilt decoration and lettering. Spine is faded with very small stains. Boards also have light staining and small marks. Spine has cracked and been glued. Endpapers are damaged with small loss and tears. Red page edges. Binding is tight. Scattered foxing. A charming small book; 48mo 3½" - 4" tall; 511 pages; In the Italian Good 1863 G Barbera hardcover
182015669Livorno Italy: Dai Torchi Di Glauco Masi 1820. 1/4 leather. Very Good . Lovely 1820 edition of one of the first great modern collections of love poetry written by the Renaissance poet viewed as the "first true reviver of learning in Medieval Europe" Encyclopedia Britannica. The story of Petrarch's love for Laura is well-known but the spirituality and complexity of this love and the cataclysmic loss he felt at her death can be understood only by reading this cycle of his poems. Bound in a modern 1/4 red morocco over marbled boards with matching marbled endpapers. 5 raised bands gilt-rule and gilt-devices within the compartments. A solidly VG copy with very light staining confined to the upper inner margins of the first third of Vol. I. This edition is very handsomely printed as well. Masi the printer boats on the title page that it is printed with types supplied by Fermin Didot the great Parisian printer. Each volume has a lithographed frontispiece portrait accomplished on the stone by F. Wagner. The portrait of Petrarch introduces Vol. I and the portrait of Laura Vol. II. Thick octavo Vol. I consists of 362 pgs. Vol. II 242 pgs. Dai Torchi Di Glauco Masi unknown
1821022774Firenze: Dalla Tipografia 1821. Octavo. In two volumes. 366 9 pp. and 470pp. Each with a fore-edge painting. Volume 1 with a fore-edge painting depicting Ducal Palace and volume 2 depicts a painting of The Rialto Venice.From the publisher."So that this reprint of ours is in no way less valuable than the Padua edition the publishers will scrupulously reproduce everything that was published by the famous Professor Antonio Marsand in his 1818 following the order he gave to the rhymes to the illustrations and c imitating the invention of the branches and also the typographical correction. A beautiful set with each volume displaying a meticulously painted fore-edge painting. Bound in full dark blue levant triple ruled in gilt with corner flourishes raised bands gilt with title gilt marbled endpapers all edges gilt previous owner's name cannot decipher neatly written on verso of free endpaper. Some staining to covers but nonintrusive. A very handsome set housed within a custom lined slipcase. Dalla Tipografia unknown
1832450710Firenze : Presso Leonardo Ciardetti 1832. First Edition. Hardcover. Good tight copies both in the original full aniline calf with raised bands gilt-tooling and leather title labels to spine. Spine bands and panel edges somewhat rubbed and dust-toned. Titles worn on volume 2. Some light foxing chiefly to margins. A well-preserved set overall. Physical description; complete in 2 volumes : illustrations ; 23 cm. Subjects; Italian poetry 14th century. Sonnets Italian. Firenze : Presso Leonardo Ciardetti hardcover
1822407121Londra: Presso di G. Corrall; A spesi di G. Pickering 1822. Hardcover. Very Good. Miniature book or nearly so: 2" x 3.5". Almost certainly publisher's red cloth with printed paper spine label. 257 12 ads pp. Bookseller's label front pastedown small tears at the spine ends label a little chipped a sound very good or better copy. Presso di G. Corrall; A spesi di G. Pickering hardcover
1832500026284Firenze: Ciardetti 1832. First edition thus. . Hardcover. Very Good. two volumes bound in one. Ex Library leather spine & marbled boards 8vo. 367 pages.& 348pp & CLIV Storico-Critiche <br/> <br/> Ciardetti, hardcover
182015669Livorno Italy: Dai Torchi Di Glauco Masi 1820. 1/4 leather. Very Good . Lovely 1820 edition of one of the first great modern collections of love poetry written by the Renaissance poet viewed as the "first true reviver of learning in Medieval Europe" Encyclopedia Britannica. The story of Petrarch's love for Laura is well-known but the spirituality and complexity of this love and the cataclysmic loss he felt at her death can be understood only by reading this cycle of his poems. Bound in a modern 1/4 red morocco over marbled boards with matching marbled endpapers. 5 raised bands gilt-rule and gilt-devices within the compartments. A solidly VG copy with very light staining confined to the upper inner margins of the first third of Vol. I. This edition is very handsomely printed as well. Masi the printer boats on the title page that it is printed with types supplied by Fermin Didot the great Parisian printer. Each volume has a lithographed frontispiece portrait accomplished on the stone by F. Wagner. The portrait of Petrarch introduces Vol. I and the portrait of Laura Vol. II. Thick octavo Vol. I consists of 362 pgs. Vol. II 242 pgs. <br/><br/> Dai Torchi Di Glauco Masi hardcover books
182175006Firenze: J. e L. Ciardetti 1821. Hardcover. Very Good. 2 vols. 8 plates including frontis xxxi 366 483p. Contemporary 1/4 leather over marbled boards. 23 cm. Backstrip dry. Scattered foxing heaviest on plates and tissue guards. Italian text. <br/><br/> J. e L. Ciardetti hardcover books
