33 résultats
1527407565Venedig "Vineggia": Gregorio de Gregori 1527. hardcover. Gut. Titelei 5 Blatt 381 Blatt 1 Blatt. Ganzpergament der Zeit mit handschriftlichem Rückentitel Vorderdeckel mit dunklen Fleckchen mit kleinem Pergamentfrass leicht berieben und bestossen Paginierung teils irrig Seiten aber vollständig vorhanden Bezug der Spiegel angelöst Titelei im rechten weissen Rand angestückt ohne Text- und Bildverlust die ersten 30 Blatt wasserfleckig und teils braunfleckig sonst innen nur wenig gebräunt bzw. braunfleckig insgesamt recht frischer Druck auf meist weissem Papier schön und recht gut erhalten. - Schöner und seltener venezianischer Druck des italienischen Klassikers. Über KVK konnten wir weltweit nur 8 Exemplare nachweisen! Die "Huomini illustri" bringen Biographien aus der Antike u.a. von Romulus über Alexander den Großen Hannibal Cäsar Augustus bis Vespanian und Trajan. Petrarca war Mitbegründer des Humanismus und wollte die Antike wiederbeleben. Der Drucker Gregorio de Gregoriis da Forli ist in der Zeit von 1496 bis 1527 nachgewiesen. Teilweise zusammen mit seinem Bruder Giovanni druckte er in dieser Zeit die erstaunliche Menge von mehr als 100 Büchern meist Texte klassischer Autoren und Humanisten. - Nicht bei Adams; BL STC ital 506 teilt wie auf dem Titel: de glihuomini!; zu Gregori: Contemporaries of Erasmus II126. - Weitere Bilder auf Anfrage oder auf unserer Homepage. Wegen Urlaub kann Ihre Bestellung / Anfrage erst nach dem 21.06.2026 bearbeitet werden. - Because of holidays your order / question can be handled only after 06/21/2026. Gregorio de Gregori hardcover
157232559Frankfurt: Bei Christian Egenolffs Erben. Very Good with no dust jacket. 1572. Paperback. Woodcuts; 8vo 8" - 9" tall; 2 pages; Headline of verso: "Trostspiegels Erste Buch/" Large woodcut illustration in upper portion of verso. Dampstain to lower margin very good. Laid paper. . Bei Christian Egenolffs Erben paperback
1562027459Venice: Lodovico Avanzo. Fair. 1562. Leather. 165 pages plus index front board missing 2 front endpapers with paper loss title page in good condition one woodcut and ititial letter pages trimmed and tinted red some dark staining to the bottom margins of the index.; 8vo . Lodovico Avanzo hardcover
1512047500Venice: Angelo Scinzenzeler 1512. Early Edition. Hardcover Full Leather. Good Condition. Rebound in modern tooled leather. With the Opera bound before the Sonnets - with only 3 of the 6 engravings otherwise complete. Lacking the leaves at g5 i4 and q7 each with an engraving on the verso. 10 125 of 128; 116pp. With some mispagination and a switch to Arabic numerals from 89 but mispaginated 69 to 96. Modest foxing throughout lighter and heavier in spots first and lst pages worn. Old ink stains to Triumph of Time plate. and a few other stray old ink drops. Still very good or better overall save for the missing leaves. <br /> <br /> A rare edition a reimpression of Scinzenzeler's 1507 edition and with fine engravings by an unknown artist from the 1494 edition. Size: Folio. 2-volume set complete. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 047500. Angelo Scinzenzeler hardcover
1579384London: Richard Watkyns 1579. First Edition. Very Good. Small 4to; 7 1/2 x 5 5/8 in. 190 x142 mm; pp. 4 xiv 1-152 First Booke Physicke for Fortune: 153-343 Second Booke Phisicke against Fortune vi table of contents 2. Each book with Epistolary preface by Franucis Petrarche. Translated into English from Latin by Thomas Twyne whose introduction dedicates the work to "Richard Bertie Esquier." Title within woodcut decorative border woodcut decorative initials set in gothic and latin type lacking sig.B and final blank lower corner of title torn and repaired with loss supplied first gathering lower corners repaired some dampstaining and toning throughout but sheets supple and intact. 19th century calf gilt panels from early English blind-stamped binding laid down on covers corners worn rubbed. Front pastedown with small engraved bookplate with initials "I N"<br /> <br /> Title page reads: «Physicke against Fortune as well prosperous as adverse contained in two Bookes<br /> Whereby men are instructed with lyke in differencie to remedie theyr affections aswell in tyme of the bright shyniyng sunne of prosperities as also of the foule lowiyng stonnes of adversities. Expedient for all men but most necessary for such as be subiect to any notable insult of eyther extremities. Written in Latine by Francis Petrarch a most famous Poet and Oratour. And now first Englished by Thomas Twyne.»<br /> <br /> STC 19809; ESTC S114602. This is the first edition in English of "De Remediis Utriusque Fortunae" "Remedies for Fortune Fair and Foul" written in Latin by the Humanist Francesco Petrarca 1304-1374 commonly known as Petrarch a collection of 254 dialogues mostly drawn from classical sources which seeks to instruct on moral philosophy and show how thought and deed can generate happiness on the one hand or sorrow and disillusionment on the other. It touches on a number of diverse subjects including dancing ball games gambling wrestling hunting and hawking alchemy libraries schoolmasters spectacles toothache lechery gout blindness and deafness. In a recurring theme throughout the dialogues Petrarch advises humility in prosperity and fortitude in adversity. It remained a popular book in Europe over the ages and was translated into English by the Elizabethan physician Thomas Twyne 1543-1613.<br /> <br /> "Latin work by Petrarch begun in 1354 but completed between 1360 and 1366 on how to deal with both good and bad fortune. The first of its two parts contains 122 dialogues between Ratio Gaudium and Spes and deals with how one should behave at times of good fortune; the second contains 131 dialogues between Ratio Dolor and Timor and deals with the behaviour appropriate to adverse fortune. It is a practical manual of moral philosophy and was widely read until the 17th c." Oxford Companion to Italian Literature. Richard Watkyns unknown
1572EPL20Weidlitz 1572. Paperback. Very Good. Half-page woodcut illustration depicting the infamous quelling of rebellious peasants. Size: 280 x 190mm. <br/><br/> paperback books
1549277961Venice 1549. hardcover. Highly decorative architectural title featuring portraits possibly of Petrarch and Laura below the motto "Non mai si dolce fiamma in due corpi arse" There is never a sweet flame in two corpses cropped at top edge. Illustrated with 6 woodcut vignettes "Triomphi" section and a number of decorative initials. 12 preliminary leaves 237 3 leaves with elegant typography. Thick 8vo attractively bound in full contemporary mottled calf; red speckled edges. Vinegia: P. & G. Fratelli di Nicolini di Sabio 1549. The second edition with the Daniello commentary. A very good copy attractive and sturdy however lacking the A signature pages 1-8 of "in Vita di M. Laura" and bound with blank pages in its place.<br/><br/> Publisher statement from colophon: In Vinegia per Pietro & Gioanmaria Fratelli di Nicolini da Sabio Ad instanza di M. Gioambattista Pederzano libraro al segno della Torre appresso il ponte di Rialto & compagni. -- Fowler M. Petrarch; p. 101; BM STC Italian 1465-1600; p. 504; Adams; P815.<br/><br/> unknown books
154975611549 In Vinegia : Per Pietro & Gioanmaria fratelli de Nicolini da Sabio, ad instanza di M. Giombattista Pederzano libraro al segno della Torre appresso il ponte di Rialto & compagni, 1549. In-8: 16x21,5 cm, 1 f. de titre avec «A gli Studiosi del Petrrarcca Giovanbattista» au vo., 11 ff. n. chiff. dintroduction et «Tavola dei Sonetti», 237 ff. Chiff. 1 à 237 pour les Sonetti et la Canzoni, 3 ff. n. chiff des «Altri sonetto del detto» et dachevé d'imprimer. Précieuse édition XVIe des oeuvres de Pétrarque (1304-1374) établie par léditeur vénitien Giovanni Antonio de Nicolini da Sabio et enrichie dune page de titre entièrement gravée avec les portraits du poète et de Laura en médaillon, de six figures sur bois à demi-page et de nombreuses lettrines initiales historiées. Une édition très correcte qui contient un texte très pur. (Graesse, V, 227). Il sagit de la deuxième édition, très augmentée et illustrée des six bois gravés pour les Trionfi, de lédition de 1541 du Canzoniere établie par Giovanni Antonio de Nicolini da Sabio, accompagnée des commentaires de Bernardino Daniello repris des notes de Trifone Gabriele. Lédition de 1549 « est plus belle et plus soignée que la précédente». (Brunet, IV, 550). «Fu fatta con molta diligenza, e nitidezza de caratteri; e graziose pur sono le stampe dintaglio, che adornano i Trioni». (Marsand, Biblioteca petrarchesca, pp. 57-58). Reliure en vélin. Dos à cinq nerfs avec titre et fleuron manuscrits à lencre noir. Tranches bleues. Ex-libris: André Gutzwiller. En excellent état avec un papier particulièrement frais et blanc.